MOVIE REVIEW: YOUNG ADULT

IN THEATERS

YOUNG ADULT



Upon returning to her small Minnesota hometown to win back her high school sweetheart (Patrick Wilson), now a happily-married father, divorced young adult fiction author Mavis Gary (Charlize Theron) forges an unexpected bond with another former schoolmate (Patton Oswalt) who's had a particularly difficult life. Juno collaborators Jason Reitman and screenwriter Diablo Cody re-team for this Paramount Pictures production. ~ Jason Buchanan, Rovi

Director: Jason Reitman

Cast: Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser, Collette Wolfe

Release Date: Dec 09, 2011

Rated: Language and some sexual content

Runtime: 1 hr. 34 min.

Genres: Art House, Comedy, Drama

Review:

Young Adult is the kind of film that’s won’t give you tidy answers complete with a happy catch all lessons learned ending. It’s stark, occasionally dark and impressively authentic. Setting aside most of the more zingy dialogue from her previous efforts, Cody’s script feels closer to home and more personal. Reitman’s ability to make the mundane interesting is perfect to capture this woman’s constant state of arrested development. He drops clues throughout about Mavis’s state of mind and the dark comedy works well but when we dip into the further depths it gets pretty dark. Charlize Theron puts on the type of performance that just as raw and effective as her Oscar Award winning turn in 2003’s Monster. Theron has a masterful way of showing the character’s general state of entitlement and disgust while she’s in her old home town. As her character enters the abyss you expect a certain revelation to occur but it doesn’t. Patton Oswalt is perfectly cast as Mavis’s former classmate, an equally damaged but less delusional counter part. Oswalt has an effect everyman type truth to his deliver and here it works perfectly. Looking at this film as a whole, it’d be easy to feel that Reitman and Cody are making a statement about those lost Gen X-ers who seem to have a happier life but are ultimately vapid and unfulfilled.

A

[Trailer] Prometheus

Trailer for Prometheus is out and the question about whether it’s a prequel for Alien or not seems to be a big yes even though Scott has said that it won’t contain an actual xenomorph.

Either way, this trailer hints at an epic story line with Ridley Scott at the helm set expectations to mile high…..

MOVIE REVIEW: THE GIRL WITH THE DRAGON TATTOO

IN THEATERS
THE GIRL WITH THE DRAGON TATTOO



A discredited journalist (Daniel Craig) and a mysterious computer hacker discover that even the wealthiest families have skeletons in their closets while working to solve the mystery of a 40-year-old murder in this David Fincher-directed remake of the 2009 Swedish thriller of the same name. Inspired by late author Stieg Larsson's successful trilogy of books, The Girl with the Dragon Tattoo gets under way as the two leads (Daniel Craig and Rooney Mara) are briefed in the disappearance of Harriet Vanger, whose uncle suspects she may have been killed by a member of their own family. The deeper they dig for the truth, however, the greater the risk of being buried alive by members of the family, who will go to great lengths to keep their secrets tightly sealed. ~ Jason Buchanan, Rovi

Director: David Fincher

Cast: Daniel Craig, Rooney Mara, Christopher Plummer, Steven Berkoff, Stellan Skarsgård

Release Date: Dec 21, 2011

Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity, and language

Genres: Suspense/Thriller

Runtime: 2 hr. 38 min.

Review:

Remaking a foreign film that came out in 2009 still kind of boggles the mind but if somebody was going to do it and do it well, David Fincher is probably the right guy to helm it. Personally I’m a fan of the Swedish film trilogy which I found sleek and impressively shot, not to mention the cast with Noomi Rapace leaving the biggest impression. So while it’s hard to not compare and contrast, I’ll try and avoid it as much as possible but it’s unavoidable. Fincher’s film sizzles with his trademark visual style which gives his film an oppressive and grim atmosphere throughout. Fincher seems to be reaching back to his own film, The Game, when dealing with the Vanger’s. A few things change here and there but for the most part, to its detriment, Fincher sticks to the general structure of the Swedish film. Sadly, some of the plot issues that bothered me previously seem amplified here with a choppy story structure especially in the final act which seems to have more ending that the last Lord of the Rings. Still, Fincher does a good job of pacing the film at a steady pace even if there isn’t much tangible action. Fincher handles Lisbeth’s more explicit scenes with impressive style, making it just as shocking even if you’ve seen the Swedish version. Rooney Mara in the role of Lisbeth is a revelation, while I loved Noomi Rapace’s take on the character she had a bit of an issue showing the character’s fragile side. Mara deftly deals with this through simple facial movements, typically with no dialogue. She also plays her rage like a sort of wild animal pushed into a corner; just listen to her manic yelping when restrained. Daniel Craig fills the role of Mikael Blomkvist with a more believable sense of self than Michael Nyqvist in the Swedish version. Some of the issue with Blomkvist is that comes off as kind of aloof, it’s more of an issue with the source material than anything else but Craig does a solid job. Christopher Plummer’s small but pivotal role is well done as he’s clearly on task and having a ball. Stellan Skarsgård seems slightly off and understated for some reason. David Fincher brings it all together and delivers a strong film that, like the original film, works much better off the films leads especially the showcase role of Lisbeth which Mara nails.

B+

[Trailer] The Hobbit

Continuing the blockbuster season of trailers, the first trailer for Peter Jackson’s The Hobbit was just released and it can best be described in the cheesiest of ways but it is in fact a return to Middle Earth…..

[Trailer] Wrath of the Titans

Being overshadowed by the massive new of The Dark Knight Rises trailer’s release, the sequel to the redux of Clash of the Titans has released its first trailer.

Personally, Clash of the Titans was one of my least favorite remakes of recent memory. It just seemed to get everything wrong on so many levels.

This one looks a bit more promising, probably because of the higher amount of CGI and hair conditioner, and the trailer gives off a noticeable God of War video game feel.

They might deliver a more enjoyable experience, especially since they are removed from the first films requirement to adhere to part of the originals plot.

Then again it might just be more garbage….

[Trailer] The Dark Knight Rises

The full trailer for The Dark Knight Rises is finally out on the web. I saw it on IMAX this weekend before Mission Impossible: Ghost Protocol and after watching it again I’ve had the same reaction.

The hairs on my arm just stand up as I witness the epic-ness that on display…..

MOVIE REVIEW: MISSION IMPOSSIBLE: GHOST PROTOCOL

IN THEATERS

MISSION IMPOSSIBLE: GHOST PROTOCOL



Academy Award-winning director Brad Bird (Ratatouille) makes his live-action feature directorial debut with the fourth installment of the massively successful Mission Impossible series. The Kremlin has been bombed, and the blame has fallen on the IMF. As a result, the president initiates Ghost Protocol, and accuses Ethan Hunt (Tom Cruise) and his team of placing the bomb in an attempt to incite a global nuclear war. Now, in order to clear the IMF of terrorism charges, Ethan assembles a new team to uncover the truth by using every high-tech trick in the book. But this time they're on their own, and should they be caught, the entire world could be plunged into a nightmare from which there is no waking up. Jeremy Renner, Paula Patton, and Simon Pegg co-star. ~ Jason Buchanan, Rovi

Director: Brad Bird

Cast: Tom Cruise, Paula Patton, Simon Pegg, Jeremy Renner, Michael Nyqvist

Release Date: Dec 21, 2011

Rated PG-13 for sequences of intense action and violence

Genres: Action/Adventure

Runtime: 1 hr. 50 min.

Review:

The Mission Impossible franchise has been a study in variety with each film bringing a different cinematic flavor. Ghost Protocol is simply fun from start to finish. Brad Bird, who also had directed The Incredibles & The Iron Giant, has tapped into that sweet spot for action films. Simplistic and bombastic, Bird delivers an adrenaline filled series of huge action set pieces that would serve as a climaxes in most films. Each is well planned and plotted, always keeping the audience in a white knuckled stance. The cast seems to be having just as much fun as the audience. Tom Cruise is about as relaxed as I’ve seen him in a long time. Cruise provides a steady cool and is always believable as super agent Ethan Hunt, a character that’s really defined his action career. Jeremy Renner is equally at ease in his role, he’s being prepped to take over the franchise from Cruise, and the two share a fun sense of chemistry on screen. Paula Patton is adequately sexy and powerful, while Simon Pegg shines as one the best comic relief role seen in a long time. Michael Nyqvist is appropriately sinister as the villain not that he’s asked to do much in the first place. There’s a small subplot involving a Russian cop that feels like it could have been excised and streamlined the run time but it’s a minor quibble. As a whole, Ghost Protocol is probably one of the best action films in recent memory but those that have seen Bird’s animated film shouldn’t be surprised.

A

[Trailer] Rock of Ages

I’ve been a big fan of movie musicals because I fell in love with Baz Luhrmann’s Moulin Rouge.

Before that I can say I was generally disinterested in most musicals, since I just can’t get enough of them.

The teaser for Rock of Ages looks like it could be lots of fun with a nice dose of self aware cheese……

[Trailer] G.I. Joe 2: Retaliation

Can't say I could ever bring myself to watch the first one. This one looks like it's over the top to the point where it might be fun. That might is a big might, either way, watch Dwayne Johnson flex and everybody else pose their way through the trailer....

[Trailer] MEN IN BLACK 3

Men in Black is probably one of my favorite summer films. I can remember watching in the theater multiple times, something I rarely do. Tommy Lee Jones and Will Smith comedic chemistry was perfect and the sci-fi comedy took itself just serious enough.

The sequel was an example of excess as it just doubled everything with a grating effect, not to mention some of the most obvious marketing ploys in the history of film.

The trailer for the 3rd film gives me hope that we might see a return to the fun of the first….

MOVIE REVIEW: THE CAPTAINS

ON DVD / NETFLIX STREAMING

THE CAPTAINS



The Captains is a feature length documentary film written and directed by William Shatner. The film follows Shatner as he interviews the other actors whom have portrayed Starship captains within the illustrious science-fiction franchise.

Directed by William Shatner.

Starring: William Shatner, Patrick Stewart, Avery Brooks, Kate Mulgrew, Scott Bakula, Chris Pine

Runtime: 97 min

Genres: Documentary

The Captains is the kind of documentary that’s required viewing for Trek fans like me. Your enjoyment of it may depend on how much you enjoyed William Shatner. Shatner directs and produces this insightful and occasionally emotional peek at the actors that have occupied the captain’s chair in Star Trek’s various iterations. While the documentary is supposed to be about the actors, Shatner never allows the spotlight to shine to far from him. Shatner as an interviewer is always interesting to see as he can be funny and terribly self aware while being incredibly self-centered. Personally, I found him enjoyable as he listens to various anecdotes from Patrick Stewart, Avery Brook, Kate Mulgrew, Scott Bakula and Chris Pine. Shatner covers a wide range of topics mostly from the actors point of view, so those expecting deep musings into Trek story lines will be disappointed. Those who have interest in what it like as an actor to deal with a franchise will find lots to enjoy. Thing get very personal when the subject of divorce and family comes up, giving the film an unexpected emotional kick. The Captains is a Shatner production through and through, albeit a very personal one, but excellent viewing for any fan who’s interested in the people behind the characters.

B

[Trailer] The Cabin in the Woods

The long gestating Joss Whedon produced horror project recently got a release date and the trailer has come out.

I’ll admit I only knew a little about the actual film but after watching the trailer I’m a lot more interested than before as it hints to some fun genre bending intrigue.

By the time it hits the screen it’ll be 3 years since it wrapped filming, maybe it’ll be worth the wait.

MOVIE REVIEW: 30 MINUTES OR LESS

ON VIDEO

30 MINUTES OR LESS



Small-town pizza delivery driver Nick (Jesse Eisenberg) stumbles into an elaborate crime scheme when he's abducted by a pair of ambitious criminals (Danny McBride and Nick Swardson) who coerce him into robbing a bank on a strict timeline. Desperate, Nick implores his former best friend Chet (Aziz Ansari) to help him out of the predicament. But with each attempt to thwart the would-be criminal geniuses, Nick and Chet find their dire situation spinning faster out of control. ~ Jason Buchanan, Rovi

Director: Ruben Fleischer

Cast: Jesse Eisenberg, Danny McBride, Aziz Ansari, Nick Swardson, Dilshad Vadsaria, Michael Pena

Release Date: Aug 12, 2011

Rated R for crude and sexual content, pervasive language, nudit and some violence

Genres: Action/Adventure, Comedy

Review:

30 Minutes or Less is breezy easily digestible comedy that speeds by provides a handful of laughs and doesn’t over stay its welcome. To say the plot is simplistic is an understatement, it’s about as barebones as you can get. Director Ruben Fleischer uses that to his advantage and crafts a lean film that focuses on his assembled talent and lets them shine. Jessie Eisenberg and Aziz Ansari make up an over caffeinated and manic pair. Both work well together and share a similar comedic energy. Danny McBride and Nick Swardson work just as well as a pair. Both pairs of actors fit so perfectly that it’s easy to overlook some of the more obvious flaws of the plot. Michael Pena is always fun in small roles and he’s his usual scene stealing self here as well. 30 Minutes or Less is the kind of movie that has a singular mind, it aims to bring some crude laughs your way then head out as quickly as it came and all in under 90 minutes.

B

MOVIE REVIEW: TUCKER AND DALE VS. EVIL

ON DEMAND

TUCKER & DALE VS. EVIL


Director Eli Craig and co-screenwriter Morgan Jurgenson poke fun at horror clichés with this genre-bending comedy about a pair of harmless backwoods hayseeds who are mistaken for vicious serial killers. Dale (Tyler Labine) and Tucker (Alan Tudyk) are checking out their newly acquired "summer home" (read: dilapidated cabin) when they save the life of a gorgeous college student (Katrina Bowden) who's camping in the woods with some friends. When a series of misunderstandings leads to Dale and Tucker being labeled psycho killers by the vacationing students, the situation takes a sudden and ghastly turn for the worst. ~ Jason Buchanan, Rovi

Director: Eli Craig

Cast: Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Philip Granger

Release Date: Sep 30, 2011

Rated R for bloody horror violence, language and brief nudity

Runtime: 1 hr. 26 min.

Genres: Art House, Comedy, Horror

Review:

Eli Craig’s debut film is a hidden horror comedic gem. While he doesn’t quite achieve the satirical greatness of something like Shaun of the Dead, he does get pretty damn close. Playing off all killer hillbilly clichés, Craig delivers a steadily funny film that’s sure to please genre fans without being inaccessible to the general public. It’s funny, goofy, gory and generally likable across the board. A lot of the credit has to go to his 2 leads. Tyler Labine, whose like a lovable grizzly bear, and Alan Tudyk are on task right from the start. Their screen presence is perfect for the roles and both have comedic chops. They play off each other easily and naturally. 30 Rock’s Katrina Bowden is equally likable even if she’s asked to do a lot less. The remaining cast plays roles that are purposely one note but they fill the required clichés needed for these type of films. Tucker & Dale vs. Evil is steady until the final act where it has to deal with wrapping up the plot and it’s not nearly as enjoyable as everything that preceded it. Still, it’s hardly enough to take anything away from the experience as a whole. The film has been out in limited release for a few years now and on most cable and satellite on demand systems, its worth looking for and deserves a bigger audience.

B+

MOVIE REVIEW: J. EDGAR

IN THEATERS

J. Edgar



Acclaimed actor Leonardo DiCaprio stars in Academy Award-winning director Clint Eastwood's richly detailed biopic exploring the life and career of controversial FBI Director J. Edgar Hoover. For nearly 50 years, Hoover (DiCaprio) fought crime as one of the most powerful law enforcers in America. During Hoover's extended stint as Director of the FBI, however, his penchant for bending the law in the name of seeking justice and using the secrets of high profile leaders to gain personal leverage won him just as many supporters as detractors. Little did many other than his loyal colleague Clyde Tolson (Armie Hammer) and faithful secretary Helen Gandy (Naomi Watts) know, however, that Hoover himself was a man with many secrets to hide. Josh Lucas, Judi Dench, and Stephen Root co-star in film written by Oscar-winning Milk scribe Dustin Lance Black. ~ Jason Buchanan, Rovi

Director: Clint Eastwood

Cast: Leonardo DiCaprio, Naomi Watts, Armie Hammer, Josh Lucas, Judi Dench

Release Date: Nov 09, 2011

Rated R for brief strong language

Runtime: 2 hr. 17 min.

Genres: Drama

Review:

Clint Eastwood’s J. Edgar is a solid biopic even if it occasionally turns into a chore to watch as it slowly recounts the highlights of Hoover’s life. Eastwood work on screen is precise and deliberate but surprisingly detached as well. Usually Eastwood has a strong emotional connection with his subject matter but it’s strangely missing here. What he delivers is a slightly unfocused hodgepodge of snippets from Hoover’s life, bouncing around from the past to the present, not always with a clear purpose. The script comes off as more informational than thought out; the main characters are fleshed out but only to a certain degree. The audience is kept at arms length for the most part; a few scenes allow us into Hoover’s psyche a bit more but not enough. In the titular role Leonardo DiCaprio is impressive, working a strong accent throughout, breaking out of his traditional mold. His performance showcases the massive contradictions of the man and he tries to give us as many layers as possible. A well groomed Armie Hammer is the film’s heart and soul. It’s a shame the script doesn’t allow him to do more because I’m sure he could have really expanded on this role if he’d been allowed to. His and DiCaprio’s interactions lay the ground work for so much of the inner turmoil that Hoover experience, one can’t help but feel that it could have been explored more thoughtfully. Naomi Watts is left on the sidelines for the most part, more of a spectator than an actual player in the grand scheme of things. The real crime is that her character, especially in the final years of Hoover’s life, seemed fertile for exploration. Since this is one of those films that travels across nearly half a century, heavy make up and prosthetics play a prominent role. DiCaprio and Watts seem to have the best luck with the make with poor Armie left with some the looks like a bad burn victim with liver spots. As a whole J. Edgar engages but lacks the emotional punch you’d expect.

B-

Bluray quality; Video is excellent really showcasing the muted visual tone of the film; Sound is basic with very little flair to make it stand out.

I was hand-selected to be a member of Blu-ray Elite, a beta program from Warner Home Video which has graciously sent me this free Blu-ray disc.

[Trailer] MIRROR, MIRROR

About as far removed from the tone of last week’s Snow White and the Huntsman, Tarsem Singh's Mirror Mirror has an almost comedic tone with Julia Roberts chewing up scenery like a crazy. Lily Collins does seem like a more suitable Snow White in my opinion.

Singh’s visuals, as usual, are incredibly impressive but it’s a totally different genre on the same material, should be very interesting to compare and contrast when both projects come out…..

MOVIE REVIEW: IMMORTALS

IN THEATERS

IMMORTALS



A brave young stonemason assembles a fierce band of warriors to prevent an evil king from acquiring the artifact that will permit him to rule the world in this epic mythological fantasy from visionary filmmaker Tarsem Singh. ~ Jason Buchanan, Rovi

Director: Tarsem Singh

Cast: Henry Cavill, Mickey Rourke, Freida Pinto, Stephen Dorff, Kellan Lutz

Release Date: Nov 11, 2011

Rated R for sequences of strong bloody violence and a scene of sexuality

Runtime: 1 hr. 50 min.

Genres: Action/Adventure,Fantasy, Mythology

Review:

Those looking for that singular Greek Mythology film will probably have to keep looking. Immortals is a visually impressive film that never bores the eyes but never matches its visual intensity with narrative punch. Loosely based from Greek Myths, i.e. they’ve used the time period and some names; the story is an overly complex and occasionally incoherent jumble that doesn’t ever really find any sort of rhythm. Tarsem Singh visual flair is enough to make the film watchable and enjoyable for the better part of its runtime. Singh paints incredible cinematic images that your eyes and mind are occupied for the better part of the run time. Unfortunately with the threadbare script, the dead zones are noticeable and drawn out. The cast isn’t much help as they aren’t asked to do much but show off impressively toned and oiled bodies only occasionally whispering some dialogue. Mickey Rourke chews scenery like he’s angry at it, while Henry Cavill and Freida Pinto are incredibly stiff. The secondary and tertiary, sadly the Gods included, have maybe one or two lines to dialogue to define them. It’s not unexpected and Singh’s films share a lot in common with Julie Taymor and both are far more enjoyable as impressive visual feast for the eyes if not the brain.

C+

[Trailer] Snow White and the Huntsman

While I have to say I’ve been hearing about this for a good while, my interest was pretty damn low.

This trailer hits me as a bit of a surprise, looks impressively dark and epic. Still don’t care for Kristen Stewart but Charlize Theron and Chris Hemsworth make up for it, looking forward this now…..

[FULL TRAILER] UNDERWORLD AWAKENING 3D

2nd trailer is out and while I have my reservations I can’t help but say I’m kind of looking forward to it, however I can’t help but laugh a bit as Beckinsale literally burns rubber sans car……

MOVIE REVIEW: LAKE MUNGO

MOVIE REVIEW: LAKE MUNGO

ON VIDEO



Sixteen-year-old ALICE PALMER drowns while swimming in the local dam. When her body is recovered and a verdict of accidental death returned, her grieving family buries her. The family then experiences a series of strange and inexplicable events centered in and around their home.

Directed by Joel Anderson

Cast: Rosie Traynor, David Pledger, Martin Sharpe, Talia Zucker

Release Date: Jan 21, 2010

Rated R for a scene of sexuality, and brief gruesome images

Runtime: 89 Minutes

Genres: Art House/Foreign, Drama, Horror, Mystery, Thriller

Lake Mungo is a hidden gem of a horror film. It’s not a horror film in the most standard definition; instead it’s a serious mocumentary that explores ghostly goings on with a family along with their grief and sense of loss. It all done with some a deft hand that it feels real for the better part of it’s run time. Director Joel Anderson really hits on some interesting nerves as he gives his film an emotional center that feels authentic and realistic. Slow to start the plot really finds its footing as the central mystery unravels. Unlike the recent Paranormal Activity series which places you in the actual house for the duration, Lake Mungo makes great use of blurry videos and photos intermixed with talking head interviews with the people involved. It feels like an actual documentary you might see on TV. The plot itself is strong but leaves a lot of open threads that remain unanswered through the films conclusion. It’s the kind of ghost story that really simmers in your mind, percolating well after the film is over.

B

MOVIE REVIEW: ATTACK THE BLOCK

ON VIDEO
ATTACK THE BLOCK



A group of London teens find themselves in the middle of an alien invasion and fight to defend their tower block from some evil extraterrestrials in this stylish sci-fi romp from the producers of Shaun of the Dead and Scott Pilgrim vs. the World. ~ Jason Buchanan, Rovi

Director: Joe Cornish

Cast: John Boyega, Jodie Whittaker, Franz Drameh, Luke Treadaway, Nick Frost, Jumayn Hunter

Release Date: Jul 29, 2011

Rated R for drug content, pervasive language and creature violence

Runtime: 1 hr. 28 min.

Genres: Action/Adventure, Art House/Foreign, Comedy

Review:

Some movies instantly bring a strong sense of energy to the screen. It permeates through the screen the instant it starts. While it doesn’t always mean it’s the best filmed or plotted story out there, it does have that palpable sense present throughout. Attack the Block is that kind of film, far from perfect but imbued with enough cinematic energy to make you over look some of the more glaring flaws. First time director Joe Cornish has an interesting style which gives his low budget alien invasion dramdy a fun sense of itself. Cornish moves the film along at a brisk pace but it never feels rushed. Some of the characters are a flimsily written but the performances from the young cast really helps make it easier to watch. Front and center is John Boyega, his performance is fascinating throughout. Believable for the better part of the film, he has a quiet strength that’s a real treat to watch. Luke Treadaway is a good fun as stoner college student along for the ride. Jodie Whittaker does solid work but fairly forgettable as the female lead. Attack the Block is kind of a modern day amalgam of 80’s type kid adventure films, mix with some 90’s street films, remixed and blended with aliens and a dose of self aware comedy.

B

MOVIE REVIEW: PARANORMAL ACTIVITY 3

IN THEATERS

PARANORMAL ACTIVITY 3



The Paranormal Activity franchise continues with this third outing from Paramount Pictures. Oren Peli and Jason Blum return to produce the highly secretive feature, with Catfish's directing duo of Henry Joost and Ariel Schulman taking on the helming duties. ~ Jeremy Wheeler, Rovi

Director: Henry Joost, Ariel Schulman

Cast: Chloe Csengery, Jessica Tyler Brown, Christopher Nicholas Smith

Release Date: Oct 21, 2011

Rated R for some violence, language, brief sexuality and drug use

Runtime: 1 hr. 25 min.

Genres: Horror

Review:

The fact that Paranormal Activity is a franchise is an achievement in of itself. From the humblest of beginnings it’s brought us some of the best scares of the last decade. The sequel was pretty impressive in that it expanded the mythos of the original story and upped the scares. This third entry follows the same general pattern as the previous films. We hear things, see things fly around and watch as terrified people try to figure what’s going on. This third entry goes back to Katie and Kristy’s childhood to show the start of the whole thing. Directors Henry Joost and Ariel Schulman are right at home, they directed the possibly real / fake Catfish, in this setting. They set up some interesting scares and while the film keeps with the previous film’s mantra of being subtle, they show more of what goes bump in the night. It’s all done well, even if it makes you wonder if along with demonic possession a need to document everything on film is a family trait. Sadly, something is missing here. There are a few jump scares but it lacks the pop of the first two. As a result it all feels very like you are going down a road well traveled and the scares all come at fairly obvious moments. The bigger sin is that the mythos isn’t expanded all that much, most of the plot has been mentioned in the previous films so there is no massive reveal to make the whole thing worthwhile.

C

MOVIE REVIEW: RED STATE

RED STATE


Kevin Smith steps his foot into horror territory with this politically tinged fright flick starring Michael Parks (From Dusk Till Dawn, Grindhouse) as a controversial Fred Phelps-ish reverend who brings his own brand of zealotry to a wayward group of teens. Smith directs from his own long-in-development script. ~ Jeremy Wheeler, Rovi

Director: Kevin Smith

Cast: Michael Parks, Melissa Leo, John Goodman, Kyle Gallner, Michael Angarano

Release Date: Jan 23, 2011

Rated R for disturbing content, some sexual content, strong violence, pervasive language and brief nudity

Runtime: 1 hr. 37 min.

Genres: Horror, Suspense/Thriller

Review:

You have to give Kevin Smith credit for stepping outside of the box and trying something different. Red State is a messy message movie that has Smith painting with really broad strokes, creating something that feels rushed and terribly underdeveloped. Watching Red State, you can see where Smith’s mind is but he never achieves a fully realized vision. Instead Red State is a choppy film that has strange tonal changes throughout, with some weird comedic asides. Wonderful character actor, Michael Parks, is placed front and center and Smith gives him free reign with the character which succeeds to varying degrees. Parks is impressive and mystifying in his opening appearance, a nearly 15 minute monologue/ sermon but as the film wears on he should have been reigned in a tad to avoid the caricature the ends the film. Smith has the scaffolding of a film dealing with religious zealots like Fred Phelps, Jim Jones or David Koresh but it turns into something closer to satire. John Goodman and his group of ATF agents are a prime example of this, playing more as types than actual characters. Melissa Leo and Stephen Root show up and barely register. The finale is an almost silly tangent into the bizarre that leaves you scratching your head wondering what Smith intention in this splatterfest was.

C-

[Red Band Trailer] American Reunion

I’ve never been a big time fan of the series but the first 2 were pretty funny then it just went into a head spin down ending in craptastic Direct to Video entries.

All that being said, this reunion of all the original cast looks like it might capture was funny about the original, looks pretty funny….

MOVIE REVIEW: THE THING (2011)

IN THEATERS

THE THING (2011)

An American paleontologist and a team of Norwegian scientists fight for their lives against a shape-shifting extraterrestrial that can perfectly mimic any living creature in this prequel to John Carpenter's 1982 horror classic. Upon receiving word that the Antarctic research team has unearthed an alien craft, paleontologist Kate Lloyd (Mary Elizabeth Winstead) joins the group to explore what secrets the ship might hold. Though by Kate's estimation the creature inside the spaceship has been dead for centuries, it has actually just been lying dormant in the ice. Perfectly preserved, it has awaited the day when it would finally be freed from its frigid prison; now, after eons of lying in wait, that day has finally come. Suddenly revived during a crucial experiment, the malevolent alien begins methodically mimicking each member of the crew undetected. By the time Kate realizes the frightening implications of the creature's unique ability, it may already be too late. As paranoia among the crew begins to intensify, it's up to Kate and the crew's helicopter pilot, Carter (Joel Edgerton), to make sure the extraterrestrial menace is exterminated before it has the opportunity to escape -- for, should it manage to make its way to a heavily populated area, humanity's days may be numbered. Matthijs Van Heijningen Jr. makes his feature directorial debut from a script by Eric Heisserer and Battlestar Galactica's Ronald D. Moore. ~ Jason Buchanan, Rovi
Director: Matthijs van Heijningen Jr.

Cast: Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen, Adewale Akinnuoye-Agbaje

Release Date: Oct 14, 2011

Rated R for Strong creature violence and gore, disturbing images and language

Runtime: 1 hr. 43 min.

Genres: Horror, Sci-Fi/Fantasy

REVIEW:

The Thing prequel was always going to be a dicey subject for me since Carpenter’s remake from the 80’s is one of my top 3 favorite horror films of all time. I’ve tried to keep an open mind but I am only human and I’m sure my prejudices infect this review more than it should. This prequel feels a lot like a remake especially in the first act. It plays very similarly but first time director Matthijs van Heijningen Jr. seems more interested in getting to the creature effect as opposed to building up suspense. The story also changes the creature’s logic, making it more aggressive where as Carpenter’s version reacted in a more defensive manner. The effects in of themselves are impressive and pay homage to the Carpenter film but the CGI is of variable quality, occasionally looking very good then looking incredibly bad in others. Heinjinigen turns this prequel more into a standard creature feature with characters that could barely be called paper thin. The characters, including the lead, feel like nothing more than fodder for creature. Mary Elizabeth Winstead is terribly miscast her and she reads lines about as flatly as they can be read. Her performance and character are never engaging or interesting instead a general sense of bland throughout. The remainder of the cast is simply asked to replicate versions of characters from the Carpenter film, with Joel Edgerton and Adewale Akinnuoye-Agbaje doing their best Kirk Russell and Keith David impersonations. There are a few scares here and there but with the lack of any tangible suspense they are all telegraphed making them fairly obvious. The final act plays more like something from the Aliens franchise. The ambiguity of the Carpenter film is missing right through the end. A nice wrap up scene, setting up the Carpenter film, during the credits is well done but doesn’t do much but put the final pieces in place. Fans of the Carpenter film will find things to like here and there and will probably walkout with the desire to watch the Carpenter film as soon as they leave the theater, quickly forgetting this prequel.

C

TV SHOW REVIEW: WEEDS SEASON 1 - 7

TV SHOW REVIEW: WEEDS SEASON 1 - 7



Synopsis:

Dark comedy about a single mother who makes ends meet by selling marijuana in the fictional suburb of Agrestic, California. The series exposes the dirty little secrets that lie behind the pristine lawns and shiny closed doors of homes in the of this gated community. Mary Louise Parker stars as the suburban mom who resorts to selling weed to support her family after her husband unexpectedly dies

Starring: Mary-Louise Parker, Hunter Parrish, Alexander Gould, Kevin Nealon, Justin Kirk

Weeds is an interesting show, for a dramedy it’s incredibly risky and bold, not just because of the subject matter either. Jenji Kohan has to be given credit for taking massive risk throughout the series’ 7 season run. Most shows stick with the status quo and stick with what works. Weeds, for better or worse, likes to stir the pot (pun intended). At its center is the lovely and snarky turn by Mary-Louise Parker. Parker has an interesting screen presence and an uncanny ability to deliver lines in a funny & sarcastic way. Her biggest talent is turning a character that becomes increasingly reckless, selfish and self centered likeable some how. It’s a daunting task to keep the audience on Nancy Botwin’s side and there are plenty of times that it’s impossible but regardless Parker make her interesting. Justin Kirk has a slightly easier time with Andy Botwin who starts off as kind of a mooch be really turns into the shows heart and soul. Andy functions nicely a passive stand in for the audience. Hunter Parrish and Alexander Gould really grow into their roles both literally and artistically as the series goes on. Gould’s character in particular takes an interesting but decently foreshadowed turn as the series goes on. Kevin Nealon really flexes his comedic muscle as stoner / once well respected bureaucrat and accountant, like everybody else’s character his story line takes many a twist and turn. An assortment of excellent character actors and actresses pepper the series all leaving lasting impressions which are especially noticeable when their characters disappear from the series. Elizabeth Perkins, Allie Grant, Tonye Patano and Romany Malco in particular do fine work and causally tossed aside during various seasons. I’d be a liar if I said that Weeds wasn’t occasionally frustrating and maddening. Things change a lot over the course of the series. Season 1 is vastly different from Season 7 but then again the characters would be incredibly boring if they stayed the same forever. Wouldn’t they? If Season 7 is the end and a massive cliffhanger we’re left with is the end, part of me feels like its oddly fitting. Time will tell if we get a proper end or not.

B-

[Official Trailer] The Avengers

Official trailer is finally out and it’s pretty damn Geektastic, watch it for yourself.

You get a nice sense of the scale that Whedon is going for and some nice action shots of all the heroes, of course Robert Downey Jr’s Tony Stark gets the best line in the trailer…..

MOVIE REVIEW: TROLLHUNTER

ON VIDEO

TROLLHUNTER



Three student filmmakers venture into the most isolated region of Norway on a mission to confront a notorious bear poacher, and discover that the elusive hunter's true prey is something far more extraordinary. Though Kalle, Thomas, and Johanna thought they were pursuing a criminal, after locating Hans (Otto Jespersen) with the help of some local hunters, they learn that bears are not his true target but a mere smokescreen to obscure what he's really after -- trolls. A secret government agency has been conspiring to cover up the existence of these massive monsters, but occasionally the trolls manage to break their containment area. Now, if the group can just survive long enough to get their incredible footage to the outside world, they could be responsible for revealing the most impressive cryptozoological discovery in the history of humankind. ~ Jason Buchanan, Rovi

Director: André Øvredal

Cast: Glenn Erland Trosterud, Otto Jespersen, Robert Stoltenberg, Knut Nærum

Release Date: Jun 10, 2011

Rated PG-13 for some sequences of creature terror

Runtime: 1 hr. 43 min.

Genres: Art House/Foreign, Horror

Review:

There is an incredible sense of fun and adventure at the heart of this “found footage” mockumentary. It benefits the film which never really takes itself overly seriously and serves the premise perfectly well. This low budget creature feature is an interesting film that feels more like a road movie which takes full advantage of the wonderfully mythical looking Norwegian landscapes. Director André Øvredal gives his film a surprisingly polished feel. So much so that it really doesn’t feel like a lot of “found footage” genre films. The CGI is impressive considering the minuscule budget; most of it is wisely hidden in the dark or night vision. His cast is fairly naturalistic and come across as authentic. Glenn Erland Trosterud, in particular, just nails his grizzled hunter who’s over the crap job he’s been tasked with. Watching Trosterud and knowing that an American remake is already in the works, remake deal was announced the day it was released internationally, I couldn’t help but think of Tommy Lee Jones in the role. I digress, the film is a lot of fun but it does have some flaws. A few portions of the film just seem like filler and the last act feels like it’s building up to an impressive climax but it doesn’t come through. Instead the film ends abruptly and certain parties portrayed previously suddenly become dangerous. It’s a strange finale but there is a funny little bit near the end with reminds you of the tone that makes Trollhunter easy to enjoy.

B-

[Full Trailer] Paranormal Activity 3

Full trailer for Paranormal Activity 3 is out and it appears that this entry will be a lot more aggressive and left subtle than the first 2.

By the third entry in this franchise, which I’ve enjoyed, it’s almost required that you go all out since the audience already knows rules of the game.

We’ll see if it works in October……

MOVIE REVIEW: MONEYBALL

IN THEATERS

MONEYBALL



Brad Pitt stars in the real-life tale of Major League Baseball general manager Billy Beane, who built up a winning team despite a decreased budget thanks to his sly use of statistical data to calculate the best -- and cheapest -- players for his roster. Aaron Sorkin updates Steve Zaillian's adaptation of Michael Lewis' fly-on-the-wall novel for Columbia Pictures, with Robin Wright, Jonah Hill, and Philip Seymour Hoffman co-starring. ~ Jeremy Wheeler, Rovi

Director: Bennett Miller

Cast: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt

Release Date: Sep 23, 2011

Rated: Some strong language

Runtime: 2 hr. 6 min.

Genres: Drama

Review:

To call Moneyball a baseball movie is kind of a disservice. Personally, I’ve never been a big fan of sports films mainly because they follow such a predictable pattern and are filled with genre required benchmarks. Moneyball forgoes most of that and explores the business of the sport but doing so in a manner that people who are well versed in sports and those who barely know the difference between and out and a touchdown can enjoy it. It’s engaging from the start and the character piece pops in a way few films can. It’s a slow and organic film that allows scenes to gestate long enough to achieve their desired effect. Bennett Miller provides a strong guiding hand making his film feel like jock version of The Social Network. Miller does such a strong job of giving his film an air of authenticity, the scenes all ring true, even to a sports fanatic like myself, but never spilling over into parody. Brad Pitt is spot on as Beane. Pitt masterfully and subtly displays Beane cocksure bravado and private self doubts that drive the man. It’s the type of performance that brings his character to life especially in character scenes that showcase the man’s mind at work. Jonah Hill playing against type provides an excellent counterpoint to Beane. Hill’s quiet and measured performance is perfect for the character’s persona. Phillip Seymour Hoffman rounds out the cast with an impressive turn as A’s Manager Art Howe, his interaction with Pitt’s Beane is the kind of stuff most sports fans know all too well. The film might overstay it’s welcome near the end but just barely.

A

[Trailer] David Fincher's The Girl with the Dragon Tattoo

This new longer, close to 4 minutes, trailer for David Fincher’s remake of The Girl with the Dragon Tattoo really hits up on a lot of the major plot points of the story.

Most should seem fairly familiar to those that have seen the Swedish films, which I thought were fairly strong, and while the style is all Fincher I don’t really see all that much derivation is terms of story or character.

Rooney Mara does seem to give off a stronger tough but wounded vibe than Noomi Rapace as Lisbeth. Still think Rapace will be a tough act to follow personally. Daniel Craig does seem like a good fit for Mikael Blomkvist so we shall see, I have a lot of faith in Fincher so I’m very curious to see the final product.

[Red Band Trailer] The Thing (2011)

The first trailer hardly instilled a lot of hope in me for this prequel but this Red Band Trailer and the amount of CGI which looks to dominate the creature effects are really making me feel more than a little depressed.

Still trying to keep an open mind but it’s getting harder and harder……

[Trailer] [REC]³ Génesis

After I finished watching [REC]2 I was just begging for a 3rd part, thankfully we’ll be getting one!

The teaser trailer for the 3rd part seems to be taking a different approach from the first 2 films but this still looks like an excellent addition to the Spanish horror franchise, hopefully we in the states won’t be left waiting for years like with the 2nd part…..

MOVIE REVIEW: CONTAGION

IN THEATERS

CONTAGION



Steven Soderbergh presents this look at what happens when an infectious disease threatens humanity through varied viewpoints from an ensemble cast, including Marion Cotillard, Matt Damon, Jude Law, Gwyneth Paltrow, Laurence Fishburne, and Kate Winslet. The Informant's Scott Z. Burns provides the script. ~ Jeremy Wheeler, Rovi

Director: Steven Soderbergh

Cast: Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow
and Kate Winslet

Release Date: Sep 09, 2011

Rated: Disturbing content and some language

Genres: Action/Adventure, Suspense/Thriller

Review:

The easiest test of how effective Contagion is how quickly you start to consciously think about touching your face, grabbing a door handle or holding hands with a loved one. Contagion is the type of film that maintains such a close proximity with reality that it feels like an extravagant “what if” documentary. Steven Soderbergh is the perfect director for this germaphobic waking nightmare. Soderbergh reins this film in, keeping the flights of fancy that countless other similar films take so easily, while maintaining his usual detached sensibility and faux naturalism. It’s a different kind of horror film that makes the mundane and common look horrific and vaguely terrifying. The assembled stars are all game even if more than a few get shafted in screen time or fulfilled story lines. Kate Winslet, Laurence Fishburne and Jude Law leave the biggest impressions each for very different reasons. The plot itself does waver a bit in the last act and it kind of stumbles towards the finish line, feeling more exhausted than accomplished. Still it’s leaves enough of an impression that it’ll make you think about touching the door on your way out of the theater.

B+

Bluray quality; Video is fantastic across the board ; Sound is equally impressive.

I was hand-selected to be a member of Blu-ray Elite, a beta program from Warner Home Video which has graciously sent me this free Blu-ray disc.

MOVIE REVIEW: APOLLO 18

IN THEATERS

APOLLO 18



NASA's canceled trip to the moon in the 1970s is the basis for this found-footage-style picture exploring the urban legend surrounding that mission -- what if Apollo 18 actually did occur and the proof of extraterrestrial life exists on film? Wanted's Timur Bekmambetov produces the film, with Spanish director Gonzalo Lopez-Gallego taking on helming duties. ~ Jeremy Wheeler, Rovi

Director: Gonzalo Lopez-Gallego

Cast: Lloyd Owen, Warren Christie

Release Date: Sep 02, 2011

Rated PG-13 for some disturbing sequences and language

Runtime: 1 hr. 26 min.

Genres: Suspense/Thriller

Review:

I’m generally a big fan of the “found footage” films; the genre is just a lot of fun for me. Typically though the films are done on a very small budget and really kind of hit some primal nerve that really digs deep. Apollo 18 sounds like an interesting concept but once we get into the meat of the film it just meanders along, hitting very obvious points and providing maybe one or 2 jump scares. I’m not sure if it could have worked with a better set up or if the antagonist of the film just come off as too silly to be scary. The concept works and I appreciated the mixing of actual archival footage with the film giving it’s a semblance of authenticity. The cast does what’s it’s asked and they fit their parts well but the roles are all terribly underwritten. The story is fairly straightforward and just feels like Blair Witch NASA. It never grabs you and is only mildly interesting making a short film feel incredibly long.

D

MOVIE REVIEW: [REC] ²

ON VIDEO

[REC] 2



Picking up just a few short minutes after the first film left off, Jaume Balagueró and Paco Plaza's adrenalized action horror sequel follows a heavily armed SWAT team and a tight-lipped medical officer as they venture into the quarantined tenement building to uncover the origins of the bizarre outbreak. Their helmet-mounted cameras capturing every nerve-shredding moment of the mission, the team must fight for their lives when they're beset by rampaging victims of the demonic virus. Now, with each new attack, the infection grows, and the horde gains power. Should the virus somehow manage to spread outside, the result would be a disaster of apocalyptic proportions. But there's still hope; the medical officer seems to know something about this infection that he hasn't yet shared with the others. Somewhere in the building, an antidote to the virus waits to be discovered. But in order to find it, these terrified soldiers will have to fight their way through a true hell on Earth. ~ Jason Buchanan, Rovi

Directors: Paco Plaza, Jaume Balagueró

Cast: Jonathan Mellor, Ariel Casas, Alejandro Casaseca, Pablo Rosso, Manuela Velasco

Release Date: Jul 09, 2010

Rated R for Strong bloody violence, disturbing images and pervasive language

Runtime: 1 hr. 25 min.

Genres: Drama, Horror, Suspense/Thriller

REVIEW:

Jaume Balaguer and Paco Plaza's follow up to their dizzyingly wonderful first person zombie film [REC] is more a continuation than a straight up sequel. Picking up just moments after the first one ends, the directors continue the look and film of the first, via a SWAT team this go around with helmet cams. The multi camera aspect presented this go around is effective in giving the audience a different perspective during action sequences that get you even more close and personal during some of the encounters, it’s a great effect even if it feels like a video game from time to time. The story itself is beefed up, giving us more information on what’s going and what’s caused the whole thing all with a decidedly more religious and supernatural tenor. It works well since it’s something that was hinted at near the end of the original film. A minor issue comes about halfway through the film as the directors decide to stop everything and retrace the steps of another group from the very beginning. It’s not the best decision because it kind of kills the flow of the film. While the entire sequence is interesting there’s only very little of consequence that happens. Once this storyline catches back up it continues it path providing enough scares, thrills and surprises to make any horror fan happy and hoping for a third go around.

B+

MOVIE REVIEW: SUPER

ON VIDEO

SUPER



An average guy reacts to the frustration of losing his wife by adopting a crime-fighting persona known as the "Crimson Bolt," and targeting any criminal who crosses his path -- no matter how minor their infraction may be. Frank (Rainn Wilson) is husband to former alcoholic and drug addict Sarah (Liv Tyler), and he loves her with all his heart. Their wedding day was one of but two perfect moments in this Frank's life, but when Sarah runs away with charismatic drug dealer Jacques (Kevin Bacon), the loss was just too much for her mild-mannered husband to take. Subsequently transforming himself into the Crimson Bolt, Frank reasons that if he can take down Jacques along with the rest of the city's scum, his beloved wife will soon come running back. With his homemade suit and his handy pipe wrench, Frank goes to work cleaning up the streets and starts making headlines. But just as the Crimson Bolt becomes the talk of the town, sociopathic comic-store clerk Libby (Ellen Page) reinvents herself as "Boltie," and makes a play to become the controversial street hero's trusted sidekick. Perhaps by working together, the Crimson Bolt and Boltie can make an example of Jacques, and keep the streets safe for average citizens. But real life isn't like comic books, and sometimes when an average person tries to be a superhero, things can go very bad, very fast. ~ Jason Buchanan, Rovi
Director: James Gunn

Cast: Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon, Michael Rooker

Release Date: Apr 01, 2011

Rated R for strong bloody violence, pervasive language, sexual content
& drug use

Runtime: 1 hr. 36 min.

Genres: Art House, Comedy, Superhero

REVIEW:

James Gunn has shown a talent for a twisted sort of humor and a love for fanboy genres. His 2006 film Slither was a wonderful homage to classic 80’s creature features that people like me just loved. Super tries something similar with superheroes, it suffers from a variety of issues first and foremost Kick Ass having recently and successfully traversed the same path beforehand. At this point it’s almost impossible to avoid the comparisons. Still taken on its own merits Super just misses more than it doesn’t. You get the sense the heart of a good strong idea is in there somewhere but it never comes to fruition. The film just lacks any sense of rhythm or cohesion. It’s a real shame because there’s a strong cast assembled and everybody seems game. Rainn Wilson turns in a believable performance throughout. Ellen Page is mildly unhinged and kind of fun in limited screen time. Kevin Bacon and Nathan Fillion are criminally underused, a shame since more screen time for both of their characters might have helped the film. Liv Tyler and Michael Rooker show up but aren’t really asked to do much. While I’m sure Gunn’s heart was in the right place Super just feels like a massive misfire.

C-

MOVIE REVIEW: THE WARD

ON VIDEO

THE WARD



A young girl named Kristen (Amber Heard) awakens in a psychiatric hospital after setting a farmhouse ablaze, and finds herself stalked by a malevolent ghost in this psychological shocker from celebrated horror director John Carpenter (Halloween). Badly battered and seemingly stricken with amnesia, Kristen forges a fragile friendship with fellow patients Sarah (Danielle Panabaker), Iris (Lyndsy Fonseca), Emily (Mamie Gummer), and Zoey (Laura-Leigh) as her compassionate therapist, Dr. Stringer (Jared Harris), works to uncover the source of her mysterious condition. Later, at night, when the lights in her remote ward go dim, Kristen is confronted by an imposing phantom that seems intent on dragging her screaming into the darkness. Eventually, the other girls in the ward begin to vanish, one by one. Now, the harder Kristen fights to avoid falling prey to her shadowy pursuer, the more convinced she becomes that no patient who's checked in to North Bend Psychiatric Hospital ever comes out alive. ~ Jason Buchanan, Rovi

Director: John Carpenter

Cast: Amber Heard, Danielle Panabaker, Mamie Gummer, Lyndsy Fonseca, Jared Harris

Release Date: Jul 08, 2011

Rated R for violence and disturbing images

Runtime: 1 hr. 28 min.

Genres: Horror, Suspense/Thriller

Review:

John Carpenter took a 9 year hiatus from feature filmmaking after making the dreadful Ghost of Mars. Carpenter’s return was mildly anticipated because he’s created a handful of favorites including one of my favorite horror films ever, his remake of The Thing. That being said, even the most diehard fan can’t ignore his obvious decline during the 90’s even though I am one of the few that liked Vampires. The Ward unfortunately just continues the decline, it’s biggest sin is that’s it not really a mess on the scale of Ghost of Mars but it’s just so bland and uninspired that you are left wondering why he chose this project to break his hiatus. The film is directed decently and it flows nicely but it’s just about as vanilla as it gets. Nothing about it has any identity or soul, it’s a mindless run through a plot that’s rudimentary and never really all that engaging. Amber Heard is incredibly easy on the eyes but her performance along with the rest of the cast, outside of Jared Harriss who looks like he’s really trying, is bland and nondescript. At best I can see it as a throwback to the “woman in cages” exploitation films from the 70’s but even that is kind of a stretch. It’s still better than Synder’s horrid Sucker Punch but that’s not really much of a compliment. Carpenter’s general sense of disinterest is so palpable that you can almost here him yawning in the background or maybe that’s you.

C-

MOVIE REVIEW: THE DEVIL’S DOUBLE

IN THEATERS

THE DEVIL’S DOUBLE



Dominic Cooper (An Education) headlines director Lee Tamahori's fact-based docudrama centering on the nightmarish experiences of an Iraqi army lieutenant whose life became a living hell after he was hand-selected to be a "fiday" (body double) for Iraqi dictator Saddam Hussein's ruthless son Uday. Baghdad, 1987: Iraqi soldier Latif Yahia (Cooper) becomes privy to the inner workings of the royal family after receiving an offer he can't refuse. Desperate to protect his family and terrified of making any fatal missteps, Latif studies Uday's every personal tick in order to become the spitting image of the so-called "Black Prince." While some Iraqis might have been honored to be presented with such a unique opportunity, Uday's unparalleled sadism and debauched lifestyle quickly began to eat away at the very core of Latif's soul. As war with Kuwait looms on the horizon, Latif finds himself increasingly drawn to Uday's ravishing mistress Sarrab (Ludivine Sagnier), a woman with her own terrifying tales to tell about time spent with Iraq's cruelest son. ~ Jason Buchanan, Rovi

Director: Lee Tamahori

Cast: Dominic Cooper, Ludivine Sagnier, Raad Rawi, Philip Quast, Mimoun Oaissa

Release Date: Jul 29, 2011

Rated R for strong brutal violence and torture, sexual content, graphic nudity, drug use and pervasive language

Runtime: 1 hr. 48 min.

Genres: Action/Adventure, Drama

Review:

The Devil’s Double is a showcase in a lot of ways but first and foremost it’s about Dominic Cooper. Dominic Copper stars in duel roles, doing excellent work on both and making a complex story into something digestible and enthralling. This is Cooper’s film and it’s the kind of stage that most actors pray for. As Uday, Cooper is unhinged psychotic and incredibly watchable throughout. In this part of the role, he’s a living embodiment of the ID released onto the world. It’s a fascinating performance that’s mirrored, quite literally, by his turn as Latif. Cooper as Latif is somebody else entirely, a calm reserved man who’s simply in a bad situation. Cooper is able to balance both characters deftly throughout, with Uday bordering on caricature occasionally. Ludivine Sagnier is a striking vision but she’s mostly wooden mainly because of a thinly written role. Director Lee Tamahori handles the decadence and opulence involved with a steady hand but he occasionally gets a tad heavy handed. Tamahori only superficially glances over some of the more interesting relationships but never digs deeper. Regardless, this is an actor’s wet dream and Dominic Cooper shines.

B+

MOVIE REVIEW: FRIGHT NIGHT

IN THEATERS

FRIGHT NIGHT



A suburban teenager realizes that his new neighbor is a charismatic vampire in this remake of the 1985 horror comedy hit. After years of climbing to reach the top of the social ladder, high school senior Charley Brewster (Anton Yelchin) finally rules the roost. Just as Charley ditches his best pal, "Evil" Ed (Christopher Mintz-Plasse), and starts dating the most popular girl in their class, however, a handsome new face appears in the neighborhood. It belongs to Charley's new neighbor Jerry (Colin Farrell), an outwardly amiable guy with a quick smile and a sharp wit. But when Charley sees a side of Jerry that everyone else seems to miss, he quickly becomes convinced that the nice-guy act is a cover for something truly sinister. Unable to convince his charmed mother (Toni Collette) that Jerry is a genuine bloodsucker, the suspicious teen turns to Las Vegas magician Peter Vincent (David Tennant) to help exterminate the demon before he drinks the entire neighborhood dry. ~ Jason Buchanan, Rovi

Director: Craig Gillespie

Cast: Colin Farrell, Anton Yelchin, Christopher Mintz-Plasse, David Tennant, Imogen Poots

Release Date: Aug 19, 2011

Rated R for bloody horror violence and language including some sexual references

Runtime: 1 hr. 46 min.

Genres: Comedy, Horror

Review:

The Fright Night remake is one those of those remakes that could have gone terribly wrong. Luckily with a strong script, cast and director it succeeds in properly updating a cult classic respectfully but giving it enough new shine to entertain. Craig Gillespie directs his film with the right sense of horror and comedy, something the original did fairly well. He also gives the film a brisk feel that keeps the proceedings moving at a steady pace and never lets the film lag. Anton Yelchin is solid if somewhat unmemorable in his general blandness, it’s not overpowering or detrimental just noticeable. Colin Farrell though is magnetic and electric throughout. He exudes charisma, masculinity and a primal ferocity, it’s an impressive turn that the rest of the film revolves around. Christopher Mintz-Plasse is strong in the limited but pivotal role of Ed. David Tennant is also lots of fun as Peter Vincent, he leaves you wishing he was given more screen time. The 2 talented ladies that make up the rest of the cast, Toni Collette & Imogen Poots, are fairly underused and in all honesty anybody could have played either role. While I watched the film in 2D there was a noticeable sense of 3D set ups using some incredibly tired popout at you techniques. I’ve never hate the 3D thing as much as most but it looks like a massive ripoff here. As for the film itself, it’s fun and well executed showing that if you must remake films at least makes sure all parties involved are bringing their A material.

B

MOVIE REVIEW: PRIEST

ON VIDEO

PRIEST



In a world ravaged by wars between humans and vampires, a renegade priest fights to rescue his niece from the legions of bloodsuckers who seek to transform the young girl into one of them. A battle-weary veteran of the last vampire war, warrior Priest (Paul Bettany) now resides in a heavily fortified city where the ruling Church is a greater menace than any creature of the night. When a pack of vampires abduct Priest's niece (Lily Collins), the vengeful holy man breaks his vows and promises to save the young innocent from a fate worse than death. He can't do it alone, but with a powerful warrior Priestess (Maggie Q) and his niece's boyfriend, a sharp-shooting sheriff (Cam Gigandet), on his side, Priest may have a fighting chance. Stephen Moyer, Karl Urban, and Brad Dourif co-star. ~ Jason Buchanan, Rovi

Director: Scott Charles Stewart

Cast: Paul Bettany, Karl Urban, Cam Gigandet, Maggie Q, Lily Collins, Stephen Moyer,
Christopher Plummer, Brad Dourif

Release Date: May 13, 2011

Rated PG-13 Intense sequences of violence and action, disturbing images and brief
strong language

Runtime: 1 hr. 27 min.

Genres: Action/Adventure

Review:

Priest is kind of like a dollar store Frankenstein monster of a film. It’s made up of so many sources that it’s hard to keep track of them. Occasionally, director Scott Charles Stewart hits the sweet spot with a few cool visuals or ideas that look like they could spring into something but just never do. Instead, you are left to trudge through a Blade Runner-esque world before heading into a Western-esque post apocalyptic world mixed with as many clichés as you can think of, throw it in a blender and call it a day. Paul Bettany string of truly questionable role selections, he’s really a fine actor, continues here as he looks like a holy roman Jedi while carrying the same demeanor he had in the woeful Legion, also directed by Stewart. Bettany looks like he came straight from that set and just had a quick wardrobe change and went right to work. Not that there’s much he can do given the script but he tries, in fact he’s so serious throughout that he could be passing a diamond as the movie progresses. Cam Gigandet is tasked with being his partner in their heroes quest and he distractingly bad in a bad film. Gigandet reads lines like a first year acting student, leaving you wondering if that was really the best take they could possibly get from him or if everybody was just in a rush to go home. The lovely Maggie Q looks lovely and cool in limited screen time. Karl Urban is mostly wasted as the villain here, in the sparse amount of time he’s given he looks like he’s begging to do some actual work but just isn’t ever asked. Christopher Plummer and Brad Dourif pass through on their way to other films. The strange thing and probably biggest sin Priest commits is that’s its actually fairly watch able, helped by it’s scant run time and brisk pacing, if it actually had any sort of worthwhile script it might have made for a solid B movie.

C-

[Trailer] UNDERWORLD AWAKENING 3D

I have a handful of franchises that are guilty pleasures, the Resident Evil franchise comes to mind but that seems more like sadomasochism at this point, and the Underworld series is always one that drags me in.

I wish I could say it was cinematic reason but it’s not, Beckinsale looks amazing in these movies and third prequel had one of my favorite genre hotties, Rhona Mitra.

This trailer looks like more of the same along with the terribly passé wirework action but its got Beckinsale looking hot again, vampires and werewolves and some other nonsense.

It comes out in January, studios dumping grounds for crap filmmaking, and I’ll be there opening weekend!

MOVIE REVIEW: RISE OF THE PLANET OF THE APES

IN THEATERS

RISE OF THE PLANET OF THE APES

The Escapist director Rupert Wyatt takes the helm for this Planet of the Apes prequel centering on genetically engineered chimp Caesar (Andy Serkis), who was created in a San Francisco lab by an ambitious scientist (James Franco), and who uses his powerful intellect to lead an ape uprising against all of humankind. ~ Jason Buchanan, Rovi

Director: Rupert Wyatt

Cast: James Franco, Freida Pinto, John Lithgow, Andy Serkis, Brian Cox, David Oyelowo, Tom Felton

Release Date: Aug 05, 2011

Rated: Violence and intense/frightening sequences

Runtime: 1 hr. 50 min.

Genres: Action/Adventure

Review:

The original Planet of the Apes is such an iconic film that it leaves a legacy that still rings through this most recent reboot. Winks and nods to the original pop up here and there throughout Rise of the Planet of the Apes, some subtle and others more obvious and forced. It’s a minor quibble in the grand scheme of things, especially when so much care and effort was put into making this more than just another money grabbing reboot. Rise has something missing from most reboots; it’s got plenty of heart and a strong sense of itself. The story feels authentic with a set up and follow through that flows nicely. Director Rupert Wyatt shoots his film with a steady hand, moving his film at a steady pace rarely lingers in any section too long. James Franco, Freida Pinto and John Lithgow all have paint by the number roles. Franco offers some heart to his character but like the rest he’s simply a tool for the plot. David Oyelowo and Tom Felton are given cheesier clichéd roles which border on goofy, Felton in particular seems like he was transported from an 80’s flick sans a Cobra Kai patch. The real star of the show though is Andy Serkis, whose become the motion capture “man behind the mask”, who’s performance capture work is even more impressive than his work in the Lord of the Rings. His role is mostly visual but he’s able to emote such a massive range of emotions that’s you can relate with Caesar’s situation throughout. The CGI work is excellent, delivering photo realistic creations that rarely scream CGI. There are a few scenes that will either work for you or not, depending on how invested you are by that point in the story. While Rise will never leave the lasting legacy of the original film it’s still an impressive effort all around.

B

First look at Anne Hathaway As Catwoman From The Dark Knight Rises

First shot of Anne Hathaway as Catwoman from The Dark Knight Rises is out, kind of straight forward but high tech looking, would need to get a full look at the outfit to make a final decision.

From this it just looks kind of ho hum, a high tech jumpsuit. Less impressive than the Bane reveal if you ask me….




Below are some better looks at the outfit from the set while they are shooting....

First Photo of Henry Cavill As Superman from Zach Snyder's Man of Steel

First official photo of Henry Cavill as Superman in Zach Snyder’s Man of Steel is out.

Right off the bat I’ve never been a big fan of Superman in general but being a child and growing up with the Christopher Reeve’s films, it was kind of hard to escape.

I actually enjoyed the Bryan Singer reboot but that probably had more to do with it reminding me of the Donner films but I digress.

Snyder is a visual filmmaker and while I loved Watchmen and hated Sucker Punch I was still looking forward to see what he was going to do with this property.

Still am but first impressions on the new look, what’s up with the scales on the suit and I guess this Superman has super hair??

MOVIE REVIEW: COWBOYS AND ALIENS

IN THEATERS

COWBOYS AND ALIENS



Based on the graphic novel by Scott Mitchell Rosenberg, Cowboys & Aliens starts in 1800s Arizona, where the local cowboys, headed by gunslinger Jake Lonergan (Daniel Craig), and the indigenous Apache tribe have been feuding fiercely for quite a while. Their skirmish is interrupted, however, by the appearance of a spaceship, commanded by an alien creature that's bent on enslaving the human race. It's time for a six-gun shoot-out between these cattle rustlers and space invaders, and there might even be a temporary peace between the cowboys and Indians as they both take aim at these extraterrestrial uninvited guests. Jon Favreau directs from a script by Star Trek scribes Alex Kurtzman and Roberto Orci, with help from Lost's Damon Lindelof. Olivia Wilde, Harrison Ford, and Sam Rockwell fill out the headlining cast. ~ Cammila Albertson, Rovi

Director: Jon Favreau

Cast: Daniel Craig, Olivia Wilde, Harrison Ford, Sam Rockwell, Paul Dano

Release Date: Jul 29, 2011

Rated PG-13 for Intense sequences of western and sci-fi action and violence, some partial nudity and a brief crude reference

Runtime: 1 hr. 58 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

Cowboys and Aliens is the type of film that should just reek of fun. A galloping mash up of genres that keeps you excited and thrilled throughout. Instead, Jon Favreau delivers a dour film that rarely thrills and occasionally falls into motionless boredom. As a film, it’s mostly inert moving forward only because it must. The characters are all variations of classic film characters and there’s not much of a twist brought to them here. There’s nothing interesting about any of the characters or particularly deep. This would be entirely forgivable if the spectacle of it all was rousing and exciting. The cast assembled is an impressive collection stars and stellar character actors. Daniel Craig is a sight in his full cowboy get up but he’s not asked to do much but pose and occasionally say something. Harrison Ford seems barely interested in the film or role. His lines are delivered like he’s in a hurry to get off the set. Olivia Wilde isn’t asked to do much but look out of place and then really be out of place in the latter half of the film. Sam Rockwell, Paul Dano, Adam Beach, Keith Carradine, Walton Goggins and David O’Hara would all make a hell of a film in their own right but here’s they’re mostly wasted in pointless bit parts that could have been filled by mannequins. With the assembled talent behind and in front of the camera you’d expect a somewhat passable film by default. Sadly this overlong comic adaptation is devoid of any fun or originality.

D

MOVIE REVIEW: THE ADJUSTMENT BUREAU

ON DVD/BLURAY

THE ADJUSTMENT BUREAU



The budding romance between a rising U.S. congressman and a gifted ballet dancer is unexpectedly complicated by otherworldly forces seeking to drive them apart by altering the very fabric of reality in this high-concept sci-fi thriller based on a story by famed author Philip K. Dick. David Norris (Matt Damon) is a rising New York congressmen whose everyman charisma has earned him a loyal following among locals. One night, after suffering a crushing political defeat, David is rehearsing his concession speech in a hotel bathroom when out of a stall wanders Elise (Emily Blunt), who was hiding out from security guards after crashing a wedding. The chemistry between David and Elise is instant and electric. But as fast as she appeared, Elise has vanished, leaving David to wonder if he will ever see her again. A few days later, as if by chance, David is boarding a bus for work when he spots Elise in a window seat. Though he manages to get her number this time, David is terrified when he arrives at his new job and discovers a mysterious group of men performing an unusual procedure on his paralyzed co-workers. Informed by the imposing and sharp-dressed Richardson (John Slattery) that he has just seen behind a curtain that few will ever know even exists, David agrees never to tell anyone of their encounter or talk to Elise again lest his entire memory be completely erased. But three years later, when David spots Elise walking down the street from the window of a city bus, he can't resist the urge to rekindle their romance. Unfortunately for the two young lovers, the mysterious agents at the Adjustment Bureau are determined to keep them apart at all costs in order to ensure there is no deviation from the master plan drawn up by "The Chairman" for the future of all humankind. ~ Jason Buchanan, Rovi

Director: George Nolfi

Cast: Matt Damon, Emily Blunt, Anthony Mackie, Michael Kelly, Terence Stamp, John Slattery

Release Date: Mar 04, 2011

Rated PG-13 for Brief strong language, some sexuality and a violent image

Runtime: 1 hr. 39 min.

Genres: Romance, Suspense/Thriller

Review:

The Adjustment Bureau is a high concept film that’s wonderfully shot that tries to be a lot of things all at once. First time director George Nolfi seems unable to focus his film. It’s as if we are watching his mind visually being projected on to the screen. The film takes so many thematic turns that’s it’s hard to get an actual feel for it. Nolfi’s heart is in the right place and there are plenty of high concepts rumblings at work, freewill vs. destiny, in the story here but he can’t seem to decide how to address it. As a result we get a shotgun approach. This film could easily be called a romance, Sci-fi, thriller, and even spiritual film. I don’t think anyone can question Nolfi’s eye behind the camera, he give his film a wonderful Kafkaesque feel to the whole proceedings while framing some shots with impressive talent. Matt Damon delivers a strong performance here but he really shines when he shares screen time with his costar. He and Emily Blunt have such wonderful chemistry on screen, their interactions are so strong and authentic that it really breathes life into the film. John Slattery and Terence Stamp, who apparently replace each other half way through the film, do fine work as the fedora wearing master planners. I would have liked to get a bit more from the characters but they aren’t really written that way, they merely serve the story. Anthony Mackie is given a bit more to work with and he’s enjoyable in the limited screen time he has, mostly in the last act. The last act feels a tad rush and not only because it becomes a chase film. Sadly, the finale feel artificial, removing any pop the story might have had if it’d finished on a more ambiguous tone. It’s a shame because there are parts of this film that work so well but it never quite reaches the heights of something like Dark City.

C