MOVIE REVIEW: BEVERLY HILLS COP: AXEL F

 

After his daughter's life is threatened, wisecracking Detective Axel Foley teams up with a new partner and some old pals to turn up the heat on a conspiracy.

Director: Mark Molloy

Cast: Eddie Murphy,  Judge Reinhold, John Ashton, Paul Reiser, Bronson Pinchot, Joseph Gordon-Levitt, Taylour Paige, Kevin Bacon

Release Date: July 3, 2024

Genre: Action, Comedy, Crime, Thriller

Rated R for language throughout, violence and brief drug use

Runtime: 1h 55m

Review:

Beverly Hills Cop: Axel F is a nice dose of nostalgia that doesn't strive for anything other than bringing back some of Eddie Murphy's 80's era comedic energy which he's more than capable of still doing.  Coming 30 years after the last entry into the series has served the series well, making it easier to overlook the razor thin plot and characters in order to enjoy some old school Murphy.  Mark Molloy directs the film with a laid back ease as he sets things on cruise control and lets Murphy do his thing.  The one liners zip out in rapid succession as you get a sense that Murphy is genuinely happy to revive this particular character just through the confident bravura he delivers onscreen.  The action sequences are fun even if they are fairly generic with one in a helicopter leaving the biggest impact.  A steady doses of the classic theme throughout drives home the point that the cast and crew isn't here to reinvent the wheel but just to remind you that it was a fun ride the first time around.  Judge Reinhold, John Ashton, Paul Reiser and Bronson Pinchot from previous entries all come back in supporting roles hammering the nostalgia nail home.  Judge Reinhold initially appears to have a large role in the film only to be taken off the screen for a large chuck of the film's runtime.  Newcomers, Joseph Gordon-Levitt, Taylour Paige and Kevin Bacon get more substantial roles but the characters are clichéd types rather than fully formed characters.  Bacon does the most with his screen time as he delivers his best 80's dirty cop impression.  Still him and Murphy aren't given enough time together to really foment a believable antagonism especially as the film hits every predictable beat it can.  Murphy carries the film almost in spite of itself especially in the final act as it becomes readily apparent that some judicious trimming could have shaved a good 20 minutes off the film's runtime.  Ultimately, your enjoyment of Beverly Hills Cop: Axel F is dependent on how much joy you derive from seeing Eddie Murphy unbound in his vulgar speed talking glory.  

C+

MOVIE REVIEW: MAXXXINE

 

In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. However, as a mysterious killer stalks the starlets of Los Angeles, a trail of blood threatens to reveal her sinister past.

Director: Ti West

Cast: Mia Goth, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Giancarlo Esposito, Kevin Bacon

Release Date: July 5, 2024

Genre: Crime, Horror

Rated R for strong violence, gore, sexual content, graphic nudity, language and drug use.

Runtime: 1h 44m

Review:

Ti West closes out his Mia Goth lead horror trilogy with Maxxxine, a film bathed in every bit of imaginable 80's sleaze and clichés found in those low rent VHS thrillers such as 1984's student/hooker flick Angel.  West manages to capture the look and feel of those kinds of films impressively much like he did by recapturing the 70's grindhouse slasher aesthetic in X.  Its over the top but perfectly suited for the story being told as we follow Maxine's fight tooth and nail to survive and be a star.  Baked into the script a playful sense of meta humor as plenty of subtle references to previous films pepper the dialogue and visuals.  Its a clever wink and nod to what the series and its singular star have created in this surprising trilogy.  Sadly, the story isn't quite up to the level of the previous two film as it veers into downright goofy territory, especially in its final act, either intentionally or unintentionally.  At the very, least it brings the character's story full circle and allows to Mia Goth to shine throughout.  This entry isn't as showy as Pearl but Goth manages to communicate the level of dogged determination and her innate ability at self preservation baked into her character's DNA.  This turn is more nuanced and subtle throughout but doesn't make it any less engaging and engrossing.  A handful of familiar faces appear in supporting roles with Kevin Bacon leaving the biggest impression as a New Orleans PI on Maxine's trail.  Bacon gleefully chews up scenery every time he shows up on screen which make his and Goth's scenes together all the better.  Giancarlo Esposito is a bit more reserved as Maxine's agent/lawyer/fixer but he brings just enough of that Gus Fring energy to make you wish the film had utilized him more effectively.  Michelle Monaghan, Bobby Cannavale, Halsey, Moses Sumney and Lily Collins all are given one dimensional supporting characters which could have been more impactful as well.  Elizabeth Debicki is given a bit more to work with as the horror film director with higher aspirations that serves as a bit of a role model for Goth's Maxine especially once the film comes to a close.   Maxxxine maybe the weakest of the three films but that doesn't keep it from being a well crafted showcase for Goth who made the series something special.  

B-

MOVIE REVIEW: LEAVE THE WORLD BEHIND

 

A family vacation on Long Island is interrupted by two strangers bearing news of a blackout. As the threat grows, both families must decide how best to survive the potential crisis, all while grappling with their own place in this collapsing world.

Director: Sam Esmail

Cast: Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Kevin Bacon, Farrah Mackenzie, Charlie Evans

Release Date: November 22, 2023

Genre: Drama, Mystery, Thriller

Rated R for language, some sexual content, drug use and brief bloody images.

Runtime: 2h 21m

Sam Esmail's adaptation of the 2020 novel of the same name, Leave the World Behind, is perfectly suited to his particular brand of unsettling and unnerving style.  Anyone familiar with Esmail's Mr. Robot will feel a certain air of familiarity with the approach to this material which traffics in similar themes and subject matters as his signature show.  His ability to frame shots and sequences in off kilter ways gives the entire film an unbalanced feel from the start with even mundane moments giving off a sense that something is off.  There's a methodical approach to the action and reveals which may test some viewer's patience but those willing to go with the flow he establishes will get wrapped up in the general air of confusion and unease that the characters experience.  This approach gives the film's more kinetic moments, particularly a sequence in the woods that makes great use of sound design to create an unnerving moment.  It all works because the director and cast are perfectly in tune from the opening sequence through its finale which is sure to upset more than a handful of viewers.  Julia Roberts leads the cast, clearly relishing the chance to play against type as a cynical and vaguely racist wife who sets up the initial trip.  Ethan Hawke is solid as her aloof, easy going husband.  The pair have believable chemistry together as a couple who've been together for a long time with power structures clearly established.  Mahershala Ali is just as good with a more understated, measured approach as someone who's trying to keep everything even keeled in the face of impending doom.  Roberts and Ali share some wonderful moments together which allow each performer to show off their talents.  Myha'la steals a handful of a scenes during the film as Ali's acerbic daughter.  Farrah Mackenzie and Charlie Evans end up on the other end with unwritten characters who never register on the same level as everyone else mainly due to being underwritten and mostly uninteresting archetypes.  Kevin Bacon has a small but memorable scene, but you get the sense that the film could have made better use of him throughout.  It’s a minor issue which is easy to overlook because of the level of craftmanship that Sam Esmail delivers paired with strong performances from his A list cast makes Leave the World Behind a fascinating, apocalyptic mystery thriller.

A-

MOVIE REVIEW: YOU SHOULD HAVE LEFT

Strange events plague a couple and their young daughter when they rent a secluded countryside house that has a dark past.

Director: David Koepp

Cast: Kevin Bacon, Amanda Seyfried, Avery Essex, Geoff Bell, Lowri-Ann Richards

Release Date: June 18, 2020

Genres: Horror, Mystery

Rated R for some violence, disturbing images, sexual content and language

Runtime: 1h 33min

Review:

You Should Have Left is the definition of a forgettable horror thriller.  David Koepp’s film is interesting enough but it always hints at bigger idea and themes but it never follows through on its promise.  Koepp’s visual style is striking enough to keep things engaging especially once the house starts opening up.  Kevin Bacon is more than capable in the lead but there are weird tonal shifts that pop up throughout the film which makes maintaining any sort of tension a Herculean task.  Amanda Seyfried does what she can but it’s a thinly written role that leaves her feeling more like a plot tool than a fully realized character.   Avery Essex is a surprisingly effective child actress which is to the film’s benefit.  Sadly, the film itself is a mixed bag of clichés and unrealized ideas which leave you with the impression that there is a better film in there somewhere. 

C

Cindy Prascik’s review of Despicable Me 2 & R.I.P.D.

Dearest Blog, a hot, humid, rainy day means one thing to me: lots of people sharing my cinema. It's a prospect that doesn't thrill me, to say the least, but off I went anyway for a double-bill of Despicable Me 2 and R.I.P.D.

Spoiler level here will be mild, limited to things you'd know once you'd seen a trailer or two.
Our leadoff batter was the animated sequel Despicable Me 2.

Former super-villain Gru has gone straight, and spends his days being a father to Margo, Agnes, and Edith, and trying to start a business, his own line of jellies and jams. When a new threat emerges, the Anti-Villain League recruits Gru and his super-villain knowledge to help thwart it.

I liked Despicable Me 2 easily as well as its predecessor, in fact, maybe even a little better. The Despicable Me franchise has learnt that its bread is buttered on the Minion side, and the little yellow fellows play an even bigger role this time around, which is to the film's benefit.

The solid voice talent includes Steve Carrell and Russell Brand, reprising their roles from the first film, as well as newcomers Kristin Wiig, Benjamin Bratt, Ken Jeong, and the delightful Steve Coogan. The movie looks great, too. I saw it in 2D, and while I could certainly see things that were designed for 3D effectiveness, there's nothing that didn't look right in 2D, and everything is clear and bright. The second half does fall off somewhat from the first, which might have left me with a less-positive impression if the ending weren't so much fun.

Despicable Me 2 clocks in at 98 minutes and is rated PG for "rude humor and mild action." It's a family-friendly good time, well worth your movie dollar.

Of a possible nine Weasleys, Despicable Me 2 gets seven and a half.

Next up on my agenda was the comic book movie R.I.P.D.

A cop (Ryan Reynolds) is killed on the job and joins R.I.P.D. ("Rest In Peace Department"), a team of undead good guys who keep undead bad guys from taking over the Earth. He's partnered with an old West lawman (Jeff Bridges) who disdains the idea of any partner, let alone one of the newly-dead.

Now, dear Blog, I try to make a point of being a well-educated consumer. As such, it's not often I get stuck paying for a movie I hate. For sure some are better or worse than I anticipate, but as long as the trailers aren't misleading, seldom am I all that disappointed. R.I.P.D. is the unfortunate exception to the rule; I was bored out of my gourd from beginning to end.

If we're being honest, I don't think most of us expected R.I.P.D. to be anything more than a poor man's Men In Black: good action, some awesome monsters, and hilarious wisecracks. Unfortunately, the action isn't exciting, the monsters look terrible, and the wisecracks are anything but funny. I don't think I laughed even once. The plot didn't engage me for a second, and the whole thing looks so dark (even daylight scenes) that it appears to be under a heavy fog. By luck of the schedule draw, I ended up seeing this in 3D, which is pointless.

The cast is decent, but mostly phones it in. Ryan Reynolds is as likable as any actor working today (ditto his leading lady Stephanie Szostak), but his role is so bland I couldn't say I was actively rooting for him. Academy Award winner Bridges has cornered the market on crusty-but-lovable, kooky old guy roles, but unfortunately this one is just crusty and not at all lovable. By rights he's supposed to provide most of the comedy, but he left me totally flat. Any way you slice it, I was getting stuck with one of my most-despised actors, Mary-Louise Parker, this weekend, as she also stars in the weekend's other big action flick, Red 2. It goes without saying her presence didn't help anything. My beloved Robert Knepper has a cameo that's so bad I'd have been happier not seeing him at all. Other than Szostak, pretty much the only thing the movie has going for it is Kevin Bacon, who is oddly perfect for his role. Oh, and if they got one thing right, it's that Boston is surely a bastion of the undead...I know every time I look at Aerosmith.

R.I.P.D. runs 96 minutes, which seem like 96 hours, and is rated PG13 for "violence, sci-fi/fantasy action, some sensuality, and language including sex references."

Of a possible nine Weasleys, R.I.P.D. gets three.

If I hadn't had to wait for my ride anyway, I probably would have walked out on it.

Until next time...




EEK! The Boston Undead!!

MOVIE REVIEW: R.I.P.D.

Veteran sheriff Roy Pulsifer (Bridges) has spent his career with the legendary police force known as R.I.P.D. tracking monstrous spirits who are cleverly disguised as ordinary people. His mission? To arrest and bring to justice a special brand of criminals trying to escape final judgment by hiding among the unsuspecting on Earth. Once the wise-cracking Roy is assigned former rising-star detective Nick Walker (Reynolds) as his junior officer, the new partners have to turn grudging respect into top-notch teamwork. When they uncover a plot that could end life as we know it, two of R.I.P.D.’s finest must miraculously restore the cosmic balance...or watch the tunnel to the afterlife begin sending angry souls the very wrong way.~ Jeremy Wheeler, Rovi

Director: Robert Schwentke

Cast: Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker, Stephanie Szostak

Release Date: Jul 19, 2013 RealD 3D

Rated PG-13 for violence, sci-fi/fantasy action, some sensuality, and language including sex references

Genres: Action/Adventure, Comedy

Review:

R.I.P.D is a hammier sillier knock off of Men In Black, some of the character designs and sets look like they’ve been stolen from their backlot, with bits of Ghostbusters sprinkled in for good measure. If you can get past that fact then you might be able to enjoy some of the goofy fun on display here. Robert Schwentke created a breeze silly little film with some rather impressive action set pieces especially the 3D finale. It rarely lingers much on anything and moves from scene to scene like a college kid on a bar hop. When it does linger to long on quiet moments it really bogs down, thankfully there aren’t many. Most of the cast seems to be having a ball especially Jeff Bridges who chews up scenery throughout. Bridges just looks like he’s having a ball and while he and Ryan Reynolds don’t have perfect chemistry together it works well enough. Reynolds himself does his usual act and it fit the character for the most part. Mary-Louise Parker is great in a small but fun turn as the duo’s boss. Kevin Bacon is the only one that kind of phones in his performance, he seems rather disinterested for the most part. Honestly, that might be a result of reading the overly predictable script. There isn’t any tension throughout the film and the plot is rather uninspired even downright lazy occasionally. R.I.P.D is harmless fluff that’ll probably be viewed more often than not on cable tv.

C+

MOVIE REVIEW: SUPER

ON VIDEO

SUPER



An average guy reacts to the frustration of losing his wife by adopting a crime-fighting persona known as the "Crimson Bolt," and targeting any criminal who crosses his path -- no matter how minor their infraction may be. Frank (Rainn Wilson) is husband to former alcoholic and drug addict Sarah (Liv Tyler), and he loves her with all his heart. Their wedding day was one of but two perfect moments in this Frank's life, but when Sarah runs away with charismatic drug dealer Jacques (Kevin Bacon), the loss was just too much for her mild-mannered husband to take. Subsequently transforming himself into the Crimson Bolt, Frank reasons that if he can take down Jacques along with the rest of the city's scum, his beloved wife will soon come running back. With his homemade suit and his handy pipe wrench, Frank goes to work cleaning up the streets and starts making headlines. But just as the Crimson Bolt becomes the talk of the town, sociopathic comic-store clerk Libby (Ellen Page) reinvents herself as "Boltie," and makes a play to become the controversial street hero's trusted sidekick. Perhaps by working together, the Crimson Bolt and Boltie can make an example of Jacques, and keep the streets safe for average citizens. But real life isn't like comic books, and sometimes when an average person tries to be a superhero, things can go very bad, very fast. ~ Jason Buchanan, Rovi
Director: James Gunn

Cast: Rainn Wilson, Ellen Page, Liv Tyler, Kevin Bacon, Michael Rooker

Release Date: Apr 01, 2011

Rated R for strong bloody violence, pervasive language, sexual content
& drug use

Runtime: 1 hr. 36 min.

Genres: Art House, Comedy, Superhero

REVIEW:

James Gunn has shown a talent for a twisted sort of humor and a love for fanboy genres. His 2006 film Slither was a wonderful homage to classic 80’s creature features that people like me just loved. Super tries something similar with superheroes, it suffers from a variety of issues first and foremost Kick Ass having recently and successfully traversed the same path beforehand. At this point it’s almost impossible to avoid the comparisons. Still taken on its own merits Super just misses more than it doesn’t. You get the sense the heart of a good strong idea is in there somewhere but it never comes to fruition. The film just lacks any sense of rhythm or cohesion. It’s a real shame because there’s a strong cast assembled and everybody seems game. Rainn Wilson turns in a believable performance throughout. Ellen Page is mildly unhinged and kind of fun in limited screen time. Kevin Bacon and Nathan Fillion are criminally underused, a shame since more screen time for both of their characters might have helped the film. Liv Tyler and Michael Rooker show up but aren’t really asked to do much. While I’m sure Gunn’s heart was in the right place Super just feels like a massive misfire.

C-

MOVIE REVIEW: X-MEN FIRST CLASS

IN THEATERS

X-MEN FIRST CLASS



Set in the era before Professor Charles Xavier and Erik Lehnsherr became mortal enemies as Professor X and Magneto, respectively, director Matthew Vaughn's X-Men: First Class follows the two former allies as they lead a powerful team of mutants on a mission to save the planet from nuclear annihilation. Charles (James McAvoy) and Erik (Michael Fassbender) were just young men when it began to appear as if the world was careening toward destruction. And as the Doomsday Clock ticks faster toward midnight, the time comes to take action. In the process of saving humanity, however, Charles and Erik clash. In the years that followed, Professor X would lead the X-Men in the fight for good, as Magneto and the Brotherhood spread chaos and destruction throughout the land. Kevin Bacon, Caleb Landry Jones, Nicholas Hoult, January Jones, and Lucas Till star in a film directed by Matthew Vaughn and adapted from a story by Bryan Singer. ~ Jason Buchanan, Rovi

Director: Matthew Vaughn

Cast: James McAvoy, Michael Fassbender, Kevin Bacon, Rose Byrne, Jennifer Lawrence

Release Date: Jun 03, 2011

Rated PG-13 for Intense sequences of action and violence, some sexual content including brief partial nudity and language

Runtime: 2 hr. 20 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

X-Men First Class is a movie that I had serious skepticism about from inception. Matthew Vaughn being given the directing reigns quelled some of those fears but not all. Any fan of the franchise would be hard pressed to have any sort of hope after X-Men The Last Stand and the criminally atrocious Wolverine X-men Origins film. This prequel faced plenty of challenges and somehow someway it overcame them all. Vaughn delivered one of the best superhero movies ever, just shy of The Dark Knight. A stellar cast working from a strong script brings a thoroughly engaging experience that rarely drags. Michael Fassbender leads the cast with a performance that brings all the rare and pain that his character suffers. Fassbender’s matched by a spot of James McAvoy who’s performance as Charles Xavier is respectful of Patrick Stewart’s original run yet singular in of itself. Jennifer Lawrence taking up the reigns as Mystique is a more than capable and its always good to see certain characters get fleshed out a bit more, ditto for Beast. Kevin Bacon is appropriately sinister and nefarious as the villain. January Jones, who can’t seem to stretch beyond the stepford wife persona, has perfected the art of acting via blinking and cleavage. Vaughn stages the action in epic fashion and even with a few questionable musical choices they never cease to impress. The scale and scope of the story are huge and impressive, A perfect way to restart the series.

A

PostScript

How I paid 90 dollars to see X-men First Class

In case if wasn’t terribly obvious I’m a bit of a nerd. So in perfect nerdish fashion I looked for the first showing of First Class in Las Vegas where I’d be for the week. Nothing says Vegas more than checking out the latest superhero movie afterall. Through a series of missteps and google confusion thing became terribly confused and expensive. I boarded a taxi and handed the cabby the directions. I should have been worried that he wasn’t familiar with the address but not enough to do anything about it. The cabby punched the address into his phone and headed off, still unsure of where he was taking me. Down the strip and on to the freeway, he rushed to try and make my 10am deadline. The more he drove the more I became worried there might have been a slight mistake. 20 minutes later and 40 bucks later he dropped me off at the theater quite literally in the middle of nowhere, later in the weekend I would walk by about 4 theaters that were pretty close to Caesars which we were staying at. Watched the movie which was a first showing so that saved a little cash because I like being thrifty when possible. Once the film ended, I had to ask the manager for a taxi cab number which he happily gave and waited a good 20 minutes for and then paid another 40 dollars to get back to The Strip. One the bright side I did get to see a lot of the Rocky Mountains in my extended trip around the outer reaches of Vegas…..