Cindy Prascik's Reviews of The Boxtrolls & The Equalizer

Dearest Blog, today it was off to the cinema for a pair of flicks I've been pretty would up about: The Boxtrolls and The Equalizer.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was The Boxtrolls.

Underground dwellers the Boxtrolls are threatened by the above-ground humans who fear them.
The Boxtrolls looks for all the world like a movie Tim Burton might have made when he used to be interesting. Pretty much everything in it is expressly designed to be ugly (you haven't seen teeth like this since Austin Powers!), but the artwork is stunning. Boxtrolls is a dark movie, taking place mostly underground or at night, with neutral colors setting the perfect tone. The entertaining voice cast includes Ben Kingsley, Jared Harris, Elle Fanning, Nick Frost, Richard Ayoade, Tracy Morgan, Simon Pegg, and Isaac Hempstead Wright. The story is a little dark and pretty slow at times; I would be hard pressed to try selling this as a movie for kids, even though that's obviously what the filmmakers intended. The second act is somewhat brighter than the first, and even has a few laugh-out-loud moments, though, truth be told, I found them ill fitting and less enjoyable than the rest of the movie.

The Boxtrolls runs 97 minutes and is rated PG for "action, some peril, and mild rude humor."
It's not the game-changer I'd anticipated, but it's pretty darn great nonetheless. Of a possible nine Weasleys, The Boxtrolls gets seven.

Next on the docket was The Equalizer.

A seemingly ordinary man, living a quiet life, resurrects some old skills to help a young acquaintance who gets into trouble.

Okay, dear reader(s), you know me well enough to know that my review of The Equalizer can be summed up in two words: HELL YEAH! First there's Denzel Washington. Now, here's the thing about a movie that has Denzel Washington: it really doesn't need anything else. Chloe Grace Moretz, Bill Pullman, and my best gal Melissa Leo, among others, have a cup of coffee in the film, and Marton Csokas makes an able foil, but when push comes to shove it's Denzel's movie to carry and, as always, carry it he does. The man is on screen for nearly all of the prohibitive two-hours-plus runtime, and he is riveting, seamlessly dialing between "regular guy" mode and "stone cold killer" mode.

The oft-repeated vengeance tale is nothing new, but thanks to Washington's commanding lead and plenty of YESSSSSSS! moments, it doesn't seem that long...which is not to say it couldn't have been trimmed a bit without suffering for it, either. There are some...erm...interesting kills, and the language is pretty rough at times, but nothing out of the ordinary for your average R-rated flick. If I had one complaint, it's that at times the direction seems amateurish, too much exaggerated slow-mo, but it's a petty gripe about what's otherwise an exceedingly entertaining film.

The Equalizer clocks in at 131 minutes and is rated R for "strong bloody violence and language throughout, including some sexual references."

It may not be a perfect movie, but it sure is a perfect movie for me. Of a possible nine Weasleys, The

Equalizer gets eight.

Until next time...

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Hell. Yeah.

Cindy Prascik's Review of A Walk Among the Tombstones

Dearest Blog, yesterday it was off to the pictures for my first double-header in awhile. Before a final screening of summer's most fun flick, Guardians of the Galaxy, I had a look at Liam Neeson's latest, A Walk Among the Tombstones.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

An ex-cop working as an unlicensed P.I. hunts a woman's killers.

A Walk Among the Tombstones looks a lot like an old TV cop show. It's set against the harshest, ugliest parts of New York, in that gloomy bit of the year when the leaves have dropped but the snow hasn't yet fallen. Though the lack of color sets an appropriately morose tone, the movie is not without its lighter moments, most of which hit the right mark, lifting the mood without derailing it.

Liam Neeson does what Liam Neeson does best, ensuring you leave the theatre thinking you never, EVER want to face a crisis without him. The solid supporting cast features Downton Abbey heartthrob Dan Stevens in a VERY different role from Matthew Crawley, Sebastian Roche (who will ever be Law & Order's C-Square to me!), and the precocious Brian "Astro" Bradley. The story has enough twists and turns to keep you interested, without being so long or overly complicated that it bogs down.

A Walk Among the Tombstones clocks in at 113 minutes and is rated R for "strong violence, disturbing images, language, and brief nudity." It may not be especially memorable, but it's an entertaining, well-crafted thriller that easily holds your attention.

Of a possible nine Weasleys, A Walk Among the Tombstones gets seven.

Until next time.

Where's Carson when ya need him??

MOVIE REVIEW: TUSK

An irreverent American podcaster interviews a Canadian adventurer whose wild tale of survival at sea masks sinister intentions in this twisted horror comedy from writer/director Kevin Smith (Clerks, Red State). Wallace (Justin Long) and Teddy (Haley Joel Osment) are the wisecracking co-hosts of "The Not-See Party", a popular podcast focused on bizarre viral videos and humorous interviews with the internet-famous. When Wallace ventures to Canada for an interview that falls through at the last minute, he stops at a local bar for a drink and finds a flyer posted by an old adventurer (Michael Parks) who seeks to share his stories with anyone who will listen.  Meanwhile, as Teddy and Wallace's girlfriend venture north to investigate his sudden disappearance, the old man subjects his terrified guest to a bizarre medical procedure that will transform more than just his perception of one of the sea's most majestic creatures. ~ Jason Buchanan, Rovi

Director: Kevin Smith

Cast: Justin Long, Haley Joel Osment, Michael Parks, Genesis Rodriguez

Release Date: Sep 19, 2014

Rated R for Sexual Content, Language, Gore and Some Disturbing Violence

Runtime: 1 hr. 41 min.

Genres: Horror

Review:

Kevin Smith is a hit or miss director for me.  Even his earlier films like Clerks, Mall Rats or Chasing Amy never really connected with me, I found them amusing but never found out what made Smith a name director.  Dogma is probably my favorite film from Smith with his recent foray into horror, Red State, being his worse film.  So I was a bit ambivalent when I heard about his 2^nd horror film, Tusk, but I was rather intrigued by the insane concept.  The film is rather odd but surprisingly straightforward as well.  Some have compared it to the Human Centipede which I think is more than a bit off because it’s kind of its own creature, pun intended.  The best thing about Tusk is that it’s actually funny.  Smith skewers plenty of classic horror tropes, showcasing how ridiculous some of the situations are by taking it to the most extreme degree.  The cast is rather impressive, including a surprise appearance by a well known actor.  Justin Long is appropriately douchey so when karma comes his way, you don’t feel an ounce of sympathy.  Michael Parks is clearly having a great time in a very nutty role.  Genesis Rodriguez and Haley Joel Osment are noteworthy in their ability to play it straight while Smith shoots varying levels of insanity at them.  Tusk is definitely Kevin Smith’s weirdest film but it’s also one of his better efforts as well.

B+ 

Cindy Prascik's Review of No Good Deed

Dearest Blog, yesterday afternoon it was off to the pictures for the thriller No Good Deed.
Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Home alone on a dark and stormy night, a woman and her two young children are terrorized by an intruder.

Readers, I gotta be straight with ya: I find leads Idris Elba and Taraji P. Henson to be two of the most beautiful people in the world. I can't decide if I liked this movie more than it deserved, because I got to look at them for 90 minutes, or if I liked it less than it deserved, because I was distracted by their excessive good looks. At any rate...


No Good Deed is a decent thriller that does a nice job of maintaining suspense throughout. If the tricks are cheap, they're also effective; I jumped in my seat a fair few times. It's got kind of a twist on a twist, so, if you see the first bit coming (I did), it may still take you by surprise. Hensen is perfect, terrified (especially for her children), but no simpering damsel in distress.

Elba plays the psycho baddie with relish, and every frame seems specifically designed to make him look larger (he's 6'3" to Henson's 5'5") and more menacing. Paul Haslinger's comically melodramatic score sets the right tone, even if it's a bit much at times.

No Good Deed clocks in at a quick 84 minutes and is rated PG13 for "sequences of violence, menace, terror, and for language."

A perfect fit between Summer Blockbuster Season and Awards Season, No Good Deed is worth your ten bucks, but you'll likely have forgotten it ever existed by next year at this time.

Of a possible nine Weasleys, No Good Deed gets five and a half.

Until next time...

Thank you, but I've already bought my Girl Scout cookies!

6 Degrees of Separation Blogathon

Since there’s a cinematic dead spot in my movie calendar right I accepted a challenge from Tanner Jones (The Average Critic) to participate in the 6 Degrees of Separation Blogathon. 

Like Tanner, this is my first ever blogathon but that’s probably due to my general laziness….

To complete the challenge, I must figure out a way to connect Kaya Scodelario to Oscar Issac. 

In essence, it’s a cinematic version of 6 degrees of Kevin Bacon.

While I’ve seen these actors, I can’t say I’m terribly familiar with either, so it took me a bit to find the connection

So without further adieu let’s begin….

Kaya Scodelario was in Clash of the Titans with….

 

 

Luke Evans who was in The Raven with….

  

John Cusack who was in the Paperboy with…

Scott Glenn who was in Sucker Punch with… 

 Oscar Isaac!!!

 

 Please hold your applause.....just kidding feel free to shower me with your love....

I now challenge Maynard over at Maynard's Horror Movie Diary to connect Oscar Isaac with Shannyn Sossamon….

MOVIE REVIEW: AS ABOVE, SO BELOW

Miles of twisting catacombs lie beneath the streets of Paris, the eternal home to countless souls. When a team of explorers ventures into the uncharted maze of bones, they uncover the dark secret that lies within this city of the dead. A journey into madness and terror, As Above, So Below reaches deep into the human psyche to reveal the personal demons that come back to haunt us all.

Director: John E. Dowdle 

Cast: Perdita Weeks, Ben Feldman, Edwin Hodge.

Release Date: Aug 29, 2014

Rated R 

Runtime: 1 hr. 0 min. 

Genres: Documentary, Suspense/Thriller 

Review:

Being a fan of the horror genre can be hard from time to time.  Sure you do get the occasional surprise but there’s a lot of garbage out there as well.  It’s a common problem with films that can be made on the cheap.  Add to it the “found footage” subgenre and you’ll have to deal with a lot of subpar films.  As Above, So Below is a rather frustrating film because it does have an interesting premise and it could of turned into a rather impressive Dante’s Inferno type film.  Sadly, it only touches on its potential, it randomly hits some solid notes especially in its frenetic finale but never maintains its.  Add to it that you don’t care about any of the character especially when they make the stupidest decisions possible at evey turn.  As Above, So Below is one of those horror films that loses any semblance of horror so quickly that it becomes a laughfest as you watch idiotic characters do idiotic things, thankfully it’s over quickly.

D