MOVIE REVIEWS: THE LAST EXORCISM

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THE LAST EXORCISM



When he arrives on the rural Louisiana farm of Louis Sweetzer, the Reverend Cotton Marcus expects to perform just another routine “exorcism” on a disturbed religious fanatic. An earnest fundamentalist, Sweetzer has contacted the charismatic preacher as a last resort, certain his teenage daughter Nell is possessed by a demon who must be exorcized before their terrifying ordeal ends in unimaginable tragedy. Buckling under the weight of his conscience after years of parting desperate believers with their money, Cotton and his crew plan to film a confessionary documentary of this, his last exorcism. But upon arriving at the already blood drenched family farm, it is soon clear that nothing could have prepared him for the true evil he encounters there. Now, too late to turn back, Reverend Marcus’ own beliefs are shaken to the core when he and his crew must find a way to save Nell – and themselves – before it is too late.

Director: Daniel Stamm

Cast: Patrick Fabian, Iris Bahr, Louis Herthum, Caleb Jones, Tony Bentley.

Release Date: Aug 27, 2010

Rated: Disturbing violent content, thematic material, terror and some sexual references

Runtime: 1 hr. 28 min.

Genres: Horror, Suspense/Thriller

Review:

Daniel Stamm spends the better part of his film building up tension and having you question your expectations of what’s really going on in this story. Unfortunately, the film takes an unexpected and unneeded U turn that makes everything before it seem totally and utterly pointless. It makes me wonder if Eli Roth, serving as producer, just couldn’t keep himself contained and felt the need to add his own flavor to the ending. The set up is interesting and compelling, giving you something unexpected from what has become a terribly predictable subgenre of horror. The cast of unknowns play their roles well and are believable for the most part, only a few spots of just plain bad acting early standout. Patrick Fabian is the strongest of the group as a PT Barnum type reverend who’s trying to expose religious rituals with a healthy dose of cynicism. Ashley Bell is more than adequately disturbing throughout, besides the fact that she looks a tad too much like Michael Cera for my taste. She plays innocent well but with a strong under current of something off throughout. Her ability as a contortionist is extremely helpful. The supporting player, like the camera crew and the girl’s father, are solid enough but forgettable. The Last Exorcism could have been a low budget gem if Stamm had just stuck to the trail he’d made earlier in the film instead of ripping off a classic movie about demonic shenanigans and it’s not the one you think.

C-

MOVIE REVIEWS: PIRANHA 3D

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PIRANHA 3D



Haute Tension and Hills Have Eyes director Alexandre Aja pays homage to the films that made him fall in love with the horror genre by helming this comedic remake of director Joe Dante's 1978 Jaws parody. Lake Victoria may look peaceful, but beneath the placid waters of this painterly lake lurks a deadly menace. A powerful underwater tremor has released scores of man-eating prehistoric fish into the waters, and now it's up to a group of unlikely heroes to band together and defeat the razor-toothed predators. With time running out and the aquatic carnivores taking over, one brave heroine (Elisabeth Shue) will risk everything to save the lake and prevent her family from becoming fish food. Richard Dreyfuss, Ving Rhames, Jerry O'Connell, and Adam Scott star in the Dimension Films production. ~ Jason Buchanan, Rovi

Director: Alexandre Aja

Cast: Elisabeth Shue, Adam Scott, Jerry O'Connell, Ving Rhames, Jessica Szohr.

Release Date: Aug 20, 2010

Rated: Sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use

Runtime: 1 hr. 29 min.

Genres: Horror, Suspense/Thriller

Review:

Roger Corman’s sole direction when he produced the original B-movie classic Piranha was “More blood...” The low budget original filled that bill capably and while Alexandre Aja’s redux shares little, outside of the titular fish, in common with the original he does keep the spirit of it alive in all its gory goodness. His remake is filled with enough blood, gore and full frontal nudity to appease even the most cynical of horror fans. Aja moves his film at an incredibly fast pace staging some of the larger scenes of carnage with a precise technical eye but never losing the sight of the fun of the entire endeavor. His film is classic B-movie goodness, something that’s become a lost art. He finds that perfect mix of the exploitive, an egregiously long fully nude underwater ballet is a prime example, and visceral excess. Nothing is ever taken very serious, the cast plays it mostly straight with only the slightest of a wink, enough to let you know they are very aware of the kind of film they are making. Elisabeth Shue is given the unenviable job of trying to carry some semblance of a story and she does a fine job while displaying a nicely toned physique. Steven R. McQueen plays a fairly paint by the number goofy kid in love character and is mostly forgettable. Everyone else, from the good natured cameos to porn stars are pretty much cannon fodder for the meat grinder. Once the carnage starts its keeps going till the end but once it ended I could help wondering or maybe wishing that Aja pushed the envelope a little bit further. Perhaps that speaks more to my general blood lust.

B-

The 3D doesn’t make nearly the impression it should and mostly feel unnecessary.

Danny Boyle's 127 Hours Trailer

Danny Boyle has long been one of my favorite directors, needless to say I'm looking foward to this movie, based on Aaron Ralston experience...

Darren Aronofsky's Black Swan Trailer

This looks like it'll be another amazing film from Aronofsky...

MOVIE REVIEWS: SCOTT PILGRIM VS. THE WORLD

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SCOTT PILGRIM VS. THE WORLD



Based on Bryan Lee O'Malley's Oni Press comic book of the same name, Scott Pilgrim vs. the World follows the eponymous slacker rocker on his colorful quest to defeat his dream girl's seven evil ex-boyfriends. Twenty-two-year-old Scott Pilgrim (Michael Cera) may not have a job, but rocking the bass for his band, Sex Bob-omb, is a tough job unto itself. When Scott locks eyes with Ramona Flowers (Mary Elizabeth Winstead), he knows she's the girl he wants to grow old with. But Ramona has some serious baggage; her supercharged exes rue the thought of her being with another man, and they'll crush any guy who gives her a second glance. Now, in order to win Ramona's heart, Scott will do battle with everyone from vegan-powered rock gods to sinister skateboarders, never losing sight of his gorgeous goal as he pummels his way to victory. Shaun of the Dead's Edgar Wright directs the film from a script he penned with Michael Bacall. Superhero veterans Chris Evans and Brandon Routh co-star in the action comedy as two of the seven ex-boyfriends. ~ Jason Buchanan, Rovi

Director: Edgar Wright

Cast: Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Brandon Routh.

Release Date: Aug 13, 2010

Rated: stylized violence, sexual content, language and drug references

Runtime: 1 hr. 53 min.

Genres: Action/Adventure

Review:

If you’ve ever wondered what a Baz Luhrmann dream would look like if it had 16-bit sensibility, I know I have on various occasions, then Edgar Wright’s Scott Pilgrim vs. The World is right up your alley. Like Luhrmann’s Moulin Rouge, Wright has a basic and fairly straightforward story as his base but the visuals elevate it to an inspired bit of kinetic epilepsy inducing filmmaking that’s easy to love. Wright uses anime and old school video tropes in telling this story and it’s a visual marvel to behold, something that’s insane but perfectly logical within the story. Acting, like the story is 2nd fiddle here and with a few standouts, Kieran Culkin leaves the most tangible impression, the cast is mostly just going with the flow of the film’s lunacy. Wright has really flexed his directorial muscle here and created visual candy which is s tad overlong and probably not terribly accessible to the general public.

B+

MOVIE REVIEWS: THE EXPENDABLES

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THE EXPENDABLES



An all-star cast of action-movie icons headline Sylvester Stallone's explosive action thriller about a group of hard-nosed mercenaries who are double-crossed during a treacherous mission. Approached by the shadowy Church to overthrow tyrannical South American dictator General Gaza (David Zayas) and restore order to the troubled island country of Vilena, stoic soldier of fortune Barney Ross (Stallone) rounds up an unstoppable team that includes former SAS soldier and blade specialist Lee Christmas (Jason Statham); martial arts expert Yin (Jet Li); trigger-happy Hale Caesar (Terry Crews); cerebral demolitions expert Toll Road (Randy Couture); and haunted sniper Gunnar Jensen (Dolph Lundgren), a combat veteran who never misses his mark. Traveling to Vilena on a reconnaissance mission with his old pal Christmas, Barney meets their local contact, a cagey guerrilla fighter named Sandra (Giselle Itie). It isn't long before Barney and Christmas have discovered that their actual target is not General Gaza but James Monroe (Eric Roberts), a former CIA operative who has recently gone rogue. Monroe won't be easy to get to either, because his hulking bodyguard Paine (Steve Austin) is a force to be reckoned with. When their mission is compromised, Barney and Christmas are forced to flee, leaving Sandra behind to face almost certain death. But Barney isn't the kind of soldier to abandon a mission, or a hostage, and now in order to get the job done he'll need the help of his old crew. ~ Jason Buchanan, Rovi

Director: Sylvester Stallone

Cast: Sylvester Stallone, Jason Statham, Mickey Rourke, Terry Crews, Jet Li.

Release Date: Aug 13, 2010

Rated: strong action and bloody violence throughout, and for some language

Runtime: 1 hr. 43 min.

Genres: Action/Adventure

Review:

Sylvester Stallone wants to revive the ghost of mindless 80’s action flicks, the kind he headlined for years. He’s mostly successful even if in bringing this style of film back with warts and all leaves something to be desired from time to time. Stallone’s direction is generic but single minded and when the action gets hot and heavy its done well without losing focus from the point of the film as a whole. The point being, of course, is to provide lots of bloody carnage replete with bodies exploding, decapitations and bullets with minimal reloading throughout. The cast assembled is of course more than capable to fill the bill. Stallone in the lead role comes off a tad distant and distracted, seemingly more interested in taking in everything he’s brought together and feeling somewhat self satisfied. Needless to say, his acting here is fairly wooden. Jason Statham fairs far better feeling more like the real lead of the film, he comes off the most comfortable of the main cast and he’s good fun throughout. Jet Li is mostly short changed, pun intended, for the most part and what little time he’s given he does well with. Terry Crews has some fun parts popping up here and there throughout the movie. Randy Couture gets a few sections and comes off as wooden but he handles the action well. Mickey Rourke and Dolph Lungren both have small parts that I would have enjoyed to see fleshed out a bit more. Eric Roberts is having a good time laying it on thick as a typical 80’s action movie villain. Don’t expect much more screen time out of Willis and Schwarzenegger than what you see in the trailer even if the exchange is lots of fun. The Expendables delivers exactly what you’d expect and it’s a fun time at the movies, occasionally hitting a few inspired moments of awesomeness.

B-

MOVIE REVIEWS: THE OTHER GUYS

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THE OTHER GUYS



A desk-jockey detective and his tough-talking partner get their moment to shine in this buddy police comedy starring Will Ferrell and Mark Wahlberg, and directed by Adam McKay (Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby). New York City detective Allen Gamble (Ferrell) is more comfortable pushing pencils than busting bad guys. A meticulous forensic accountant, his numbers are never off. Detective Terry Hoitz (Wahlberg) is Gamble's reluctant partner. Try as Detective Hoitz might to get back on the streets, an embarrassing encounter with Derek Jeter has left a sizable black mark on his permanent record. Detectives Danson (Dwayne Johnson) and Highsmith (Samuel L. Jackson) are the complete opposites of Gamble and Hoitz: unwaveringly confident, they always get their man, and they do it with style to spare. When the time comes for Gamble and Hoitz to prove their mettle and save the day, their incompetence becomes the stuff of legend. ~ Jason Buchanan, Rovi

Director: Adam McKay

Cast: Will Ferrell, Mark Wahlberg, Eva Mendes, Michael Keaton, Dwayne Johnson.

Release Date: Aug 06, 2010

Rated PG-13 for crude and sexual content, violence, some drug material and language

Runtime: 1 hr. 47 min.

Genres: Action/Adventure, Comedy

Review:

Adam McKay and Will Ferrell are usually comedic gold and they have the absurdist resume to prove it. The Other Guys is another strong comedic outing for the pair this time bringing Mark Wahlberg into the fold who’s finally having a little fun with himself by playing a parody of his typical character. McKay set the table with a ridiculous and entertaining opening action sequence involving Sam Jackson and Dwayne Johnson, both who are more just around for what amounts to an extended cameo, as your usual super cops. From the there, McKay introduces Ferrell and Wahlberg’s characters and keeps the film moving at a steady pace, throwing jokes left and right with great effect as both actors share palpable comedic chemistry onscreen. They play off each other extremely well throughout. Ferrell bounces back after last summer abysmal Land of the Lost by doing what he does best, creating likable weirdos who are more layered than you’d think. His character is like a more thoroughly realized SNL character complete with a “tragic” past. Wahlberg is well at ease playing a tongue in cheek version of the type of role he usually plays. He’s believable and only occasionally borders on caricature. Michael Keaton, Steve Coogan and Eva Mendes are all strong in supporting roles and it’s always good to see Rome’s Ray Stevenson large productions. McKay had something close to a classic on his hands till the 3rd act nearly brings the film to a dead stop as the convoluted plot gets in the way and it kind of saps the life out of the film.

B-

DON’T BE AFRAID OF THE DARK Teaser Trailer

Guillermo del Toro Presents Don’t be Afraid of the Dark, directed by first timer Troy Nixey, looks impressive and fun but the January release dates makes me a tad cautious….

Alexander Aja’s PIRANHA 3-D 9 min bootleg footage

9 mins of crazy bloody footage filled with gore and nudity.....NSFW

The original movie was always a childhood favorite of mine, don't ask, and this one looks like it might have just captured the spirit of it....

MOVIE REVIEWS: DINNER FOR SCHMUCKS

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DINNER FOR SCHMUCKS



Tim, is an up-and-coming executive who has just received his first invitation to the "dinner for idiots," a monthly event hosted by his boss that promises bragging rights to the exec that shows up with the biggest buffoon. Tim's fiancée, Julie, finds it distasteful and Tim agrees to skip the dinner, until he bumps into Barry--an IRS employee who devotes his spare time to building elaborate taxidermy mouse dioramas--and quickly realizes he's struck idiot gold. Tim can't resist, and invites Barry, whose blundering good intentions soon sends Tim's life into a frenzied downward spiral and a series of misadventures, threatening a major business deal, bringing crazy stalker ex-girlfriend, Darla, back into Tim's life and driving Julie into the arms of another man.

Director: Jay Roach

Cast: Steve Carell, Paul Rudd, Stephanie Szostak, Zach Galifianakis, Bruce Greenwood

Release Date: Jul 30, 2010

Rated PG-13 for sequences of crude and sexual content, some partial nudity and language and sexual content

Runtime: 1 hr. 50 min.

Genres: Comedy, Comedy

Review:

Kind of like an old basketball court with too many dead spots Dinner For Schmucks looks like its ready made for classic comedy status with a strong cast and a funny concept, it’s a remake of the French film Le Dîner de Cons, but plays it too safe throughout and fails to keep the laughs coming at a consist basis. Jay Roach, the walk example of directorial mediocrity, directs this film with a unfocused hand and delivers an uneven and overlong comedy. Running nearly 2 hours and feeling every second of it, Roach can’t seem stay focused on the funny aspects of the film or his cast. Steve Carell is totally committed to his character and is likable and funny more often than not. Paul Rudd doesn’t fare as well as he’s left to function as the straight man to the general zaniness around him. It’s a shame that Rudd’s finally gotten headlining roles but been denied to the ability to be funny, just take a peek at his older films and you’ll see how terribly he’s being misused as of late. Zach Galifianakis has a small role but he steals every scene he’s in and you’re left wishing his character had had a bigger part. Lucy Punch is semi terrifying as Tim’s one night stand. Jemaine Clement is relegated to overly cartoonish over the top role as the “cutting edge” artist. His character is a good example of what’s wrong with the film. The script peppers the film with all these overblown characters but never utilizes them properly and plays it to safe and thoroughly avoids anything even close to mean spirited even though the concept is very much so. Instead, we are left with a generally predictable paint by the number affair that holds off on the big dinner scene for way too long and leaves wondering if it was worth the wait.

C-