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Showing posts with label Mary Elizabeth Winstead. Show all posts
Showing posts with label Mary Elizabeth Winstead. Show all posts

Sunday, February 9, 2020

Cindy Prascik's Reviews of Birds of Prey & The Last Full Measure



Despite the first real blast of winter rolling through my area this weekend, I was able to slip out to the cinema for Birds of Prey and the Last Full Measure.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda, the film with the unnecessarily awkward and misleading name, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn.

Following her breakup with the Joker, Harley Quinn struggles to make her way on her own.

Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is misnamed in that it is mostly about Harley Quinn and hardly at all about the Birds of Prey, who pop up only sporadically throughout and not until the very end as a unit. Margot Robbie clearly is having the time of her life as Harley, as is Ewan McGregor as the film's psychotic big-bad. The rest of the cast is unremarkable, outside of Mary Elizabeth Winstead, always a rose even among thorns. Birds of Prey doesn't look half as good as the Gotham TV series as far as its production design and overall appearance and atmosphere, but there are a couple exceptional set pieces, particularly the climactic battle in a fun house. The movie makes great use of some popular tunes and features terrific score by Daniel Pemberton.

On the negative side, Birds of Prey is unrelentingly foul in both language and content. I'm a grownup and grownup content doesn't put me off, but the movie tries to shock for shock's sake and that's just boring. I find the character of Harley Quinn rather annoying, and this portrayal hasn't done anything to endear her to me. Much like the Minions--who are the best part of any Despicable Me movie but couldn't effectively carry a whole movie--a little Harley goes a long, long way. "Fun" is the word I've most often heard used to describe Birds of Prey, which for me frequently is code for, "It isn't very good but I liked it anyway." I can definitely see why people like this movie, despite it's not being particularly well done, and I'm grateful that solid reviews and good word of mouth should make it a win for DC, regardless of a (so far) sluggish box office.

Birds of Prey and the Fantabulous Emancipation of One Harley Quinn clocks in at 109 minutes and is rated R for "strong violence and language throughout, and some sexual and drug material."

While Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is built of some great pieces, the whole is too dark to be fun and too silly (bordering on downright stupid at times) to be properly dark. Of a possible nine Weasleys, Birds of Prey gets six.

Next on the docket, the Last Full Measure.

A hotshot government lawyer is assigned (against his will) to review the case of an airman killed in Vietnam, whose brothers in arms are convinced he was wrongfully denied the Medal of Honor.

First and foremost, I would like to give props to my local theater for getting this movie. Even though the film is in wide-release, there doesn't seem to be much buzz around it and I was certain it would pass right by my small town. So, thank you, Marquee Cinemas, for screening the Last Full Measure.

Onward to the movie, beginning where regular reader(s) will expect: with Sebastian Stan. I've said it before and I'll undoubtedly say it again (and again): Sebastian Stan is the finest actor of his generation, and one of the finest actors I've ever seen. If you only know him as a Marvel guy, you are really, really missing out. (Shameless plug: Please check him out in the short-lived series Kings, which you can watch for free on the NBC app.) As a longtime fan, you can bet I was as proud as his mama to see his name at the top of the credits, his first real big-screen lead. This role hardly taxes his talent, but his character is the film's backbone and he serves it well. Most of the acting heavy lifting is left to the older cast members: Samuel L. Jackson, Ed Harris, William Hurt, Peter Fonda, and John Savage, but--while fine performances elevate the material--they can't really save it. The tone is overly sentimental and the script is pedestrian, at times so melodramatic as to be almost comical, which is a sad disservice to its subject. Having said all that, the film does put the spotlight on a very deserving hero, and the folks in my screening and the one before it were largely moved to tears. That's a movie that certainly gets something right.

The Last Full Measure runs 116 minutes and is rated R for "war violence and language."

The Last Full Measure is a film that strikes a nerve, not necessarily because it tells its story well, but because it tells *such* a story. Of a possible nine Weasleys, the Last Full Measure gets seven.

Fangirl points: I mean, Seb, obviously, but Linus Roache was a nice surprise!

Until next time...

Saturday, February 8, 2020

MOVIE REVIEW: BIRDS OF PREY







































It's open season on Harley Quinn when her explosive breakup with the Joker puts a big fat target on her back. Unprotected and on the run, Quinn faces the wrath of narcissistic crime boss Black Mask, his right-hand man, Victor Zsasz, and every other thug in the city. But things soon even out for Harley when she becomes unexpected allies with three deadly women -- Huntress, Black Canary and Renee Montoya.

Director: Cathy Yan

Cast: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ella Jay Basco, Ali Wong, Ewan McGregor

Release Date: February 7, 2020

Genres:  Action, Adventure, Crime

Rated Rated R for strong violence and language throughout, and some sexual and drug material

Runtime:  1h 49min

Review:

Birds of Prey nails so many things right about Harley Quinn as a character that you'd be hard pressed to find flaw especially if you've been a fan since her inception.  Her debut in Suicide Squad, a movie that's unfairly bashed while still being fun if problematic, was iconic for Margot Robbie and the DC universe in general.  Regardless of how you feel about that movie, she was one of the shining lights of the whole affair.  Now in her own film, flanked by longtime Batman friends and adversaries, she's given full reign on the screen and story.  Cathy Yan helms the film with a kinetic energy that's hard to resist with luminous star in a role she was born to play.  There are so many impressively manic and nutty fight sequences to keep even the most blood thirsty movie goer begging for more.  It's a candy colored assault on the senses that takes a break here and there before it drops a mallet on your head again.  Supporting Robbie are equally game cast mates like Ewan McGregor who's obviously having a ball playing Black Mask.  Needless to say that DC fans will have to appreciate this take on Black Mask and Victor Zsasz because it's both respectful of each character but still their own singular take.  The same can be said of this entrie's take on Black Canary and Huntress played by an underused Mary Elizabeth Winstead.  Each brings a specific type of energy to their role much like the more seasoned Rosie Perez who just fits as Renee Montoya.  Ultimately, they are all floating around Margot Robbie's Quinn who keeps the whole thing rolling.  There's a definite girl power rolling through the entire film and it's the better for it, fitting right in as the crazy cousin to the more refined DC super heroine Wonder Woman.

B+

Saturday, March 12, 2016

MOVIE REVIEW: 10 CLOVERFIELD LANE







































A young woman (Mary Elizabeth Winstead) is forced to cope with her new life after waking up from a nearly fatal accident in this thriller from director Dan Trachtenberg. After narrowly avoiding serious injuries in a car wreck, Michelle (Winstead) awakens in the care of a man who claims to have found her at the scene, and who brought her to his home after a catastrophic chemical attack devastated the surrounding area. John Goodman and John Gallagher Jr. co-star. ~ Tom Ciampoli, Rovi

Director: Dan Trachtenberg

Cast: Mary Elizabeth Winstead, John Goodman, John Gallagher, Jr., Cindy Hogan, Douglas M. Griffin

Release Date: Mar 11, 2016

Rated PG-13 for some Violence, Frightening Sequences, Brief Language, Thematic Material and 
Threat

Runtime: 1 hr. 45 min.

Genres: Drama, Sci-Fi/Fantasy, Suspense/Thriller

Review:

10 Cloverfield Lane is an impressively taut thriller that probably would have been better off leaving the Cloverfield connections off.  That’s not to say it’s a terrible connection to make, it also hasn’t hurt its box office, but it’s subtle at best and it could prove slightly distracting to some.  On its own, 10 Cloverfield Lane brings back memories of some of the better Twilight Zone or Outer Limits episodes.  The small cast benefits the film since each of them delivers strong performances.  Mary Elizabeth Winstead spearheads the film as a combination of Ramona Flowers and Macgyver.  Her character is probably one of the most adaptable and resourceful female leads in recent sci-fi history.  John Goodman is just as impressive as the is he /isn’t he nutty guy.  Goodman has an excellent talent of going from nice guy to nuts in the blink of an eye with little effort.  It makes for a wonderfully tense film which builds to a crescendo displaying a talented hand behind the camera.  The final act is sure to be divisive since it opens up the claustrophobic atmosphere giving us a totally different feel to the film.  Personally, I rather enjoyed it throughout as an effective sci-fi yarn.

B

Monday, February 13, 2012

[Trailer] Abraham Lincoln: Vampire Hunter

Since the film adaptation of Pride, Prejudice and Zombies died on the vine I took some small solace in knowing the Abraham Lincoln Vampire Hunter was still a go.

A few hiccups along the way we finally have a trailer for it and it looks like all kinds of delicious genre fun I’d hope it’d be, a tad too much slow mo for my taste but that’s to be expected with Bekmambetov at the helm…..



Wednesday, October 12, 2011

MOVIE REVIEW: THE THING (2011)

IN THEATERS



THE THING (2011)

An American paleontologist and a team of Norwegian scientists fight for their lives against a shape-shifting extraterrestrial that can perfectly mimic any living creature in this prequel to John Carpenter's 1982 horror classic. Upon receiving word that the Antarctic research team has unearthed an alien craft, paleontologist Kate Lloyd (Mary Elizabeth Winstead) joins the group to explore what secrets the ship might hold. Though by Kate's estimation the creature inside the spaceship has been dead for centuries, it has actually just been lying dormant in the ice. Perfectly preserved, it has awaited the day when it would finally be freed from its frigid prison; now, after eons of lying in wait, that day has finally come. Suddenly revived during a crucial experiment, the malevolent alien begins methodically mimicking each member of the crew undetected. By the time Kate realizes the frightening implications of the creature's unique ability, it may already be too late. As paranoia among the crew begins to intensify, it's up to Kate and the crew's helicopter pilot, Carter (Joel Edgerton), to make sure the extraterrestrial menace is exterminated before it has the opportunity to escape -- for, should it manage to make its way to a heavily populated area, humanity's days may be numbered. Matthijs Van Heijningen Jr. makes his feature directorial debut from a script by Eric Heisserer and Battlestar Galactica's Ronald D. Moore. ~ Jason Buchanan, Rovi
Director: Matthijs van Heijningen Jr.

Cast: Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Eric Christian Olsen, Adewale Akinnuoye-Agbaje

Release Date: Oct 14, 2011

Rated R for Strong creature violence and gore, disturbing images and language

Runtime: 1 hr. 43 min.

Genres: Horror, Sci-Fi/Fantasy

REVIEW:

The Thing prequel was always going to be a dicey subject for me since Carpenter’s remake from the 80’s is one of my top 3 favorite horror films of all time. I’ve tried to keep an open mind but I am only human and I’m sure my prejudices infect this review more than it should. This prequel feels a lot like a remake especially in the first act. It plays very similarly but first time director Matthijs van Heijningen Jr. seems more interested in getting to the creature effect as opposed to building up suspense. The story also changes the creature’s logic, making it more aggressive where as Carpenter’s version reacted in a more defensive manner. The effects in of themselves are impressive and pay homage to the Carpenter film but the CGI is of variable quality, occasionally looking very good then looking incredibly bad in others. Heinjinigen turns this prequel more into a standard creature feature with characters that could barely be called paper thin. The characters, including the lead, feel like nothing more than fodder for creature. Mary Elizabeth Winstead is terribly miscast her and she reads lines about as flatly as they can be read. Her performance and character are never engaging or interesting instead a general sense of bland throughout. The remainder of the cast is simply asked to replicate versions of characters from the Carpenter film, with Joel Edgerton and Adewale Akinnuoye-Agbaje doing their best Kirk Russell and Keith David impersonations. There are a few scares here and there but with the lack of any tangible suspense they are all telegraphed making them fairly obvious. The final act plays more like something from the Aliens franchise. The ambiguity of the Carpenter film is missing right through the end. A nice wrap up scene, setting up the Carpenter film, during the credits is well done but doesn’t do much but put the final pieces in place. Fans of the Carpenter film will find things to like here and there and will probably walkout with the desire to watch the Carpenter film as soon as they leave the theater, quickly forgetting this prequel.

C


Monday, September 19, 2011

[Red Band Trailer] The Thing (2011)

The first trailer hardly instilled a lot of hope in me for this prequel but this Red Band Trailer and the amount of CGI which looks to dominate the creature effects are really making me feel more than a little depressed.

Still trying to keep an open mind but it’s getting harder and harder……



Thursday, July 14, 2011

[Trailer] The Thing (2011)




Finally a proper trailer for this prequel has arrived. After some bootleg footage last year we hadn’t heard a whisper about this project outside of it getting moved back and back.

The Thing is my favorite Carpenter film and one of my favorite horror films in general.

While this trailer is for a prequel, the Norwegian camp’s story, to the original it sure does feel like a remake, lots of shots of things familiar to fans.

Not sure it’ll work just feel like something attempting to be the real thing……


Sunday, August 15, 2010

MOVIE REVIEWS: SCOTT PILGRIM VS. THE WORLD

IN THEATERS

SCOTT PILGRIM VS. THE WORLD



Based on Bryan Lee O'Malley's Oni Press comic book of the same name, Scott Pilgrim vs. the World follows the eponymous slacker rocker on his colorful quest to defeat his dream girl's seven evil ex-boyfriends. Twenty-two-year-old Scott Pilgrim (Michael Cera) may not have a job, but rocking the bass for his band, Sex Bob-omb, is a tough job unto itself. When Scott locks eyes with Ramona Flowers (Mary Elizabeth Winstead), he knows she's the girl he wants to grow old with. But Ramona has some serious baggage; her supercharged exes rue the thought of her being with another man, and they'll crush any guy who gives her a second glance. Now, in order to win Ramona's heart, Scott will do battle with everyone from vegan-powered rock gods to sinister skateboarders, never losing sight of his gorgeous goal as he pummels his way to victory. Shaun of the Dead's Edgar Wright directs the film from a script he penned with Michael Bacall. Superhero veterans Chris Evans and Brandon Routh co-star in the action comedy as two of the seven ex-boyfriends. ~ Jason Buchanan, Rovi

Director: Edgar Wright

Cast: Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Brandon Routh.

Release Date: Aug 13, 2010

Rated: stylized violence, sexual content, language and drug references

Runtime: 1 hr. 53 min.

Genres: Action/Adventure

Review:

If you’ve ever wondered what a Baz Luhrmann dream would look like if it had 16-bit sensibility, I know I have on various occasions, then Edgar Wright’s Scott Pilgrim vs. The World is right up your alley. Like Luhrmann’s Moulin Rouge, Wright has a basic and fairly straightforward story as his base but the visuals elevate it to an inspired bit of kinetic epilepsy inducing filmmaking that’s easy to love. Wright uses anime and old school video tropes in telling this story and it’s a visual marvel to behold, something that’s insane but perfectly logical within the story. Acting, like the story is 2nd fiddle here and with a few standouts, Kieran Culkin leaves the most tangible impression, the cast is mostly just going with the flow of the film’s lunacy. Wright has really flexed his directorial muscle here and created visual candy which is s tad overlong and probably not terribly accessible to the general public.

B+
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