MOVIE REVIEW: ATOMIC BLONDE

Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies.

Director: David Leitch 

Cast: Charlize Theron, James McAvoy, John Goodman, Sofia Boutella, Til Schweiger

Release Date: Jul 28, 2017

Genres: Action/Adventure, Suspense/Thriller

Rated R for for sequences of strong violence, language throughout, and some 
sexuality/nudity

Review:

Atomic Blonde is a stylish spy thriller that’s a great vehicle for a kick ass Charlize Theron.  That’s really the main attraction here, watching Charlize Theron repeatedly beat up anyone and everyone in a variety of fashions.  The film’s action sequences are impressive works of art that really highlight the director’s strengths.  The two major sequences, one involving a rope and lots of police and the finale which is one of the most brutal fight sequences in a long time, are when the film hits its peak.  The plot though is a slight weakness, the spy plot is pretty basic, missing microfilm, and there aren’t nearly as many twist and turns as you’d expect.  Still it’s got enough style blended with a strong 80s soundtrack to make it memorable.     

B

Cindy Prascik's Review of Atomic Blonde

Dearest Blog: Thanks to a half-day closing at the office, I was able to avoid the weekend rush and catch a Friday-afternoon screening of Atomic Blonde.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

Against a backdrop of the tumultuous days leading to the fall of the Berlin Wall, agents from several nations race to claim a stolen piece of valuable intelligence.

 

Regular reader(s) will have heard me say time and again that I haven't much interest in movies about women, but apparently my interest can be piqued when said women are beating the ever-lovin' crap out of everyone. Take note, Hollywood.

 

If we're being honest, Atomic Blonde is mostly a bunch of wild action sequences strung together with a thin of bit spy-thriller thread. The plot is compelling, with a few great twists, but it can't steal the spotlight from the movie's fight and chase scenes. It is a testament to how great the action is that you won't mind that a bit. It's a testament to the rest that the movie still has a few surprises up its sleeve. 

 

The lovely Charlize Theron is...well...lovely, ceaselessly making fashion statements while knocking people's lights out. (Note to self: Anyone dressed too nicely is probably a spy.) Theron is mesmerizing, carrying the movie as effortlessly as her character puts down the bad guys. James McAvoy, Sofia Boutella, Eddie Marsan, John Goodman, and Toby Jones round out an excellent supporting cast. Atomic Blonde features terrific graffiti-style graphics on the titles and credits, some beautiful scenery, and the best fight choreography I've seen in many a day. Full marks for all of the above, but if I told you any of that was the movie's high point, I'd be lying. No, the best thing about Atomic Blond is its wonderful soundtrack, featuring a couple-dozen of the 80s best nuggets, including the original German versions of two of my favorites: Peter Schilling's Major Tom (Coming Home) and Nena's 99 Luftballons. As most of the film's brutality is set to music, a final face-off is all the more effective for being backed by nothing but the sound of punches landing and people getting the wind knocked out of them.

 

Atomic Blonde clocks in at 115 minutes and is rated R for "sequences of strong violence, language throughout, and some sexuality/nudity."

 

These days people talk a lot about the importance of representation in film. I'm not sure anyone will be calling Atomic Blonde an "important representation for girls," but if, like me, you're a girl who would rather jump off a cliff than sit through Wild or its ilk again, it's certainly a step in the right direction. 

 

Of a possible nine Weasleys, Atomic Blonde gets eight.

 

Until next time...

MOVIE REVIEW: KONG: SKULL ISLAND

A secret government organization mounts an expedition to Skull Island, an uncharted territory in the Pacific. Led by an explorer (John Goodman) and a lieutenant colonel (Samuel L. Jackson), the group recruit a disillusioned soldier (Tom Hiddleston) and a photojournalist (Brie Larson) to investigate the island's peculiar seismic activity. But once there, they discover that Skull Island is home to a gigantic ape called King Kong, and find themselves caught up in an ongoing war between the beast and the area's indigenous predators. Jordan Vogt-Roberts directed this reboot of the classic monster franchise. ~ Daniel Gelb, Rovi

Director: Jordan Vogt-Roberts

Cast: Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, John Ortiz.

Release Date: Mar 10, 2017    

Rated PG-13 for Intense Sci-Fi Violence/Action and Brief Strong Language    

Runtime: 1 hr. 58 min.    

Genres: Action/Adventure, Sci-Fi/Fantasy    

Review:

Kong: Skull Island is a bit of a throwback in multiple ways.  Bringing back the cinematic beast with a 90’s style blockbuster bombast provides some good fun even if the film’s human characters suffer.  Kong and his fellow island beast all look great and are appropriately menacing during the huge set pieces that make up the better part of the film.  The action itself is well directed and fun with the helicopter sequence being the biggest standout.  There are a few drawbacks that keep the film from being great.  First off, there are way too many characters in the film with none of them really getting any sort of depth.  There’s a bevy recognizable faces on display but the director Jordan Vogt-Roberts doesn’t seem all that interested in using them for anything other than eye candy.  As a result, strong actors like Tom Hiddleston, Brie Larson, John Goodman and Sam Jackson (channeling Ahab vs. Kong via Apocalypse Now) are short changed by the script which leaves them spinning their wheels.  John C. Reilly is fairly great as the downed WW2 pilot.  He brings a ton of energy and fun to the film as soon as he hits the screen in the third act helping keep the momentum going for the finale.  Kong: Skull Island implies a much larger monsterverse at play, which cough cough includes Godzilla, so future entries can improve on some of the faults in this entry. 

B-

Cindy Prascik's Review of Kong: Skull Island

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday I took a trip through uncharted territory (well...Marquee Cinemas) to Kong: Skull Island.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

A team of scientists and its military escort investigate a mysterious island in the Pacific.

 

Ladies and gentlemen: the third month of 2017 has presented us with what might end up being its best summer-style blockbuster.

 

The success of any movie featuring a character as iconic and oft-portrayed as Kong depends a great deal on how well it handles its icon. I am more than a little pleased to report that Skull Island's Kong is every bit as majestic and intimidating as he should be. See this movie in 3D on the biggest screen you can find; you'll deliver yourself straight into the jaws of the great gorilla himself. The other creature effects are pretty terrific, but, when it's down to nuts and bolts, Kong is definitely king. Skull Island's human cast--including Tom Hiddleston, Brie Larson, Samuel L. Jackson, John Goodman, and John C. Reilly--is an impressively-decorated lot, elevating the outlandish premise and predictable dialogue. Skull Island boasts awesome locations and sets, terrifying battles, and fantastic disaster effects. It's funny when it wants to be, pointed when it needs to be, and thrilling from beginning to end. A rousing score by Henry Jackman, peppered with some great 70s tunes, perfectly underscores the movie's tone, and a fun post-credits scene makes sitting through 15 minutes of compositors' names worthwhile.

 

Kong: Skull Island clocks in at an even 120 minutes and is rated PG13 for "intense sequences of sci-fi violence and action, and for brief strong language."

 

Kong: Skull Island is a terrific popcorn feature, about as much fun as two hours at the cinema could be. Of a possible nine Weasleys, Kong: Skull Island gets eight.

 

Fangirl points: Toby Kebbell! Shea Whigham! (A man who improves any project fortunate enough to have him.) Also, for the record, Hiddles has never looked hotter!

 

Until next time... 

 

MOVIE REVIEW: 10 CLOVERFIELD LANE

A young woman (Mary Elizabeth Winstead) is forced to cope with her new life after waking up from a nearly fatal accident in this thriller from director Dan Trachtenberg. After narrowly avoiding serious injuries in a car wreck, Michelle (Winstead) awakens in the care of a man who claims to have found her at the scene, and who brought her to his home after a catastrophic chemical attack devastated the surrounding area. John Goodman and John Gallagher Jr. co-star. ~ Tom Ciampoli, Rovi

Director: Dan Trachtenberg

Cast: Mary Elizabeth Winstead, John Goodman, John Gallagher, Jr., Cindy Hogan, Douglas M. Griffin

Release Date: Mar 11, 2016

Rated PG-13 for some Violence, Frightening Sequences, Brief Language, Thematic Material and 

Threat

Runtime: 1 hr. 45 min.

Genres: Drama, Sci-Fi/Fantasy, Suspense/Thriller

Review:

10 Cloverfield Lane is an impressively taut thriller that probably would have been better off leaving the Cloverfield connections off.  That’s not to say it’s a terrible connection to make, it also hasn’t hurt its box office, but it’s subtle at best and it could prove slightly distracting to some.  On its own, 10 Cloverfield Lane brings back memories of some of the better Twilight Zone or Outer Limits episodes.  The small cast benefits the film since each of them delivers strong performances.  Mary Elizabeth Winstead spearheads the film as a combination of Ramona Flowers and Macgyver.  Her character is probably one of the most adaptable and resourceful female leads in recent sci-fi history.  John Goodman is just as impressive as the is he /isn’t he nutty guy.  Goodman has an excellent talent of going from nice guy to nuts in the blink of an eye with little effort.  It makes for a wonderfully tense film which builds to a crescendo displaying a talented hand behind the camera.  The final act is sure to be divisive since it opens up the claustrophobic atmosphere giving us a totally different feel to the film.  Personally, I rather enjoyed it throughout as an effective sci-fi yarn.

B

MOVIE REVIEW: THE GAMBLER

In this remake of the James Caan 1974 vehicle The Gambler, an English professor (Mark Wahlberg) who is also a compulsive gambler finds that the only people who will have anything to do with him are those to whom he owes money. ~ Jeremy Wheeler, Rovi

Director: Rupert Wyatt     

Cast: Mark Wahlberg, Brie Larson, Jessica Lange, John Goodman, Emory Cohen

 Release Date: Dec 25, 2014     

Rated R for some Sexuality/Nudity and Language Throughout     

Runtime: 1 hr. 51 min.     

Genres: Drama, Suspense/Thriller     

Review:

The Gambler is a film that’s trying very hard to be something special.  Rupert Wyatt gives the film a glossy sheen, driving it through its narrative with noticeable energy.  Mark Walhberg is doing his best Christian Bale impression by losing a massive amount of weight and looking generally disheveled.  John Goodman does excellent work in a supporting role as Mafioso.  Typically all this would make for an excellent film but the results here are mixed.  I respect Walhberg’s attempts to take his craft seriously but he’s seriously miscast here as the worlds most aggressive English professor.  He gives it his best try but it doesn’t work, it’s just never believable.  It’s always good to see Brie Larson get some work but she’s saddled with a nonsensical love interest role.  We’re told she’s a genius early on but her actions throughout the rest of the film tell us otherwise. John Goodman does give us an excellent supporting turn, creating an extremely intimidating character in limited scenes.  All in all The Gambler feels like a missed opportunity because there seems to be a better film in there somewhere.

C+

Cindy Prascik's The Lego Movie & The Monuments Men

Dearest Blog, yesterday it was off to the cinema for two flicks about which I'd been very excited: The Lego Movie and The Monuments Men.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

So, dear Blog, you may ask WHAT THE HELL WAS I THINKING going to the Lego Movie on a Saturday afternoon that was nice enough for people to GET out, but not nice enough for people to BE out, thus ensuring I'd be sharing the experience with a roomful of kids? I suppose my answer would be: No. Earthly. Idea.

The Lego Movie follows an ordinary Lego guy on his adventure as he tries to save the universe from an evil Lego tyrant...with a little help from some familiar Lego faces.

The Lego Movie was, indeed, packed wall-to-wall with young 'uns (including two birthday parties, if my eavesdropping skills are accurate). They talked, they ran around, they slammed into my seat, and one little boy directly in front of me stood, hand on hip, waving his drink at his mother and yelling, "There's no straw!" until I'm pretty sure I wasn't the only one considering stuffing him in the bin. That being said, they didn't ruin the movie for me, which can mean only one thing: it's a damn good movie.

The Lego Movie is, first and foremost, a unique experience; the art and animation are extraordinary. This is a movie that grabs your attention in the first minute and never lets go, and I think that would be the case even if nobody ever said a word. Luckily, the little Lego people do say words, and they're funny words at that. The Lego Movie is "family entertainment" that really does entertain the whole family and, while my 200 kidlets brought down the house over pantsless Lego people, there were plenty of jokes for the grownups, too. The cast is comprised of notable folks that, even if you don't know their names, you'll surely know their voices. Will Arnett is particularly effective as a grumpy, Bale-esque Batman, and Charlie Day's spastic 80s robot is a treat. The movie smartly doesn't wear out its welcome, and I think I speak for the 200 kids when I say it left us all wanting more.

The Lego Movie clocks in at 100 minutes and is rated PG for "mild action and rude humor."

Though 2014's Oscars haven't even been handed out yet, it's hard for me to imagine something that's going to beat this as Best Animated Feature at 2015's. (Disclaimer: With How to Train Your Dragon 2 on the way this year, I fully anticipate having to eat those words.) Of a possible nine Weasleys, The Lego Movie gets seven and a half.

The second half of yesterday's double-feature was George Clooney's The Monuments Men, based on the true story of a group of unlikely soldiers tasked with saving stolen art from the Nazis and returning it to its rightful owners.

When I first started seeing trailers for The Monuments Men, the cast and the subject matter had me thinking it would be an awards-season favorite. The release date and the Internet (which never lies, right?) tell me that's not the case, and for the life of me, I just don't get why not.

While it may be about as historically accurate as Argo, The Monuments Men does its job as a movie; it presents a relevant, interesting story in an entertaining way. The film moves at a good pace, holds your attention for the duration, and reinforces a message that's important even 70 years later. In addition to Clooney (who also handled directing and co-writing duties), the terrific cast includes Matt Damon, Cate Blanchett, Bill Murray, John Goodman, Jean Dujardin (that's "dude from The Artist that I'm still mad at for stealing Gary Oldman's Oscar," in case anyone didn't know), Hugh Bonneville, and Bob Balaban. It's a smart, moving, and, yes, sometimes funny look at a not-at-all-funny historical event, and the reaction around my theatre tells me I'm not the only one who thinks it's getting shortchanged by critics.

The Monuments Men runs 118 minutes and is rated PG13 for "some images of war violence and historical smoking." (Is that really a thing..."historical smoking??")

While it may not be setting the world on fire like the Oscar-hopeful it once seemed, for my money, The Monuments Men is a total success, no less entertaining for having an important point. Of a possible nine Weasleys, The Monuments Men gets seven.

So, dear Blog, that's all the news that's fit to print for now. Next weekend brings the year's first Gary Oldman Cinema Experience, so there will be swooning a-plenty on this front.

Until next time...



Your efforts are futile in the face of my box-office prowess!

MOVIE REVIEW: MONSTERS UNIVERSITY

Take a trip back in time to when star Monsters, Inc. employees Mike Wazowski (voice of Billy Crystal) and James P. "Sulley" Sullivan (voice of John Goodman) were just two promising young students at Monsters University in this frightfully fun Disney/Pixar prequel. Dan Scanlon (Tracy) takes the directorial reigns for this prequel featuring additional vocal contributions by Steve Buscemi, Dave Foley, and Julia Sweeney. ~ Jason Buchanan, Rovi

Director: Dan Scanlon

Cast: Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Peter Sohn

Release Date: Jun 21, 2013 RealD 3D

Rated G for frightening Scenes

Runtime: 1 hr. 42 min.

Genres: Animated, Family

Review:

Pixar has been in a strange funk as of late. I tend to act like Cars 2 doesn’t exist and Brave played it too safe for my taste. Since I’m still waiting for a sequel to The Incredibles, Monsters University will have to fill the spot. It’s typical of Pixar’s work, polished, well written and funny enough to keep most children and adults entertained for the better part of its runtime. What it’s not, like their last 2 entries, is special. In fact it’s surprisingly generic, borrowing the plot of Revenge of the Nerds. Hearing John Goodman and Billy Crystal back in their classic roles is good fun and there are some strong bonding moments. It’s just hard to ignore that it’s all rather lackadaisical and uninspired. It doesn’t seem to have any heart. This prequel is lacking that emotional connection the original had with Boo and Sully. Its fun seeing Mike and Sully become friends but it all feels rather perfunctory. It’s not terrible by any stretch of the imagination; it’s actually quite good but just not up to Pixar’s standards.

B-

MOVIE REVIEW: THE HANGOVER PART 3

The Wolfpack set out in search of Mr. Chow after Doug is kidnapped by a criminal seeking to recover $21 million from the diminutive hustler as the decadent Hangover trilogy winds to an outrageous close. Bradley Cooper, Ed Helms, Zach Galifianakis, Ken Jeong, John Goodman, and Melissa McCarthy star in this Warner Bros. release from director Todd Phillips. ~ Jason Buchanan, Rovi

Director: Todd Phillips

Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong, John Goodman, Melissa McCarthy

Release Date: May 23, 2013

Rated R for Drug Content, Brief Graphic Nudity, Pervasive Language, Sexual References and Some Violence

Runtime: 1 hr. 40 min.

Genres: Comedy

Review:

“The End.” “It All Ends.” “It Ends.” Etc… I really hope those taglines at the top of the posters are a firm promise. Some series really shouldn’t go past its original film. It’s fairly apparent that The Hangover was the kind of movie that never should have been a franchise. It would have been a smart decision to avoid sequels, like Phillips did with Old School. Instead we were dealt one of the laziest sequels ever. This 3rd film is only marginally better. I do give Phillips credit for mixing up the formula this go around even though it creates a weird serious / comedic tone throughout. As a comedy, it’s never consistently funny. At best it, delivers a handful of chuckles here and there along with long stretches of nothing. By nothing, I mean nothing. No fun, no thrills, no suspense. The audience is just left wading through uninteresting exposition until we get to the next set piece. The cast is just as disinterested as most of the audience, Cooper and Helms in particular. They both seem content in delivering lines from the past films and not much else, not that I really blame them. Zach Galifianakis and Ken Jeong both get larger roles here and are given free reign to do whatever they want. Both take their characters to extremes with grating results. John Goodman and Melissa McCarthy are terribly underused in one note characters. The film has a strange feel about it, like it’s disinterested in itself. The few chuckles that come through don’t last long enough to reach a zenith. It only finds a tad breath of energy in a post credit scene which comes after an awkward slow-mo montage. Let’s hope they don’t renege on their promise to let it end.

D+

MOVIE REVIEW: ARGO

When militants seize control of the U.S. embassy in Tehran during the height of the Iranian Revolution, CIA agent Tony Mendez (Ben Affleck) creates a fake Hollywood film production in order to rescue a group of American diplomats who have sought refuge at the home of the Canadian ambassador. ~ Jason Buchanan, Rovi

Director: Ben Affleck

Cast: Ben Affleck, Bryan Cranston, Alan Arkin, John Goodman, Taylor Schilling.

Release Date: Oct 12, 2012

Rated R for language and some violent images

Runtime: 2 hr. 0 min.

Genres: Drama, Suspense/Thriller

Review:

Argo is a wonderfully crafted film. The fact that Ben Affleck did not get an Oscar nomination for work behind the camera is nearly criminal. His skill is readily on display throughout culminating with a tension filled 30 minute climax. The film itself is easily accessible and immediately engaging, an impressive feat considering the subject matter. Affleck onscreen delivers an understated and subtle performance as Mendez. He gets plenty of help from some excellent supporting players. Alan Arkin chews up the scenery with gleeful delight. He and John Goodman make for an impressive team leaving you wishing there was more of them in the film. It’s always good to see Bryan Cranston get good film roles and here he’s given a nice part that lets him flex his acting chops. Argo is one of those films you know the ending to already but it doesn’t detract from the experience in the slightest.

A

MOVIE REVIEW: FLIGHT

FLIGHT



A pilot with a substance-abuse problem has to land a crippled airliner in this Robert Zemeckis-directed drama for Paramount Pictures. Real Steel's John Gatins provides the script. Denzel Washington heads up a cast that includes The Hurt Locker's Brian Geraghty, along with John Goodman and Don Cheadle. ~ Jeremy Wheeler, Rovi

Director: Robert Zemeckis

Cast: Denzel Washington, Don Cheadle, Kelly Reilly, John Goodman, Bruce Greenwood

Release Date: Nov 02, 2012

Rated R for Intense Action Sequence, Drug and Alcohol Abuse, Language and Sexuality/Nudity

Runtime: 2 hr. 18 min.

Genres: Drama

Review:

After watching Flight I’d come to the realization that Denzel Washington had been churning interesting and impressive performances in some rather lackluster films for a good while. So much so that I’d almost consider him unappreciated, considering how some Academy Award winners have been known to phone it in more often that not. Flight is a bloated ham fisted film that’s elevated by its incredible leading man. Denzel Washington is the show here and the film dips significantly whenever he’s off screen. Thankful he’s onscreen for the better part of the film and he’s entrancing even though he’s dealing with a script that rams every cliché it could think of into the characters and plots. Washington performance is so much more impressive considering what he’s handcuffed with and I shudder to think of what a lesser actor would have done in this role. Robert Zemeckis has been removed from live action film directing for a while and outside of truly spectacular and horrifying crash sequence he overdoes everything. There’s a scarcity of quiet moments where he’s just pulls back and lets Denzel do his thing. Instead there’s are some eye rolling bad musical cues to hammer home each point not to mention an overused religion slant which is just as frustrating as the rest of the script. Denzel doesn’t just carry this film he drags it kicking and screaming to respectability that alone deserves kudos and awards.

C+

MOVIE REVIEW: THE ARTIST

IN THEATERS

THE ARTIST



Michel Hazanavicius' stylistically daring, dialogue-free comedy-drama The Artist stars Jean Dujardin as George Valentin, a matinee idol in Hollywood before the dawn of talkies. His marriage is far from perfect, and one day he meets ambitious chorus girl Peppy Miller (Bérénice Bejo) and is smitten. Very quickly thereafter, sound comes to movies, and George sinks all his money into one last epic silent film, while Peppy becomes a star in the new era. John Goodman co-stars as the head of the film studio working with Valentin. The Artist played at both the 2011 Cannes Film Festival and the 2011 Toronto International Film Festival. ~ Perry Seibert, RoviDirector: Daniel Espinosa

Director: Michel Hazanavicius

Cast: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller
Release Date: Nov 25, 2011

Rated PG-13 for a disturbing image and a crude gesture.

Runtime: 1 hr. 40 min.

Genres: Art House/Foreign, Comedy

Review:

By this point in time if you’ve heard of The Artist, you’ve heard all the buzz on it and there’s probably nothing new or fresh that I’ll be able to tell you about it. Quite simply it’s one of the most charming films you’ll probably see, working with a wonderful “meta” style. This silent film seems like it’d have a huge challenge trying to convey a full fledged, albeit well worn, plot with a dramatic arch. It does it with such ease that any reservations you might have had are quickly quelled and you fall easily and happily under its spell. Jean Dujardin’s smile lights up the screen but it’s just a small portion of his palatable charisma and charm. He doesn’t just deliver the lighter side of the film but traverses the film’s meatier and more emotional portions. A radiant Bérénice Bejo is more than capable as his female counterpart. Her performance as Peppy Miller is one of most enchanting and lovable performances I’ve ever seen. She gives her character and the film an earnest heart and its soul. Hollywood mainstays like John Goodman and James Cromwell turn in impressive supporting roles and the lovable dog, Valentin’s constant companion, deserves a special award. Director Michel Hazanavicius delivers a film that any movie lover should love. It touches on so much about the format that I love all the while telling a beautiful story, a lovely counter point to the current trend of louder larger and bigger.

A

MOVIE REVIEW: RED STATE

RED STATE


Kevin Smith steps his foot into horror territory with this politically tinged fright flick starring Michael Parks (From Dusk Till Dawn, Grindhouse) as a controversial Fred Phelps-ish reverend who brings his own brand of zealotry to a wayward group of teens. Smith directs from his own long-in-development script. ~ Jeremy Wheeler, Rovi

Director: Kevin Smith

Cast: Michael Parks, Melissa Leo, John Goodman, Kyle Gallner, Michael Angarano

Release Date: Jan 23, 2011

Rated R for disturbing content, some sexual content, strong violence, pervasive language and brief nudity

Runtime: 1 hr. 37 min.

Genres: Horror, Suspense/Thriller

Review:

You have to give Kevin Smith credit for stepping outside of the box and trying something different. Red State is a messy message movie that has Smith painting with really broad strokes, creating something that feels rushed and terribly underdeveloped. Watching Red State, you can see where Smith’s mind is but he never achieves a fully realized vision. Instead Red State is a choppy film that has strange tonal changes throughout, with some weird comedic asides. Wonderful character actor, Michael Parks, is placed front and center and Smith gives him free reign with the character which succeeds to varying degrees. Parks is impressive and mystifying in his opening appearance, a nearly 15 minute monologue/ sermon but as the film wears on he should have been reigned in a tad to avoid the caricature the ends the film. Smith has the scaffolding of a film dealing with religious zealots like Fred Phelps, Jim Jones or David Koresh but it turns into something closer to satire. John Goodman and his group of ATF agents are a prime example of this, playing more as types than actual characters. Melissa Leo and Stephen Root show up and barely register. The finale is an almost silly tangent into the bizarre that leaves you scratching your head wondering what Smith intention in this splatterfest was.

C-