Cindy Prascik's Reviews of Samaritan & Ida Red

Dear reader(s), pickins are a little slim as far as at-home cinema this weekend, but I managed to find a couple offerings to pass the time. On the docket: Samaritan and Ida Red.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First up: Samaritan (2022).

A young boy's obsession with a presumed-dead superhero leads to trouble.

Samaritan is a bargain basement hero tale that gives too little screen time to its "name" star (Sylvester Stallone) and too much screen time to its insufferable kid lead. There's a different standard for child actors, and the role is hardly anything to write home about, but even those allowances can't make this kid tolerable. Once you compartmentalize the annoying brat, the tale is typical good vs. evil, with Stallone laying down the law, no surprises but enjoyable enough. Set design, reminiscent of a 70s cop drama, perfectly captures the movie's gritty, ominous vibe. It's all a bit more broadly drawn than I expected — and maybe shame on me for that? — but Samaritan is otherwise a passable and forgettable straight-to-streaming flick.

Samaritan runs 102 minutes and is rated PG13 for "strong violence and strong language."

If we got a little spoiled by the quality of some films released directly to streaming during lockdown, movies like Samaritan will bring us back to Earth quickly enough. Of a possible nine Weasleys, Samaritan gets four.

Samaritan is now streaming on Prime Video.

Next on my agenda: Ida Red (2021).

A terminally-ill inmate turns to her son in a last-ditch attempt to enjoy some freedom before dying.

My dear reader(s), however many streaming offerings I may reject on a typical Saturday, there are a few things that earn an instant "yes" vote from me. Frank Grillo is one of them. Grillo is a guy I like in any movie, and a guy who mostly makes movies I like. He steals the show here as brother-in-law of the titular Ida Red (Academy Award winner Melissa Leo, taking the easy paycheck) and uncle of the film's real star, Josh Hartnett, the son on which Ida pins her hopes of freedom. The story is pretty basic cops and robbers, with family drama thrown in for good measure. It's violent, deliberately paced, and unsurprising, but I didn't hate it, and that's about the nicest thing I can say about anything these days.

Ida Red clocks in at 111 minutes and is rated R for "strong violence, language throughout, and some sexual content."

Ida Red is a predictable but entertaining thriller with a solid cast. Of a possible nine  Weasleys, Ida Red gets five.

Ida Red is now streaming on the Showtime family of networks.

Until next time...

Cindy Prascik's Review of The Equalizer 2

Dearest Blog: Yesterday it was off to Marquee Cinemas for one of my favorite things in this wide world: a new Denzel Washington movie. On the docket: The Equalizer 2.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

Righting the world's wrongs takes a personal turn for Robert McCall.

 

Well, dear reader(s), I would be remiss indeed if my review of a Denzel Washington movie didn't begin by mentioning just how lucky we are to have Denzel Washington doing what he does. He is one of the world's most gifted actors, and, for my money, Hollywood's greatest and most watchable leading man. However good or bad the movie, there is something incomparably special about him, and I'm pleased to report that The Equalizer 2 gives his talent a surprisingly good workout.

 

The Equalizer 2 boasts plenty of action, with well-choreographed fight scenes playing out against the backdrop of an impending hurricane. The climactic confrontation in the height of the storm is especially exciting. Quieter bits of character development and plot progression occasionally seem a little longer than necessary, but not enough to derail the whole. We may take for granted that Denzel will be extraordinary--and end-to-end he's no less--but The Equalizer 2 features an exchange between him and a young co-star that matches even his (or anyone else's) greatest performances, absolutely chill-inducing. Harry Gregson-Williams' brooding score and phenomenal work by the sound department perfectly compliment the movie's somber tone. If the primary plotline makes its twists a bit too obvious, there's enough greatness surrounding it that it hardly matters.

 

The Equalizer 2 clocks in at two hours on the dot, and is rated R for "brutal violence throughout, language, and some drug content."

 

The Equalizer 2 is a worthy and satisfying follow-up to the original. 

 

Of a possible nine Weasleys, the Equalizer 2 gets eight.

 

Fangirl points: Denzel! (Obvs.) My gal Melissa Leo!

 

Until next time...

Cindy Prascik's Review of Snowden

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas to check out the latest from Oliver Stone: Snowden. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers. Convinced the US government's spying has gone too far, a CIA consultant steals information to expose its secrets. Snowden is awards bait at its most obvious. 

 

Timely, contentious subject matter combines with decorated talent to peg it an early contender, but that doesn't necessarily make it a great movie. 

 

Joseph Gordon-Levitt is compelling as Edward Snowden, though his deliberate method of speech is nearly as distracting as his French accent was in The Walk. Rhys Ifans and Nicolas Cage turn in terrific performances as Snowden's CIA mentors, and Melissa Leo, Zachary Quinto, and Tom Wilkinson are fantastic as the journalists who helped break Snowden's remarkable story. 

 

While Snowden's tale is undoubtedly fascinating, the movie seems to drag. Your attention isn't likely to wander too far, but you'll be getting mighty fidgety by the second act. A political story by default, Snowden may annoy both sides of the aisle equally. 

 

Unlike last weekend's pristine cinema hero, Sully, Ed Snowden is no squeaky-clean good guy; his reasons were brave and selfless, but he still broke laws intended to protect the country he loves so much. Is he a heroic villian? A villianous hero? The movie asks the questions, but isn't all that convincing in its answer. Snowden is distractingly desperate for awards, but there are some great moments to be found. 

 

A scene where a video-screen Ifans looms cartoonishly-large over Levitt's doubting Snowen is particularly effective. 

 

The film maintains tension throughout, but a cheesy ending leaves you feeling like it was all for naught. Snowden clocks in at 134 minutes and is rated R for "language and some sexuality/nudity." Snowden is a reasonably entertaining outing, but its heavy-handedness is ultimately its downfall. Of a possible nine Weasleys, Snowden gets five and a half. 

Fangirl points: Timothy Olyphant! Until next time... 

 

MOVIE REVIEW: RED STATE

RED STATE


Kevin Smith steps his foot into horror territory with this politically tinged fright flick starring Michael Parks (From Dusk Till Dawn, Grindhouse) as a controversial Fred Phelps-ish reverend who brings his own brand of zealotry to a wayward group of teens. Smith directs from his own long-in-development script. ~ Jeremy Wheeler, Rovi

Director: Kevin Smith

Cast: Michael Parks, Melissa Leo, John Goodman, Kyle Gallner, Michael Angarano

Release Date: Jan 23, 2011

Rated R for disturbing content, some sexual content, strong violence, pervasive language and brief nudity

Runtime: 1 hr. 37 min.

Genres: Horror, Suspense/Thriller

Review:

You have to give Kevin Smith credit for stepping outside of the box and trying something different. Red State is a messy message movie that has Smith painting with really broad strokes, creating something that feels rushed and terribly underdeveloped. Watching Red State, you can see where Smith’s mind is but he never achieves a fully realized vision. Instead Red State is a choppy film that has strange tonal changes throughout, with some weird comedic asides. Wonderful character actor, Michael Parks, is placed front and center and Smith gives him free reign with the character which succeeds to varying degrees. Parks is impressive and mystifying in his opening appearance, a nearly 15 minute monologue/ sermon but as the film wears on he should have been reigned in a tad to avoid the caricature the ends the film. Smith has the scaffolding of a film dealing with religious zealots like Fred Phelps, Jim Jones or David Koresh but it turns into something closer to satire. John Goodman and his group of ATF agents are a prime example of this, playing more as types than actual characters. Melissa Leo and Stephen Root show up and barely register. The finale is an almost silly tangent into the bizarre that leaves you scratching your head wondering what Smith intention in this splatterfest was.

C-

MOVIE REVIEWS: THE FIGHTER

IN THEATERS

THE FIGHTER

Mark Wahlberg stars in Paramount Pictures' inspirational docudrama exploring the remarkable rise of Massachusetts-born, junior welterweight title winner "Irish" Micky Ward. A determined pugilist whose career in the ring was shepherded by his loyal half-brother, Dicky (Christian Bale) -- a hard-living boxer-turned-trainer whose own career in the ring was nearly sent down for the count due to drugs and crime -- perennial underdog Irish Micky rebounded from a disheartening series of defeats to win both the WBU Intercontinental Lightweight title and the WBU Light Welterweight title thanks to a fierce combination of determination and hard work. David O. Russell directs from a script by 8 Mile's Scott Silver and Paul Attanasio (The Bourne Ultimatum). ~ Jason Buchanan, Rovi

Director: David O. Russell

Cast: Mark Wahlberg, Christian Bale, Amy Adams, Melissa Leo, Jack McGee

Release Date: Dec 17, 2010

Rated R for some violence, sexuality, language throughout and drug content

Runtime: 1 hr. 54 min.

Genres: Documentary, Drama

Review:

Films based on sports stories always have inherent obstacles to clear to make an impression. Those obstacles are simple in that the plots are all identical, underdog rises get to the big game fight etc., and the faux sports never feels truly authentic. As a result this genre always has to work a bit harder than most. The Fighter works as a true life Rocky story because it’s a thoroughly compelling story about family and dysfunction with the sports aspect almost an afterthought. David Russell delivers a film that engaging from the moment it begins. It features some of the best all around acting from its stellar cast. Mark Wahlberg is soft spoken and heartfelt throughout, he tends to blend in to the background from time to time. It’s not really because of anything Wahlberg does but the other parts are meatier roles. Case in point, Christine Bale’s amazing performance as Mickey’s crack addict / trainer Dicky. Bale is a method actor through and through and here he’s manipulated his body to another extreme similar to what he did in The Machinist. His appearance and mannerism are just spot on throughout especially when you see footage of the real person. Bale has shown incredible versatility over the past couple of years and this role should give him the accolades and Oscar he’s deserved. Amy Adams is also impressive playing against type and does it extremely well. Melissa Leo reeks of authenticity as Mickey’s mother and manager. As a whole the cast share fantastic believable chemistry that boosts the story’s emotional center making everything ring true.
A-