Cindy Prascik's The Hunger Games: Catching Fire

Dearest Blog, today I was off to the cinema with every single teenager on Earth to catch the latest Hunger Games installment, Catching Fire.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Following her victory in the 74th Hunger Games, Katniss Everdeen becomes a symbol of hope to the people of Panem, sparking a rebellion against the Capitol.

I haven't read The Hunger Games series and therefore shall take no side in the age-old books vs. movies debate.

Catching Fire is, like its predecessor, a very good movie, and not something only the die-hard fandom can appreciate. If you're looking for a well-written, well-acted, nail-biter of a film, Catching Fire is the one for you.

That's not to say the Hunger Games movies are always an easy or pleasant watch; on the contrary, these are the Game of Thrones of the big screen. Don't go getting too attached to anyone, ya hear? What's important is any unpleasantness feels organic and absolutely integral to moving the story along, nothing is done just for shock value.

Jennifer Lawrence is as fantastic as ever in the lead. I could be accused of some bias there, and the accusation would be fair, but the young lady is a treasure. There's truthfully not a weak link among the cast, though Woody Harrelson is once again my favorite. Can't say having Philip Seymour Hoffman around ever hurt a movie, either.

Catching Fire gets full marks for costumes and set design, the lavish ridiculousness of the Capitol standing in stark contrast to the desolation of the other districts.

Catching Fire runs a slightly overlong 146 minutes and is rated PG13 for "intense sequences of violence and action, some frightening images, thematic elements, a suggestive situation, and language."

The Hunger Games: Catching Fire is an outstanding film from start to finish. It features sharp writing, a terrific cast, and will leave you on the edge of your seat until The Hunger Games: Mockingjay is released next Thansgiving.

Of a possible nine Weasleys, The Hunger Games: Catching Fire gets seven and a half.

Next week we get a new Statham flick, so I'm sure I don't need to tell anyone where to find me!!

Until next time...



Oh, hai...just having some folks over to watch the game...

THE HUNGER GAMES: CATCHING FIRE

The Hunger Games saga continues in this sequel that finds a revolution brewing as Katniss Everdeen (Jennifer Lawrence) and Peeta Mellark (Josh Hutcherson) take a "Victor's Tour" of the districts, and President Snow (Donald Sutherland) plots their downfall during preparations for The Quarter Quell, which only occurs every 25 years in celebration of the Capitol's victory over the districts. ~ Jason Buchanan, Rovi

Director: Francis Lawrence

Cast: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Stanley Tucci, Jena Malone, Woody Harrelson

Release Date: Nov 22, 2013

Rated PG-13 for intense sequences of violence and action, some
frightening images, thematic elements, a suggestive situation and language.

Runtime: 2 hr. 26 min.

Genres: Action/Adventure

Review:

The 2nd film in a major film franchise is typically the most difficult. It has to deal with heightened expectations first and foremost with most films failing to match the energy that made the first entry successful. Thankfully The Hunger Games: Catching Fire isn’t one of those films. Catching Fire does everything you want a 2nd entry in a big budget franchise to do, it corrects chemistry and story problems from the 1st film while expanding the world, while delivering a deeper exploration of the themes at play. It’s an impressive feat accomplished by the cast and crew. Francis Lawrence’s direction is steady and capable making the 2 and ½ hour run seem necessary with rarely a wasted scene in the whole film. Lawrence moves the film at a steady pace, giving the audience enough time to digest the events on screen but never lingering. The first two acts in particular are quite impressive mainly because with a lesser director, cast and script it’d be a laborious slog through exposition. Instead the first act serves nicely as an epilogue/entry point for the new film as it shows the after effects of the first film. The 2nd act starts the main plot in earnest even though we do start to run into some retread moments with slightly different spins with the 3rd act leaving you with an overwhelming sense of déjà vu. It’s not a major fault but it does feel very familiar until the last 15 minutes change up the entire game. The cast lead by Jennifer Lawrence, providing even more depth to the reluctant rebel, is excellent throughout. Lawrence is the center of the film providing it with heart and strength while maintaining a tangible vulnerability. Thankfully, Josh Hutcherson’s character and performance in this entry is stronger overall even if he does seem to suffer from damsel in distress syndrome quite a bit. The returning cast member, Harrelson and Banks in particular, are given a bit more to chew on, fleshing out their characters into living breathing human beings. Sam Claflin and Jena Malone are both welcome additions to the cast even if Malone tends to oversell her performance from time to time. When you add it all up, Catching Fire really delivers on nearly all counts, stumbling slightly in the 3rd act which can get a little repetitive before an interesting turn and cliffhanger.

B+

[Trailer] Noah

The first trailer for the upcoming religious epic is finally out and we get 2 tonally different trailer. The American trailer seems to hit more traditional beats playing up the religious angle more so than the International trailer which plays more like a traditional FX event film. Honestly, if Darren Aronofsky and Russell Crowe weren’t attached to this project I probably would have ignored it.

With Aronofsky in the director’s chair it leaves the door open to all kinds of possibilities, just think about his underrated film The Fountain. Both trailers look intriguing if a tad safe, either way I’m interested enough to mark this one on my calendar.

Official Trailer


International Trailer

Cindy Prascik’s review of Thor: The Dark World

Dearest Blog, yesterday I was off to the cinema with the masses to worship at the altar of the mighty Thor.
Spoiler level here will be mild, almost nothing you didn't see in a trailer somewhere.

Disclaimer: This review is being written through a haze of cold meds...and I think I accidentally may have taken the nighttime stuff instead of the daytime stuff. (Didn't the nighttime stuff used to be green??) Reader discretion is advised.
As the Nine Realms align, they are threatened by an enemy so powerful that Thor must make an unlikely alliance to save them.

Getting the requisite shallowness out of the way, the first thing you'll notice about Thor is that it looks terrific, and I mean across the board. The sets and effects are spectacular, the costumes are gorgeous, and most of the cast is hurt-your-eyes good looking. (Tiny spoiler alert) Chris Hemsworth has an early shirtless scene and the reaction across my theatre was so ridiculous it was like when an extra-hot person walks into a sitcom.

If the Marvel cinematic universe is noted for being a good time, in my opinion, the two Thor films represent the best time of all the Marvel properties. The Dark World does, of course, have its serious moments (with the universe at risk and all!), but there are one-liners aplenty, and almost all of them hit their marks. The action is huge and keeps things moving along nicely, though I did feel the first hour maybe could have been trimmed a bit. Performances are terrific across the board, with Tom Hiddleston's Loki again the standout.

I ended up in a 3D showing because I'm apparently too chemically addled to correctly read movie listings, and I wouldn't say the 3D was worth much. There's maybe a bit of added depth here and there, but Idris Elba never actually landed in my lap, so I'd suggest you go ahead and hang onto that extra three bucks.

Thor: The Dark World is everything I want in a superhero flick. The action and effects are huge and the cast has great chemistry, just a great time all around.

Of a possible nine Weasleys, Thor: The Dark World gets eight.

Until next time...

Cindy Prascik’s Review of CBGB

Dearest Blog, it is customary for a number of good little (and not so little) films to pass my 'burb right on by. Evidence: Neither of my local cinemas is showing 12 Years a Slave, Dallas Buyers Club, The Fifth Estate, or About Time...but by golly we could see Grown Ups 2 on the big screen right up through the Thursday before it was released on DVD. *sigh*

It was disappointing, but not surprising, when one of my most-anticipated movies of 2013, CBGB, never played locally. Thankfully, XFinity On Demand was around to save the day!

Spoiler level here will be mild, nothing you wouldn't know from a trailer if you happened to see one.

Rebounding from two failed attempts to run a club, Hilly Kristal rents a dump in the Bowery section of New York City and becomes the man who launched a thousand careers.

Dear Blog, it would be dishonest in the extreme if I didn't admit that I was bound to love this movie. The subject matter is so near to my heart that, handled with anything but absolute malice, CBGB had to rank among my favorite films of the year. That being said, the movie has its pros and cons.

The filmmakers elected to go with a very light tone that, while it makes for a quick and engaging movie, I daresay it barely touches what living in that environment every day must have been like.

Even when you know you're a part of something monumental, slogging through the day-to-day in filth and poverty is no fun, but CBGB mostly plays the negatives for laughs. Smashing roaches and stepping in dog poo are running gags...and if you've got a weak stomach, you're going to want to turn away from the kitchen scenes entirely!

Introductions and transitions are handled via comic-book panels. The movie gets away with it because it's consistent, and because, all these years later, all's well that ends well, eh?

Performances range from terrific to so-so to poor. Alan Rickman is, of course, fantastic as the good hearted but sometimes unrealistic Kristal. Ashley Greene is great as his loyal but frustrated daughter, and Donal Logue and Freddie Rodriguez are both entertaining as Kristal's partners/employees/co-horts at the club. Of the folks tackling the difficult task of mimicking the familiar, Joel David Moore and Julian Acosta are especially good as the ever-battling Joey and Johnny Ramone, and Mickey Sumner does a great job as Patti Smith. I don't think folks will have a hard time forgetting Ron Weasley once they've seen Rupert Grint's turn as Dead Boy Cheetah Chrome! Justin Bartha and Malin Akerman are merely okay as Stiv Bators (my favorite of the lot) and Debbie Harry, and Taylor Hawkins (who, in fairness, isn't really an actor) and Kyle Gallner are sadly underwhelming as Iggy Pop and Lou Reed, respectively. The real Cheetah Chrome has an amusing cameo that you won't want to miss!

It's fair to say a person's enjoyment of CBGB probably will be commensurate with his or her nostalgia for the club and the bands. I don't imagine it's a great enough piece of filmmaking to win over folks to whom this music means nothing, but if the movie barely scratches the surface of real events, it's an entertaining enough couple hours.

Thanks in no small part to my own affection for the subject matter, I loved it.

Of a possible nine Weasleys, CBGB gets eight.

Until next time...



Thanks for the memories!

MOVIE REVIEW THOR: THE DARK WORLD

Thor (Chris Hemsworth) returns to do battle with Malekith (Christopher Eccleston), the vengeful leader of a primordial race that seeks to destroy the Nine Realms, in this big-budget comic-book adventure set after the events of Marvel's The Avengers. With even Odin (Anthony Hopkins) unable to protect Asgard from the approaching darkness, the god of thunder reunites with Jane Foster (Natalie Portman) and prepares to make the ultimate sacrifice in order to save the world from certain destruction. Tom Hiddleston, Stellan Skarsgård, Idris Elba, and Tadanobu Asano co-star. ~ Jason Buchanan, Rovi

Director: Alan Taylor

Cast: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Stellan Skarsgård, Idris Elba, Anthony Hopkins

Release Date: Nov 08, 2013

Rated PG-13 for some Suggestive Content and Intense Sci-Fi Action/Violence

Runtime: 1 hr. 51 min.

Genres: Sci-Fi/Fantasy

Review:

Thor: The Dark World is a strong sequel that expands the scope of everything while bringing a slightly different flavor than the original. Alan Taylor takes over the directing reigns from Kenneth Branagan, delivering a grittier and occasionally darker take on this character and his world. It’s a welcome change of pace, aided by some incredibly choreographed actions sequences, the final act being the most fun, which really up the spectacle quotient. Some of these sequences feels more like a Star Wars prequel/sequel, one you’d actually want to watch, than the original’s straightforward fantasy slant. Thor: The Dark World hop scotches across from genres, moving freely between fantasy, sci-fi and back to superhero. The strange thing is that these changes are rarely jarring with the film hitting its mark more times than not. There are a few minor quibbles though. The film occasionally gets bogged down with its plot, giving us too much exposition when it isn’t needed, killing some of its forward momentum. Those moments pale in comparison to the Earth based scenes which stick out even more than they did the first time around. Natalie Portman still feels terribly out of place and her obnoxious plucky character is mostly obnoxiously plucky. Kat Dennings and Stellan Skarsgård are given very little to do in supporting roles, mostly serving as comic relief. Thankfully Hemsworth and Hiddleston once again deliver the goods. Hemsworth was born to play a superhero and here he’s given just enough meat to make his performance interesting. Hiddleston deftly moves back into Loki’s skin giving us another taste of his dynamic and multifaceted frienemy. Christopher Eccleston is underused and underwritten as the primary villain. He isn’t given much to work with; his character is nothing more than a plot device and a forgettable one at that. Issues aside there is plenty to enjoy for the devout fanboys (Marvel cameos and post credit scenes) and causal fan (Chris Hemsworth without a shirt in 3D) alike. In the end, it delivers the kind of spectacle, action while maintaining a strong sense of fun.

B+

MOVIE REVIEW: 12 YEARS A SLAVE

Steve McQueen's 12 Years a Slave stars Chiwetel Ejifor as Solomon Northup, a free black man in 1840s America. He makes his living as a fiddle player, and his wife is a teacher. He is shanghaied by a pair of nefarious white men, and soon finds himself on a ship headed to New Orleans where he is informed he will be called Platt and is sold into slavery by an unscrupulous businessman (Paul Giamatti). Solomon bides his time, attempts to preserve a modicum of self-respect, and waits for the chance to reclaim his rightful name as well as his family. ~ Perry Seibert, Rovi

Director: Steve McQueen

Cast: Chiwetel Ejiofor, Paul Giamatti, Benedict Cumberbatch, Paul Dano, Michael Fassbender, Lupita Nyong'o, Alfre Woodard

Release Date: Oct 18, 2013

Rated R for violence/cruelty, some nudity and brief sexuality

Runtime: 2 hr. 14 min.

Genres: Drama

Review:

When you are watching a movie there occasionally comes a sense that you are watching a classic piece of filmmaking. It’s rare especially in modern cinema but it does happen. Steve McQueen’s 12 Years a Slave is majestic journey through America’s “peculiar institution”. McQueen direction and visuals are beautiful, unflinching and incredibly moving. It’s a powerful movie centered by a powerful performance from Chiwetel Ejiofor. I’ve always found Ejiofor incredibly interesting as an actor and it was really impressive watching him flex in considerable acting muscles here. Ejiofor has a quiet strength about himself which suits the character very well. Ejiofor’s talent shines through during those moments when he doesn’t say anything. His pain and anguish is readily apparent through his eyes and face, its spectacular piece of acting. The supporting actors are a who’s who of A list actors with Michael Fassbender getting the beefiest role. Fassbender continues to impress me which his range. Personally, I didn’t know if he’d be able to pull off a plantation owner but he delivers in spades. Lesser known actress Lupita Nyong'o has a small role as a fellow slave but it’s a stunningly effective and tragic performance, it wouldn’t surprise me if she was nominated for a supporting acting nod come awards season. That same can be said of the film as a whole. It’s a prestige through and through with everyone’s talents on full display in this modern day classic.

A