MOVIE REVIEW: KRAVEN THE HUNTER

 

Kraven's complex relationship with his ruthless father starts him down a path of vengeance, motivating him to become not only the greatest hunter in the world, but also one of its most feared.

Director: J. C. Chandor

Cast: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Russell Crowe

Release Date: December 13, 2024

Genre: Action, Thriller

Rated R for strong bloody violence, and language.

Runtime: 2h 7m

Review:

Kraven The Hunter manages to be a halfway decent crime drama until it remembers it also must be a comic book story which drags down the whole experience.  J. C. Chandor does his best to deliver an engaging story highlighted by some decent action sequences.  Unfortunately, he's fighting some terrible headwinds with a terrible script, shoddy CGI and a goofy collection of characters that he must wrangle together.  The fact that he manages to deliver something more coherent and watchable than Madame Web or Morbius is something of a small moral victory for him and his cast.  That being said, there's so much clunky dialogue and bad accents thrown onscreen that you are left with a decision to either check out or just go with it.  The incredibly talented cast does the best they can with what they are given and occasionally manage to find some depth in their characters.  Aaron Taylor-Johnson makes great use of his good looks and chiseled frame in the central role.  He is solid enough to make it all watchable, the script doesn't really ask much from him, even though his accent rotates between bad Russian, non-descript and his native British.  Russell Crowe, sporting an equally bad Russian accent, chews up every bit of scenery as Kraven's gangster father.  Crowe and Taylor-Johnson have some fun chemistry together which the film would have been wise to focus on instead of Alessandro Nivola's Rhino.  Christopher Abbott shows up as supporting villain who’s also more interesting than The Rhino which makes you wonder why the latter is the main villain in the first place.  Ariana DeBose, whose name is Calypso as the film reminds us of every five minutes, is given the thankless supporting role that doesn't give her much to do outside of randomly giving Kraven his powers and shell out some exposition.  Ultimately, Kraven the Hunter isn't laughably bad like some of the other entries in this strange Sony spinoff universe but inherently forgettable.

C

MOVIE REVIEW: THE POPE'S EXORCIST

 

Father Gabriele Amorth, chief exorcist for the Vatican, battles Satan and innocent-possessing demons. A detailed portrait of a priest who performed more than 100,000 exorcisms in his lifetime.

Director: Julius Avery

Cast: Russell Crowe, Daniel Zovatto, Alex Essoe, Franco Nero, Laurel Marsden, Peter DeSouza-Feighoney

Release Date: April 14, 2023

Genre: Horror, Thriller

Rated R for violent content, language, sexual references and some nudity

Runtime: 1h 43m

Review:

The Pope's Exorcist is a flashy, kinetic bit of mindless exorcism horror that's elevated by a particularly committed performance from Russell Crowe.  Julius Avery direction is capable and engaging as he sets up a funhouse ride through a series of clichéd exorcist tropes.  Avery and the script doesn't seem all that interested in bringing anything new to the subgenre so there aren't many surprises in store.  The film telegraphs most of the big moments but Avery does stage these sequences with an effective edge and energy that keeps the film from being boring.  Still, none of it would be as entertaining if not for Russell Crowe's fully engaged performance.  Crowe makes the film far better than it deserves be with a nuanced and surprisingly fun and layered turn as Father Gabriele Amorth.  He single handily carries the film the way only a real movie star can by making his character more interesting than what's on the actual page.  While this story is almost entirely fictional, if you are interested in the real father Amorth I'd suggest watching 2017 documentary The Devil and Father Amorth by William Friedkin, it does lay the groundwork set up an ongoing franchise similar to The Conjuring.  I'd personally love to see Crowe take another turn as the character with some slightly more inventive takes than The Pope's Exorcist.  

C+

MOVIE REVIEW: THOR: LOVE AND THUNDER

 

Director: Taika Waititi

Cast: Chris Hemsworth, Christian Bale, Tessa Thompson, Jaimie Alexander, Taika Waititi, Russell Crowe, Natalie Portman

Release Date: July 8, 2022

Genre: Action, Adventure, Comedy, Fantasy, Music, Romance, Sci-Fi

Rated PG-13 for intense sequences of sci-fi violence and action, language, some suggestive material and partial nudity.

Runtime:1h 59m

Review:

Taika Waititi's Thor: Love and Thunder, his follow up to Thor: Ragnarok, is a chaotic unfocused kaleidoscope that struggles to find the consistent fun and charm that made the previous film so enjoyable.  Waititi's delivers some truly impressive set pieces the majority of which are colorfully opulent but one monochromatic fight sequence is likely to leave the biggest impact.  You get the sense that he's poured his mind onto the screen like a visual trek through his stream of conscience.  It works in spots, but it never finds its footing consistently due to sizable tonal shifts throughout the film which makes for some noticeable dead spots.  The script, written by Waitit, tries to include some heftier emotional depth to the whole thing but it never connects the way it should.  Additionally, the humor here never feels as organic as it did in the previous entry making for more chuckles than laugh out loud moments.  The film relies heavily on Chris Hemsworth's charm, and he carries the film with relative ease that shouldn't come as a surprise since the character is like a second skin by now.  He's clearly having a great time and that energy is the driving force for the film. Natalie Portman returns to the fold but there is a strange lack of chemistry between her and Hemsworth.  Her bulked up frame makes for a great visual when she's in her Thor attire but her performance is noticeably stiff reminiscent of her turns in the Star Wars prequels.  Their relationship is the central part of the story but there is a disconnect which hurts the film overall.  Tessa Thompson returns but isn't given all that much to do outside of a few quips and action sequences.  Likewise, Christian Bale's villain is underutilized for the better part of the film which is a shame because the character's story is intriguing.  There are moments where you get the sense that Bale is trying to give his character more depth but the film never gives him enough time to fully realized it.  It's an issue with the film overall, there are plenty of solid ideas but very few of them are allowed to blossom organically due to its frantic and scattershot approach.  As such, Thor: Love and Thunder is all candy colored empty calories with very little actual substance.

B-

MOVIE REVIEW: UNHINGED

Unhinged is a 2020 American thriller film directed by Derrick Borte, from a screenplay by Carl Ellsworth. The film stars Russell Crowe, Caren Pistorius, Gabriel Bateman, Jimmi Simpson and Austin P. McKenzie. The film follows a young woman who is harassed by a seemingly unstable stranger following a road rage incident.

Director: Derrick Borte

Cast: Russell Crowe, Caren Pistorius, Gabriel Bateman, Jimmi Simpson, Austin P. McKenzie

Release Date: August 21, 2019

Genre: Action, Thriller

Rated R for strong violent content, and language throughout.

Runtime: 1 h 30min

Review:

Unhinged is best explained as a good bad movie.  Derrick Borte’s mallet punch to the face of film is thoroughly entertaining for the duration of its runtime.  It’s a brutal trip into madness that makes this film feel more like a horror film than a straightforward thriller.  At its center is Russell Crowe who bulked up considerably around the waist to play an embodiment of white male rage.  His performance is far better than the film deserves, so much so that you’d wish that the script had taken a more nuanced approach to his character.  Instead it’s a grotesque caricature that Crowe makes intriguing as we watch his sweaty terror bear rampage throughout the film.  Caren Pistoruis is saddled with a character that isn’t terribly fleshed out or intelligent.  Pistoruis main goal is to react to the terror unfolding upon her.  There are plenty of ham fisted attempts a social allegory but are about as blunt as they come.  It’s a shame that the story and characters are so simplistic because you get the feeling that there is plenty of themes that cold have been explored to make a truly thought provoking film.    


C+

Cindy Prascik's Reviews of Hell or High Water & The Beatles: Eight Days a Week-The Touring Years

 

 

Dearest Blog: The long holiday weekend provided a welcome opportunity to catch up with a pair of gems that passed by my local cinemas, Hell or High Water and The Beatles: Eight Days a Week-The Touring Years. 

 

Spoiler level here will be mild for Hell or High Water, nothing you wouldn't know from the trailers. Not sure what constitutes a "spoiler" for a music documentary, but there will be some detail about the content of both the feature film and DVD extras for Eight Days a Week. First up: Hell or High Water. Two brothers attempt a string of bank robberies in order to save their mortgaged family homestead. 

 

Hell or High Water is a real grown-up movie, without gimmicks. It doesn't waste its time setting a stage, but rather lets the story tell itself as events play out. The tale is a dark one, with the characters' senses of humor providing levity that doesn't feel forced or misplaced. Chris Pine and Ben Foster make a solid pair; Pine proving yet again that he's more than just a (really) pretty face, and Foster forever knocking at the gates of my Acting Holy Trinity, ready to break in the next time Russell Crowe turns up in something like Winter's Tale. (Seriously, Russ, READ the script before you say yes!) 

 

Jeff Bridges is almost-likeably gruff as the US Marshal hot on their tails. These folks are so compelling you'll sympathize with all of them, even when they are entirely at cross-purposes, and their story is as fascinating as it is heartbreaking. Hell or High Water clocks in at 102 minutes and is rated R for "some strong violence, language throughout, and brief sensuality." Hell or High Water is a layered, mesmerizing film that, in a perfect world, would be a Best Picture frontrunner. 

 

Of a possible nine Weasleys, Hell or High Water gets eight and a half. 

 

Next on my agenda, at long last, The Beatles: Eight Days a Week-The Touring Years. An inside look at the road life of the biggest, best, most influential band of all time. Dear reader(s), I really, honestly, truly could be excused for thinking the Fates were against my ever seeing Eight Days a Week. 

 

The movie received a pretty wide release nationwide, but neither of my local cinemas screened it. I picked up the DVD from the shelves of my local Target two days after the on-sale date, and they said they couldn't sell it to me. 

 

A lesser Beatlemaniac might have become discouraged, but not Yours Truly. I came home, hit up my trusty friend the Internet, and a few short days later I was in Mop-Top Heaven. And ohhhhhhhhhhh...if there's a Heaven, it probably looks and sounds a lot like Eight Days a Week. The documentary features plenty of clips from performances around the globe, many of them never or not-often seen before. 

 

Behind-the-scenes footage revisits early days, when the now-legendary musicians were just four young guys having a great time in the middle of some extraordinary circumstances. It's a delightful reminder that, despite later disagreements, John, Paul, George, and Ringo are more than great talents; they are great friends. Musical selections are mostly earlier material, though, as the film winds to a close, it does stray from "the touring years" into the Beatles' later, more complicated studio sessions.

 

One of the most-featured numbers is Tomorrow Never Knows, the never-played-outside-the-studio gem that closes their 1966 masterpiece, Revolver. It would be physically impossible for any film to give each amazing song as much attention as it deserves, but Eight Days a Week will make you eager to run out and buy the companion "Live at the Hollywood Bowl" album to revisit them all. 

 

In addition to live clips and interviews with the band, the documentary also includes a treasure trove of old photos, and commentary from people who knew, worked with, and followed the Beatles (including famous fans Whoopie Goldberg and Sigourney Weaver, both of whom were lucky enough see the band live). The Deluxe Edition DVD extras include five full songs performed live at various venues, and a beautiful companion booklet with notes from director Ron Howard. 

 

The Beatles: Eight Days a Week-The Touring Years is unrated. The feature documentary runs 106 minutes, while the extras clock in at about 100 minutes. Over the past 50 years, Beatles songs have become so ubiquitous that sometimes we may hear them without really listening. 

 

Eight Days a Week commands undivided attention, and reminds us that each and every Beatles song is magic. 

 

Of a possible nine Weasleys, Eight Days a Week gets nine, and I'll throw in a Potter and a Granger, too. Fangirl points: Seriously, it's the Beatles!! 

 

Until next time... 

 

 

Cindy Prascik's Review of The Nice Guys

Dearest Blog: Yesterday it was off to Marquee Cinemas for one of 2016's best offerings thus far, The Nice Guys. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

When a mismatched pair of sleuths goes looking for a missing girl, they find something far, far bigger. Well, dear Reader(s), THIS is how it's done. The Nice Guys wraps a clever mystery in some great comic bits, and fleshes it out with outstanding performances throughout. 

 

Co-leads Russell Crowe and Ryan Gosling are terrific together, with Crowe reminding us why he's one of the world's best-regarded actors, and Gosling displaying some excellent comic chops. 

 

A particularly strong supporting cast includes 15-year-old Angourie Rice, who is precocious but not in the annoying way of so many child actors, and Matt Bomer, no less great for being somewhat under-used. 

 

The mystery at the heart of The Nice Guys will keep you guessing right to the end, and the film features some great action sequences as well. The humor ranges from subtle verbal exchanges to broad physical comedy. 

 

Gosling's bathroom-stall scene, partially featured in one of the trailers, is one of the funniest things you'll ever see, and not at all in a crass "bathroom humor" way. Set in 1977 (for the record, my favorite year of my favorite decade), The Nice Guys displays the music and fashion of the 70s in all their glorious disco majesty, a treat to behold. Finally, the picture is well paced and smart enough not to wear out its welcome, a true cinema home run. 

 

The Nice Guys clocks in at 116 minutes and is rated R for "violence, sexuality, nudity, language, and brief drug use." The Nice Guys is a smart, funny, all-around excellent picture. With Summer Blockbuster Season kicking in, it probably won't hang around long, so I strongly encourage you to get out and see it while you can. 

 

Of a possible nine Weasleys, The Nice Guys gets eight and a half. Until next time... 

 

 

MOVIE REVIEW: NOAH

Darren Aronofsky brings the story of Noah's Ark to the big screen with this Paramount/New Regency religious drama. Aronofsky directs from his own script cowritten by Ari Handel and John Logan. Russell Crowe, Jennifer Connelly, Anthony Hopkins, and Emma Watson head up the starring cast. ~ Jeremy Wheeler, Rovi

Release Date: Mar 28, 2014

Rated: PG-13 Disturbing Images, Brief Suggestive Content and Violence

Runtime: 2 hr. 17 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Director: Darren Aronofsky

Cast: Russell Crowe, Jennifer Connelly, Ray Winstone, Emma Watson, Anthony Hopkins

Religion films are always going to be a touch call because they’ll either be too faithful or they’ll deviate too far from the scripture.  Either option will result in factions of believers and non believers being turned off by the material on display.  Darren Aronofsky’s Noah isn’t a by the letter retelling of the story even though it hits all the major points.  Within 10 minutes of the film you’ll be able to tell where you stand with it, depending on your beliefs.  Personally, I found a bombastic but loving cinematic take of a very familiar tale.  Aronofsky delivers a film that’s beautiful to look at and engaging at the same time.  The film is over 2 hours long but in never really drags as the story keeps you engaged throughout.  Russell Crowe gives us one of his most earnest performances in a long while with supporting cast rounding an all around well made movie.  Jennifer Connelly in particular has a wonderful moment to shine near the end of the film but its Crowe’s film through and through.  Crowe gives us a realistic idea of what Noah would have experienced mentally while Aronofsky gives us a wonderfully dense thesis on hard line scripture vs. interpretation.  It’s a fascinating idea played out with characters that are so ingrained in most of our collective psych that is sure to upset one faction or the other.  In the end your personal enjoyment of the film will depend on your beliefs. At it’s core, it’s a wonderfully filmed, acted and produced film which deserves to be seen.

A

[Trailer] Noah

The first trailer for the upcoming religious epic is finally out and we get 2 tonally different trailer. The American trailer seems to hit more traditional beats playing up the religious angle more so than the International trailer which plays more like a traditional FX event film. Honestly, if Darren Aronofsky and Russell Crowe weren’t attached to this project I probably would have ignored it.

With Aronofsky in the director’s chair it leaves the door open to all kinds of possibilities, just think about his underrated film The Fountain. Both trailers look intriguing if a tad safe, either way I’m interested enough to mark this one on my calendar.

Official Trailer


International Trailer

Cindy Prascik’s review of Man of Steel / This Is the End

Dearest Blog, today I followed the herd to the cinema for Man of Steel. Though I'd happily have seen Star Trek again, I did the responsible thing and paired MOS with This Is the End, so, dear reader(s), I could share my "wisdom" on the week's big new releases. You're welcome. ;-)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A reboot of the Superman franchise, Man of Steel is the obligatory origins tale.

The usual disclaimers, personal biases that will, no doubt, color this review: I love superhero movies. I do not love Superman, but I adore this team of filmmakers, and most of this cast. I very much wanted to love this movie. I did not.

Starting with the obvious: Henry Cavill.

I'm an Anglophile, so this is not the first time Mr. Cavill and I have crossed paths. While he is an extraordinarily good-looking young man, he is, unfortunately, only an average actor, with no special charisma. Never is that more obvious than when he shares a screen with one of Hollywood's most magnetic leading men, Russell Crowe, who is terrific as always, even with limited screen time. This film really needed a Robert Downey, Jr.-esque leading man to overcome its flaws, and Cavill is not that guy. (I'm a fan, but it is what it is.) The cast is fleshed out with big names and very familiar faces: Amy Adams, Kevin Costner, Diane Lane, Michael Shannon, Christopher Meloni, Laurence Fishburne, and, as mentioned, Russell Crowe. Other than Crowe, they are as unremarkable as the material. The usually superb Shannon is a particular disappointment, flat and uninspired as the film's main villain.

While the acting in Man of Steel is nothing to write home about, the cast can't really be blamed for the film's chief handicap: it's just plain boring. I somehow managed not to check the time more than once, which, in and of itself, constitutes a super-human feat.

Man of Steel does have some positives, including big, solid special effects, and a grand score by Hans Zimmer. My fellow Crowe fans will be pleased to note that Russell is looking fit these days, and there's no denying Henry Cavill is easy on the eyes, and has the perfect look for this iconic role.

Man of Steel attempts to drag Superman into the darker territory where Batman and Watchmen now comfortably reside, but Superman is ill
suited for that world. Take away the camp, and you're left with something that's no less silly, just less entertaining. This is an okay movie, but, sadly, far from the perfect superhero movie many of us were counting on.

Man of Steel clocks in at an excessive 143 minutes, and is rated PG13 for "intense sequences of sci-fi violence, action and destruction, and for some language." This will make a bundle at the box office this weekend, and, despite my disappointment, I'm very happy about that for all involved, and I look forward to a sequel that I'm already confident will be brilliant. Of a possible nine Weasleys, Man of Steel gets six.

Next on my agenda was the raunch-comedy, This Is the End, starring James Franco, Seth Rogen, Jay Baruchel, Craig Robinson, Jonah Hill and a slew of their Hollywood compatriots as what I'm told are very exaggerated versions of themselves...facing the Apocalypse.

This Is the End is one of those films I don't quite know what to do with. When it was funny, it was really, really funny, but, unfortunately, there was a good bit I just didn't find funny. Being that the film is essentially one long "in" joke, I'm willing to concede that maybe I just didn't get some of it, but there were also times when it was simply too much: too gross, too much foul language, too, too much. (Bear in mind I think Tropic Thunder is the funniest movie of all time, so I'm not particularly squeamish about any of that.)

The entire cast shows off brilliant comedy chops, especially Jay Baruchel (a personal favorite) and James Franco. Not sure how much credit is due there if they were basically playing themselves, but, to a man, they are hilarious. It goes without saying that I loved Harry Potter's Emma Watson in a small role that allowed her to play against type. The movie is a tad too long, and the plot (such as it is) bogs down in places, but generally speaking it's good fun from start to finish. While I won't spoil the ending for anyone who hasn't see it, I have to at least say there's a squee-worthy moment that: a.) caused me to embarrass myself in front of a packed theatre, and b.) immediately allowed me to forgive this film for any shortcomings.

This Is the End runs 107 minutes and is rated R for "crude and sexual content throughout, brief graphic nudity, pervasive language, drug use, and some violence."

It's a raucous comedy that's a great time, if you've got the stomach for it. I enjoyed it, but I also spent most of the two hours thinking how much funnier The World's End is certain to be. Of a possible nine Weasleys, This Is the End gets six.

The moral of today's cinema trip: If you're thinking of seeing either of these films, but haven't yet seen Star Trek Into Darkness or Now You See Me, do yourself a favor and see one of those instead.

Until next time...





Wait...what was I saying?

MOVIE REVIEW: MAN OF STEEL

Superman flies back onto the big screen in this Warner Bros./Legendary Pictures production directed by Zack Snyder (Watchmen), produced by Christopher Nolan (The Dark Knight), and featuring a screenplay by David Goyer (Blade, The Dark Knight). Academy Award-nominated actor Michael Shannon (Revolutionary Road, Boardwalk Empire) co-stars as General Zod and Laurence Fishburne steps into the role of "Daily Planet" editor-in-chief Perry White. Russell Crowe and Christopher Meloni co-star. ~ Jason Buchanan, Rovi

Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe.

Release Date: Jun 14, 2013

Rated PG-13 for intense sequences of sci-fi violence, action and destruction, and for some language

Runtime: 2 hr. 23 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

The Man of Steel delivers a newer slightly edgier more conflicted version of the granddaddy of all superheros. Its first act is a bit of a slog simply because there’s a lot to cover, mostly on Krypton. Once the set up is out of the way Snyder lets his film breathe a little even though there’s still an oppressive aura about it. It attempts to give Superman a slightly more interesting slant and it works to a certain extent. Henry Cavill and his lantern jaw look good in the Superman suit and cape. He carried a concerned look on his face even when he’s smiling. Cavill has a quiet strength about himself which works well for the character even if though he and Amy Adams have zero chemistry together. Michael Shannon meanwhile is limited by a surprisingly underwritten take of General Zod. Shannon maintains a crazed look throughout but isn’t given a meaty enough script to work with. Russell Crowe fairs better as Superman’s father Jor-El. Crowe is reserved but paternal. As mentioned previously, The Man of Steel’s first act is rather slow and reserved for a Snyder film but once the action starts it does stop, so much so that it almost beats you into the ground with the sheer amount of destruction being flung around. It’s all visually striking which shouldn’t come as a surprise but it’s also emotionally distant. The film never connects the way it should; instead it keeps the audience at arms length. A few scant moments of levity here and there but otherwise it’s all serious superhero business.

B-

[Trailer] Man of Steel

The first few trailers for Zach Snyder reboot of Superman were pretty lackluster to say the least. While I don’t quite have the vitriol that some do with Snyder, I was letdown with first glimpse but this trailer is rather rousing and exciting, give it a look below….

MOVIE REVIEW: LES MISERABLES

The King's Speech's Tom Hooper directs this adaptation of Cameron Mackintosh's successful musical version of Victor Hugo's classic novel. The drama surrounds the obsessive quest of Inspector Javert (Russell Crowe) as he spends years in an effort to capture escaped convict Jean Valjean. Hugh Jackman co-stars in the Universal Pictures production. Anne Hathaway, Amanda Seyfried, and Sacha Baron Cohen also star. ~ Jeremy Wheeler, Rovi

Release Date: Dec 25, 2012

Rated PG-13 for suggestive and sexual material, violence and thematic elements

Runtime: 2 hr. 38 min.

Genres: Drama, Music/Performing Arts

Director: Tom Hooper

Cast: Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Sacha Baron Cohen,
Helena Bonham Carter

Review:

The cinematic version of Les Misérables will give you goose bumps one moment then have readjusting in your chair as the barrage of bombastic yet bold musical numbers beat you into submission. It’s all wonderfully staged by a dedicated Tom Hooper. He treats this beloved musical with a tenderness and love throughout. Everything is wonderful to look at and listen to. Hooper just lets you dive right in and never really lets you take a breath. His A+ cast belts out tune after tune with impassioned veracity and emotional heft. At its center is Hugh Jackman who anchors the entire production with his impressive vocals and performance. Jackman’s stage talent and experience is readily apparent, making his casting a real win for film. Anne Hathaway has garnered plenty of attention because of her turn as Fantine and its well deserved. Her screen time is incredibly limited but she leaves a strong emotional impression. Less impressive is a miscast Russell Crowe. I’ve been a fan of Crowe for years and while he looks the part, his vocal chops are just all wrong for this type of film and character. It’s a major misstep, one that detracts from the film’s quality as a whole which is a real shame. An angelic Amanda Seyfried is strong if limited as the older Cosette. She’s outshined by her character’s counterpart played by Samantha Barks. Barks oozes melancholy as she belts out her songs about unrequited love. Hooper moves his film at a methodical pace but the story does leave you feeling a bit disjointed as it changes from intimate to global back to intimate. Flaws aside, it’s an opulent piece of musical filmmaking which keeps your eyes glued to each actor’s soulful eyes as they sing about dreams lost and found.

B+

[Trailer] Man of Steel

Heres' the first trailer for Zack Snyder’s Superman reboot.

It gives us a better idea of what we’ll be seeing in this version, much more than the underwhelming teaser.

Snyder does look like he’s learned some lessons from his atrocious film Sucker Punch delivering a more polished and mature feel to his film.

Still not sure what the plot is going to be but trailer teases an epic confrontation between Michael Shannon’s General Zod and Cavill’s Superman…






Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe, Kevin Costner.

Release Date: Jun 14, 2013

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

[Trailer] Les Miserables

I was a little unsure of what to make of this latest adaptation when I first heard about it. Casting rumors ran wild and thankfully they settled on some impressive names, with an impressive proven director.

This first trailer sure does set the stage for what to expect with Anne Hathaway showing off some impressive vocals to go along with some strong looking sets and visuals…..

First Photo of Henry Cavill As Superman from Zach Snyder's Man of Steel

First official photo of Henry Cavill as Superman in Zach Snyder’s Man of Steel is out.

Right off the bat I’ve never been a big fan of Superman in general but being a child and growing up with the Christopher Reeve’s films, it was kind of hard to escape.

I actually enjoyed the Bryan Singer reboot but that probably had more to do with it reminding me of the Donner films but I digress.

Snyder is a visual filmmaker and while I loved Watchmen and hated Sucker Punch I was still looking forward to see what he was going to do with this property.

Still am but first impressions on the new look, what’s up with the scales on the suit and I guess this Superman has super hair??