MOVIE REVIEW: GOOD FORTUNE

 

A well-meaning but inept angel named Gabriel meddles in the lives of a struggling gig worker and a wealthy venture capitalist.

Director: Aziz Ansari

Cast: Aziz Ansari, Seth Rogen, Keanu Reeves, Keke Palmer, Sandra Oh

Release Date: October 17, 2025 

Genre: Action, Comedy, Fantasy, Romance

Rated R for language and some drug use.

Runtime: 1h 38m

Review:

Aziz Ansari's Good Fortune is deceptively simplistic riff on It's a Wonderful Life which is headier than it lets on, boasting an excellent cast with solid comedic chemistry.  Ansari writes, directs and stars in the film which has an easy going, accessible vibe as we’re introduced to the collection of characters and central conceit.  Ansari sardonic persona fits his character, Arj, perfectly whose somebody that’s reached the end of his rope.  There’s an unsettled sense of desperation constantly simmering under his performance that’s relatable to anyone who’s done everything to get ahead but never made any progress.  Seth Rogen works as a perfect counterbalance to Ansari’s endless anxiety with his goofy, out of touch venture capitalist Jeff.  It would have been easy to make Rogen’s character a typical rich bro, but the script takes a more measured approach that keeps him likable for the better part of the film.  His character is likable enough that the central moment that sets off the main part of the plot feels inorganic and out of character since Jeff is portrayed as a generally well-meaning guy who just happens to be incredibly wealthy.  Even after the "switcheroo" occurs Rogen’s Jeff is mostly levelheaded and patient as he waits for Ansari’s Arj to finally agree to head back to his old life.  Keanu Reeves’s low rent, well intentioned guardian angel, Gabriel, gives him a chance to play a different sort of character than John Wick which has dominated the last decade of his career.  His usual monotone delivery works well here since it gives his character a detached but relatable sensibility.  It would have been easy to use the same delivery across the board but his character goes through the most complete character arch as he comes to understand humanity on a more tactile level.  The trio are funnier more often than not as each of them go through a series of fish out of water moments that allows them ample time to flex their comedic muscles.  Keke Palmer and Sandra Oh round out the main cast but neither is given enough to do in order to take full advantage of their talents.  It’s a missed opportunity, especially in the film’s back half which is more uneven and makes it feel far longer than actual runtime.  Good Fortune is more than capable as a message comedy but you are left with the feeling that it could have been truly special with a more well-rounded script.   

B-

MOVIE REVIEW: DUMB MONEY

 

Everyday people flip the script on Wall Street and get rich by turning GameStop into one of the world's hottest companies. In the middle of everything is Keith Gill, a regular guy who starts it all by sinking his life savings into the stock. When his social media posts start blowing up, so does his life and the lives of everyone following him. As a stock tip becomes a movement, everyone gets wealthy -- until the billionaires fight back and both sides find their worlds turned upside down.

Director: Craig Gillespie

Cast: Paul Dano, Pete Davidson, Vincent D'Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, Seth Rogen

Release Date: September 15, 2023 

Genre: Biography, Comedy, Drama

Rated R for pervasive language, sexual material, and drug use

Runtime: 1h 44m

Craig Gillespie's Dumb Money takes the 2021 GameStop stock madness and breaks it down into an easily digestible and enjoyable annotated version of the true story.  He gives his film a chaotic energy which fits the subject matter perfectly even though the film describes the investing strategies at play.  The early exposition dump does a solid job of explaining the concepts in such a manner that any layman, myself included, can follow the ideas with general ease.  The story follows multiple angles of the story with the central focus being on Dano's Keith Gill who kick starts the events.  Additionally, we get moments with the hedge fund managers and retail investors as the stock situation explodes on the scene.  The ensemble does a solid job of making these moments engaging even if they don't offer the sort of depth that the main storyline is afforded.  Seth Rogen, Nick Offerman, Vincent D'Onofrio and Sebastian Stan make up the money side of the story with Rogen getting the most screen time and subsequently leaves the biggest impression. Offerman, D'Onofrio and Stan aren't asked to do much outside of looking smug or annoyed for a variety of reasons.   The rest of the ensemble played by familiar faces like America Ferrera and Anthony Ramos makes up the everyday retail investors who rally behind Gill's market play.  The characters themselves are composites of real people with the film content to use them to represent types of people as opposed to something a bit more nuanced and three dimensional.  Dano gets much more to work with his character getting more depth and texture throughout the film.  In turn he delivers a likeable, sincere performance that makes his character easy to root for from start to finish.  The film does gloss over some of the murkier details on the Reddit boards, other stocks that were part of situation and overall lasting effect of everything that went down.  There are plenty of documentaries that get into more the nitty gritty of what happened, but Dumb Money makes for a fascinating, well crafted cinematic retelling that captures the spirit of the moment.  

B+

MOVIE REVIEW: TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM

 

After years of being sheltered from the human world, the Turtle brothers set out to win the hearts of New Yorkers and be accepted as normal teenagers. Their new friend, April O'Neil, helps them take on a mysterious crime syndicate, but they soon get in over their heads when an army of mutants is unleashed upon them.

Director: Jeff Rowe

Cast: Micah Abbey, Shamon Brown Jr., Nicolas Cantu, Brady Noon, Hannibal Buress, Rose Byrne, John Cena, Jackie Chan, Ice Cube, Natasia Demetriou, Ayo Edebiri, Giancarlo Esposito, Post Malone, Seth Rogen, Paul Rudd, Maya Rudolph

Release Date: August 2, 2023

Genre: Comedy, Sci-fi, Animation 

Rated PG sequences of violence and action, language and impolite material

Runtime: 1h 39m

Teenage Mutant Ninja Turtles: Mutant Mayhem is an energetic reboot that breathes new life into the long running franchise.  Jeff Rowe's film has a kinetic energy from the start and he manages to maintain that level throughout.  The animation style and characters designs are beautifully rendered with a grungy style that makes each scene pop.  They're inventively done to give them a fresh new vibe while staying true to their classic designs.  Using real teenagers to voice the titular trio pays dividends since Micah Abbey, Shamon Brown Jr., Nicolas Cantu and Brady Noon all have great chemistry together.  Their youthful energy comes through as they bounce off each other naturally.  It helps that the script is snappily written even if its not terribly deep, light and straightforward but genuinely funny.  Ayo Edebiri makes for a fun April O'Neal who still a stalwart report but just can't handle her nerves on screen.  The rest of the supporting cast is made up of stars clearly having a ball voicing the slew of mutants that pop up on screen.  Jackie Chan and Ice Cube get the largest play with both delivering hilarious turns as the mentor and villain.  The cast provides a fun dynamic which works throughout making Teenage Mutant Ninja Turtles: Mutant Mayhem a fun lighthearted animated ride that's sure to make long time fans happy and make new ones at the same time.  

 

B+

MOVIE REVIEW: THE SUPER MARIO BROS. MOVIE

 

With help from Princess Peach, Mario gets ready to square off against the all-powerful Bowser to stop his plans from conquering the world.

Director: Aaron Horvath, Michael Jelenic

Cast: Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan-Michael Key, Seth Rogen, Fred Armisen

Release Date: April 5, 2023

Genre: Animation, Adventure, Comedy, Family, Fantasy, Romance, Sci-Fi

Rated PG for action and mild violence.

Runtime: 1h 32m

Review:

The Super Mario Bros. Movie is a more than capable family film that plays it safe with the brand as it delivers a light, colorful experience.  Directors Aaron Horvath and Michael Jelenic clearly have an affection for the property, something readily apparent as they deliver a game to film experience that checks all sorts of nostalgic boxes along the way.  The story is simplistic to a fault as it moves from one set piece to another as it recreates various bits of game play in what amounts to a cinematic retrospective.  Those familiar with Horvath and Jelenic previous movie, Teen Titans Go! To the Movies, which lovingly skewered a variety of DC's comic properties won't find that sort of edge here.  There's a definite sense that Nintendo didn't want anything but the glossiest version of their IP on display and for the most part the duo obliges even though slivers of their sensibilities shine through exemplified by an insane, fatalistic blue Luma.  Outside of that its safe and corporate approved which probably keeps the film from being a better overall film.  As is, The Super Mario Bros. Movie is a solid adaptation of the video game that sure to please younger kids and deliver enough nostalgia make to older fans happy.

C+

MOVIE REVIEW: THE FABELMANS

 

Young Sammy Fabelman falls in love with movies after his parents take him to see "The Greatest Show on Earth." Armed with a camera, Sammy starts to make his own films at home, much to the delight of his supportive mother.

Director: Steven Spielberg

Cast: Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, Judd Hirsch, David Lynch

Release Date: November 11, 2022

Genre: Drama

Rated PG-13 for some strong language, thematic elements, brief violence and drug use.

Runtime: 2h 31m

Steven Spielberg's The Fablemans is a tender, thematically dense quasi-autobiography that shows the power of film and its effect on people.  Initially, his film is a light bit of idyllic nostalgia as he discovers cinema and his nascent filmmaking as a child.  Slowly, he reveals small fractures in his home life as he continues to explore his love of filmmaking.  Gabriel LaBelle delivers an excellent central performance as Sammy Fableman.  LaBelle gives the character a likable authenticity that makes his coming of age journey engaging and relatable as his family moves from New Jersey to Arizona and finally California.  It’s a subtle performance as his character traverses  a wide range of emotions and experiences since the film covers a large swath of time.  Michelle Williams gets the showier role and delivers a textured heartfelt turn as his loving mother.  Williams' performance reveals itself as the story moves along with her free spirted, artistic soul collapsing under itself as she's increasingly feeling trapped in a life she never wanted.  There's a palatable sense of yearning for her unrealized dreams that drives the film and Sammy throughout.  Paul Dano does yeoman's work as the loving and kind but decidedly analytical patriarch of the family.  It’s a reserved, measured turn that only gives you glimpses his heartbreak.  Seth Rogen and Judd Hirsch have small but important supporting roles with each actor making the most of their screen time.  The film's unhurried pace might turn off for some since it moves at a decidedly methodical pace.  That pace, though, does allow you to digest more of the underlying themes about film and its ability to refocus perceptions and truth, something explicitly addressed in a telling scene between Sammy and a high school bully in the final act.  It’s a testament to Spielberg that he knowingly acknowledges that this sanitized, glossy retelling of his upbringing veers somewhere between truth and tale.

A-

MOVIE REVIEW: AN AMERICAN PICKLE

An immigrant worker falls into a vat of pickles and is brined for 100 years. The brine preserves him perfectly, and when he emerges in present day Brooklyn, he finds that he hasn't aged a day.

Director: Brandon Trost

Cast: Seth Rogen, Sarah Snook, Molly Evensen, Eliot Glazer, Kalen Allen

Release Date: August 6, 2019

Genre: Comedy

Rated PG-13 for some language and rude humor

Runtime: 1 h 28 min

Review:

An American Pickle is a fun farce that’s a bit more nuanced than it deserves to be.  The film has a light tone that makes it easier to overlook some of the choppiness in the story.  Brandon Trost skill’s as a director are still a bit raw and it shows in the uneven flow which leaves some dead spots here and there.  That being said Seth Rogen seems far more engaged than usual here playing the dual roles.  His two roles aren’t going to win any awards for subtleness but they are fun caricatures which work well for the film.  The film veers into various themes which hint at bigger ideas but sadly they aren’t explored in any sort of real depth.  What is surprising is its central theme of family and respecting your past gives the movie some real heart.  It gives the film a bit more depth than you’d except and is likely to leave a smile on your face once this brisk film is over. 


B-

MOVIE REVIEW: THE LION KING

Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny on the plains of Africa. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother -- and former heir to the throne -- has plans of his own. The battle for Pride Rock is soon ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. Now, with help from a curious pair of newfound friends, Simba must figure out how to grow up and take back what is rightfully his.

Director: Jon Favreau

Cast: Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter, James Earl Jones

Release Date: July 18, 2019

Animation, Adventure, Drama

Rated PG for sequences of violence and peril, and some thematic elements |

Runtime: 1 h 58 min

Review:

First and foremost, I have to admit that I’ve never seen the original Lion King.  It’s a film that’s become so ingrained in the cultural zeitgeist that it almost doesn’t feel necessary.  None the less, I understand it’s a much beloved property that many people have incredible affection for so it makes watching this remake a strange experience.  The film itself is a technical marvel, all the animals are beautifully realized throughout.  The film’s voice cast is a who’s who of big stars who all do serviceable work in their particular roles with nobody really standing out.  A handful of the legendary songs reappear with some strong staging but all of it feels strangely hollow.  Unfortunately the whole thing feels rather soulless much like most of Disney’s ongoing money making scheme of remaking all their animated classics.  Jon Favreau’s film isn’t a terrible film by any stretch but it’s strangely uninspired.  Some of that might come from the fact that by making the film photo realistic the animals lack any sort of real expressive features, something that’s much easier in an animated feature.  As such it feels like you are watching one of those old 90s Homeward Bound films with much better production values.


C+

MOVIE REVIEW: LONG SHOT

Fred Flarsky is a gifted and free-spirited journalist who has a knack for getting into trouble. Charlotte Field is one of the most influential women in the world -- a smart, sophisticated and accomplished politician. When Fred unexpectedly runs into Charlotte, he soon realizes that she was his former baby sitter and childhood crush. When Charlotte decides to make a run for the presidency, she impulsively hires Fred as her speechwriter -- much to the dismay of her trusted advisers.

Director: Jonathan Levine

Cast: Charlize Theron, Seth Rogen, O'Shea Jackson Jr., Andy Serkis, June Diane Raphael, Bob Odenkirk, Alexander Skarsgård

Release Date: May 3, 2019

Genres: Comedy, Romance

Rated R for strong sexual content, language throughout and some drug use

Runtime: 2 h 5min

Review:

Every once in a while a romantic comedy manages to bust out of that genre’s general mediocrity.  Long Shot isn’t one of the best but it is a funny film that overcomes its short coming.  Once you get over the clearly outlandish premises, the script and cast really make the material shine.  The film ends up coming off as softer kinder version of Veep melded with a gender reversed Pretty Woman.  Charlize Theron and Seth Rogen have surprisingly solid chemistry, on paper it shouldn’t work but it does thanks to both of them.  Theron, in particular, continues to show an amazing ability to work in any role and genre.  Rogen is in his wheelhouse, of course, so it’s an easy fit for him.  O'Shea Jackson and June Diane Raphael fill in as the leads respective sidekicks which each making the most of their screen time.  The plotting hits on all usual rom-com mile markers, making everything fairly predictable.  It does start to overstay its welcome in the final act and could have used a tad bit of trimming.  Regardless, it’s a fun raunchy comedy that’s enjoyable enough to keep most people laughing.

B

MOVIE REVIEW: SAUSAGE PARTY

A misplaced sausage (voice of Seth Rogen) and his food friends embark on an existential adventure through the aisles of a massive supermarket in this raunchy animated comedy. While they are initially excited by the prospect of a Fourth of July sale, the perishable pals are soon horrified when they learn the full truth about what happens after they are purchased.

Director: Greg Tiernan, Conrad Vernon

Cast: Seth Rogen, Kristen Wiig, Jonah Hill, Bill Hader, Michael Cera

Release Date: Aug 12, 2016

Rated R for pervasive Language, Drug Use and Strong Crude Sexual Content

Runtime: 1 hr. 29 min.

Genres: Animated, Comedy

Review:

Sausage Party is every bit as raunchy and politically incorrect coming from the minds of  Seth Rogen, Johan Hill, and Evan Goldberg.  If not for the sheer amount of F bombs and sex jokes this would fit right in with any Pixar movie.  The basis of the plot is very similar to some of the Toy Story films taken to the extreme with a focus on sex while skewering organized religion and various other topics along the way.  It’s pretty easy to get lost in all the raunchy fun but the script does a great job of satirizing a lot of big themes.  Even with it’s headier themes mixed into the plot the film accomplices it’s primary goal of being laugh out loud funny for the better part of it’s runtime.  The trek through the grocery store is a cornucopia of set pieces which are incredibly impressive and fun all leading up to a final scene that will either make you laugh uncontrollably or shake your head in disbelief.   

A

MOVIE REVIEW: NEIGHBORS 2: SORORITY RISING

Two years after feuding with a rowdy frat that moved next door to them, young parents Mac (Seth Rogen) and Kelly (Rose Byrne) are about to have their second child and move to a new house. Unfortunately, their attempts to sell their current home hit a snag when a sorority led by a rebellious college student (Chloë Grace Moretz) become their new neighbors. Desperate to get rid of the hard-partying gals, the couple forge an alliance with Teddy (Zac Efron), the former fratboy who tormented them the last time around. Directed by Nicholas Stoller. ~ Jack Rodgers, Rovi

Director: Nicholas Stoller

Cast: Seth Rogen, Rose Byrne, Zac Efron, Chloe Moretz, Selena Gomez

Release Date: May 20, 2016

Rated: R for crude sexual content including brief graphic nudity, language throughout, drug use and teen partying.

Runtime: 1 hr. 32 min.

Genres: Comedy

Review:

Neighbors 2: Sorority Rising provides some hefty laughs here and there throughout it’s runtime but never really hits the level of consistency of the original.  There’s a haphazard attempt at feminism throughout the film which is about as subtle as a hammer.  It’s a weird mixture since it could have been an interesting slant if it’d been handled properly.  As is, this sequel is another raunchy ride through a recycled plot with characters which are never really fleshed out.  It’s a shame because Chloe Moretz seems like she would have done well with the comedy.  Rogen and Byrne ease back into their roles easily with their interplay being a highlight of the movie.  Byrne continues to impress in her comedic roles but she feels a little underused.  Sadly, Neighbors 2: Sorority Rising is another comedy sequel which will be easily overlooked and forgotten since it never reaches the level of the original.

C

MOVIE REVIEW: THE NIGHT BEFORE

Every Christmas Eve for the last decade, best friends Isaac (Seth Rogen), Ethan (Joseph Gordon-Levitt), and Chris (Anthony Mackie) have reunited for a wild night on the town in New York City. But since the guys are getting older and have to face new responsibilities, their tradition is about to come to an end. As a result, they plan one last epic night together, which includes finding their way to a legendary party called the Nutcracka Ball. Lizzy Caplan, Miley Cyrus, Mindy Kaling, Jillian Bell, and Michael Shannon co-star. Directed by Jonathan Levine. ~ Jennifer Lackman, Rovi

Director: Jonathan Levine     

Cast: Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Lizzy Caplan, Michael Shannon.

Release Date: Nov 20, 2015    

Rated R for

Runtime: 1 hr. 41 min.    

Genres: Buddy Film, Holiday Film, Comedy    

Review:

The Night Before is a solid stoner comedy that never really hits its marks consistently enough to elevate it above better comedies of its ilk.  Jonathan Levine moves his film along at a brisk pace which helps when we run into one of the many dead spots in the film.  When it hits its mark it’s really funny with Seth Rogen and Michael Shannon delivering the best bits.  Joseph Gordon-Levitt and Anthony Mackie are decent but they don’t quite have the comedic timing that Rogen pulls off so well.  The film is pepper with plenty of comedy stalwarts and each takes advantage of their time on screen.  It has all the hallmarks of what should be a classic comedy but it just never gets there for some reason.  

B-

MOVIE REVIEW: STEVE JOBS

Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.

Director: Danny Boyle

Cast: Michael Fassbender, Seth Rogen, Katherine Waterston, Kate Winslet, Jeff Daniels

Release Date: Oct 09, 2015

Rated R for Language

Runtime: 2 hr. 1 min.

Genres: Drama

Review:

Danny Boyle’s electric biopic of Apple’s cofounder and CEO crackles at a steady pace throughout.  Aaron Sorkin’s script is excellent as expected with Michael Fassbender and Kate Winslet excelling at the requisite walk and talk throughout the film.  Boyle’s direction and his filming techniques, he uses 3 different film stocks for each section, keeps the dialogue heavy film moving at an impressive pace.  It rarely lags, an impressive feat for a 2 hour film that doesn’t have much going on outside of a series of conversations.  Fassbender disappears into his role especially as the film moves into the final act.  He’s magnetic for the entire run time.  Kate Winslet delivers equally impressive work in a supporting role with Jeff Daniels and Seth Rogen making the most of their limited screen time.  Daniels and Rogen both get excellent exchanges with Fassbender that you just have to sit back and appreciate the level of talent on display.  Steve Jobs is sure to litter the awards docket with Fassbender leading the charge with a best actor nomination.

A

MOVIE REVIEW: THE INTERVIEW

Dave Skylark and producer Aaron Rapoport run the celebrity tabloid show "Skylark Tonight." When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.

Director: Evan Goldberg, Seth Rogen     

Cast: James Franco, Seth Rogen, Randall Park, Lizzy Caplan, Diana Bang

Release Date: Dec 25, 2014

Rated R for pervasive language, crude and sexual humor, nudity, some drug use and bloody violence

Runtime: 1 hr. 52 min.     

Genres: Comedy, Action     

Review:

The Interview will probably be remembered for having one of the strangest releases in movie history.  The Sony cyber attack, North Korea and The Guardians of Peace all made for the cancelled then eventual release of this film.  After its strange long trek to screens, you can’t help but wonder if the film was even worth all the trouble.  The Interview is pretty much what you’d expect from Rogen and Franco.  Juvenile humor with some very strong moments scattered throughout the film.  Rogen does his usual shtick albeit playing a bit more of a straight man than usual.  Franco is over the top throughout, playing Skylark like an overgrown man child. The biggest issue is that the film never maintains the laughs for very long, you’ll have sporadic bits of hilarity followed by some fairly noticeable dead spots were the film just drags; it would have fared better with stronger editing.  The final act gets surprisingly gory for no apparent reason but it typifies the film, it serves as a perfect microcosm of the film, funny for bits but bland for long stretches.  Goldberg and Rogen seem to be shooting for Spies Like Us feel which they achieve occasionally.  It’s not the pair’s finest work and their inexperience behind the camera is evident.  Ultimately, the hype around the film will probably over shadow the film in the long run which isn’t surprising since it’s an above average comedy film at best.

C+

MOVIE REVIEW: NEIGHBORS

Seth Rogen, Zac Efron and Rose Byrne lead the cast of Neighbors, a comedy about a young couple suffering from arrested development who are forced to live next to a fraternity house after the birth of their newborn baby. Neighbors is directed by Nick Stoller (Forgetting Sarah Marshall, Get Him to the Greek).

Director: Nicholas Stoller 

Cast: Seth Rogen, Zac Efron, Rose Byrne, Dave Franco

Release Date: May 09, 2014

Runtime: 1 hr. 37 min. 

Genres: Comedy 

Review:

Neighbors is a refreshing surprise of a comedy.  Not because it’s hilarious, which it is, but because it’s actually a lot smarter than you’d expect from any of the trailers.  Sharply written, the R rated comedy is just as much about a tit for tat war between a frat house and 30 something neighbors as it is about learning to grow up and become an adult.  This may sound a bit heavier than you’d expect but it’s all handled very subtly but the theme is there and it really elevates it about other raunchy comedies.  As for the comedy itself, it’s nearly perfect.  The laughs come at a fast pace hit a wonderful zenith during various moments of its raucous runtime.  Seth Rogan and Rose Byrne make a surprisingly effective combo even if someone like Byrne ending up with something like Rogan and having a baby requires more suspension of disbelief than most comic book movies.  Zac Efron and his chiseled body, flexed throughout, brings some impressively refined comedic chops to his role.  He could have easily fallen into some tried and true stereotypes but he avoids them thanks to the script.  Neighbors is one of those films that’ll be quoted for years to come and for good reason.

B+

Cindy Prascik’s review of Man of Steel / This Is the End

Dearest Blog, today I followed the herd to the cinema for Man of Steel. Though I'd happily have seen Star Trek again, I did the responsible thing and paired MOS with This Is the End, so, dear reader(s), I could share my "wisdom" on the week's big new releases. You're welcome. ;-)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A reboot of the Superman franchise, Man of Steel is the obligatory origins tale.

The usual disclaimers, personal biases that will, no doubt, color this review: I love superhero movies. I do not love Superman, but I adore this team of filmmakers, and most of this cast. I very much wanted to love this movie. I did not.

Starting with the obvious: Henry Cavill.

I'm an Anglophile, so this is not the first time Mr. Cavill and I have crossed paths. While he is an extraordinarily good-looking young man, he is, unfortunately, only an average actor, with no special charisma. Never is that more obvious than when he shares a screen with one of Hollywood's most magnetic leading men, Russell Crowe, who is terrific as always, even with limited screen time. This film really needed a Robert Downey, Jr.-esque leading man to overcome its flaws, and Cavill is not that guy. (I'm a fan, but it is what it is.) The cast is fleshed out with big names and very familiar faces: Amy Adams, Kevin Costner, Diane Lane, Michael Shannon, Christopher Meloni, Laurence Fishburne, and, as mentioned, Russell Crowe. Other than Crowe, they are as unremarkable as the material. The usually superb Shannon is a particular disappointment, flat and uninspired as the film's main villain.

While the acting in Man of Steel is nothing to write home about, the cast can't really be blamed for the film's chief handicap: it's just plain boring. I somehow managed not to check the time more than once, which, in and of itself, constitutes a super-human feat.

Man of Steel does have some positives, including big, solid special effects, and a grand score by Hans Zimmer. My fellow Crowe fans will be pleased to note that Russell is looking fit these days, and there's no denying Henry Cavill is easy on the eyes, and has the perfect look for this iconic role.

Man of Steel attempts to drag Superman into the darker territory where Batman and Watchmen now comfortably reside, but Superman is ill
suited for that world. Take away the camp, and you're left with something that's no less silly, just less entertaining. This is an okay movie, but, sadly, far from the perfect superhero movie many of us were counting on.

Man of Steel clocks in at an excessive 143 minutes, and is rated PG13 for "intense sequences of sci-fi violence, action and destruction, and for some language." This will make a bundle at the box office this weekend, and, despite my disappointment, I'm very happy about that for all involved, and I look forward to a sequel that I'm already confident will be brilliant. Of a possible nine Weasleys, Man of Steel gets six.

Next on my agenda was the raunch-comedy, This Is the End, starring James Franco, Seth Rogen, Jay Baruchel, Craig Robinson, Jonah Hill and a slew of their Hollywood compatriots as what I'm told are very exaggerated versions of themselves...facing the Apocalypse.

This Is the End is one of those films I don't quite know what to do with. When it was funny, it was really, really funny, but, unfortunately, there was a good bit I just didn't find funny. Being that the film is essentially one long "in" joke, I'm willing to concede that maybe I just didn't get some of it, but there were also times when it was simply too much: too gross, too much foul language, too, too much. (Bear in mind I think Tropic Thunder is the funniest movie of all time, so I'm not particularly squeamish about any of that.)

The entire cast shows off brilliant comedy chops, especially Jay Baruchel (a personal favorite) and James Franco. Not sure how much credit is due there if they were basically playing themselves, but, to a man, they are hilarious. It goes without saying that I loved Harry Potter's Emma Watson in a small role that allowed her to play against type. The movie is a tad too long, and the plot (such as it is) bogs down in places, but generally speaking it's good fun from start to finish. While I won't spoil the ending for anyone who hasn't see it, I have to at least say there's a squee-worthy moment that: a.) caused me to embarrass myself in front of a packed theatre, and b.) immediately allowed me to forgive this film for any shortcomings.

This Is the End runs 107 minutes and is rated R for "crude and sexual content throughout, brief graphic nudity, pervasive language, drug use, and some violence."

It's a raucous comedy that's a great time, if you've got the stomach for it. I enjoyed it, but I also spent most of the two hours thinking how much funnier The World's End is certain to be. Of a possible nine Weasleys, This Is the End gets six.

The moral of today's cinema trip: If you're thinking of seeing either of these films, but haven't yet seen Star Trek Into Darkness or Now You See Me, do yourself a favor and see one of those instead.

Until next time...


Wait...what was I saying?

MOVIE REVIEW: THIS IS THE END

Seth Rogen and Jay Baruchel star as themselves along with Danny McBride, Jonah Hill, and Craig Robinson in this end-of-days comedy that finds the actors hiding out with James Franco in his apartment as the apocalypse decimates L.A. outside. Featuring cameos by Jason Segel and Emma Watson, the Sony Pictures film features the directing debuts of Rogen and frequent collaborator Evan Goldberg. ~ Jeremy Wheeler, Rovi

Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson

Release Date: Jun 12, 2013

Rated R for Crude and Sexual Content, Brief Graphic Nudity, Drug Use, Pervasive Language and Some Violence

Runtime: 1 hr. 47 min.

Genres: Comedy

Review:

This Is The End is one of the raunchiest, most inspired comedies I’ve seen since The Hangover or Anchorman. The premise is simple the rapture happens and all hell, literally, breaks loose. At its heart it’s a simple conceit to get these faux versions of the actors shut into a house together under dire situations. In its simplicity the script allows plenty of riffs, verbal jabs and all out attacks on preconceived notions about each actor, it’s done with such aplomb that some of it has to be improvised. Some play themselves closer to what we’d expect while others go off the rails like Michael Cera playing a coked out proxy himself to hilarious effect. It all works so well mainly because these actors appear to be friends in the real world. As a result, their interactions ring true throughout. Verbal interchanges can reach a dizzying height of hilarity, so much so that this movie will probably require multiple viewing to catch all the jokes being flung across each actor’s mast. The cast all around is strong with Jay Baruchel doing yeoman’s work as the film’s center but special praise has to be given to Danny McBride. McBride is incredibly impressive here doling out some of the funniest lines of the film. There are a few minor issues keeping this from being perfect. The last 15 minutes or so really start to teeter out as things get more and more absurd. Part of the issue is that the script has trouble finding an ending and they didn’t want to go for the most logical conclusion. Additionally, the cast gets broken up in the last act robbing the film of some of its bite. As a result, it feels like the film could have been trimmed by 15 minutes. Minor issues aside, This Is The End is simply a comic gem.

A-

Check out the original 2007 comedy short that inspired this movie;

Jay and Seth vs. The Apocalypse

[Guest Review] David Castillo’s Review of THIS IS THE END

Seth Rogen and Jay Baruchel star as themselves along with Danny McBride, Jonah Hill, and Craig Robinson in this end-of-days comedy that finds the actors hiding out with James Franco in his apartment as the apocalypse decimates L.A. outside. Featuring cameos by Jason Segel and Emma Watson, the Sony Pictures film features the directing debuts of Rogen and frequent collaborator Evan Goldberg. ~ Jeremy Wheeler, Rovi

Release Date: Jun 12, 2013

Rated R for crude and Sexual Content, Brief Graphic Nudity, Drug Use, Pervasive Language and Some Violence

Runtime: 1 hr. 47 min.

Genres: Comedy

Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson

Review:

Haven't we seen this already a year ago, ironically also with Jonah Hill, written by the same duo (Rogan/Goldberg) who gave us "The Watch"? That’s what I thought when the first trailer hit the internet the day before the supposed Mayan apocalypse last December. While "The Watch" was somewhat a disappointment, this is by no means comparable.

The first 20 minutes of the movie IS the 2 red band trailers, which works perfectly since its gets those scenes out of the way and we can get to the central plot of the movie. The audience’s main point of view is Jay Baruchel and Seth Rogan with the rest of the assembled stars supporting. While we will probably never know how these stars are genuinely, they play their parts superbly well; giving us the feeling we know them personally.

The tough part of doing a review for this movie like this is not giving away too much while critiquing it, so I’ll break down the performances. Sometimes having a huge all star cast can make it difficult to balance, here I have no complaints. Jay Baruchel, to me, is the anti-Michael Cera, yeah, he plays the same roles but is always likeable. His leading role in “She’s Out of My League” was overlooked by most audiences and hasn’t really been in any major movies since. Some have even forgotten his brilliant performance in the equally star studded “Tropic Thunder”. Seth Rogan, is being Seth, but his input in the script allows him to take some genius jabs at himself (“where was that in The Green Hornet”). Franco is better known for his dramatic roles in Spiderman, Milk, and 127 Hours but he’s shown he can be funny in comedies like Pineapple Express and Your Highness. Here he does a great job as the party’s host, believably playing his as incredibly hard headed. Danny McBride does what he does so well, being a jackass. McBride pulls it off hilariously well, so much so that you’ll want to kick his ass. McBride and Franco share one of the best scenes in the movie. It’s so good that some of it had to be improvised, it was that good. Jonah Hill and Craig Robinson do take a backseat in supporting roles but they still do solid work.

This is The End currently has Rotten Tomato rating of 93%, that’s before the mass media reviews are be published before next week’s release. When it’s all said and done, I’d predict it’ll end up in the high 70s/low 80s%.

Did it live up to my expectations? To be honest, they were sky high after the red band trailers and while it didn’t reach those heights it’s still a VERY good movie.

A minor complaint I had with the film was some slow pacing primarily, some sections in the middle but that’s it.

Of course, this movie isn’t going to be for everybody but if you liked some of Judd Apatow’s hits like Knocked Up, Superbad or Pineapple Express, then you’ll have a blast with this.

2013 hasn’t been a great year for comedies with Movie 43, The Haunted House, Scary Movie 5, 21 & Over, and The Hangover 3, This is the End is easily the best comedy of 2013 and worth the watch if you’re a fan of the cast’s previous work.

It’s worth mentioning that this has THE most epic cameo in the past 5 years, period! Hopefully nobody spoils it for you!

4 out of 5 stars

Easter Egg (Extra Tidbit)

Since this was released by Colombia Pictures, they were limited on what previous work can be mentioned from each star. There’s no references to the highly successful Universal Studio films Knocked Up, Superbad, Jason Segal’s work on How I Met Your Mother or Craig Robinson’s work on The Office.

If you want to see more of Jay Baruchel’s recent work, check out his independently written film “Goon” starring Sean William Scott., it’s on Netflix Instant Stream.

MOVIE REVIEWS: PAUL

IN THEATERS

PAUL


Two average sci-fi geeks get caught up in the ultimate interplanetary adventure after picking up an extraterrestrial during a road trip to Area 51 and becoming the targets of a nationwide manhunt. Graeme (Simon Pegg) and Clive (Nick Frost) are two British sci-fi geeks on holiday in America. After a trip to Comic-Con to meet their favorite author, Adam Shadowchild (Jeffrey Tambor), Graeme and Clive load up their RV and hit the road for a tour of some of the most famous UFO hotspots in the American Southwest. They know we're not alone in the universe, but they won't be satisfied until they get a firsthand glimpse of the famed Area 51. However, somewhere deep in the Nevada desert, the two UFO enthusiasts narrowly avoid crashing into a speeding car when they happen across a most unlikely hitchhiker. Paul (voice of Seth Rogan) is a pint-sized alien who has spent the last 60 years in Area 51. He's been cooped up in the care of the U.S. Government for far too long, and he's starting to get a little homesick. Though Graeme and Clive are more than willing to help their wisecracking new friend get back to his mother ship, Special Agent Zoil (Jason Bateman) of the FBI is closing in fast. And he's not the only one; in their race to get their new friend home, Graeme and Clive have also become unwitting kidnappers, and the enraged father of their not-so-unwilling captive, Ruth (Kristen Wiig), is determined to rescue his daughter at all costs. Sigourney Weaver, Bill Hader, Blythe Danner, and David Koechner co-star. ~ Jason Buchanan, Rovi

Director: Greg Mottola

Cast: Simon Pegg, Nick Frost, Seth Rogen, Jason Bateman, Kristen Wiig

Release Date: Mar 18, 2011

Rated R for Language, including sexual references, and some drug use

Runtime: 1 hr. 44 min.

Genres: Comedy, Sci-Fi/Fantasy

Review:

Paul is kind of a difficult film to review, mainly because of Pegg & Frost previous cinematic gems. Their first outing without Edgar Wright in the director’s chair is still lots of fun filled with scifi allusions and nods and winks but it feels like it’s missing something. It’s strangely broad and unfocused, Pegg & Frost are allowed to fade into the background way too often. Director Greg Mottola seems unsure of how do deal with the script and actors so he just plays it safe for the most part. Simon Pegg and Nick Frost are always fun to watch on screen and this is no different. Seth Rogen does solid work as the voice of titular alien but in all honesty he’s pretty much playing a character we’ve seen him play countless times and it’s kind of hard not to think of Roger from American Dad! as you watch Paul’s antics. Jason Bateman mastered the art of playing the straight man and it’s a bit of a shame he’s not allowed to stretch his comedic legs a tad more. SNL players, Kristen Wiig and Bill Hader have a bit more to do and they’re both good fun in their roles. Paul isn’t quite up to Shaun of the Dead or Hot Fuzz standards but it’s still a fun and capable comedy.

B-

Movie Reviews: FUNNY PEOPLE

Sunday, August 02, 2009
Movie Reviews: FUNNY PEOPLE
IN THEATERS

FUNNY PEOPLE


Adam Sandler, Seth Rogen and Leslie Mann star in the story of a famous comedian who has a near-death experience... and what he does with a second chance. Director Judd Apatow addresses a question that hasn't before been touched with such trademark bluntness: If you had the chance to start all over again, would you be the same jerk you always were?


Cast: Adam Sandler, Seth Rogen, Leslie Mann


Opened ..July 31, 2009..


Run time: 2 hr. 16 min.


Rated R for some sexuality, language and crude sexual humor


Director: Judd Apatow


Genres: Comedy Drama


Review:





Judd Apatow’s third directorial effort is very much like his previous works, filled with rauchy humor mixed with bromance and sentimentality. Apatow take a more slightly more serious tone here dealing with issues of mortality and regret about the choices you’ve made. It’s an intriguing mix and fairly engaging but it occasionally veers terribly close to Lifetime territory. Luckily the sharp comedic dialogue keeps the film entertaining even during its most A Christmas Carol moment. Apatow does occasionally find some authentically poignant moments mainly through some superb work by Sandler. I’ve never been a big fan of Sandler’s movies for the most part but he has shown dramatics chops as shown in Punch Drunk Love. Here, he again benefits from using restraint and he creates a wonderfully layered character that isn’t likeable for the duration of the movie but the audience does feel his loneliness and regret written all over his face. He also delivers plenty of funny lines with such ease that it makes me wonder why he’d stuck to his man child persona for so long. Working as a capable foil Seth Rogan delivers an equally impressive performance as Ira. Rogan gives his character a wide eyed innocence and palpable likeability sans any cynicism. It’s one of Rogan’s better performances in his career thus far and he really outshines everyone else when he’s onscreen. Jason Schwartzman is good fun as Rogan’s working actor roommate. Johan Hill is surprisingly underwhelming here as his lines feel forced when compared to the rest of the cast. Leslie Mann, who’s mostly relegated to the 2nd half of the film, is fun but her character isn’t sufficiently fleshed out enough to allow any depth in regards to her and George Simmons previous relationship. Eric Bana is incredibly funny as Mann’s philandering husband and he unleashes his natural Aussie accent with great effect. There are also cameos aplenty from the comedy and rap world which vary in terms of effect. Some bring some great laughs whiles other feel more like a visual pat on the back. Celebrity cameos are the only case of over indulgence here though. Apatow’s previously films have all been a tad overlong and Funny People is no different. Clocking in at nearly 2 and a half hours it’s a film that starts to test your endurance. Once the action moves to Laura’s home it bogs down and kind of just meanders aimlessly. While it’s not a huge drawback but it does kind of make you wonder what finale Apatow has in mind if any and strangely the ending comes rather abruptly. Regardless of it’s flaws Funny People is an interesting funny and fairly engaging film that shows a bit of maturation on Apatow as a film maker.





B

Movie Reviews: OBSERVE AND REPORT

Saturday, April 11, 2009
Movie Reviews: OBSERVE AND REPORT
IN THEATERS

OBSERVE AND REPORT

As head of security at the Forest Ridge Mall, Ronnie Barnhardt (Seth Rogen) takes his job very seriously, enforcing mall rules with an iron fist. When a flasher strikes Forest Ridge, Ronnie sees a chance to display his unappreciated cop skills and bring the felon to justice, and, at the same time, impress his dream girl (Anna Faris) and win a coveted spot at the police academy.

Cast: Seth Rogen, Ray Liotta, Michael Peña, Anna Faris, Dan Bakkedahl

Director: Jody Hill

Opened .April 10, 2009

Runtime: 1 hr. 26 min.

Rated R for sexual content, violence, pervasive language, graphic nudity and drug use

Genres: Black Comedy, Comedy

Review:

If you are going into Observe and Report expecting to see the same Seth Rogan you’ve seen in his Judd Apatow films you’ll be sorely disappointed here. Observe and Report is about as non mainstream as comedy come. Director Writer Jody Hill pushes his film near or over every boundary and isn’t afraid to test the audiences, a long full frontal flasher scene comes to mind, and prod them to see how much we can take. This film is funny but not in the way you’d expect from the advertising. It’s the darkest kind of humor mixed with some truly brutal set pieces that are as funny as they are brutal. Seth Rogan totally breaks from his usual lovable loser shtick and gives Ronnie a complexity and depth that’s shockingly impressive. He shows the type of range that I didn’t know he was capable of and makes me think that if this would have been a straight drama it could have been a kid brother to Taxi Driver. Ronnie is a sad even pathetic individual whose delusions of grandeur are incredibly out of reach. Anna Faris also delivers a slightly off kilter performance, her character isn’t the sweet lovable bimbo from The House Bunny. Instead she’s fairly despicable self centered individual who’s as vapid as she is vain. Ray Liotta is effective as the detective who butts heads with Ronnie while working on the flasher case. Michael Peña is memorable as Ronnie’s right hand man who works his perm as well as his lisp. Veteran actress Celia Weston does fine work her in a small role as Ronnie’s boozy yet sweet mother. Aziz Ansari also has a small but memorable role as a mall vendor whose has a slight dislike for Ronnie. Most of these characters are just horrible or unbalanced individuals; Collette Wolfe’s Nell, who’s smitten with an oblivious Ronnie, is sweet and lovable. Jody Hill’s direction is sharp and aggressive, keeping the eye interested in what’s occurring even in some of the most mundane sequences. There’s a sharp shift from humor to sadness that borders on poignant. It’s the type of film that keeps you off balance and unsure of what to expect from one moment to the next. Observe and Report is a daring follow up to Jody Hill’s first film, The Foot Fist Way, and one that might surprise and shock a lot of people.

B+