Cindy Prascik’s reviews of Cloudy With a Chance of Meatballs 2 and Machete Kills

Dearest Blog, this weekend's cinema schedule left me with two options: act like a real grownup with a movie blog and catch a pair of bonafide awards season hopefuls (Rush and Captain Phillips), or watch a cartoon and a splattery action flick with lots of cleavage and bad language.

Dear Blog, I think we both know where this is heading.

Spoiler level here will be mild, nothing you haven't seen in the trailers.

First on today's agenda was Cloudy With a Chance of Meatballs 2.

When scientist Flint Lockwood (voice of Bill Hader) finds out his most famous invention is wreaking havoc, he teams with his childhood hero Chester V. (voice of Will Forte) to put a stop to the chaos...with surprising results.

So...I half-remember seeing the first Cloudy With a Chance of Meatballs. I'm pretty sure I liked it, because I was reasonably eager to see the sequel, but I don't remember much about it. Now I'm sorta remembering why. Cloudy 2 is passable entertainment that's safe for the kids, but doesn't offer much for anyone else.

The voice talent in Cloudy is a bunch of folks I generally find pretty funny. In addition to Hader and Forte, there's Anna Faris, James Caan, Andy Samberg, Benjamin Bratt, Neil Patrick Harris, Kristin Schaal, and Terry Crews. I don't think the cast is to blame for a lackluster picture, but I can't say anybody jumps out and saves it, either. It's not unheard of for really beautiful art to salvage a so-so animated flick, but this unfortunately falls flat in that regard as well. There are some imaginative creations, but nothing all that memorable or special.

It may be that my expectations of "family" entertainment have become unreasonable, but when I see a family movie these days, I expect it to be just that: something for the whole family, not just something that's suitable for kids. I expect the gorgeous art and clever humor of Finding Nemo, Elton John's hit parade in Gnomeo & Juliet (which had me and all the other grownups in the room dancing and singing along), or something truly special like How to Train Your Dragon, a spectacular film that compares favorably to any other movie, animated or not. The kids in my cinema today seemed to be getting a real charge out of the goofiness and bodily-function humor in Cloudy With a Chance of Meatballs 2, but I think I only chuckled once...and I checked the clock three times. There's no invention that can turn that into anything good.

Cloudy With a Chance of Meatballs 2 clocks in at 95 minutes and is rated PG for "mild rude humor." It's suitable for kids, but is likely to bore adults to tears.

Of a possible nine Weasleys, Cloudy With a Chance of Meatballs 2 gets four.

Next on my agenda was a sequel I more eagerly anticipated, Machete Kills.

Machete is recruited by the US President himself when an ex-Cartel leader points a missile at the good ole U.S. of A.

Machete Kills is a smorgasbord of familiar faces, cartoonish violence, and uber-hot babes. Dear reader(s), you know how I'm always saying an honest trailer is the key to a good movie-going experience? Well, a trailer whose lynchpin is Sofia Vergara firing giant boob guns tells you all you need to know about this one.

Danny Trejo is enjoyable as always, sticking with the less talk and more action plan.

Charlie Sheen is a hoot as the President, and Oscar nominee Demien Bichir is way over the top as the guy with his finger on the trigger. It's always a pleasure to see Walton Goggins, however briefly. Michelle Rodriguez, Amber Heard, Sofia Vergara, and Lady Gaga are so hot I'm surprised the screen didn't melt. There's blood and silliness aplenty, and...did I mention boob guns? While the movie's not grossly overlong, I do think it would have been better had they trimmed it to 90 minutes.

Machete Kills runs 107 minutes and is rated R for "strong bloody violence throughout, language, and some sexual content." It is exactly as advertised: an explosive, silly bit of brain candy.

Of a possible nine Weasleys, Machete Kills gets six. Oh, and...boob guns.

Until next time...



No, seriously...boob guns!

Movie Reviews: OBSERVE AND REPORT

Saturday, April 11, 2009
Movie Reviews: OBSERVE AND REPORT
IN THEATERS

OBSERVE AND REPORT

As head of security at the Forest Ridge Mall, Ronnie Barnhardt (Seth Rogen) takes his job very seriously, enforcing mall rules with an iron fist. When a flasher strikes Forest Ridge, Ronnie sees a chance to display his unappreciated cop skills and bring the felon to justice, and, at the same time, impress his dream girl (Anna Faris) and win a coveted spot at the police academy.

Cast: Seth Rogen, Ray Liotta, Michael Peña, Anna Faris, Dan Bakkedahl

Director: Jody Hill

Opened .April 10, 2009

Runtime: 1 hr. 26 min.

Rated R for sexual content, violence, pervasive language, graphic nudity and drug use

Genres: Black Comedy, Comedy

Review:

If you are going into Observe and Report expecting to see the same Seth Rogan you’ve seen in his Judd Apatow films you’ll be sorely disappointed here. Observe and Report is about as non mainstream as comedy come. Director Writer Jody Hill pushes his film near or over every boundary and isn’t afraid to test the audiences, a long full frontal flasher scene comes to mind, and prod them to see how much we can take. This film is funny but not in the way you’d expect from the advertising. It’s the darkest kind of humor mixed with some truly brutal set pieces that are as funny as they are brutal. Seth Rogan totally breaks from his usual lovable loser shtick and gives Ronnie a complexity and depth that’s shockingly impressive. He shows the type of range that I didn’t know he was capable of and makes me think that if this would have been a straight drama it could have been a kid brother to Taxi Driver. Ronnie is a sad even pathetic individual whose delusions of grandeur are incredibly out of reach. Anna Faris also delivers a slightly off kilter performance, her character isn’t the sweet lovable bimbo from The House Bunny. Instead she’s fairly despicable self centered individual who’s as vapid as she is vain. Ray Liotta is effective as the detective who butts heads with Ronnie while working on the flasher case. Michael Peña is memorable as Ronnie’s right hand man who works his perm as well as his lisp. Veteran actress Celia Weston does fine work her in a small role as Ronnie’s boozy yet sweet mother. Aziz Ansari also has a small but memorable role as a mall vendor whose has a slight dislike for Ronnie. Most of these characters are just horrible or unbalanced individuals; Collette Wolfe’s Nell, who’s smitten with an oblivious Ronnie, is sweet and lovable. Jody Hill’s direction is sharp and aggressive, keeping the eye interested in what’s occurring even in some of the most mundane sequences. There’s a sharp shift from humor to sadness that borders on poignant. It’s the type of film that keeps you off balance and unsure of what to expect from one moment to the next. Observe and Report is a daring follow up to Jody Hill’s first film, The Foot Fist Way, and one that might surprise and shock a lot of people.

B+

Movie Reviews: THE HOUSE BUNNY

Sunday, August 24, 2008
Movie Reviews: THE HOUSE BUNNY
IN THEATERS

THE HOUSE BUNNY








Sexpot Shelley Darlington (Anna Faris) lives comfortably at the Playboy Mansion, until a jealous rival gets her tossed out on her tail. With nowhere else to go, she winds up at Zeta Alpha Zeta sorority. The seven socially inept Zetas will lose their house unless they can attract more pledges; to do that; they need to learn the ways of makeup and men from an expert.

Cast: Anna Faris, Colin Hanks, Emma Stone, Kat Dennings, Dana Min Goodman

Director: Fred Wolf

Opened August 22, 2008

Runtime: 1 hr. 38 min


Rated PG-13 for sex-related humor, partial nudity and brief strong language

Genres: Comedy


Review:

Predictable, clichéd and sometimes kind funny The House Bunny doesn't break any new ground in familiar territory but it does a decent job of not making the entire enterprise feel monotonous. Scripted by Legally Blonde scribes Kirsten Smith and Karen McCullah Lutz, The House Bunny does have some inspired moments particular when the surprisingly effective ensemble cast delivers some truly funny dialogue. I've always been a fan of Anna Faris and here she delivers a great turn as Shelley, giving her an endearing brand of naiveté. Faris starts off slowly but has some solid moments throughout even if all the jokes don't find the mark. The cast of all too familiar misfits is headlined by Emma Stone (Superbad) who shows some good comedic chops and excellent timing. Kat Dennings (The 40 Year Old Virgin) also delivers an equally solid performance as the Zeta's resident feminist. Katharine McPhee has a supporting role and as I'm not an American Idol zealot it took me until the end of the film, via a shoehorned musical number during the credits, to recognize her. Regardless, McPhee does come across as very naturalist and comfortable in front of the camera even with an unexplained pregnancy. Fred Wolf sophomore directorial effort is quickly paced and never lingers on anything too much even if there are one too many montages in the film and overly Pop centric soundtrack. At times The House Bunny does feel like it could go into slightly more satirical ground but it never does, a real shame as it might have made it feel less familiar. As a whole it does seem like an estrogen filled bastard child of Animal House and Revenge of the Nerds. It provides some good laughs but you won't be surprised by anything that occurs.

C+