MOVIE REVIEW: THE INTERVIEW

Dave Skylark and producer Aaron Rapoport run the celebrity tabloid show "Skylark Tonight." When they land an interview with a surprise fan, North Korean dictator Kim Jong-un, they are recruited by the CIA to turn their trip to Pyongyang into an assassination mission.

Director: Evan Goldberg, Seth Rogen     

Cast: James Franco, Seth Rogen, Randall Park, Lizzy Caplan, Diana Bang

Release Date: Dec 25, 2014

Rated R for pervasive language, crude and sexual humor, nudity, some drug use and bloody violence

Runtime: 1 hr. 52 min.     

Genres: Comedy, Action     

Review:

The Interview will probably be remembered for having one of the strangest releases in movie history.  The Sony cyber attack, North Korea and The Guardians of Peace all made for the cancelled then eventual release of this film.  After its strange long trek to screens, you can’t help but wonder if the film was even worth all the trouble.  The Interview is pretty much what you’d expect from Rogen and Franco.  Juvenile humor with some very strong moments scattered throughout the film.  Rogen does his usual shtick albeit playing a bit more of a straight man than usual.  Franco is over the top throughout, playing Skylark like an overgrown man child. The biggest issue is that the film never maintains the laughs for very long, you’ll have sporadic bits of hilarity followed by some fairly noticeable dead spots were the film just drags; it would have fared better with stronger editing.  The final act gets surprisingly gory for no apparent reason but it typifies the film, it serves as a perfect microcosm of the film, funny for bits but bland for long stretches.  Goldberg and Rogen seem to be shooting for Spies Like Us feel which they achieve occasionally.  It’s not the pair’s finest work and their inexperience behind the camera is evident.  Ultimately, the hype around the film will probably over shadow the film in the long run which isn’t surprising since it’s an above average comedy film at best.

C+

Cindy Prascik's Reviews of Homefront & Enough Said

Dearest Blog, over the long weekend I was fortunate to make two trips to two different cinemas. Thanks to the busy weekend, I'm only just posting my reviews. Apologies for the delay.

Spoiler level here will be mild-ish, I guess.

Thanks to my benevolent employer dismissing at noon on Wednesday, I spent my afternoon enjoying Jason Statham's latest flick, Homefront.

A former DEA agent moves with his daughter to a small town, which proves less peaceful than expected when he has to face off with the local meth dealer.

Statham Disclaimer (yes, he has his own disclaimer): Jason Statham is one of my favorite people who makes movies, and he almost unerringly makes movies I like. Opening weekend isn't good enough for Statham movies; I'm willing to burn vacation time to see them opening day. I am perfectly capable of loving a terrible movie just because Jason Statham in it (though that's not always the case).

I think Homefront would have been a good enough movie with or without Statham, but for Statham fans there's no denying it's a happy return to form after the drudgery of Redemption (a.k.a. Hummingbird).

Homefront does a nice job of maintaining tension throughout, and really kept me on the edge of my seat. There's not only the obvious good guy versus bad guy plot, but also the more relatable theme of trying to fit in...an idea that probably terrifies me more than the prospect of a firefight with the local drug lord! As you would expect in any movie that involves drug dealers, there's a fair bit of gun violence and things blowing up, but, for the most part we get to see Statham in hand-to-hand combat, which is definitely where he shines. It's all the more entertaining for knowing he insists on doing as much of his own stunt-work as the insurance will allow!

James Franco serves as an oddly-perfect foil to Statham's tough guy, and (to me, anyway) the character was enjoyable despite being a generally horrible person. Kate Bosworth is freakishly accurate as Franco's druggie sister, and Winona Ryder looks born to play the role of a meth-head prostitute. It was nice to see Omar Benson Miller again, too, reminding me how much I actually miss the idiotic glory of CSI: Miami.

Homefront runs 100 minutes and is rated R for "strong violence, pervasive language, drug content, and brief sexuality."

Come awards season, Homefront won't make anyone's lists, but, for my money, it was one of the more enjoyable afternoons I've passed at the cinema this year. Of a possible nine Weasleys, Homefront gets seven.

On Saturday, my Mother, who normally wouldn't sit through a movie if someone demanded it at gunpoint, got in her head that she wanted to see the flick playing at our tiny local theatre, which shows some smaller and indie releases when it isn't hosting live performances from our local theatre troupe. As my luck would have it, the film they were showing last weekend was the Julia Louis-Dreyfuss/James Gandolfini rom-com, Enough Said. (I must have crossed paths with a black cat or broken a mirror or something.)

Eva (Louis-Dreyfuss) and Albert (Gandolfini) meet at a party and get romantically involved...but another party guest may ruin the relationship.

I don't think I need to tell anyone that, of all the genres in all of cinema, the romantic comedy is my least favorite by a mile. The only way I'll consider a rom-com is if it stars someone I absolutely can't miss, or if I get pressganged into it. (Read: Mother wants to go to the local movie house on Small Business Saturday.) That's not to say I can't be won over by such a film if it's cute or the characters are likable enough, but unfortunately Enough Said embodies absolutely everything I hate about romantic comedies and then some.

Enough Said is a criminal waste of its two stellar leads, who manage to turn in nice performances while reciting some of the dopiest dialogue I've ever heard outside a Twilight movie. I understand that, to some degree, it's meant to convey the discomfort of getting used to someone new, but too much of it is just bad. Both characters are divorced with daughters about to head off to college, and the kids are so vile I wanted to bang their heads together. (As my sister says, "I don't understand how anyone decides to have kids once they've met a teenager.") The rancid icing on this putrid cake was having to look at my least-favorite actress, Toni Collette, who had more screen time than anyone other than the two main characters. That woman makes me want to throw a shoe at the screen! (If you were wondering, I didn't.)

Enough Said sells those tired, old rom-com principles: there's someone for everyone, nice people should give even the most awful people a second chance, and everyone deserves a happy ending, all of which are less believable to me than anything I've ever seen in a Marvel film or Claymation Christmas special. With the exception of Albert, I found every single character so unlikable that the movie's brief runtime felt like about six hours, and I left thinking they all deserved to die alone and miserable.

Enough Said clocks in at 93 minutes. It is rated PG13 for "crude and sexual content, comic violence, language, and partial nudity." Its impressive IMDB and Rotten Tomatoes ratings tell me I'm in the minority, but I hated nearly every minute. Of a possible nine Weasleys, Enough Said gets three.

Finally, though it relates to neither of this week's films, I want to acknowledge the unexpected passing of Paul Walker over the weekend. When I first I saw the news, I spent the next hour refreshing the screen and hoping someone would prove it a hoax, until his reps officially confirmed via his official Facebook and Twitter. Walker seemed like a genuinely decent guy who was universally well-loved, particularly by his Fast & Furious family and fans, and I am having a hard time shaking off the blues over this one. So, rest peacefully, Paul Walker, and thanks for all the fun times at the movies.

Until next time...

Cindy Prascik’s review of Man of Steel / This Is the End

Dearest Blog, today I followed the herd to the cinema for Man of Steel. Though I'd happily have seen Star Trek again, I did the responsible thing and paired MOS with This Is the End, so, dear reader(s), I could share my "wisdom" on the week's big new releases. You're welcome. ;-)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A reboot of the Superman franchise, Man of Steel is the obligatory origins tale.

The usual disclaimers, personal biases that will, no doubt, color this review: I love superhero movies. I do not love Superman, but I adore this team of filmmakers, and most of this cast. I very much wanted to love this movie. I did not.

Starting with the obvious: Henry Cavill.

I'm an Anglophile, so this is not the first time Mr. Cavill and I have crossed paths. While he is an extraordinarily good-looking young man, he is, unfortunately, only an average actor, with no special charisma. Never is that more obvious than when he shares a screen with one of Hollywood's most magnetic leading men, Russell Crowe, who is terrific as always, even with limited screen time. This film really needed a Robert Downey, Jr.-esque leading man to overcome its flaws, and Cavill is not that guy. (I'm a fan, but it is what it is.) The cast is fleshed out with big names and very familiar faces: Amy Adams, Kevin Costner, Diane Lane, Michael Shannon, Christopher Meloni, Laurence Fishburne, and, as mentioned, Russell Crowe. Other than Crowe, they are as unremarkable as the material. The usually superb Shannon is a particular disappointment, flat and uninspired as the film's main villain.

While the acting in Man of Steel is nothing to write home about, the cast can't really be blamed for the film's chief handicap: it's just plain boring. I somehow managed not to check the time more than once, which, in and of itself, constitutes a super-human feat.

Man of Steel does have some positives, including big, solid special effects, and a grand score by Hans Zimmer. My fellow Crowe fans will be pleased to note that Russell is looking fit these days, and there's no denying Henry Cavill is easy on the eyes, and has the perfect look for this iconic role.

Man of Steel attempts to drag Superman into the darker territory where Batman and Watchmen now comfortably reside, but Superman is ill
suited for that world. Take away the camp, and you're left with something that's no less silly, just less entertaining. This is an okay movie, but, sadly, far from the perfect superhero movie many of us were counting on.

Man of Steel clocks in at an excessive 143 minutes, and is rated PG13 for "intense sequences of sci-fi violence, action and destruction, and for some language." This will make a bundle at the box office this weekend, and, despite my disappointment, I'm very happy about that for all involved, and I look forward to a sequel that I'm already confident will be brilliant. Of a possible nine Weasleys, Man of Steel gets six.

Next on my agenda was the raunch-comedy, This Is the End, starring James Franco, Seth Rogen, Jay Baruchel, Craig Robinson, Jonah Hill and a slew of their Hollywood compatriots as what I'm told are very exaggerated versions of themselves...facing the Apocalypse.

This Is the End is one of those films I don't quite know what to do with. When it was funny, it was really, really funny, but, unfortunately, there was a good bit I just didn't find funny. Being that the film is essentially one long "in" joke, I'm willing to concede that maybe I just didn't get some of it, but there were also times when it was simply too much: too gross, too much foul language, too, too much. (Bear in mind I think Tropic Thunder is the funniest movie of all time, so I'm not particularly squeamish about any of that.)

The entire cast shows off brilliant comedy chops, especially Jay Baruchel (a personal favorite) and James Franco. Not sure how much credit is due there if they were basically playing themselves, but, to a man, they are hilarious. It goes without saying that I loved Harry Potter's Emma Watson in a small role that allowed her to play against type. The movie is a tad too long, and the plot (such as it is) bogs down in places, but generally speaking it's good fun from start to finish. While I won't spoil the ending for anyone who hasn't see it, I have to at least say there's a squee-worthy moment that: a.) caused me to embarrass myself in front of a packed theatre, and b.) immediately allowed me to forgive this film for any shortcomings.

This Is the End runs 107 minutes and is rated R for "crude and sexual content throughout, brief graphic nudity, pervasive language, drug use, and some violence."

It's a raucous comedy that's a great time, if you've got the stomach for it. I enjoyed it, but I also spent most of the two hours thinking how much funnier The World's End is certain to be. Of a possible nine Weasleys, This Is the End gets six.

The moral of today's cinema trip: If you're thinking of seeing either of these films, but haven't yet seen Star Trek Into Darkness or Now You See Me, do yourself a favor and see one of those instead.

Until next time...





Wait...what was I saying?

MOVIE REVIEW: THIS IS THE END

Seth Rogen and Jay Baruchel star as themselves along with Danny McBride, Jonah Hill, and Craig Robinson in this end-of-days comedy that finds the actors hiding out with James Franco in his apartment as the apocalypse decimates L.A. outside. Featuring cameos by Jason Segel and Emma Watson, the Sony Pictures film features the directing debuts of Rogen and frequent collaborator Evan Goldberg. ~ Jeremy Wheeler, Rovi

Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson

Release Date: Jun 12, 2013

Rated R for Crude and Sexual Content, Brief Graphic Nudity, Drug Use, Pervasive Language and Some Violence

Runtime: 1 hr. 47 min.

Genres: Comedy

Review:

This Is The End is one of the raunchiest, most inspired comedies I’ve seen since The Hangover or Anchorman. The premise is simple the rapture happens and all hell, literally, breaks loose. At its heart it’s a simple conceit to get these faux versions of the actors shut into a house together under dire situations. In its simplicity the script allows plenty of riffs, verbal jabs and all out attacks on preconceived notions about each actor, it’s done with such aplomb that some of it has to be improvised. Some play themselves closer to what we’d expect while others go off the rails like Michael Cera playing a coked out proxy himself to hilarious effect. It all works so well mainly because these actors appear to be friends in the real world. As a result, their interactions ring true throughout. Verbal interchanges can reach a dizzying height of hilarity, so much so that this movie will probably require multiple viewing to catch all the jokes being flung across each actor’s mast. The cast all around is strong with Jay Baruchel doing yeoman’s work as the film’s center but special praise has to be given to Danny McBride. McBride is incredibly impressive here doling out some of the funniest lines of the film. There are a few minor issues keeping this from being perfect. The last 15 minutes or so really start to teeter out as things get more and more absurd. Part of the issue is that the script has trouble finding an ending and they didn’t want to go for the most logical conclusion. Additionally, the cast gets broken up in the last act robbing the film of some of its bite. As a result, it feels like the film could have been trimmed by 15 minutes. Minor issues aside, This Is The End is simply a comic gem.

A-

Check out the original 2007 comedy short that inspired this movie;

Jay and Seth vs. The Apocalypse

[Guest Review] David Castillo’s Review of THIS IS THE END

Seth Rogen and Jay Baruchel star as themselves along with Danny McBride, Jonah Hill, and Craig Robinson in this end-of-days comedy that finds the actors hiding out with James Franco in his apartment as the apocalypse decimates L.A. outside. Featuring cameos by Jason Segel and Emma Watson, the Sony Pictures film features the directing debuts of Rogen and frequent collaborator Evan Goldberg. ~ Jeremy Wheeler, Rovi

Release Date: Jun 12, 2013

Rated R for crude and Sexual Content, Brief Graphic Nudity, Drug Use, Pervasive Language and Some Violence

Runtime: 1 hr. 47 min.

Genres: Comedy

Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson

Review:

Haven't we seen this already a year ago, ironically also with Jonah Hill, written by the same duo (Rogan/Goldberg) who gave us "The Watch"? That’s what I thought when the first trailer hit the internet the day before the supposed Mayan apocalypse last December. While "The Watch" was somewhat a disappointment, this is by no means comparable.

The first 20 minutes of the movie IS the 2 red band trailers, which works perfectly since its gets those scenes out of the way and we can get to the central plot of the movie. The audience’s main point of view is Jay Baruchel and Seth Rogan with the rest of the assembled stars supporting. While we will probably never know how these stars are genuinely, they play their parts superbly well; giving us the feeling we know them personally.

The tough part of doing a review for this movie like this is not giving away too much while critiquing it, so I’ll break down the performances. Sometimes having a huge all star cast can make it difficult to balance, here I have no complaints. Jay Baruchel, to me, is the anti-Michael Cera, yeah, he plays the same roles but is always likeable. His leading role in “She’s Out of My League” was overlooked by most audiences and hasn’t really been in any major movies since. Some have even forgotten his brilliant performance in the equally star studded “Tropic Thunder”. Seth Rogan, is being Seth, but his input in the script allows him to take some genius jabs at himself (“where was that in The Green Hornet”). Franco is better known for his dramatic roles in Spiderman, Milk, and 127 Hours but he’s shown he can be funny in comedies like Pineapple Express and Your Highness. Here he does a great job as the party’s host, believably playing his as incredibly hard headed. Danny McBride does what he does so well, being a jackass. McBride pulls it off hilariously well, so much so that you’ll want to kick his ass. McBride and Franco share one of the best scenes in the movie. It’s so good that some of it had to be improvised, it was that good. Jonah Hill and Craig Robinson do take a backseat in supporting roles but they still do solid work.

This is The End currently has Rotten Tomato rating of 93%, that’s before the mass media reviews are be published before next week’s release. When it’s all said and done, I’d predict it’ll end up in the high 70s/low 80s%.

Did it live up to my expectations? To be honest, they were sky high after the red band trailers and while it didn’t reach those heights it’s still a VERY good movie.

A minor complaint I had with the film was some slow pacing primarily, some sections in the middle but that’s it.

Of course, this movie isn’t going to be for everybody but if you liked some of Judd Apatow’s hits like Knocked Up, Superbad or Pineapple Express, then you’ll have a blast with this.

2013 hasn’t been a great year for comedies with Movie 43, The Haunted House, Scary Movie 5, 21 & Over, and The Hangover 3, This is the End is easily the best comedy of 2013 and worth the watch if you’re a fan of the cast’s previous work.

It’s worth mentioning that this has THE most epic cameo in the past 5 years, period! Hopefully nobody spoils it for you!

4 out of 5 stars

Easter Egg (Extra Tidbit)

Since this was released by Colombia Pictures, they were limited on what previous work can be mentioned from each star. There’s no references to the highly successful Universal Studio films Knocked Up, Superbad, Jason Segal’s work on How I Met Your Mother or Craig Robinson’s work on The Office.

If you want to see more of Jay Baruchel’s recent work, check out his independently written film “Goon” starring Sean William Scott., it’s on Netflix Instant Stream.

MOVIE REVIEW OZ THE GREAT AND POWERFUL & PHANTOM

Cindy Prascik's reviews of OZ THE GREAT AND POWERFUL & PHANTOM

OZ THE GREAT AND POWERFUL



A mischievous magician gains the wisdom to become a powerful ruler after being swept away to a land of magic and mystery as director Sam Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire (Rabbit Hole) explore the genesis of author L. Frank Baum's enduring tales of Oz. Shady illusionist Oscar Diggs (James Franco) enchants curious audiences at a Kansas circus. A self-professed con man, he's a fast-talking performer who aspires to follow in the footsteps of inventors like Thomas Edison. Oscar is being chased across the circus grounds by the rampaging Strongman when a tornado blows in and everyone runs for cover. Seeing a hot-air balloon as his only chance for escape, the illusionist jumps in and cuts himself free. Magically transported to the wondrous world of Oz, he soon encounters Theodora (Mila Kunis), a temperamental witch who surmises that he is the wizard named after their land (Oscar's nickname is Oz), foretold to fall from the sky, defeat a nasty witch, and ascend to the throne. Theodora takes Oscar to the Emerald City to meet her sister Evanora (Rachel Weisz), a powerful witch who reveals that he cannot become the rightful ruler of Oz until he's accomplished his mission. Later, as Oscar and his new flying-monkey companion Finley (voice of Zach Braff) prepare to face their fearsome enemy, they're joined by the fragile but fearless China Girl (voice of Joey King) and benevolent witch Glinda the Good (Michelle Williams), who helps them prepare for the arduous battle ahead. Together with the brave people of Oz, Oscar draws up a plan to rid the land of evil once and for all, and become the great and powerful king who will rule from his throne in the Emerald City. ~ Jason Buchanan, Rovi

Release Date: Mar 08, 2013

Rated PG for sequences of action and scary images, and brief mild language

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Director: Sam Raimi

Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff.


Review by Cindy Prascik

Dearest Blog, today I braved the infamous late-winter cinema crowd, plus everyone with a sentimental attachment to the Land of Oz, to spend my Saturday at Marquee.

First on my agenda, and everyone else's, was Oz: The Great and Powerful.

Neither a remake nor a reboot, Oz looks at a familiar world from an unfamiliar vantage point. The Witch of the West has Wicked, now the Wizard has Oz.

Spoiler level here will be mild-ish.

Oz' primary selling feature is that it's a work of art, absolutely stunning from start to finish. Sets, scenery, costumes, makeup...I would run out of superlatives long before I could come close to adequately describing them. My cinema oooh-ed and ahhh-ed aloud throughout.

The cast is fine, neither good nor bad enough to be worth mentioning. Mila Kunis, the only one of the main cast who hasn't at least been nominated for an Oscar, is easily the best of the lot.

Annnnnnnnnnnd...that's about all the nice things I have to say about Oz. Clocking in at an extremely bloated two hours and ten minutes, at times it bored me so much I wished I wanted popcorn or needed to use the bathroom. Fans who see this hoping for even a shred of what makes The Wizard of Oz so very special will leave sorely disappointed. It's missing some of the good nature and innocence of its predecessor, to be sure, but I don't even fault it there; I suspect perhaps that's impossible to duplicate in this day and age. More importantly, it's just bad storytelling: Disney throwing money at the screen--all style, no substance--much like it's theatre counterpart, Wicked.
Like Avatar before it, Oz: The Great and Powerful is about as gorgeous a film as ever you're likely to see, with little else to recommend it. I've struggled mightily these last several hours debating a fair rating; clearly it deserves full marks for appearance (and, make no mistake, it's absolutely worth seeing on a big screen for that alone), but little or no credit for anything else, so, of a possible nine Weasleys, we'll set it right in the middle at four and a half.


PHANTOM


The fate of humanity rests in the hands of a Soviet submarine captain whose tragic past casts a dark shadow over the present, and whose underwater craft might be host to an otherworldly entity in this apocalyptic thriller starring David Duchovny, Ed Harris, and William Fichtner. The Cold War has enveloped the entire globe, and when a Soviet submarine targets the U.S. Navy's Pacific Fleet for nuclear attack, it appears that the final battle has begun. But Capt. Dmitri Zubov (Harris) has a choice -- one that could pull the world back from the brink of annihilation. Meanwhile, it seems as if other forces are at work on Zubov's submarine. Now, in the depths of the South Pacific, Capt. Zubov will fight to ensure that there will be a future for every man, woman, and child on the planet. ~ Jason Buchanan, Rovi

Cast: Ed Harris, David Duchovny, William Fichtner, Lance Henriksen, Johnathon Schaech

Release Date: Mar 01, 2013

Rated R for violence

Runtime: 1 hr. 37 min.

Genres: Suspense/ThrillerDirector:Todd Robinson

Review by Cindy Prascik


Next on my agenda was the Cold War thriller Phantom.


The crew of a Soviet submarine must thwart those who would to use it for a nefarious purpose.
Dear Reader(s), I gotta tell you a little story about Phantom. Two weeks ago I saw this trailer before Snitch. Last week it opened at my cinema. This week it's down to one show a day; it's not gonna see another weekend. I am not sure how a movie like this, with this cast, sails so far under the radar (see what I did there?), but this one's all but invisible.
The most noticeable thing about Phantom is that the Soviet crew is played by a thoroughly American cast, speaking unaccented American English. While committing to the choice 100% works much better than, say, 2011's Three Musketeers--where the "French" people all spoke English with a random mix of American, English, and German accents--it's an unfortunate distraction in what's actually a pretty solid little thriller.

Ed Harris is magnificent in the lead, and the always reliable William Fichtner is solid as his right-hand man. David Duchovny is effective as the film's mysterious antagonist...is his mission just secret, or is it secretly evil?? The excellent supporting cast is fleshed out by familiar faces, including Lance Henriksen, Sean Patrick Flanery, Jonathan Schaech, Jason Beghe, Derek Magyar, and Jordan Bridges.

Plenty of twists and turns, coupled with the mission's high stakes and the sub's cramped quarters, make for a tense, exciting 98 minutes; I was on the edge of my seat for the duration. The contrived ending will likely deprive the film of any love from Serious Critics, but I enjoyed even that, despite its being overly obvious.

Odds are you're gonna miss Phantom at the cinema, so don't make that mistake when it comes to DVD.

Of a possible nine Weasleys, Phantom gets seven.

Until next time...



I know some people without brains who make an awful lot of movies!

MOVIE REVIEW: OZ THE GREAT AND POWERFUL 3D

A mischievous magician gains the wisdom to become a powerful ruler after being swept away to a land of magic and mystery as director Sam Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire (Rabbit Hole) explore the genesis of author L. Frank Baum's enduring tales of Oz. Shady illusionist Oscar Diggs (James Franco) enchants curious audiences at a Kansas circus. When he is inexplicably transported to the wondrous world of Oz, he encounters three witches named Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who pose him an awesome challenge: root out a ruinous force of evil that threatens to destroy the entire kingdom, and become the great leader that the population has been waiting for. Should Oscar succeed in summoning the necessary sorcery and creativity to deliver the land from darkness, he will forever be known as the Wizard of Oz. ~ Jason Buchanan, Rovi

Director: Sam Raimi

Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Joey King

Release Date: Mar 08, 2013

Rated PG for sequences of action and scary images, and brief mild language

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Let me start of by saying I’ve never been a Wizard of Oz fan. I’ve watched the film various times and it just never connected with me. I got it but the connection just never occurred. I went into this prequel expecting something akin to Tim Burton’s mess of an Alice in Wonderland prequel from a few years back. Strangely Raimi’s prequel worked so much better for me. It’s got some obvious issues but for a film that’s 2 hours long, I found myself entertained for the better part of it. Raimi’s general template is borrowed from the original film with plenty of callback to the classic film. Enough to keep any diehard fan happy. Raimi delivers a candy colored assault on the senses, especially if viewed in 3D, from the moment we enter Oz. It’s a rather rousing experience especially as the film’s quasi-fantasy epic story begins to unfold. James Franco at the lead left me feeling fairly conflicted. At times during the film I thought he was terribly miscast and at others I thought he was perfectly suited. In the end, I really couldn’t decide so it’s a mix bag at best. Mila Kunis and Rachel Weisz do good work in limited and underdeveloped roles. Kunis is solid but tends to oversell her performance especially later in the film where it feels increasingly off. Weisz on the other hand is having a ball in her role, chewing up scenery with a wicked sort of determination appropriate for the character. Michelle Williams as Glinda is an angelic sight to behold; she fits the character very well. Zach Braff and Joey King voice a pair of CGI creations with impressive ease. The CGI on both of them, especially China Girl, are really impressive creations. The visual effects as a whole are wonderfully done, occasionally recreating the look from original film in some of the backgrounds. As mentioned this isn’t a perfect film. Its evil characters are underdeveloped and the crux of a certain important conflict seemed half baked at best. While I did enjoy the experience I can’t say there are plenty of spots, especially before the final act, that could have been trimmed a tad. Honesty, there no reason for this film to be over 2 hours long; still I found it thoroughly enjoyable warts and all.

B-

MOVIE REVIEW: RISE OF THE PLANET OF THE APES

IN THEATERS

RISE OF THE PLANET OF THE APES

The Escapist director Rupert Wyatt takes the helm for this Planet of the Apes prequel centering on genetically engineered chimp Caesar (Andy Serkis), who was created in a San Francisco lab by an ambitious scientist (James Franco), and who uses his powerful intellect to lead an ape uprising against all of humankind. ~ Jason Buchanan, Rovi

Director: Rupert Wyatt

Cast: James Franco, Freida Pinto, John Lithgow, Andy Serkis, Brian Cox, David Oyelowo, Tom Felton

Release Date: Aug 05, 2011

Rated: Violence and intense/frightening sequences

Runtime: 1 hr. 50 min.

Genres: Action/Adventure

Review:

The original Planet of the Apes is such an iconic film that it leaves a legacy that still rings through this most recent reboot. Winks and nods to the original pop up here and there throughout Rise of the Planet of the Apes, some subtle and others more obvious and forced. It’s a minor quibble in the grand scheme of things, especially when so much care and effort was put into making this more than just another money grabbing reboot. Rise has something missing from most reboots; it’s got plenty of heart and a strong sense of itself. The story feels authentic with a set up and follow through that flows nicely. Director Rupert Wyatt shoots his film with a steady hand, moving his film at a steady pace rarely lingers in any section too long. James Franco, Freida Pinto and John Lithgow all have paint by the number roles. Franco offers some heart to his character but like the rest he’s simply a tool for the plot. David Oyelowo and Tom Felton are given cheesier clichéd roles which border on goofy, Felton in particular seems like he was transported from an 80’s flick sans a Cobra Kai patch. The real star of the show though is Andy Serkis, whose become the motion capture “man behind the mask”, who’s performance capture work is even more impressive than his work in the Lord of the Rings. His role is mostly visual but he’s able to emote such a massive range of emotions that’s you can relate with Caesar’s situation throughout. The CGI work is excellent, delivering photo realistic creations that rarely scream CGI. There are a few scenes that will either work for you or not, depending on how invested you are by that point in the story. While Rise will never leave the lasting legacy of the original film it’s still an impressive effort all around.

B

MOVIE REVIEWS: YOUR HIGHNESS

IN THEATERS

YOUR HIGHNESS


Pineapple Express co-stars Danny McBride and James Franco reunite for director David Gordon Green's fantasy comedy Your Highness, which sends up such beloved '80s gems as Krull and The Sword and the Sorcerer. Thadeous (McBride) has always stood in the shadow of his older brother, Fabious (Franco), a fearless knight who never met a Minotaur he couldn't slay or a warlord he couldn't defeat. Meanwhile, as Fabious embarked on incredible adventures and returned home to lavish celebrations, Thadeous puffed on wizard's weed, and spent his nights in the company of loose maidens. But Thadeous' life of luxury comes to an abrupt end when powerful wizard Leezar (Justin Theroux) shows up and abducts Fabious' beautiful fiancée, Belladonna (Zooey Deschanel). Now threatened with being cut off from the family fortune by his father, the king (Charles Dance), Thadeous reluctantly agrees to join Fabious on a treacherous quest to rescue the fair maiden, and defeat Leezar once and for all. Their voyage to rescue Belladonna will be marked by incredible adventure and unprecedented danger, but together with the help of a fearless warrior named Isabel (Natalie Portman) the two brothers will battle mythical beasts and villainous knights. Meanwhile, as Isabel carries out a clandestine agenda that could place them all in greater danger than they ever imagined, Thadeous struggles to summon his inner warrior and help his noble brother prevent Leezar from using his powers to usher in a terrifying new age of darkness. ~ Jason Buchanan, Rovi

Director: David Gordon Green

Cast: Danny R. McBride, James Franco, Natalie Portman, Rasmus Hardiker, Zooey Deschanel

Release Date: Apr 08, 2011

Rated R for some drug use, pervasive language, violence, nudity and strong crude sexual content

Runtime: 1 hr. 42 min.

Genres: Action/Adventure, Comedy

Review:

Kenny Powers in King Arthur’s Court aka Your Highness should be a slam dunk of a film. A cast of fine actors and actresses with the director that brought us Pineapple Express yet it hits the screen with the comedic punch of a wet napkin. Green directs the film with capable hands and the actors are all committed their roles but the film fails mainly because of the script. That in of itself is a bit of a shock because McBride co authored the script and somehow forgot to include the funny. It’s seems more interested in the fantasy part and ignored a bevy of tropes from the genre that are ripe for jokes. Occasionally it finds a sweet spot and provides the kind of laughs it should have as a whole. Sadly, those moments are few and far between with the last act sustaining for the longest time. As mentioned the cast is all game with a radiant Natalie Portman showing off some strong comedic muscle. The ending is terribly abrupt even if it leaves the door open for a sequel. If there is one, I hope it delivers a much stronger script.
C-