MOVIE REVIEW: THE SPY THAT DUMPED ME

The Spy Who Dumped Me tells the story of Audrey (Kunis) and Morgan (McKinnon), two best friends who unwittingly become entangled in an international conspiracy when one of the women discovers the boyfriend who dumped her was actually a spy.

Director: Susanna Fogel

Cast: Mila Kunis, Kate McKinnon, Justin Theroux, Sam Heughan

Release Date: August 3, 2018

Genres: Action, Comedy

Rated R for violence, language throughout, some crude sexual material and graphic nudity

Runtime: 1h 57min

Review:

The Spy That Dumped Me is one of those goofy comedies that light and easy but fairly forgettable.  It’s a shame because the two leads have strong comedic talents but the film never fully takes advantage of them.  Susanna Fogel directs her film with a zany energy which starts to lose steam towards then end.  Fogel switches from zany antics to hardcore spy action throughout the film making for a slightly choppy feel.  The movie just doesn’t find a steady groove even though there are plenty of laughs to be found.   Big chunk of the gags work mostly due to the Kunis and Mckinnon’s talents, in the hands of lesser actresses the film wouldn’t be nearly as funny.  Even they can’t keep the film from dragging in the last act.  These types of films should be quick and easy, a 2 hour runtime needs to be earned.  The Spy That Dumped Me could have used some editing which could have shaved off a good 20 minutes, making it a more effective comedy in the long run.

C+

April Sokol's Reviews of Thor: Ragnarok & A Bad Moms Christmas

Hello readers!

This weekend was a big movie deal. Two big hit movies in the making both opened and so without further ado, to the theater I went.

First up was Thor: Ragnarok.

Thor: Ragnarok is the latest installment in the immensely popular Marvel Universe.

Directed by Taika Waititi

Run time is 2hr 10 min

Starring: Chris Hemsworth, Tom Hiddleston, Mark Ruffalo, Cate Blanchett, Tessa Thompson. Karl Urban, Idris Elba and Anthony Hopkins

Thor Ragnarok is the seventeenth offering in the Marvel Universe. So the players are well known and broken in. While a lot of familiar faces abound (super quick fan girl shoutout to the adorable Matt Damon cameo) Thor Ragnarok introduces some new faces to the Marvel world. First and most impressive is the stunning Cate Blanchett. Cate chews her way through every second of screen time she's given. Gorgeous, powerful and absolutely deadly, Hela is just 100% joy to watch. I can feel all of next year's Hela Halloween costumes springing to life as I type this. We're also introduced to Valkyrie, a member of an all female warrior squad played to perfection by Tessa Thompson. I'm glad to see that someone seems to have gotten the memo that we are loving these strong woman characters. That high that so many women felt after Wonder Woman is going to be back after this.

Mark Ruffalo is back doing his thing as Bruce Banner/The Hulk. He's always so solid I hope people aren't taking him for granted. We finally get more of Idris Elba as Heimdall. Unfortunately he is STILL absolutely wasted in this role.  The PG 13 rating felt correct as there was comic book violence but certainly nothing to genuinely frighten the little members of the audience.

Thor Ragnarok feels quite a bit referential to Guardians of the Galaxy for me. Same level of laughter. Funny quirky characters portrayed on a stunning canvas. Queue the fight scene with iconic 70s rock song and it's almost too on the nose....but I found that I still enjoyed the ride. This isn't new ground for Mavel. This is what a fast ball right down the middle of their fanbase feels like.

My rating: 4 out of 5 stars.

And the answer to the question I always have at Marvel movies....2...there are 2 in credit scenes. You're welcome.


Next I moved down the hall to the highly anticipated (by me) A Bad Moms Christmas

Directed by: Jon Lucas and Scott Moore

Starring: Mila Kunis, Kristen Bell, Kathryn Hahn, Christine Baranski, Susan Sarandon, Cheryl Hines, Jay Hernandez and Peter Gallagher

Running time of 1hr 44 min. It is Rated R for crude sexual content and language throughout, and some drug use

My review:

Ok America. It's time. We can't seem to agree on much of anything as a country anymore. But I think we need to come together as 1 nation and appreciate the sheer brilliance that is Chrstine Baranski. Has she ever been anything less than flawless...ever? I think not. However much she is making, it's certainly not enough. Can we make this a thing?

We pick up shortly after our last adventure with the suburban Moms as Christmas is upon them. Of course they're all over worked, over stressed, under appreciated and exhausted....aren't we all? Every single Mom in America is going to find something familiar in these women. Lots of laughs and another chance for a really beautiful friend tribe to shine here. The biggest take away for me is how these women are so very true to life. These are my friends and family. This is actually how we talk when we get together. I do not know a single parent who actually deep down believes that they're not screwing it all up in some way. It's nice to be reminded of our shared humanity.

If you loved the first Bad Moms movie, you'll almost certainly enjoy this as well. This is a wonderful case of a bunch of actors really seeming to enjoy their work. You will smile. You will laugh. And you will want to have drinks with your best friends ASAP when the credits roll.

Bonus points to those who stay through the credits to realize that Peter Gallagher is actually the best dancer of the whole bunch. Who knew?! I give A Bad Moms Christmas a solid 4 out of 5 stars.

MOVIE REVIEW: BAD MOMS

Three overstressed, overworked mothers (Mila Kunis, Kristen Bell, and Kathryn Hahn) decide to blow off their responsibilities and have some fun, but their wild ways cause them to clash with a rival mommy (Christina Applegate) who's dedicated to preserving the facade of her perfect life. Jada Pinkett Smith co-stars. Written and directed by Jon Lucas and Scott Moore. ~ Jack Rodgers, Rovi

Director: Jon Lucas, Scott Moore 

Cast: Mila Kunis, Kristen Bell, Kathryn Hahn, Jay Hernandez, Annie Mumolo

Release Date: Jul 29, 2016

Rated R for Full Frontal Nudity, Drug and Alcohol Content, Language Throughout and Sexual 

Material

Runtime: 1 hr. 41 min.

Genres: Comedy

Review:

Bad Moms is a fairly straightforward women behaving badly comedy that offers a decent amount of laughs.  It’s a great showcase for Mila Kunis who is a gifted comedic actress who’s deserved a showcase for a while.  Kunis is great in her role but Kathryn Hahn nearly steals the show as her bawdy new friend.  Hahn is always the most interesting person on screen and covers for some underlying script issues.  Kristen Bell is solid if unimpressive, mainly due to a thinly written character.  There in lies the films biggest issue.  The actors really make a weak script far better than it should be.  The characters are all types more than actual people.  It’s not a terrible flaw since the actors all turn in solid work but noticeable enough to make you wish they’d spent a bit more time fleshing these characters out.

B-

Cindy Prascik's Reviews of Jupiter Ascending & Paddington

Dearest Blog, with no Hobbit and nary a single decent-looking new release, there was really nothing to draw me to the cinema this weekend aside from the fact that I couldn't imagine sitting out two weekends in a row. Since I also lacked the wherewithal to sit through two stinkers in a row, I paired one of the weekend newbies with my sadly-neglected Paddington.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda, the comically horrible Jupiter Ascending.

Mila Kunis stars as a seemingly-normal Earthling whose life is endangered when she discovers she's universal royalty.

Dear reader(s), I shan't insult your intelligence by trying to tell you Jupiter Ascending isn't a mess; in fact, it is the cinema equivalent of your family room after the Super Bowl party, the Mall on Black Friday, Morgantown after a big game. I spent a good portion of the movie trying to determine whether the acting is literally the worst in history, or if the dialogue is just so poorly written there was nothing the actors could do with it.

Come next week he'll likely be an Oscar winner, but Eddie Redmayne is an embarrassment, a strangely-sweaty version of Gary Oldman's most over-the-top mid-90s baddie. I adore Sean Bean and Mila Kunis, but I hope they both fired their agents for getting them into this! Curious that a guylinered Channing Tatum, hardly the most respected name among the cast, was pretty much the only one who didn't make me cringe.

The story is a jumbled disaster that sometimes drags worse than the slowest David Cronenberg slog. A chase scene at the beginning is so long and repetitive that I fell asleep twice and woke up while it was still going. Having said all that, Jupiter Ascending is still oddly entertaining at times.

The sets and effects aren't anything special, but they are often very pretty, as are some of the costumes. There are plenty of funny moments--intentional and not--and (at risk of sounding girly) Kunis and Tatum make an adorable couple; it's not hard to root for them.

Jupiter Ascending clocks in at 127 minutes and is rated PG13 for "some violence, sequences of sci-fi action, some suggestive content, and partial nudity."

Bad as it is, I didn't hate it. How's that for backhanded praise? Of a possible nine Weasleys, Jupiter Ascending gets four and a half.

Next up was Paddington.

A young bear from "darkest Peru" comes to London looking for a home.

I admit, for a movie about which I'd been pretty excited, I've been shamefully neglectful of Paddington.

Its schedule never seemed to work with other movies I wanted to see, and, after a couple weeks, I'd sort of resigned myself to waiting for DVD. I am so glad I didn't! My first thought upon seeing a Paddington trailer was, "Please don't mess this up." When Colin Firth jumped ship (to be replaced by my beloved Ben Whishaw) and the US release was pushed from a perfect holiday date to mid-January No Man's Land, I couldn't help but expect the worst. I am pleased to report that, whatever the reasons for those bumps in the road, Paddington is a pretty perfect movie.

The story is sweet, but never sugarey. The cast is top-notch, and Whishaw couldn't be more perfect as the voice of our beloved bear. There are many great laughs, for kids and adults alike, with enough action to keep things moving along at a good clip.

Finally, the movie manages to bring home an important message without beating viewers over the head with it.

Paddington runs 95 minutes and is rated PG for "mild action and rude humor."

Paddington is perfect for folks of any age, a genuinely terrific afternoon at the movies.

Of a possible nine Weasleys, Paddington gets eight.

Until next time...

 
Well, there's always this...

MOVIE REVIEW: JUPITER ASCENDING

Mila Kunis stars as Jupiter Jones, an everyday girl in the future whose life takes an unexpected turn when an ex-soldier (Channing Tatum) comes looking for her in hopes that she can live up to her destiny as the savior of the universe. Andy and Lana Wachowski once again dip their feet into sci-fi territory with this sprawling Warner Bros. epic. ~ Jeremy Wheeler, Rovi

Director: Andy Wachowski and Lana Wachowski

Cast: Channing Tatum, Mila Kunis, Sean Bean, Eddie Redmayne, Douglas Booth.

Release Date: Feb 06, 2015

Rated PG-13 for some Violence, Sequences of Sci-fi Action, Some Suggestive Content and Partial Nudity 

Runtime: 2 hr. 5 min. 

Genres: Action/Adventure, Sci-Fi/Fantasy 

Review:

Hybrid Wolf space hunter with space rollerblades.  If you can wrap your head around Channing Tatum’s character alone then you might find something to like in the Wachowski’s nearly incoherent and utterly ridiculous Jupiter Ascending.  The story is absurdly outlandish even though it feels incredibly familiar as well.  Thankfully the Wachowski’s bring this usual visual flair to the proceedings making for some truly impressive action sequences that keep you entertained once you’ve decided to turn your brain off completely.  If you accept Eddie Redmayne, acting with combustible collagen fueled lips, as a mad despot then you might find some enjoyment in the silliness.  Mila Kunis is ok as the titular Jupiter but she looks just as confused as we are, as a result she played her character like a gullible moron who’s only happy with her space hunter wolf hybrid and his space rollerblades.

C

MOVIE REVIEW OZ THE GREAT AND POWERFUL & PHANTOM

Cindy Prascik's reviews of OZ THE GREAT AND POWERFUL & PHANTOM

OZ THE GREAT AND POWERFUL



A mischievous magician gains the wisdom to become a powerful ruler after being swept away to a land of magic and mystery as director Sam Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire (Rabbit Hole) explore the genesis of author L. Frank Baum's enduring tales of Oz. Shady illusionist Oscar Diggs (James Franco) enchants curious audiences at a Kansas circus. A self-professed con man, he's a fast-talking performer who aspires to follow in the footsteps of inventors like Thomas Edison. Oscar is being chased across the circus grounds by the rampaging Strongman when a tornado blows in and everyone runs for cover. Seeing a hot-air balloon as his only chance for escape, the illusionist jumps in and cuts himself free. Magically transported to the wondrous world of Oz, he soon encounters Theodora (Mila Kunis), a temperamental witch who surmises that he is the wizard named after their land (Oscar's nickname is Oz), foretold to fall from the sky, defeat a nasty witch, and ascend to the throne. Theodora takes Oscar to the Emerald City to meet her sister Evanora (Rachel Weisz), a powerful witch who reveals that he cannot become the rightful ruler of Oz until he's accomplished his mission. Later, as Oscar and his new flying-monkey companion Finley (voice of Zach Braff) prepare to face their fearsome enemy, they're joined by the fragile but fearless China Girl (voice of Joey King) and benevolent witch Glinda the Good (Michelle Williams), who helps them prepare for the arduous battle ahead. Together with the brave people of Oz, Oscar draws up a plan to rid the land of evil once and for all, and become the great and powerful king who will rule from his throne in the Emerald City. ~ Jason Buchanan, Rovi

Release Date: Mar 08, 2013

Rated PG for sequences of action and scary images, and brief mild language

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Director: Sam Raimi

Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff.


Review by Cindy Prascik

Dearest Blog, today I braved the infamous late-winter cinema crowd, plus everyone with a sentimental attachment to the Land of Oz, to spend my Saturday at Marquee.

First on my agenda, and everyone else's, was Oz: The Great and Powerful.

Neither a remake nor a reboot, Oz looks at a familiar world from an unfamiliar vantage point. The Witch of the West has Wicked, now the Wizard has Oz.

Spoiler level here will be mild-ish.

Oz' primary selling feature is that it's a work of art, absolutely stunning from start to finish. Sets, scenery, costumes, makeup...I would run out of superlatives long before I could come close to adequately describing them. My cinema oooh-ed and ahhh-ed aloud throughout.

The cast is fine, neither good nor bad enough to be worth mentioning. Mila Kunis, the only one of the main cast who hasn't at least been nominated for an Oscar, is easily the best of the lot.

Annnnnnnnnnnd...that's about all the nice things I have to say about Oz. Clocking in at an extremely bloated two hours and ten minutes, at times it bored me so much I wished I wanted popcorn or needed to use the bathroom. Fans who see this hoping for even a shred of what makes The Wizard of Oz so very special will leave sorely disappointed. It's missing some of the good nature and innocence of its predecessor, to be sure, but I don't even fault it there; I suspect perhaps that's impossible to duplicate in this day and age. More importantly, it's just bad storytelling: Disney throwing money at the screen--all style, no substance--much like it's theatre counterpart, Wicked.
Like Avatar before it, Oz: The Great and Powerful is about as gorgeous a film as ever you're likely to see, with little else to recommend it. I've struggled mightily these last several hours debating a fair rating; clearly it deserves full marks for appearance (and, make no mistake, it's absolutely worth seeing on a big screen for that alone), but little or no credit for anything else, so, of a possible nine Weasleys, we'll set it right in the middle at four and a half.


PHANTOM


The fate of humanity rests in the hands of a Soviet submarine captain whose tragic past casts a dark shadow over the present, and whose underwater craft might be host to an otherworldly entity in this apocalyptic thriller starring David Duchovny, Ed Harris, and William Fichtner. The Cold War has enveloped the entire globe, and when a Soviet submarine targets the U.S. Navy's Pacific Fleet for nuclear attack, it appears that the final battle has begun. But Capt. Dmitri Zubov (Harris) has a choice -- one that could pull the world back from the brink of annihilation. Meanwhile, it seems as if other forces are at work on Zubov's submarine. Now, in the depths of the South Pacific, Capt. Zubov will fight to ensure that there will be a future for every man, woman, and child on the planet. ~ Jason Buchanan, Rovi

Cast: Ed Harris, David Duchovny, William Fichtner, Lance Henriksen, Johnathon Schaech

Release Date: Mar 01, 2013

Rated R for violence

Runtime: 1 hr. 37 min.

Genres: Suspense/ThrillerDirector:Todd Robinson

Review by Cindy Prascik


Next on my agenda was the Cold War thriller Phantom.


The crew of a Soviet submarine must thwart those who would to use it for a nefarious purpose.
Dear Reader(s), I gotta tell you a little story about Phantom. Two weeks ago I saw this trailer before Snitch. Last week it opened at my cinema. This week it's down to one show a day; it's not gonna see another weekend. I am not sure how a movie like this, with this cast, sails so far under the radar (see what I did there?), but this one's all but invisible.
The most noticeable thing about Phantom is that the Soviet crew is played by a thoroughly American cast, speaking unaccented American English. While committing to the choice 100% works much better than, say, 2011's Three Musketeers--where the "French" people all spoke English with a random mix of American, English, and German accents--it's an unfortunate distraction in what's actually a pretty solid little thriller.

Ed Harris is magnificent in the lead, and the always reliable William Fichtner is solid as his right-hand man. David Duchovny is effective as the film's mysterious antagonist...is his mission just secret, or is it secretly evil?? The excellent supporting cast is fleshed out by familiar faces, including Lance Henriksen, Sean Patrick Flanery, Jonathan Schaech, Jason Beghe, Derek Magyar, and Jordan Bridges.

Plenty of twists and turns, coupled with the mission's high stakes and the sub's cramped quarters, make for a tense, exciting 98 minutes; I was on the edge of my seat for the duration. The contrived ending will likely deprive the film of any love from Serious Critics, but I enjoyed even that, despite its being overly obvious.

Odds are you're gonna miss Phantom at the cinema, so don't make that mistake when it comes to DVD.

Of a possible nine Weasleys, Phantom gets seven.

Until next time...



I know some people without brains who make an awful lot of movies!

MOVIE REVIEW: OZ THE GREAT AND POWERFUL 3D

A mischievous magician gains the wisdom to become a powerful ruler after being swept away to a land of magic and mystery as director Sam Raimi and screenwriters Mitchell Kapner and David Lindsay-Abaire (Rabbit Hole) explore the genesis of author L. Frank Baum's enduring tales of Oz. Shady illusionist Oscar Diggs (James Franco) enchants curious audiences at a Kansas circus. When he is inexplicably transported to the wondrous world of Oz, he encounters three witches named Theodora (Mila Kunis), Evanora (Rachel Weisz), and Glinda (Michelle Williams), who pose him an awesome challenge: root out a ruinous force of evil that threatens to destroy the entire kingdom, and become the great leader that the population has been waiting for. Should Oscar succeed in summoning the necessary sorcery and creativity to deliver the land from darkness, he will forever be known as the Wizard of Oz. ~ Jason Buchanan, Rovi

Director: Sam Raimi

Cast: James Franco, Mila Kunis, Rachel Weisz, Michelle Williams, Zach Braff, Joey King

Release Date: Mar 08, 2013

Rated PG for sequences of action and scary images, and brief mild language

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Let me start of by saying I’ve never been a Wizard of Oz fan. I’ve watched the film various times and it just never connected with me. I got it but the connection just never occurred. I went into this prequel expecting something akin to Tim Burton’s mess of an Alice in Wonderland prequel from a few years back. Strangely Raimi’s prequel worked so much better for me. It’s got some obvious issues but for a film that’s 2 hours long, I found myself entertained for the better part of it. Raimi’s general template is borrowed from the original film with plenty of callback to the classic film. Enough to keep any diehard fan happy. Raimi delivers a candy colored assault on the senses, especially if viewed in 3D, from the moment we enter Oz. It’s a rather rousing experience especially as the film’s quasi-fantasy epic story begins to unfold. James Franco at the lead left me feeling fairly conflicted. At times during the film I thought he was terribly miscast and at others I thought he was perfectly suited. In the end, I really couldn’t decide so it’s a mix bag at best. Mila Kunis and Rachel Weisz do good work in limited and underdeveloped roles. Kunis is solid but tends to oversell her performance especially later in the film where it feels increasingly off. Weisz on the other hand is having a ball in her role, chewing up scenery with a wicked sort of determination appropriate for the character. Michelle Williams as Glinda is an angelic sight to behold; she fits the character very well. Zach Braff and Joey King voice a pair of CGI creations with impressive ease. The CGI on both of them, especially China Girl, are really impressive creations. The visual effects as a whole are wonderfully done, occasionally recreating the look from original film in some of the backgrounds. As mentioned this isn’t a perfect film. Its evil characters are underdeveloped and the crux of a certain important conflict seemed half baked at best. While I did enjoy the experience I can’t say there are plenty of spots, especially before the final act, that could have been trimmed a tad. Honesty, there no reason for this film to be over 2 hours long; still I found it thoroughly enjoyable warts and all.

B-

MOVIE REVIEW: TED

IN THEATERS

TED



A man wrestles with the lingering consequences of a childhood wish in this live-action comedy from Family Guy creator Seth MacFarlane. As a young boy, John Bennett wanted nothing more than for his beloved teddy bear Ted (voice of MacFarlane) to come to life. Incredibly, that wish was granted. But now that John (Mark Wahlberg) is all grown up, his boyhood dream has become a nightmare nuisance. Mila Kunis, Joel McHale, and Giovanni Ribisi co-star. ~ Jason Buchanan, Rovi

Director: Seth MacFarlane

Cast: Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joel McHale, Giovanni Ribisi.

Release Date: Jun 29, 2012

Rated R for some Drug Use, Pervasive Language and Crude and Sexual Content

Runtime: 1 hr. 46 min.

Genres: Comedy

Review:

If you are familiar with Seth MacFarlane’s brand of humor from Family Guy, American Dad etc… then you’ll know what to expect in his first feature film. It’s very much in keeping with those way lengths, even teetering closely into full crossover with Ted sounding very much like Peter Griffin. MacFarlane transposes a standard rom-com plot; annoying friend comes between couple, and mixes it up with a foul mouthed CGI bear. It’s raucous vulgar and generally a lot of fun. MacFarlane is allowed to go balls to the wall without having to worry about TV censors and it’s pretty much what you’d expect, frat boy humor gone wild. Along the way a certain 80’s cult movie star shows up during a crazy party scene and one of the most hilarious fights I’ve sat through since Borat. It’s all utterly silly and stupid and it never takes itself too seriously. The cast is all game with each actor and actress hitting their marks around an impressively realized CGI star voiced with great gusto by MacFarlane. A few hiccups come in the form of the aforementioned well worn plot and kind of unnecessary subplot that adds an extra 15 minutes to the film that could have been excised without much issue. Regardless, Ted is the kind of comedy that’ll end up on many a shelf when it hits video.

B-

MOVIE REVIEWS: BLACK SWAN

IN THEATERS

BLACK SWAN



New York City ballet dancer Nina (Natalie Portman) enters into an intense battle of wills with a talented and ambitious new arrival (Mila Kunis) who seems intent on edging her out of the spotlight in this supernatural-flavored psychological thriller from director Darren Aronofsky. ~ Jason Buchanan, Rovi

Director: Darren Aronofsky

Cast: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey, Winona Ryder.

Release Date: Dec 03, 2010

Rated R for strong sexual content, disturbing violent images, language and some drug use

Runtime: 1 hr. 43 min.

Genres: Suspense/Thriller

Review:

Macabre, mystifying and absolutely engrossing, Darren Aronofsky’s Black Swan is an operatic dark fair tale. Aronofsky, shooting mostly via handheld camera, creates an impressively arresting tale that has a sense of immediacy and intensity from the first frame of the film. While the actual plot is fairly simplistic, Aronofsky’s ability to take us through the throws of insanity and lunacy by showing the character’s crumbling reality elevates it’s into high art. While it stumbles on a few occasions in particular near the finale, deciding to be overly visual with the extended metaphor which leads into unintended camp. Natalie Portman shines in a meticulously measured performance. Her beautiful but emaciated figure walks and dances through the film in a detached but dedicated haze. Portman and Barbara Hershey share some excellent chemistry with forays into Nina’s disturbing homelife which display the levels of arrested development in play. Vincent Cassel is appropriately sleazy as the lothario dance director. Mila Kunis isn’t asked to do much of depth here and is mostly a one dimensional foil. Aronofsky’s Black Swan is a beautiful film that occasionally borders on high class horror.

A-

MOVIE REVIEW: THE BOOK OF ELI

ON DVD

THE BOOK OF ELI



In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth--all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water--or for nothing at all. But they're no match for this traveler. A warrior not by choice but necessity, Eli seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. It's not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive--and continue. Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie, the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegie's adopted daughter Solara is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfather's domain. But neither will find it easy to deter him. Nothing--and no one--can stand in his way. Eli must keep moving to fulfill his destiny and bring help to a ravaged humanity.

Director: Allen Hughes , Albert Hughes

Cast: Denzel Washington , Gary Oldman , Mila Kunis , Ray Stevenson , Jennifer Beals

Release Date: Jan 15, 2010

Rated R for some brutal violence and language

Runtime: 1 hr. 58 min.

Genres: Action/Adventure

Review:

The Hughes Brother’s have always had more talent than they’ve been given credit for, kind of lost in the mix and failing to make their mark after their break through film Menace 2 Society. The Book of Eli, unfortunately, won’t leave any sort of lasting impression either. Dour and lacking any sort of real heart, this overly serious and only occasionally interesting post apocalyptic road movie thinks it’s a lot more important than it actually is. The script has a message and the screenwriter could have taken some interesting angels on the subject matters of faith and religion in general, instead we get generic heroes and villains dialogue with a fairly pain by the numbers action sequences. The Hughes Brother’s shoot the film with enough style to give it an impressive if overly glossy look throughout even if we are left with the impression that the end of the world looks like Arizona. Denzel Washington is the strongest player in the entire film. He plays Eli with serious single mindedness vigor, giving the character a depth that isn’t in the script. It’s a shame he’s mostly wasted because I think that he could have done something interesting with a meatier more interesting take on the general concept. Washington plays his dutifully and looks believable during the films action sequences. Mila Kunis isn’t asked to do much in her role, much like the rest of the ancillary characters. Gary Oldman is asked to play a one dimensional villain and no one could fault for collecting a play check here. Ray Stevenson and Jennifer Beals are thoroughly wasted barely say a word. If you’d seen the more enjoyable classic The Road Warrior or the more thoughtful and gut wrenching The Road then there’s really no reason to waste your time here outside of waiting for a ludicrous curve ball at the end of this film.

C-

Movie Reviews: EXTRACT

Sunday, September 06, 2009
Movie Reviews: EXTRACT
IN THEATERS

EXTRACT

Joel, played by Jason Bateman ("Juno," "Arrested Development"), is one step away from selling his flavor extract factory and retiring to easy street when a freak workplace accident sets in motion a series of disasters that puts his business and personal life in jeopardy.

Cast: Jason Bateman, Mila Kunis, Ben Affleck, Kristen Wiig, Clifton Collins, Jr., J.K. Simmons

Director: Mike Judge

Opened September 4, 2009..

Runtime: 1 hr. 30 min.

Rated R for language, sexual references and some drug use

Genres: Comedy, Workplace Comedy


Review:




Mike Judge’s 3rd film is an effective but unfocused effort that delivers plenty of laughs yet it leaves you feeling there could have been more. Judge returns to the mundane drudgery of the work place, which he wonderfully skewered in cult favorite Office Space, taking the management perspective this go around. His script is peppered with plenty of funny insights into America’s upper middle class making the laughs feel authentic and never contrived. Judge has always shown great talent as a writer as anyone who’s watched his terribly underrated King of the Hill and his criminally overlooked satire Idiocracy. His talent as a director isn’t quite as strong. His films have always had an unfocused meandering feel and Extract is no different. His direction makes you feel like you’re wandering through the story making you wonder where the story is going. It creates an odd feel for the film that makes it feel longer than its actual runtime. It’s not a fatal detriment mainly because Judge populates his film with fun characters played by an incredibly capable comedic cast. Jason Bateman plays his role perfectly and anyone who’s watched Arrested Development knows what to expect. He’s perfected his straight man routine and this role is tailor made for him. Ben Affleck as Joel’s best friend is great fun and he really seems to enjoy himself in this role. Affleck and Bateman’s interactions are some of the movies high points punctuated with a bong hit for the ages. The remaining cast members shine but not as much as they should considering the talent assembled. Kristin Wiig and Mila Kunis respective roles feel underwritten and don’t really give either actress a chance to shine. JK Simmons and David Koechner are giving running gags that are hit or miss in terms of effectiveness. Once the slightly abrupt finale hits you can help but feel charmed by Judge’s type of humor but it does feel like he could have hit a real homerun if he’d used his cast to its fullest potential.




C+