MOVIE REVIEW: THE ACCOUNTANT 2

 

Forensic accountant Christian Wolff teams up with his estranged but highly lethal brother to track down mysterious assassins.

Director: Gavin O'Connor

Cast: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, J. K. Simmons, Daniella Pineda

Release Date: April 25, 2025

Genre: Action, Crime, Drama, Mystery, Thriller

Rated R for strong violence, and language throughout.

Runtime: 1h 43m

Review:

The Accountant 2 loosens up the reins on the original's formula which gives this entry a bit more room to breathe and take full advantage of Ben Affleck and Jon Bernthal onscreen chemistry.  The central mystery here is more outlandish and unbelievable than the original film but Gavin O'Connor guides the film with a steady hand by keeping things moving at a steady pace, avoiding some of the original film's dead spots.  The story is far more convoluted than necessary especially once the main reveal occurs which requires more than a few logical leaps.  It’s a testament to cast and crew that the film doesn't fall apart once this happens as they manage to deliver a thrilling finale that makes it easier to overlook some of the story's more glaring issues.  Ben Affleck and Jon Bernthal deserve a lion's share of the credit for carrying the film as their onscreen back and forth give the film a hefty bit of humor and heart.  Affleck slips back into the role of Christian Wolff with general ease by giving the character a bit more subtle depth especially when it comes to his relationship with his younger brother played by Jon Bernthal.  Bernthal is given much more time to shine in this entry which works in the film's favor as his chaotic onscreen charisma works as an excellent counter point to Wolff's persona.  There's an authenticity to their interchanges with each bouncing off each other like long lost brothers who have long simmering issues bubbling underneath paired with a believable sense of brotherly love.  Their performances make the film work far better than it should as they carry the film from start to finish.  The supporting cast is sparse with Cynthia Addai-Robinson and J. K. Simmons returning from the first film but are ultimately given very little to do outside of moving the plot forward as needed.  Daniella Pineda's mysterious assassin should be far more engaging than she ultimately is with the script, giving her very little to work with to flesh out the character.  Ultimately, they're minor issues since The Accountant 2 proves to be a more complete package than the original.  

B+

Cindy Prascik's Review of Air

 

My dear readers, with continued apologies for my sporadic content, here I am pleased to share some thoughts on Ben Affleck's Air.

Hoping to compete with the biggest names in its field, a shoe company courts a future superstar as the face of its brand.

Spoiler level here will be mild for the film, with no accounting for what a reader might know of actual events.

Air isn't the sort of film that's going to set the world on fire, but it's an engaging story, well told and well acted. As the shoe company's brass and bolts, the reliably watchable trio of Matt Damon, Jason Bateman, and Ben Affleck carries the movie effortlessly. Viola Davis nearly steals the whole show as the mother of the athlete they court to represent their company. The broad popularity of the titular product makes it unlikely anyone's watching Air without knowing how it turns out, but the movie manages to maintain tension all the same (a feat Affleck also achieved admirably with Argo). Rounded out with a stellar 80s soundtrack, Air is the most enjoyable movie I've seen in a good, long while.

Air clocks in at 111 minutes and is rated R for language.

It won't be the talk of awards season, but Air is a satisfying exercise elevated by a familiar and likeable cast. Of a possible nine Weasleys, Air gets eight.

Air is now streaming on Amazon Prime.

Until next time...

MOVIE REVIEW: AIR

Sonny Vaccaro and Nike pursue basketball rookie Michael Jordan, creating a partnership that revolutionizes the world of sports and contemporary culture.

Director: Ben Affleck

Cast: Matt Damon, Ben Affleck, Jason Bateman, Marlon Wayans, Chris Messina, Chris Tucker, Viola Davis

Release Date: April 5, 2023

Genre: Drama, Sport

Rated R for language throughout.

Runtime: 1h 51m

Air runs the gamut of sports underdog tropes as it dramatizes the truth story of how Michael Jordan and Nike started their legendary business relationship. Ben Affleck’s direction injects the film with a breezy, retro feel by using archival footage and music to place it firmly in a very specific place in time.  In lesser hands, this could have been a very bland and paint by the number dramatization that wouldn’t have been nearly as interesting as it is since we all know how it ends.  The film’s biggest asset though is its cast which is made up of likable actors led by Matt Damon.   The role of Sonny Vaccaro is perfectly suited for Damon’s talents since it requires an air of authentic sense of self-determination, drive, and vulnerability.   He delivers the kind of performance that makes some of the more grandiose and self-aware speeches hit with more emotional impact than they would in the hands of a lesser actor.  The supporting cast is made up of familiar faces like Jason Bateman, Marlon Wayans, Chris Tucker and Affleck who all share the kind of lived-in chemistry which make their interactions believable.  Chris Messina is fun even though he’s jarringly over the top as legendary sports agent David Falk.  Viola Davis and her real-life husband, Julius Tennon, play Jordan’s parents with the kind of levelheaded parental energy the roles call for.  Jordan himself is only shown from behind and has very minimal dialogue with archival footage from his career and life serving as most of his presence in the film.  The script smartly focuses the story on the Nike side of this story since Jordan is such a well-known figure.  There are moments, though, where the script rushes some of the behind-the-scenes machinations and relationships a bit too much to make you believe they would take such a massive risk.  These issues are sort of baked into the genre along with the predictability of it all, but Air does an impressive job of making it all so easy and engaging to watch.

B+

MOVIE REVIEW: THE LAST DUEL

Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a squire whose intelligence and eloquence makes him one of the most admired nobles in court. When Le Gris viciously assaults Carrouges' wife, she steps forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy. The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands.

Director: Ridley Scott

Cast: Matt Damon, Adam Driver, Jodie Comer, Ben Affleck, Harriet Walter, Nathaniel Parker. Alex Lawther

Release Date: 1h 46min

Genre: Action, Drama, History

Rated R for strong violence including sexual assault, sexual content, some graphic nudity, and language

Runtime: 2h 32min

Review:

Ridley Scott's The Last Duel is the type of gritty muddy medieval drama that plays right into his wheelhouse. The Last Duel is a perfect bookend to the director's previous historical epics, Gladiator and The Kingdom of God, with this one focused more intently on the central characters than large scale battle field carnage.  That's not to say the film doesn't deliver a handful of bloody, bone crushing battle sequences including the titular duel but Scott's lens focuses more on the three main characters and their disparate versions of the truth.  Matt Damon and Adam Driver both deliver strong performances but as the film goes on you get the sense that the film would have been better served had they swapped roles.  Driver would have been far more believable as the hard edged brute as opposed to the strikingly handsome rapscallion the film tries incredibly hard to make us believe he is.  Driver is at his best when roles embrace his embodiment of the boorish angry masculinity which would have made him perfect for Jean de Carrouges.  Damon for his part delivers a workman like performance which adds bits of subtly depending on who's telling the story.  Jodie Comer balances both performances with a nuanced take on a character that could have easily fallen into clichéd territory.  Comer gives her a character a strong believable sense of intelligence paired with quiet strength and resolve.  Ben Affleck though maybe having the most fun of all in a supporting role as a debaucherous libertine who sets off the feud between to the two men.  The cast makes the film's lengthy runtime feel far more manageable due to their talents on display.  The Last Duel carries multiple thematic themes and messages, some work while others come off as overly blunt.  That being said the film works more than it doesn't and should please plenty of people looking for more heavy adult drama.

B+

Cindy Prascik's Review of Zack Snyder's Justice League

 

My dear reader(s), this weekend has brought us a great gift. No, it's not the first day of spring or even the (hopefully) impending end of Covid, but rather the long-awaited "Snyder Cut" of Justice League.

Spoiler level here will be...mild(ish), I guess.

Probably everybody - or at least everybody who'd bother to read this - knows the story of 2017's Justice League. Midway through building his DC Universe, a personal tragedy caused Snyder to exit the film. Joss Whedon stepped in and made a very Marvel-colored DC movie, maligned by critics and fans alike. In anticipation of the release of the Snyder Cut, I rewatched the original last week, and was reminded that I did enjoy it in a very Marvel-ish way, that is, I laughed at its goofiness and forgot it the minute it was over. The four-hour Snyder Cut...*that* I enjoyed in a very DC way, that is, I loved every minute and will hold it in my heart forever.

Let's start with Master Wayne. Batman is my favorite A-List hero (the Tick is my overall favorite, if anyone wondered), and Ben Affleck is my favorite Batman by far. Cocky but world weary, strong but fading, his take on the character wouldn't be out of place in any dramatic awards darling. In the theatrical release of Justice League, Batman was basically reduced to comic relief, an insult to the Caped Crusader's legacy. The Snyder Cut reinstates him as the quarterback of this team of heroes.

While the movie retains the darker tone for which DC is noted, there is a good bit of humor, mostly from Aquaman (Jason Momoa) and Flash (Ezra Miller). Gone are the Iron Man-esque wise cracks in every scene that were forced into the theatrical release. The movie does not miss them.

Gal Gadot shines as Wonder Woman, Diana doing her part to lead the team and perhaps temper Bruce Wayne's hardness and cynicism. It's also worth noting that Wonder Woman has the coolest musical cue of all the heroes.

Henry Cavill remains a perfect Superman, and maybe the very best news about the Snyder cut is that it's missing the awful CGI moustache erasure that made such a laughingstock of the theatrical cut from its very first moments.

Finally, we come to Victor Stone. Snyder has called him the heart of the film, and he definitely benefits from added screen time and a more fleshed-out backstory. A leader though he's just a kid, Ray Fisher's Cyborg is the glue that holds Justice League together. I know I speak for many when I say, if DC made a feature with Fisher's Cyborg and Miller's Flash, I'd be there with bells on.

The Snyder Cut boasts some super effects, especially on the villian Steppenwolf; in fact, its visuals are quite stunning nearly every step of the way. The film features an epic score by Junkie XL. There are plenty of surprises/Easter eggs for DC fans, and I don't mind admitting that I got a bit choked up by certain frames of the movie. If the picture has a fault, it's that all that super slo-mo does get a bit exhausting, but mostly it is, in every way, the epic big screen endeavor that the world's greatest heroes deserve.

Zack Snyder's Justice League runs a whopping 242 minutes and is rated R for "violence and some language."

As a DC fangirl, I am happy to report Zack Snyder's Justice League is everything I'd hoped for. Of a possible nine Weasleys, Zack Snyder's Justice League gets all nine...and I'm watching it again as I type this!

Fangirl points: Song to the Siren makes a brief appearance here, and even though it's a cover instead of Tim Buckley's original....I'll take it!

Zack Snyder's Justice League, along with his director's cut of Batman v Superman, is now streaming on HBO Max.

MOVIE REVIEW: ZACK SNYDER'S JUSTICE LEAGUE

 

In ZACK SNYDER'S JUSTICE LEAGUE, determined to ensure Superman's (Henry Cavill) ultimate sacrifice was not in vain, Bruce Wayne (Ben Affleck) aligns forces with Diana Prince (Gal Gadot) with plans to recruit a team of metahumans to protect the world from an approaching threat of catastrophic proportions.

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Ezra Miller, Jason Momoa, Ray 
Fisher, Ciarán Hinds

Release Date: March 18, 2021

Genres: Action, Adventure, Fantasy 

Rated R for violence and some language 

Runtime: 4h 2min 

Review:

Zack Snyder's Justice League had a long and tragic road to becoming a reality.  Joss Whedon's cobbled together Frankenstein film isn't terrible but it just reeks of shooting for the lowest common denominator, what works is mainly due to the cast.  Regardless of that, the Whedon film felt nothing like Snyder's lead in, Batman v Superman: Dawn of Justice, an overstuffed film but one with a clear vision.  The last time we've been able to see two separate versions of the same film was in the early 2000's when both Renny Harlin's Exorcist: The Beginning and Paul Schrader's Dominion: Prequel to the Exorcist were both released with one film being the result of studio meddling, sadly both films were terrible for different reasons.  Against all odds, Zack Snyder's Justice League is a opus that hits all the right marks without any of cheesy one liners of the Whedon film.  Snyder's film is entirely his own entity from the start and fits in perfectly with Batman v Superman: Dawn of Justice.  Perhaps the most interesting thing about the whole thing is that while it's much more serious than the Whedon film, it's never an overly dour affair.  There's well placed levity throughout with Ezra Miller's Flash carrying the comedic load and it never feels fake or forced.  Even more surprising is the amount of heart and character building on display in this film, something that's been lacking from the majority of Snyder's previous films.  

This film gave Ray Fisher's Cyborg a real emotional arch and the character himself feels more like a fully realized creation with understandable motivations and emotions.  Ciarán Hinds's villain Steppenwolf is given more depth than he did in the original which works in the character's and story's favor.  Likewise, Jason Momoa's Aquaman isn't the over the top dudebro from the original release which makes his character far more interesting and nuanced.  This approach gives Momoa the chance to actually display some real acting chops and he does incredibly well.  Ben Affleck's Batman is more hopeful in this version without having to use goofy one liners.  Henry Cavill's resurrected Superman is saved from bad facial CGI and it's nerdy fun to see him don the black suit but his story is more or less unchanged. Gal Gadot's Wonder Woman gets a far better shake in this version as well, those complaining about the lack of action in Wonder Woman 84 from the Amazonian will find plenty to love here.  The action sequences themselves are also a revelation, the major set pieces are more or less the same but Snyder's version are stylized 300 esque battles that deliver an appropriately epic scope.  Steppenwolf's attack on Themyscira early on serves as a prime example of how Snyder's action worked much better on multiple levels, it helps that Connie Nielsen's Hippolyta is given more screen.  Much like the action, the story itself is cleaner and more efficient here which makes you wonder why some of the changes were even made in the first place.  It's a testament to how engaging the story and characters are that its four hour runtime rarely feels oppressive.  There aren't many scenes that feel superfluous, instead they all serve the character's story.  Zack Snyder's Justice League is an achievement on multiple levels, it's both ground and personal but epic in scope.  Comic book fans will find plenty to love in this version while DC fans will finally get to see their hero's in film they deserve which makes the sequel set up all that more painful.

A-

Cindy Prascik's Reviews of The Way Back & Gordon Lightfoot If You Could Read My Mind

 

With no interesting new releases at the cinema this past weekend, I took the opportunity to catch up on a couple reasonably fresh offerings for home viewing. On the docket: The Way Back and Gordon Lightfoot: If You Could Read My Mind.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First up: The Way Back.

A former high-school basketball star fights personal demons while attempting to lead his alma mater's current squad out of a lengthy slump.

The Way Back is a paint-by-numbers redemption tale that holds few surprises. Ben Affleck is solid in the lead, but the movie doesn't have much else to recommend it. The supporting cast is neither good nor bad enough to be noteworthy, much like the film itself. It was one of the movies that opened at my cinema just as the world shut down in March, then became one of the first pandemic pictures to turn up as a twenty-dollar rental for home viewing. I'm super glad I didn't drop twenty dollars on it, even if it did teach me the mysteries of shower beers.

The Way Back runs 108 minutes and is rated R for "language throughout, including some sexual references."

So...everybody knows about Batfleck, but how about BEARfleck, am I right?? Of a possible nine Weasleys, the Way Back gets five.

The Way Back is now playing on HBO and streaming on HBO Go.

Next up, the documentary Gordon Lightfoot: If You Could Read My Mind.

The life and times of legendary Canadian singer, songwriter, and guitarist Gordon Lightfoot.

If You Could Read My Mind skims the surface  of Gordon Lightfoot's life and career, hitting the high points and wasting very little time on the low. The film features old and new interviews with Lightfoot, his contemporaries and collaborators, and plenty of artists he's influenced. The movie touches on issues with drinking and women, but doesn't dig too deep, barely mentioning the 2002 health scare that kept him hospitalized for more than a month. While it's moving to hear from the many and varied artists who have been inspired by this icon, and interesting to learn the mysteries behind the music, it is Lightfoot's extraordinary songs that make If You Could Read My Mind such a delightful watch. I wished it would have gone on forever.

Gordon Lightfoot: If You Could Read My Mind clocks in at a quick 91 minutes and is unrated.

As documentaries go, Gordon Lightfoot: If You Could Read My Mind might be brushed off as superficial, but it's easily forgiven thanks to Lightfoot's exceptional music. Of a possible nine Weasleys, If You Could Read My Mind gets eight.

Gordon Lightfoot: If You Could Read My Mind is now streaming on Amazon Prime.

Until next time...

Cindy Prascik's Review of The Last Thing He Wanted

This weekend the never-ending Quest for Quality Home Viewing lead me to a Netflix nugget called the Last Thing He Wanted. While the Last Thing He Wanted boasts a hilariously discouraging five (5) percent rating on Rotten Tomatoes, it stars Oscar winners Ben Affleck and Anne Hathaway, both of whom I adore. How bad could it be? Well...

Spoiler level here will be mild-ish.

Hathaway portrays Elena McMahon, a journalist who, thanks to her no-good father, gets mixed up in her own story about Central American arms dealing.

The Last Thing He Wanted has many moving pieces. SO many moving pieces. Rather than shifting them craftily around a chess-board of a film, the movie throws them in the air a-la 52 Pickup. I'm not sure they all come down. Players move in and out of frame — revealing and concealing motives — as the picture's various paths attempt to converge on one cohesive road. Hathaway does a good job in the lead. Some of her dialogue is clunky, but she's a bit of a bright spot in a movie that has few enough. A weirdly-shiny Affleck "enjoys" less screen time, and certainly does less with it. His character is pretty obvious, so most or even all of that may not be his fault. The picture boasts an impressive list of supporting talent, including Willem Dafoe, Rosie Perez, Edi Gathegi, and the always wonderful Toby Jones. As terrifying as McMahon's trip down the rabbit hole is, the Last Thing He Wanted never sustains much tension, as most of the characters prove to be exactly what you suspect they are from the first time you see them. A political thriller like this obviously features its share of violence, and one particularly disturbing scene will bother me long after I've forgotten the rest. I am here to warn you, this movie offers you nothing that's worth having this image in your head forever. Having said ALL of that, I didn't hate the Last Thing He Wanted. I didn't hate it right up to the last minute...when it did exactly what I knew it was going to do from the first minute. Then I hated it.

The Last Thing He Wanted runs 115 minutes and is rated R for "language, some violence, disturbing images, and brief nudity."

At risk of stealing a phrase I feel certain already must have been used to describe this movie, the Last Thing He Wanted truly is the last thing any of us wanted. (But Anne and Ben, I still love you and will always watch whatever you do!) Of a possible nine Weasleys, the Last Thing He Wanted gets two.

Until next time, dear reader(s), I hope you all are staying safe and sane as this crisis drags on, and I hope to see you at the cinema very soon!

MOVIE REVIEW: TRIPLE FRONTIER

Former Special Forces operatives reunite to plan a heist in a sparsely populated multi-border zone of South America. For the first time in their prestigious careers, these unsung heroes undertake this dangerous mission for themselves instead of the country. But when events take an unexpected turn and threaten to spiral out of control, their skills, their loyalties, and their morals are pushed to a breaking point in an epic battle for survival.

Director: J.C. Chandor

Cast: Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund,  Pedro Pascal

Release Date: March 6, 2019

Genres: Action, Adventure, Crime

Rated R for violence and language throughout

Runtime: 2h 2 min

Review:

Triple Frontier is an engaging and well acted film that’s far better than it should be.  The plot is simple enough and you can see where things are going from the get go. A few surprises here and there keep things interesting but J.C. Chandor and the cast make it all watch able throughout.  J.C. Chandor directs the action confidently and delivers some impressively tense sequences that really make an impact.  Ben Affleck leads the cast and brings some real depth to his character.  Sadly, the script doesn’t delve enough into his character or any of the others.  It’s a shame because each of the cast members is fully committed to their roles and deserved far meatier roles than they were given.  As such, it’s an enjoyable and watch able but frustrating at the same time because you can’t shake the feeling there’s a far better film in there somewhere.  As is, it’s still a solid throwback to some of the manly 80s and 90s action flicks even if it’s not quite the top tier.

B-

Cindy Prascik's Review of Triple Frontier

Thanks to the Death Plague currently decimating my office, this week I was able to catch the Netflix original film Triple Frontier.

Spoiler level here will be mild, nothing you wouldn't know from the trailer.

Having various degrees of success readjusting to civilian life, a suspiciously-handsome group of ex-Special Forces soldiers plans to steal a drug lord's ill-gotten gains.

Triple Frontier is just the sort of picture that still gets me out to the cinema: a big, shoot-em-up actioner with testosterone to spare, kinda like the Expendables, only with smaller people who take themselves a little more seriously.

Given my dwindling tolerance for the movie-going public, it's my good fortune that Netflix gave me the opportunity to catch this in the comfort (and quiet) of my own home.

While they aren't all exactly A-List, the aforementioned smaller people--Ben Affleck, Oscar Isaac, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund--have a fair bit of big-screen cred among them. Each has his moment(s) to shine, and none is better or worse than exactly what the material requires. Triple Frontier is certainly action packed, yet at times I was surprised how slow it seemed. It's good that there's more going on than just gunfights and explosions (she says, grudgingly), but somehow the bits that *aren't* gunfights and explosions don't quite earn their keep. Part of the problem is that the trailer sells a heist film, but the actual heist is a relatively small part of the story; the majority of the film's runtime is burned on what follows. Effects and action/fight choreography are solid, but even the movie's most meaningful dialogue is awkward and stilted. Despite any other failings, the film boasts a groovy soundtrack and does a good job of sustaining tension right up to a predictable finish.

Triple Frontier clocks in at 125 minutes and is rated R for "violence and language throughout." It may not be the best movie of the year, but Triple Frontier holds its own.

Of a possible nine Weasleys, Triple Frontier gets seven.

Fangirl points: You guys...CHARLIE HUNNAM! Until next time...

April Sokol's Review of Justice League

Movie review: Justice League

Justice League is the latest DC Comic Universe offering. The story picks up shortly after the death of Superman has plunged the world into darkness, chaos and violence.

Directed by Zack Snyder

Starring: Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fischer, Henry Cavill, Amy Adams, Diane Lane, Connie Nielsen, JK Simmons, Amber Heard and Ciaran Hinds

My slightly spoilery review:

I feel like in the interest of full disclosure, I should mention before we go further into this review that I am not a DC fan usually. The big shiny exception being the incredible Wonder Woman. I have felt as though most of the DC movies have been dark and dreary and have taken themselves entirely too seriously. So my expectations for this movie were not what anyone would consider “high”. What a shock it was to find myself REALLY enjoying this movie.

Our story is nothing incredibly new or unique. The world is being threatened by the evil demon Steppenwolf (voiced by Hinds) who is set on total destruction. Batman (Affleck) and Wonder Woman (Gadot) realize that they are going to need more help if they hope to defeat him and save planet Earth. Enter the rest of the team: The Flash (Miller), Aquaman (Momoa) and Cyborg (Fisher). We get glimpses into each of their lives as they are being recruited. This is done without the repetition of Suicide Squad and in a way where I felt intrigued by what each new member will bring to the table. The slight spoiler here is in the resurrection of Superman (Cavill).

Where I feel this movie really scores is in the emotional components. There are some really wonky CGI problems which I was willing to overlook because I felt invested in the characters. The deep layered complexities of what it means to be a human are really explored here in a way that many superhero movies seem to miss. Adams and Lane are back as Lois Lane and Martha Kent respectively. They don't get an awful lot of red meat to work with, but they both do at the very least an adequate job in their roles. Jeremy Irons (Alfred) and JK Simmons (Commissioner Gordon) are good even though both characters are completely unnecessary.

The true winners of this movie have to be Miller and Fisher. They are complex and vulnerable and funny and I would have watched a 3 hour movie of just the two of them. Both are tasked with acting while a significant portion of their faces are covered by either a mask or cybernetic enhancements. Miller in particular really shines in this area. He is able to act with just the use of his eyes and I was thoroughly impressed with him throughout.

Justice League feels far more like a Marvel movie than any of it's predecessors. There is significantly more humor here than what's come before. Both of my showings had very vocal crowd applause and laughter. The villain being somewhat cartoonish and not actually “scary” makes this a family friendly option. My only other slight quibble would be a sort of muddy 3rd act. But my grade is a very solid 4 out of 5 stars.

Give me a Flash/Cyborg movie STAT!

MOVIE REVIEW: JUSTICE LEAGUE

Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes -- Batman, Wonder Woman, Aquaman, Cyborg and the Flash -- it may be too late to save the planet from an assault of catastrophic proportions.

Release Date: Nov 17, 2017
 
Genres: Action/Adventure, Sci-Fi/Fantasy

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Ezra Miller, Jason Momoa, Ray 
Fisher

Rated PG-13 for sequences of sci-fi violence and action

Review:

Justice League gives DC fans the big superhero team up they’ve been waiting for.  It’s not a perfect film by any stretch of the imagination but it’s still incredibly fun.  The film had its share of behind the scenes issues, due to the death of Zack Snyder’s daughter that had Joss Whedon stepping in, and at times it does feel a bit like a Frankenstein mash up of Synder and Whedon’s styles.  The first act feels a tad clunky as we catch up or meet all the heroes and are introduced to the primary villain.  It feels like it could have used some smoothing out but it’s not really a huge detriment once the film finds its footing.  Once it does and the characters are fleshed out we get an enjoyable superhero romp that feels like a live action version of Bruce Timm’s animated Justice League show.  Established characters like Batman (Affleck is lighter and having more fun), Wonder Woman (Gal Gadot is always on point) and Superman (Henry Cavill is still a great choice even with CGI weirdness on his mustache) all get their just due while intermixing with the newcomers.  The newcomers all leave a lasting impression.  Ezra Miller’s Flash is great fun every time he’s on screen.  His manic and energetic personality translates wonderfully on screen.  Miller’s got tangible chemistry with the entire cast which serves the film well.  Jason Momoa brings an unbridled macho swagger to Aquaman which is a fun take on the character and it works far better than expected.  Ray Fisher might be overlooked but he shouldn’t because he’s delivers one on better performances in the whole film.  Anyone who’s a fan of the character from Teen Titans will instantly recognize as soon as Fisher shows up.  It’s an impressive turn that can get lost in the overall shuffle but it really shouldn’t.  The villain, Steppenwolf who voiced by Ciarán Hinds, isn’t memorable or terribly deep, he’s more of a mechanism to the overall plot.  Hinds, to his credit, gives the character a commanding presence and he plays it loose enough that you can tell he’s enjoying the outlandish bombast of the character.  The action sequences are all fun and well plotted out with the arrival of Steppenwolf on Themyscira being an impressive high point.  Justice League is a film that checks all the boxes for fans and general audiences.  It’s hard to see anyone not having a good time with this film especially long time DC fans.

B+

Cindy Prascik's Review of Justice League

Dearest Blog: I have spent the better part of the last two days in three Justice League screenings at Marquee Cinemas, and I am now prepared to talk to you about it. This will probably get long, so grab a coffee and dive on in!

 

Spoiler level here will be moderate; if I talk about anything not explicitly revealed by the trailers, it will be something obvious from a quick check of the IMDB credits, or enough discussed (pre-release) to assume it was a not-actually-secret secret. Still, if you prefer to know nothing until you've seen the movie, read no further until you do.

 

When Superman's passing leaves the world lawless and without hope, Batman and Wonder Woman assemble a team of heroes to fill the super-sized gap.

 

Dear reader(s), as I so often mention, I approach every movie--whatever my predisposition towards it--with an open enough mind to be surprised to the good or to the bad. In the interest of full and fair disclosure, and to exactly no one's surprise, please note that the opinions hereafter shared are honest, but coming from a place of great affection. This movie would have had to work very hard to make me dislike it.

 

So let's begin at the beginning, shall we? More than a decade removed from that benchmark of superhero movie perfection, The Dark Knight, DC is trying to find its footing again. That is not my personal opinion--I love the way DC does things, and they have yet to produce a movie I didn't like--but, if the DC Universe officially rebooted following Christopher Nolan's directorial swan song, this movie represents at least an informal CTRL-ALT-DELETE, adopting an entirely different tone from the one to which we're accustomed. Even Wonder Woman, redeemer of heroic cinema and hope of all DC fans, didn't seem as much of a departure to me.

 

Though the future of the whole world is at stake, the tone here is light and cartoonish. It's not the choice I'd have made, but it is enjoyable and nearly all of the humor is spot on. Outside of a few missteps with Aquaman (more on that later), the funny bits are well-timed and often quite clever. (Look out for an exchange between Lois Lane and Martha Kent in the Daily Planet breakroom!) The film's overall appearance is very comic-bookish, and continues to overuse that super-slo-mo that annoyed me so much in Wonder Woman. The effects are mostly solid, but there is some oddly-dodgy CGI, most notably in scenes where the porn-stache Henry Cavill was wearing for another project was digitally removed in post production. Yes, you may utter those never-before-spoken words: "Henry Cavill's face looks bad!" and that will be why. A final note on the look of the film: for the first time in recent memory, I could actually see everything that was going on; nothing was overly dark, despite my not bothering with the 3D.

 

I was prepared to open this review by stating that Justice League could use more Batman. Truth be told, I got a LOT more Batman than I anticipated with such a large ensemble...though pretty much any movie could always use more Batman. (Lookin' at YOU, La La Land!) The lighter overall tone makes Ben Affleck's Bruce Wayne seem somewhat less world weary, but his perpetually bemused expression and self-imposed outsider status still make him a perfect Batman, in my opinion, the best ever. As expected, Gal Gadot's Wonder Woman is front and center throughout, and she is an absolute delight. Henry Cavill remains an ideal Superman, handsome, strong, and vanilla. Jason Momoa's Aquaman is a little too "bro" for my liking, but claims credit for some of the movie's funniest moments. Strictly for science purposes, here I shall inform you, dear and faithful reader(s), that there's a fair bit of gratuitous, but not unwelcome, shirtlessness on the parts of Messrs. Cavill and Momoa. Bring the galoshes! While all those big names are pretty terrific, the movie's highlights are Ezra Miller and Ray Fisher as The Flash and Cyborg. Miller brings a real sense of wonder and spot-on comedy skills to Barry Allen, an isolated kid who is as excited as he is overwhelmed to be asked to join such a super team. Fisher is extraordinary, turning in a natural performance that easily makes Victor Stone the most sympathetic and likable character in the film. Unsurprisingly, awards darlings Diane Lane, Jeremy Irons, and Amy Adams provide small bright spots in limited screen time. Oh, and there's Not-Gary-Oldman as the new Jim Gordon. I guess he's okay too.

 

Plot wise, Justice League seems a little scattered, especially at the start. Much like the whole of Suicide Squad, the early parts of JL are more like a bunch of small stories than one cohesive larger one. Ultimately the pieces start fitting together, but it's a feeling the movie never quite shakes. My personal taste leans strongly towards the grittier, more real Nolan-verse, but I think Justice League works well as an attempt to reinvent the DC Universe as more fun and less grim. Missteps in the humor are rare, and there's nothing that feels shoehorned in, as I so often complain of Marvel movies in general and Tony Stark's one-liners in particular. A well-defined message makes it easy to excuse a few ridiculously hokey lines. (Hokey lines, are, after all, a Super-staple!) There's a peripheral hint at possible romance between Bruce Wayne and Diana Prince, and--if I don't especially need romance in my superhero fare--I don't mind this pairing either. Justice League is more than accessible enough for a casual fan to enjoy, but there are plenty of fanboy moments too. Though the climactic battle scene bogs down just a hair, Justice League also succeeds in one way that no other costumed hero picture has in recent memory: It runs shy of the two-hour mark. This is a smart decision and a trend I hope both DC and Marvel will continue. There are two post credits scenes--one (far as I could tell) merely amusing and the other functional and thrilling. I enthusiastically encourage you to stay for both.

 

A few random thoughts that I couldn't weave in anywhere else:

 

Why is Wonder Woman always grunting like she's constipated? None of the men do that.

Momoa's Arthur Curry always sounds like a guy who's about to drop a Limp Bizkit track at karaoke.

 

Weird that Alfred spent this movie dressed like a member of the Newsies ensemble...??

 

Justice League runs 119 minutes and is rated PG13 for "sequences of sci-fi (??) violence and action."

 

By now, you've probably seen a bunch of professional critics complaining about Justice League, but my Facebook feed is full of people saying they loved it and can't wait to see it again. I've seen it three times, and am proud to throw in my lot with the "can't wait to see it again" crowd. It may not be perfect, but it's pretty great. Of a possible nine Weasleys, Justice League gets eight and a half.

 

Fangirl points: Batman! (DUH!) Billy Crudup! Holt McCallany!

 

Until next time...

Cindy Prascik's Reviews of La La Land & Live by Night

 

Dearest Blog: This weekend it was off to Marquee Cinemas for La La Land (finally!) and Live By Night.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers. I will offer thumbs-up or thumbs-down on endings, without divulging specifics; if that's more than you want to know, read no further until you've seen these.

 

First up: Oscar hopeful La La Land.

 

An aspiring actress and a jazz musician chase their dreams in Los Angeles.

 

Let it be noted, dear reader(s), that, from its first trailer, I've anticipated La La Land as a great movie and likely Best Picture winner. I generally love musicals, and--while romances aren't my favorite--who could resist a pairing as adorable as Emma Stone and Ryan Gosling? Certainly not I! Well...as it turns out, La La Land IS a great movie, and the probable Best Picture winner...but it's a lousy musical.

 

Getting the bad news out of the way first: La La Land features forgettable original tunes and unimaginative choreography. Neither Gosling nor Stone is a great singer, at least not as demonstrated here. (Stone has done Broadway, so I know she has to be better than this.) The musical numbers are exactly why some folks hate musicals: random songs dropped in mostly random places; there's no flow whatsoever. Finally, the movie has a disappointing finale that's so at odds with the rest it feels as if someone accidentally tacked on the ending of a different film. As La La Land's final impression, it casts a heavy shadow on the whole. (This is not a judgment of a happy or unhappy ending; it's about how the ending fits the rest of the picture.)

 

Having said all that, the good news is, there's lots of good news! La La Land is a compelling enough story that its musical failings are almost entirely forgivable. Stone and Gosling manage to out-cute Lawrence and Pratt as the movie year's most lovable couple, a feat I would have thought impossible. Remarkably, their weak singing voices play as part of a self-deprecating charm, and their characters' struggles and dreams should be relatable to just about anyone. La La Land boasts lovely production design and costumes, and there is one smokin' number, performed by John Legend, that even manages to break the movie's tired-old-showtunes mold.

 

La La Land clocks in at 128 minutes and is rated PG13 for "some language."

 

La La Land is a very good movie, a terrible musical, and a love letter to Los Angeles that fails to sell Los Angeles as anything worth loving. 

 

Of a possible nine Weasleys, La La Land gets seven. 

 

Next on the docket: Ben Affleck's mob thriller Live by Night.

 

A Boston mobster takes over Florida operations for a former rival.

 

By now you've probably heard enough negative commentary to guess Live by Night won't go down in the annals of legendary gangster movies. While that's probably true, that's not to say it isn't a worthwhile afternoon at the pictures.

 

Writer/director Affleck has created an interesting--if deliberately paced--story full of twists and turns. Per usual, he's crafted himself a role that plays to his stoic style and, while he does an admirable job, it's Sienna Miller who steals the show as his sometime girlfriend. If you're into mob movies in general, there are some...erm...offers people can't refuse, but the violence isn't overly graphic, and the movie never feels like a shoot 'em up where the story only occasionally interrupts.

 

Live by Night runs 128 minutes and is rated R for "strong violence, language throughout, and some sexuality/nudity."

 

Live by Night may not rank among the all-time great gangster pictures, but it's a well-executed tale with a satisfying payout. 

 

Of a possible nine Weasleys, Live by Night gets six and a half.

 

Fangirl points: Christian Clemenson! Brendan Gleeson! Titus Welliver!

 

Until next time... 

 

Cindy Prascik's Review of The Accountant

Dearest Blog: Yesterday it was off to Marquee Cinemas to see my Bat!Boyfriend's new flick, The Accountant. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers. A CPA with a dangerous clientele handles more than just the books. 

 

The Accountant is a mystery/thriller with a protagonist who may be difficult to warm up to. It's unhurried and often uncomfortable due to the aforementioned protagonist's failure to respond/react to certain situations in the "normal" way. Sound familiar? 

 

If you saw The Girl on the Train last weekend, I'm sure it does. However, unlike The Girl on the Train, The Accountant boasts well-plotted action, solid performances, a couple nice twists, and is funny only when it means to be. 

 

The titular savant, Christian Wolff, is unable to deal normally with people, but his mathematical genius is invaluable to his unsavory clients. Ben Affleck perfectly portrays the mannerisms typical of autism spectrum disorders, creating a character who is sympathetic even when he's doing some pretty bad things. 

 

Jon Bernthal, J.K. Simmons, and John Lithgow are terrific in supporting roles, and Cynthia Addai-Robinson is a pleasant surprise as the FBI agent hot on the tail of our mysterious money manager. (I've always thought she was one of the worst actors working, but maybe when you're on Spartacus there's just nothing for it!) 

 

The Accountant is brutal at times, certainly not for the faint of heart. There's a short spell right about the hour mark where the movie starts to drag a little, but it picks right back up and is otherwise deliberately-paced but never dull. 

 

Wolff's inappropriate and seemingly rude interactions with people and situations outside his comfort zone spell the dark tone with amusing moments that are never a mean spirited laugh "at" autism or its manifestations. 

 

The movie could have explained itself better in a few spots, and the runtime might have benefitted from a trim, but The Accountant is a suspenseful yarn that'll keep you on the edge of your seat. 

 

The Accountant clocks in at 128 minutes and is rated R for "strong violence and language throughout." 

 

The Accountant is a solid thriller featuring satisfying twists and a standout performance by Ben Affleck. 

 

Of a possible nine Weasleys, The Accountant gets eight. 

 

Until next time...

Cindy Prascik's Review of Batman v Superman: Dawn of Justice

Dearest Blog: With Batman v Superman: Dawn of Justice opening worldwide this weekend, it's a fair bet I'll be spending most of my holiday break at Marquee Cinemas. 

 

As goes the Bat, so go I. Probably the biggest spoiler here is that I loved this movie, otherwise nothing you wouldn't know from the many trailers and clips making the rounds. 

 

As the world wrestles with the pros and cons of Superman's protection versus his unchecked power, Gotham's most famous resident weighs in. 

 

 Dear Reader(s), if you have access to a computer or a tablet or a smartphone or a TV, you've probably already heard somebody say something bad about Dawn of Justice. I am here to tell you why the naysayers are wrong, and, though it may surprise you, I have more (if not better) reasons than: "Batman. Duh." Batman v Superman is an epic tale, crafted by a fan for fans. 

 

This picture is setting the table for what's to come, and, as such, it's got a lot of balls in the air, and plenty of appearances that earned applause from the crowd each of the three times I've seen the movie so far. Ben Affleck is not only a great Batman/Bruce Wayne, he is ideal for where the DC cinematic universe now finds itself. 

 

He's older and more jaded, but no less strong or purposeful (some might say pig-headed!). I was a little stunned by the vitriol directed at Affleck's casting--the guy's always seemed a bit benign to inspire such passion--but I confess, seeing him in the Batsuit gave me a mad crush that went from zero to Renner in exactly two hours and 31 minutes. 

 

Most of the supporting cast is equally terrific, with Jesse Eisenberg unsurprisingly the standout as super-villain Lex Luthor. Gal Gadot makes a fantastic Wonder Woman, and from the young men's reactions at Thursday night's sneak-peek...well...let's just say I'm glad I don't have to clean that theatre. Jeremy Irons, Amy Adams, Diane Lane, and Laurence Fishburne all contribute more than their fair share towards elevating the movie from good to great. Batman v Superman boasts sweet fight choreography, nice effects, some intense battles between good and good as well as good and evil, and a fair few chuckles, too. 

 

Dawn of Justice does have some flaws, and, lest I be accused of too much fangirling, it's only fair I mention those. Like so many movies these days, this one could have used a trim. Coming in at two hours or even two-fifteen wouldn't have cost the picture any massive cuts, just an edit here and there on those lengthy battles, chases, and flashbacks/dream sequences. 

 

The titular faceoff, in particular, though any fanboy's dream, strays a bit into overkill. Holly Hunter is a great actress, but listening to her speak is like nails on a blackboard; by her third line I'd have given anything to have ANY other actress in her role (except maybe Carey Mulligan, because we all know how I feel about that one). 

 

And then there's Henry Cavill, bless his perfect, perfect self. Cavill attempting to cob together memorized dialogue with the appropriate facial expression is nearly as difficult to watch as Charlie Hunnam desperately trying to cling to an accent for more than five minutes. 

 

I adore Cavill, and I think he's about as perfect a Superman as a person could want, but his acting chops could use some work. Truly, those are the only problems I had with Batman v. Superman. My bottom line on Dawn of Justice is this: Many people were determined to hate this movie before they ever saw it; that is the unfortunate reality of the Internet age. 

 

Many people are determined to compare the movie to Marvel in general, and to the upcoming Captain America movie in particular, but DC is DC; it is not trying to be Marvel (nor should it), and I'd rather enjoy each for what it is than pick either apart for what it isn't. 

 

At last check, there was about a fifty-percentage-point difference between critics' and fans' ratings of Batman v Superman over at Rotten Tomatoes, so I guess, you, dear Reader(s), can let somebody else tell you what to think about this movie, or you can go and see for yourself. If you go with an open mind, I think you'll enjoy what you see. Batman v Superman: Dawn of Justice clocks in at a whopping 151 minutes and is rated PG13 for "intense sequences of violence and action throughout, and some sensuality." 

 

While it's not *quite* as magnificent as The Dark Knight or Watchmen (each of which holds a spot in my top ten movies of all time), Batman v. Superman: Dawn of Justice is an entertaining epic and a perfect launchpad for DC's next phase. 

 

Of a possible nine Weasleys, Batman v Superman: Dawn of Justice gets eight and a half. 

 

Oh, and, for the record, I've got a milestone birthday coming up this year, so somebody be a dear and get me Affleck in that Batsuit, won't you? 

 

Please and thank you. 

 

Until next time...

MOVIE REVIEW: BATMAN V SUPERMAN: DAWN OF JUSTICE

Batman (Ben Affleck) and Superman (Henry Cavill) share the screen in this Warner Bros./DC Entertainment co-production penned by David S. Goyer and Chris Terrio, and directed by Zack Snyder. Amy Adams and Diane Lane return as Lois Lane and Martha Kent, respectively. ~ Jason Buchanan, Rovi

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Gal Gadot, Diane Lane, Laurence Fishburne

Release Date: Mar 25, 2016 

Rated: Rated pg-13 Intense sequences of violence and action throughout, and some sensuality.

Runtime: 2 hr. 31 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Batman v Superman: Dawn of Justice is a movie that’s got a lot going on both on screen and behind it.  Setting up an expanded DC movieverse along with being accessible to the general public and pleasing fans is an incredibly tricky thing to accomplish.  Needless to say, this film is an undertaking in every sense of the word and according to the professional critics it fails.  I went in expecting the worst and left scratching my head.  Not because the movie was awful, I was preparing for Sucker Punch level of Snyder bombast, but because I really don’t understand where most of the critics are coming from.    It’s a massive sprawling story appropriate for the icons on hand.  It isn’t perfect but it’s an impressive film that’s got some heft to it.  Since Snyder is a comic book fan so some of the fan service, particularly the dream sequences, will leave the uninitiated a tad lost.  It’s far from overkill but I can see how the complaint would be lodged against the story’s structure since some of the sequences feel abrupt.  As for the story itself, it feels like a traditional comic book narrative with nefarious plans at work to get our heroes to the titular battle.  There’s not a ton of surprises since the big turns are telegraphed in a fairly obvious manner along with all the oversharing via the prerelease trailers spoiling some of better reveals.  The cast does make the entire thing enjoyable even if the lofty themes can be a bit overbearing at times.  Henry Cavill seems far more comfortable in his role this time around.  Cavill gives the character some much need layers even though there is only so much room to maneuver given the characters traits.  Ben Affleck though has much more room to deliver a much more vicious, exacting and world weary Batman.  I had my doubts about Affleck when he was cast but he delivers the goods.  The biggest question mark, for me at least, was Jesse Eisenberg as Lex Luthor.  On the surface his Luthor feels different that past iterations, especially on film, but once you get past all the ticks and speed talking, you’re left with an amalgam of the comic versions of Lex Luthor, the businessman and mad scientist. Jeremy Irons and Holly Hunter both have interesting supporting roles with each begging for more screen time, Irons in particular.  Gal Gadot leaves the biggest impression in her supporting role as Diana Prince aka Wonder Woman.  Gadot fits the role much better than expected and plays the character with a perfect mix of mystery, strength and confidence.  It’s impressive enough that it’ll leave you anticipating the solo Wonder Woman film even more.  Aside, some of the quibbles mentioned previously, there is a sense that the story needs some wrangling in.  A good 20 to 30 minutes could have been trimmed to make it a sleeker more effective film.  Its lack of focus is felt most in the final act where the film has built a massive head of steam leading to a massive showdown only to be bogged down by other secondary story threads.  It’s not fatal but noticeable.  As is, I find it hard to believe that comic fans especially DC fans wouldn’t find a lot to like here.  Batman v Superman: Dawn of Justice doesn’t quite hit it out of the park but its pretty damn close.  

B

Cindy Prascik's Review of Gone Girl

Dearest Blog, yesterday I headed out to the cinema for one of the year's most-anticipated titles, Gone Girl.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Ben Affleck (Batman! Batman! Batman!) stars as Nick Dunne, a man who becomes a suspect in the disappearance of his wife, Amy (Rosamund Pike).

I haven't read the book on which Gone Girl is based, so no comparisons here as to how the film stands up against the source material.

On its own merits, Gone Girl, the movie, stands up pretty darn well. It's a twisting, turning affair, where almost nothing is quite what it seems, yet it never gets so convoluted it feels like it's lost its way. Dear reader(s), by now you know me well enough to know I can't possibly look at Ben Affleck without thinking (Batman! Batman! Batman!), but, even prior to his much-debated casting as the caped crusader, he seemed a very polarizing actor.

That makes Affleck (Batman! Batman! Batman!) an inspired choice for his role, as you're never quite sure how you're supposed to feel about Nick. Rosamund Pike continues to make good use of her patented wide-eyes-heaving-breasts act, but does a fine job of portraying all facets of one of the more...erm...*interesting* characters I've seen onscreen of late. The supporting cast is uniformly solid, with Carrie Coon turning in an especially good performance as Nick's ever-loyal twin sister.

Even Tyler Perry, whom I generally despise with the fire of a thousand suns, is pretty okay here. Another stunning score by Trent Reznor and Atticus Ross sets the mostly ominous tone. The movie is too long by at least 20 minutes, but it's easy enough to forgive in such a well-spun, surprisingly fun yarn.

Gone Girl clocks in at 149 minutes and is rated R for "a scene of bloody violence, some strong sexual content/nudity, and language."

Whether or not you were already a fan of the book, Gone Girl gives you every reason to get out to the theatre.

Of a possible nine Weasleys, Gone Girl gets eight.

Until next time..

 
Are you the hero Gotham deserves?