MOVIE REVIEW: FERRARI

 

During the summer of 1957, bankruptcy looms over the company that Enzo Ferrari and his wife built 10 years earlier. He decides to roll the dice and wager it all on the iconic Mille Miglia, a treacherous 1,000-mile race across Italy.

Director: Michael Mann

Cast: Adam Driver, Penélope Cruz, Shailene Woodley, Sarah Gadon, Gabriel Leone, Jack O'Connell, Patrick Dempsey

Release Date: December 25, 2023

Genre: Biography, Drama, History

Rated R for some violent content/graphic images, sexual content and language.

Runtime: 2h 11m

Michael Mann's Ferrari is a slick, easily digestible bio pic led by strong central performances from Adam Driver and Penelope Cruz with the latter nearly stealing the show.  Mann gives the film the kind of polish that you'd expect from any of his films with the racing sequences pulsing off the screen.  The quieter moments he leaves to his stellar cast lead by Adam Driver.  Driver's quiet intensity and determination shines through even though he's a tad too young for the roles even as he sports a fully silver head of hair for the majority of the film.  He manages to give the character plenty of depth with his nuanced performance.  The film really sizzles when Penélope Cruz joins him onscreen as she delivers an excellent turn as Ferrari's emotionally broken wife.  Cruz's brings an acidic passion and anger to the screen with incredible ease which speaks to her immense talent.  While the story is engaging enough it never quite finds the same sort of energy when Cruz is off screen leaving Shailene Woodley's character feel rather bland and uninteresting in comparison.  This leaves those moments a more ponderous which kills the film's energy and overall pacing which makes the film far more choppy than it should be.  The film does recover in its final act with a pulse pounding and ultimately tragic race that's initially thrilling before delivering a brutal gut punch.  Those closing moments do give the story a more grounded and somber feel to the story of Ferrari and his life's passion.  

B+

MOVIE REVIEW: HOUSE OF GUCCI

When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel the family legacy and triggers a reckless spiral of betrayal, decadence, revenge -- and ultimately murder.

Director: Ridley Scott

Cast: Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons, Salma Hayek, Al Pacino, Reeve Carney, Jack Huston

Release Date: November 12, 2021

Genre: Crime, Drama, Thriller

Rated R for language, some sexual content, and brief nudity and violence.

Runtime: 2h 37m

Review:

Ridley Scott's House of Gucci is a massive Shakespearian soap opera that indulges in its opulent excesses to a fault.  Scott's directs his film with a steady hand, delivering a glossy vision of the 80's that uses every cliched song imaginable.  The shots are meticulously constructed which allow you to appreciate the incredibly lavish fashion and art direction on display.  There isn't the usual grittiness typically associated with Scott, here he's clearly going for a very specific look and feel that's reflective of the fashionista royalty on display which fits perfectly for the film.  It should come as no surprise to anyone that Lady Gaga fits perfectly as real life femme fatale Patrizia Reggiani.  Gaga is clearly committed to the role as she channels Lady MacBeth in 80's couture.  It’s a showy role for her, more so than her turn in A Star is Born, and she does well delivering a steely, ferocious turn that works as the anchor of the entire film.  Adam Driver delivers one of his better performances by playing against type and not relying on his masculinity like he usually does.  

Driver is surprisingly believable as Maurizio Gucci who starts out being overly naïve before he becomes more savvy to his wife's machinations in the family business.  Jared Leto's much talked about transformation is cartoonish but in the film it works since the film is populated with performers going big with their characters.  Al Pacino and Jeremy Irons are prime examples of this with each delivering some fun but hammy turns as the Gucci partners.  Jack Huston, Reeve Carney and Salma Hayek round out the cast with more measured turns which flesh out the world.  If this all sounds like a lot, well it is and narratively speaking its overstuffed with Scott cramming 30 years of story into a two and half hour film.  The performances and production make it easy to overlook the fact that there isn't much palpable tension or drama even with all the betrayals and backstabbing going on. 

B

MOVIE REVIEW: THE LAST DUEL

Jean de Carrouges is a respected knight known for his bravery and skill on the battlefield. Jacques Le Gris is a squire whose intelligence and eloquence makes him one of the most admired nobles in court. When Le Gris viciously assaults Carrouges' wife, she steps forward to accuse her attacker, an act of bravery and defiance that puts her life in jeopardy. The ensuing trial by combat, a grueling duel to the death, places the fate of all three in God's hands.

Director: Ridley Scott

Cast: Matt Damon, Adam Driver, Jodie Comer, Ben Affleck, Harriet Walter, Nathaniel Parker. Alex Lawther

Release Date: 1h 46min

Genre: Action, Drama, History

Rated R for strong violence including sexual assault, sexual content, some graphic nudity, and language

Runtime: 2h 32min

Review:

Ridley Scott's The Last Duel is the type of gritty muddy medieval drama that plays right into his wheelhouse. The Last Duel is a perfect bookend to the director's previous historical epics, Gladiator and The Kingdom of God, with this one focused more intently on the central characters than large scale battle field carnage.  That's not to say the film doesn't deliver a handful of bloody, bone crushing battle sequences including the titular duel but Scott's lens focuses more on the three main characters and their disparate versions of the truth.  Matt Damon and Adam Driver both deliver strong performances but as the film goes on you get the sense that the film would have been better served had they swapped roles.  Driver would have been far more believable as the hard edged brute as opposed to the strikingly handsome rapscallion the film tries incredibly hard to make us believe he is.  Driver is at his best when roles embrace his embodiment of the boorish angry masculinity which would have made him perfect for Jean de Carrouges.  Damon for his part delivers a workman like performance which adds bits of subtly depending on who's telling the story.  Jodie Comer balances both performances with a nuanced take on a character that could have easily fallen into clichéd territory.  Comer gives her a character a strong believable sense of intelligence paired with quiet strength and resolve.  Ben Affleck though maybe having the most fun of all in a supporting role as a debaucherous libertine who sets off the feud between to the two men.  The cast makes the film's lengthy runtime feel far more manageable due to their talents on display.  The Last Duel carries multiple thematic themes and messages, some work while others come off as overly blunt.  That being said the film works more than it doesn't and should please plenty of people looking for more heavy adult drama.

B+

Cindy Prascik's Reviews of Star Wars: Episode IX - The Rise of Skywalker & Jumanji: The Next Level

Yesterday I trekked to the cinema to shake off the after-Christmas blues with Star Wars: Episode IX and Jumanji: The Next Level.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my Boxing Day agenda: Star Wars: Episode IX — The Rise of Skywalker.

The final chapter of the Skywalker saga sees the Resistance facing off with a mysteriously-resurrected Emperor Palpatine.

Star Wars is one of those franchises that has such a devout and legendarily bitchy fanbase that there's nothing any review can really say that will be taken at face value. If you love it, you're too devoted to see its flaws; if you hate it, you're just a bitter fanboy. For whatever it's worth, I'm here to say that Rise of Skywalker is probably a lousy movie, but I mostly loved it anyway.

Episode IX definitely occupies more minutes than it earns, with some bloated battle/chase scenes that could and should have been trimmed significantly. The bulk of the movie is simple fan service, giving that devout fan base what the filmmakers thought it would want to see in the finale for at least this most-beloved branch of the Star Wars universe. Artistically, that never does a project any favors, but as a casual SW fan who has been in love with Luke Skywalker since I was ten, I very much enjoyed it. Highlights continue to be John Boyega and Oscar Isaac as Finn and Poe, while neither Daisy Ridley nor Adam Driver does much for me. (Yes, I know the whole wide galaxy thinks Driver's the best thing since sliced bread. I don't.) Some effects are terrific, while others are inexplicably dodgy. A good deal of it looks like a weird production of Jesus Christ Superstar. Pretty much every plot device and line of dialogue is more hokey than the one that came before it. I mean, you can only wring so many tears out of previously-unused Carrie Fisher footage, am I right? A real positive here is the organically diverse cast, no big deal, just characters of all races and species living and working together like it's as common as it should be. If some of Episode IX truly represents the best that Star Wars has to offer, it's re-hashed enough by this point to have lost much of its impact.
Star Wars: Episode IX — The Rise of Skywalker clocks in at a mammoth 142 minutes and is rated PG13 for "sci-fi violence and action."

The Rise of Skywalker is an imperfect but enjoyable finale to a very-much-loved saga.

Of a possible nine Weasleys, Star Wars: Episode IX — The Rise of Skywalker gets seven, including one bonus Weasley for having an actual Weasley, Domhnall Gleeson, in the cast.

Next on yesterday's docket: Jumanji: The Next Level.

The gang is drawn back into the world's most dangerous game for another adventure.

Jumanji is an unlikely success story, a project that had every reason to be painfully bad, but somehow ended up surprisingly good. First and foremost, that is down to an absolute home-run with the casting, not just the notably terrific adult leads--Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan--but also their younger/real world selves: Alex Wolff, Ser'Darius Blain, Ashley Scott, and Morgan Turner. As with the first Jumanji, the kids are so good it's almost a disappointment when they morph into their more famous video-game selves. Almost. Johnson, Hart, Black, and Gillan are so great I kinda want them and only them to be in all the movies all the time now, please and thank you. Throw in bonus Danny DeVito and Danny Glover, and you've got yourself one top-notch cast. The Next Level is as laugh-out-loud hilarious as its predecessor, in both broad and more clever ways, with a fresh story that never feels like a sequel for the sake of it. The action-packed plot moves along quickly and doesn't overstay its welcome, wrapped up with a nice Christmas setting, making it the perfect holiday family fare. For whatever it's worth, this movie got the best crowd reaction of any movie I saw this year, and that's a month into its release.

Jumanji: The Next Level runs 123 minutes and is rated PG13 for "adventure action, suggestive content, and some language."

Jumanji: The Next Level is that rarest of sequels that may even best its predecessor.

Of a possible nine Weasleys, Jumanji: The Next Level gets eight.

Until next time...

MOVIE REVIEW: STAR WARS: THE RISE OF SKYWALKER

The surviving Resistance faces the First Order once more as Rey, Finn and Poe Dameron's journey continues. With the power and knowledge of generations behind them, the final battle commences.

Director: J.J. Abrams

Cast: Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Ian McDiarmid, Billy Dee Williams

Release Date: December 13, 2019

Genres: Action, Adventure, Fantasy

Rated PG-13 for sci-fi violence and action

Runtime: 2h 21min

Review:

Star Wars: The Rise of Skywalker has a hefty checklist of things it needs to accomplish while closing out the Star Wars franchise at least the Skywalker saga.  For some reason, J.J. Abrams decides to do it in the most perfunctory way possible.  Massive reveals, which come out of left field with regularity, occur throughout but none of it is particularly engaging.   It would have been nice if there was some sort of mystery or intrigue but Abrams and the screenwriters seem strangely disinterested creating any sort of tension at any point during the proceedings.  As such, we move from set piece after set piece where we get some well choreographed Star Wars action, rinse and repeat for 2 and half hours.  Sadly, after this happens a few times you really just don’t care anymore.  The dialogue shuffles between believable to outright corny leaving the characters feeling more artificial than organic.  The cast does what it can with the characters delivering infrequent moments of life.  Daisy Ridley who seems continuously sweaty leads the film as best she can.  Her character has always been a bit of cipher mainly because she never feels like anything more than rehash of Luke’s story line, something compounded by story choices here.  Ultimately she’s nothing more than a Luke clone in Capri pants and space Uggs.  Adam Driver’s Kylo Ren is even more uninteresting this go around.  The insistence on having his angry emo boy be the primary menace in this trilogy has always left me confused.  There’s never been much intrigue in his character much less any sort of palpable sense menace or real threat.  John Boyega and Oscar Isaac do what they can with their screen time but suffer from poor writing that never let them develop memorable characters.  You can sense Isaac trying bring a spark of life to Poe in this film but it’s never maintained for a sustained amount of time.  As such, we watch everyone go through the motions and move the plot from one spot to another with a sense of inevitability as opposed to wonder. Sure it’s great to see the late Carrie Fisher on screen one last time but even her scenes aren’t nearly as moving as they should be, possibly because you can feels Abrams building story around these bits of old footage for the sake of inclusion.  All this should have been moving but it never hits with the emotional impact much like this final entry overall. 

C-

MOVIE REVIEW: MARRIAGE STORY

A stage director and his actor wife struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extremes.

Director: Noah Baumbach

Cast: Adam Driver, Scarlett Johansson, Laura Dern, Alan Alda, Ray Liotta, Azhy Robertson, Julie Hagerty, Merritt Wever, Wallace Shawn

Release Date: December 13, 2019

Genres: Comedy, Drama, Romance

Rated R for language throughout and sexual references.

Runtime: 2h 17min

Review:

Noah Baumbach’s Marriage story is as subtle as it is familiar.  You’d be hard pressed to ignore echos from films like 1979’s Kramer vs Kramer which starred Dustin Hoffman and Meryl Streep or even 1989’s The War of the Roses with Kathleen Turner and Michael Douglas.  Perhaps every generation needs one or two films that captures the slow-moving disintegration of a love story perhaps to act as a counterweight to the endless Rom-Coms that Hollywood churns out.  Baumbach’s film does a fine job of capturing what those singular films have in the past by capturing the ordinary and mundane that can lead to larger life events.  We never see the marriage in its heyday and it’s probably for the best that its only referred to but never explicitly shown, capturing how those fiery moment have faded into the mundane.  At the film’s center are two performances that keep your attention even through the quieter moments which pepper the film.  Adam Driver and Scarlett Johansson keep it watchable and engaging throughout.  I’ll readily admit that I’ve never understood Driver’s appeal, in my opinion he’s been playing version of the same character since he first hit the screen, but it’s hard to ignore his measured but realistic performance.  The film paints his character in a slightly more sympathetic light which makes him easier to like since the film tends to follow him more than Johansson.  Scarlett Johansson is just as strong even if her character is a bit more distant from the center of the film.  Still both are likable for the better part of the film even as things start to get more and more pointed leading to an explosive confrontation which is realistic in its gloves off emotional brutality.  If this makes the film sound like a decidedly dour affair, it’s not.  In fact, the film is an ebb and flow in emotions with moments of levity coming as readily as the sadder moments.  The supporting actors all have fun moments with Laura Dern channeling her Big Little Lies character.  Alan Alda and Ray Liotta both have smaller roles, but each leave a lasting impression and make you wish they’d been on screen just a tad more.  As a whole, Marriage Story is a bitter sweet tale about what happens once the romantic comedy moments end

A

Cindy Prascik's Review of Marriage Story

With the weekend fully occupied by my annual New York City trip, today I took advantage of my "recovery day" today to check out Noah Baumbach's Marriage Story.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A divorce seen from all points of view.

Marriage Story is the sort of movie I expect to loathe. No explosions. No gunfights. No Jason Statham. Why even bother making that movie, am I right?? This one, though? I liked it. It's good. It's clever. It's deep. I mean, still no Statham, but, well, you can't have everything, I guess.

Marriage Story dives deep into the divorce of an actor (Scarlett Johansson) and a director (Adam Driver), poking at the story from all sides. Determined to split amicably, the two are pulled in different directions by extraneous forces, as they navigate the challenging terrain of their separation and its effects not only on themselves, but also on their young child. Johansson and Driver are brilliant, and--while he may not have Taron Egerton's Oscar, either--this is probably the closest anyone's gotten to Egerton's fantastic work in Rocketman all year long. Authentic, devastating performances by both leads. The supporting players are no slouches themselves, with Wallace Shawn, Alan Alda, Laura Dern, Ray Liotta, and Julie Hagerty among the notables fleshing out this layered tale. Marriage Story is inescapably sad, but also funny at times. It realistically portrays how a person might hate and love someone at the same time. It is a complex, well-crafted story whose only real flaw is that the painful subject matter makes its excessive length cumbersome. It also confirms my theory that most trouble starts with having Laura Dern around, so there's that.

Marriage Story clocks in at 136 minutes and is rated R for "language throughout and sexual references."

Marriage Story is a heartbreaking, hopeful work of art, and I recommend it with some surprise but no hesitation.
Of a possible nine Weasleys, Marriage Story gets eight.

Until next time...

Cindy Prascik's Review of BlacKkKlansman

Dearest Blog: Yesterday it was off to Marquee Cinemas for Spike Lee's BlacKklansman, touted as one of the year's best films thus far.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers or from the news if you're old enough.

 

Colorado Springs' first black police officer goes undercover to infiltrate the Ku Klux Klan. (Seriously.)

 

Unarmed with knowledge of the true story, one might naturally assume a yarn as absurd as BlacKklansman to be fictional comedy. The movie does, in fact, feature several laugh-out-loud moments. These ridiculous situations that seem hilarious in fiction are decidedly less so when based in reality (especially in today's climate), but the moments of levity are well-placed and necessary in a story that's pretty hard to stomach at times. Despite deliberate pacing, BlacKkKlansman never feels slow, though the harsh, hateful language and the tension of the case itself definitely made me fidgety. Much of the picture is so surprisingly quiet that, on those occasions when Terence Blanchard's score really rears its head, it feels a little jarring and out of place, but otherwise the musical selections are choice! Outstanding leads John David Washington and Adam Driver have terrific chemistry; Washington, in particular, carries the film with the ease of an old pro, despite having just eight acting credits on his resume. Director Lee expends a great deal of quality screen time focusing on individual faces in the crowds, as if begging viewers to remember we're all just people, no matter our ethnicity or heritage. BlacKkKlansman is the kind of essential film making that makes getting out to the cinema not just something you want to do, but something you HAVE to do.

 

BlacKkKlansman clocks in at 135 minutes and is rated R for "language throughout, including racial epithets, disturbing/violent material, and some sexual references."

 

BlacKkKlansman is that rare gem that truly earns the hype. 

 

Of a possible nine Weasleys, BlacKkKlansman gets nine.

 

Fangirl points: Well, dear reader(s), this basic 70s white girl sure did enjoy hearing Emerson Lake & Palmer's "Lucky Man" in digital surround sound!

 

Until next time...

MOVIE REVIEW: BLACKKKLANSMAN

From visionary filmmaker Spike Lee comes the incredible true story of an American hero. It’s the early 1970s, and Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The young detective soon recruits a more seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation of a lifetime. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream. 

Director: Spike Lee

Cast: John David Washington, Adam Driver, Laura Harrier, Topher Grace

Release Date: August 10, 2018

Genres: Biography, Comedy, Crime

Rated R for language throughout, including racial epithets, and for disturbing/violent material and some sexual references

Runtime: 2h 15 min

Review:

Blackkklansman is one of Spike Lee’s best films in a while.  It’s funny, uncomfortable and incredibly timely.  Spike Lee isn’t shy about being fairly vocal and direct on his message and it fits perfectly for this stranger than fiction true tale.  John David Washington, Denzel’s son, has a strong screen presence which translates well to the big screen.  Washington is the driving force to the film and he handles it with an experienced ease that’s rare to find.  He and Adam Driver share a strong chemistry with both delivering strong performances.  I’m usually not the biggest fan of Driver but he fits the role well.  The supporting cast is made up of strong character actors like Topher Grace and Jasper Pääkkönen who really shine in their roles.  If there’s a small complaint its that Lee’s film could use a tad bit of trimming since the romantic subplot feels oddly forced.  It’s a minor complaint since the film is fairly enjoyable for the majority of its runtime.  It’s a rare kind of message movie that’s as funny as it’s impactful.  

A-

MOVIE REVIEW: STAR WARS: THE LAST JEDI

Luke Skywalker's peaceful and solitary existence gets upended when he encounters Rey, a young woman who shows strong signs of the Force. Her desire to learn the ways of the Jedi forces Luke to make a decision that changes their lives forever. Meanwhile, Kylo Ren and General Hux lead the First Order in an all-out assault against Leia and the Resistance for supremacy of the galaxy.

Director: Rian Johnson

Release Date: Dec 15, 2017

Cast: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Laura Dern

Rated PG-13 (for sequences of sci-fi action and violence)

Runtime: 2 hr. 32 min.

Genres: Action, Adventure, Fantasy

Review:

Star Wars: The Last Jedi is an enjoyable entry into the long running series.  It has some moments that feel iconic but as a whole it never really captures a consistent feel that some of the better Star War films like The Empire Strikes Back and Rogue One.  Rian Johnson delivers a solid entry that doesn’t deliver a bevy of familiar beats like The Force Awakens did three years ago.  Instead we get some interesting story choices that don’t necessarily hit as well as they should have.  I do give Johnson credit for trying something different instead of playing it safe but none of the choices really make for any sort of memorable moments.  Instead we get 3 disparate storylines that run concurrently but never seem naturally cohesive.  Separating the 3 new leads robs the story of letting these new generation characters form any sort of ongoing chemistry.  Daisy Ridley is just as energetic and magnetic as she was in The Force Awakens.  Ridley and Mark Hamill share solid chemistry together with Hamill adding impressive range and depth to Luke Skywalker.  Oscar Issac is given more screentime, to the films benefit, this go around and Issac takes full advantage.  He brings a strong sense of bravado and charm to the role which feels like a new generation’s Han Solo.  John Boyega is still a little broad for my taste, it’s not his fault.  The character is written very broadly much to Boyega’s detriment because he’s a solid actor but he isn’t given much to do here until the final act.  Carrie Fisher delivers her final bow on film and it’s very much a fitting swan song even if her character is taken off the board for a large chunk of the film.  My biggest issue is still Adam Driver’s Kylo Ren whose character is nothing more than a whiny emo man baby.  There are a few choice bits written into his character which posits some interesting ideas about legend and legacy but it not enough for me to get past the fact that’s the character is eerily similar to Anakin Skywalker in the prequel trilogy.  The film does boast some impressive set pieces sprinkled throughout even though you can’t help but think it all could have been trimmed down by a good 45 minutes.  One subplot in particular feels like it could have been excised entirely while finding something slightly more interesting than a casino planet or the worlds slowest space chase.  Star Wars: The Last Jedi is at the very least better than The Force Awakens in that if finds its own path.  It’s not the perfect entry some have made it out to be but it’s an enjoyable entry.

B-

Cindy Prascik's Reviews of Star Wars: The Last Jedi & Ferdinand

Dearest Blog: 'Tis the season where I never work a five-day week, so yesterday I took advantage of a Friday away from the office to beat the (worst) crowds to The Last Jedi and Ferdinand.

Spoiler level here will be mild, nothing you wouldn't know from the trailers, BUT...as people are uber-sensitive about Star Wars I'm gonna say spare us all the stress and just don't read this until you've seen the movie. I might have a thought that hints at an idea that will utterly destroy your experience or something.

Normally I write in the order I see, but as a courtesy I'm going to drop Ferdinand first so parents who are wondering, "Should I take my kid to this?" don't have to wade through 2,000 words on why I've been in love with Luke Skywalker since I was ten before getting their answer.

A gentle bull called Ferdinand has to save himself and his friends from the bullfighter's ring and the Burger King.

Ferdinand is a cute, mostly benign kids' movie. I hesitate to call it a family movie because, really, there's not much here to entertain anyone over the age of ten...or most people over the age of ten, I guess, because I liked it well enough. Ferdinand's art and animation are merely decent, and the predictable story--while enjoyable--is certainly not on par with its most recent animated competition, the extraordinary Coco. A lively score from the brilliant John Powell works especially well with the film's brighter and more colorful bits. Wrestler John Cena isn't overtaxed in the lead, and, oddly, my screening seemed mostly filled with Cena fans, just one little kid among them. There's not much to say about the supporting crew other than Kate McKinnon is marginally less annoying than she was in Ghostbusters, and the animated David Tennant has WAY more lines than the animated David Tennant did in How to Train Your Dragon. To me some of Ferdinand's themes seem a little harsh for smaller kids. The film is pretty clear on what happens to the bulls, whether or not they make it to the ring, so if you still hope to feed your kids that Hamburger Helper on a busy night, maybe take a pass on this one. I don't have children and always assume kids of any age know more than I'd guess, but I also thought the language was somewhat crass for very young audiences, so, again, skip it if your kids aren't already at an age where everything "sucks."

Ferdinand runs 106 minutes and is rated PG for "rude humor, action, and some thematic elements."

Ferdinand is a passable kids' movie that offers little for the rest of the family...but I liked it. 

Of a possible nine Weasleys, Ferdinand gets five.

Fangirl points: David Tennant! Raul Esparza!

Okay, now onward to Star Wars: The Last Jedi.

With hope all but lost, the Resistance seeks a new hope. Erm...hang on.......

When a property is as iconic as Star Wars, it's more important than usual to offer a disclaimer on where these opinions come from, because I feel like most opinions on such things come from more than whether or not the movie itself is any good. So...I was ten when the first Star Wars came out. If memory serves, it was the first movie I ever saw in a theater. I fell in love with Luke Skywalker and have been in love with Luke Skywalker ever since. Thus, even though The Force Awakens is pretty universally well loved (and I, myself, loved much of it), it was also a bitter disappointment to me due to the lack of Luke. You can keep your Han. You can keep your Leia. For me it's all about Luke.

As advertised, The Last Jedi features a fair bit of Luke. Surly, difficult, fed up, conflicted, heroic Luke. Mark Hamill turns in an epic performance worthy of an epic installment in an epic series. Luke Skywalker, you remain my hero. The rest of the cast is great and terrible and a little bit in between. Kudos to John Boyega (who needs more to do) and Oscar Isaac, who engage with honesty and charisma. Of course Carrie Fisher is amazing, though her every appearance is a kick-in-the-gut reminder of what we've lost. Domhnall Gleeson's General Hux is a moustache-twirl away from a cartoon, but for my money is a more entertaining and menacing baddie than Kylo Ren, who always feels more like a kid sulking in his room with a comic book than a genuine threat to the galaxy. Much of that may have to do with Adam Driver, who is ineffective at portraying the conflict within this tormented character. Despite her closet full of awards, Laura Dern is about as exciting as a paper doll, and I'm only grateful her screen time is limited enough that it didn't ruin more of the movie for me. Annnnnnnd...Daisy Ridley is somewhere in between all that. Rey is so critical--both to Star Wars in particular and movies in general--sometimes I feel like the actor just doesn't do the character justice. 

The Last Jedi starts fast out of the gate, but suffers great lags across its bloated runtime. In addition to my usual complaints (really, there are only so many moves that are interesting and necessary in any fight or chase scene), there are a couple places where the picture drops asides that seem extraneous and could have been eliminated with no real damage to the end result. The effects and CGI look pretty great, and much of the film is simply stunning, visually. The action is exciting and often takes unexpected turns, and there's a good bit of humor that mostly hits the mark without feeling forced. It goes without saying that John Williams' score is once again the very definition of iconic. The Last Jedi does a fine job of giving new players their due, while never seeming to shaft the old favorites, then tying both together in such a way that fans can probably envision this series going on forever, passing the baton from one generation of rebels to the next.

Star Wars: The Last Jedi clocks in at a massive 152 minutes and is rated PG13 for "sequences of sci-fi action and violence."

The Last Jedi has won over critics, while leaving the fandom bitterly divided. I found a lot to love about it, but was left without the euphoria I expected when the end credits rolled. As always, though, I beg you, dear reader(s), not to let the Internet make up your mind about this movie. Get on out to the theater and see it for yourself. 

Of a possible nine Weasleys, Star Wars: The Last Jedi gets eight and a half, which includes one (1) bonus Weasley for having an actual Weasley in the cast.

Fangirl points: You guys...ADRIAN FREAKING EDMONDSON is in this movie!

Until next time...

MOVIE REVIEW: LOGAN LUCKY

West Virginia family man Jimmy Logan teams up with his one-armed brother Clyde and sister Mellie to steal money from the Charlotte Motor Speedway in North Carolina. Jimmy also recruits demolition expert Joe Bang to help them break into the track's underground system. Complications arise when a mix-up forces the crew to pull off the heist during a popular NASCAR race while also trying to dodge a relentless FBI agent.
Director: Steven Soderbergh

Cast: Channing Tatum, Adam Driver, Daniel Craig, Katie Holmes, Riley Keough

Release Date: Aug 18, 2017

Genres: Comedy, Crime, Drama

Rated PG-13 for language and some crude comments

Review:

Logan Lucky is a fun energetic return for Steven Soderbergh after a 4 year “retirement.”  This heist caper is like a Dixie styled Ocean’s 11 with a good sense of fun.  It never takes itself too serious and knows how to keep the audiences attention from waning.  Soderbergh’s direction is slick as always, resulting in a breezy film that never really feels long or hits many dips in energy.  The cast is all fully committed with each member giving a fun if occasionally understated performances, except for Daniel Craig who’s clearly having a ball.  Most of the characters are broadly drawn but they do their job in service of  the story.  Only a handful of them feel out of place like Seth McFarland over the top Nascar owner and Hilary Swank’s under baked FBI agent who shows up far to late in the game to be taken seriously.  Still, Logan Lucky a welcome return for Soderbergh and his film making style.

B+

Cindy Prascik's Review of Star Wars: The Force Awakens

Dearest Blog: yesterday it was off to Marquee Cinemas to see--you guessed it!--Star Wars: The Force Awakens. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

In a post-Empire galaxy far, far away, the resistance fights the tyrannical rule of the First Order. Dear Reader(s): Is there anything quite so magical as being in a dark theatre when that crawl starts and the iconic Star Wars theme kicks on? 

 

I think not. Fortunately, Star Wars: The Force Awakens is extraordinary from the theme's opening note to the end credits' final line. The Force Awakens is littered with enough nostalgia to keep the die-hards happy, but it's far from just a stroll down memory lane. 

 

The new story and new characters fit the universe with nary a hiccup, well crafted enough to stand on their own without upsetting the whole galactic applecart. New leads Daisy Ridley and John Boyega (Attack the Block...YEAH!) are so terrific the naysayers will be forced to come 'round, if they haven't already, and I'd be lying if I said I didn't get a little teary through the biggest smiles ever when my old favorites appeared. 

 

The Force Awakens has terrific effects that seem to come right off the screen, even in 2D, and it goes without saying the score is majestic. 

 

The movie's a hair on the long side, but that's a minor quibble with a picture that manages to please old and new fans alike, garner nearly universal support for a very polarizing director, and effectively redefine Hollywood's definition of "blockbuster." Star Wars: The Force Awakens runs 135 minutes and is rated PG13 for "sci-fi action violence." 

 

That rare item that lives up to the hype, of a possible nine Weasleys, Star Wars: The Force Awakens gets eight and a half. (Small bonus for having an actual Weasley in the cast!) Also, I want a BB-8!! 

 

Until next time... 

 

MOVIE REVIEW: STAR WARS: THE FORCE AWAKEN

In this continuation of the epic space opera, a downed stormtrooper (John Boyega) goes on a journey that brings him face-to-face with heroes from the past (Harrison Ford, Carrie Fisher, and Mark Hamill). Directed by J.J. Abrams. ~ Violet LeVoit, Rovi

Director: J.J. Abrams

Cast: Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Domhnall Gleeson, Harrison Ford, 

Mark Hamill, Carrie Fisher

Release Date: Dec 17, 2015

Rated PG-13

Runtime: 2 hr. 16 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

Star Wars: The Force Awakens is probably one of the most hyped movies in recent memory and the question quickly arises, can it possibly live up to the hype.  It does to a certain extent but it’s far from a perfect delivery.  The good news is that J.J. Abrams brings back the sense of fun and wonderment to the series that was sorely lacking from the prequels.  Abrams has a clear affection for the franchise, countless youtube videos will soon be dedicated to dissecting shots that reference the original trilogy, and it shines through the screen and through the plot.  It’s both a love letter to Star Wars: A New Hope and a redux of it.  Even if the nostalgia is a bit much at times, Abrams knows how to keep the film fun with plenty of space battles and adventure.  The new and old characters mesh surprisingly well even if the Daisy Ridley and John Boyega scale closer to Luke Skywalker than Han Solo.  Boyega does stand out with his comedic timing which is used throughout the film.  A persistently sweaty Ridley does a solid if unremarkable job.  Oscar Isaac on the other hand plays the most intriguing new character in the film.  He’s so impressive that you can’t help but wish that he was the main character instead of a supporting one.  The returning cast does well as expected with Harrison Ford impressively easing back into his Solo character and providing a solid center to the whole film.  Adam Driver on the other hand is a mixed bag as the new baddie Kylo Ren.  He’s world more effective when he’s in full character.  The mystique they work to create during the first two acts is kind thrown to the wayside when he’s unmasked and we’re left with an all too familiar whiny child with Driver’s face.  This is part of the persistent problem with the film, it lack any real surprise because it telegraphs “surprises” from miles away.  The only way you’d really not see them coming would be if you showed up late or fell asleep for some reason.  That’s not even to mention the Death Star, hey lets make it huge this time that’ll work, device that used again.  Still, even with it’s faults The Force Awakens delivers what people expected from the prequels, a fun adventure back in this universe.

B+