MOVIE REVIEW: THE CREATOR

 

As a future war between the human race and artificial intelligence rages on, ex-special forces agent Joshua is recruited to hunt down and kill the Creator, the elusive architect of advanced AI. The Creator has developed a mysterious weapon that has the power to end the war and all of mankind. As Joshua and his team of elite operatives venture into enemy-occupied territory, they soon discover the world-ending weapon is actually an AI in the form of a young child.

Director: Gareth Edwards

Cast: John David Washington, Madeleine Yuna Voyles, Gemma Chan, Ken Watanabe, Sturgill Simpson, Allison Janney

Release Date: September 29, 2023

Genre: Action, Adventure, Drama, Sci-Fi, Thriller

Rated PG-13 for violence, some bloody images and strong language

Runtime: 2h 15m

Gareth Edwards The Creator is a sprawling sci-fi epic that's got a distinctive visual style that echoes its massive scope.  Edwards mines a variety of sources such as Blade Runner, District 9, Children of Men, A.I. Artificial Intelligence, and a small dash of Kubrick's 2001 in the final shot.  The result is a cornucopia of fully realized settings that feel lived in and real that keeps the film from feeling too artificial.  Story wise it's equally expansive and grounded even as it traverses some well worn story threads, particularly the child messiah idea from The Terminator but opting to flip the script.  It’s a dense story that throws a hefty amount of thematic ideas that makes the film work both as something literal and as a more allegorical tale which the best kind of sci-fi tends to do.  Needless to say, it’s the kind of hard sci-fi that we rarely see these days especially on the scope and scale that Edwards delivers.  Its deadly serious from start to finish with performances that are equally committed to their roles.  John David Washington leads the film with a heartfelt, driven performance which gives him ample time to shine.  He serves as the anchor of the film, keeping everything tethered to the emotional core of the story.  Newcomer Madeleine Yuna Voyles, who plays Alphie the child AI, is impressive throughout with her and Washington sharing strong chemistry together even as the script starts to thug on heartstrings a tad too much in the final act.  The supporting cast is solid even if they do take a backseat to the central relationship with Ken Watanabe and Allison Janney leaving the biggest impression.  Watanabe gets his moments, but the film would have been smart to take better advantage of his talented presence.  Janney does get more screen time which she uses to deliver an icy, stone cold killer turn that could have come off as cartoonish in lesser hands.  She makes for a compelling villain, but the script doesn't give the character a ton of depth outside of a few passing lines of dialogue early on.  Its one of the minor issues that peppers the film in addition to pacing issues here and there that make the film feel longer than its actual runtime and some fairly noticeable logical leaps the story ask you make at various points in the plot.  Still, The Creator is an achievement on multiple levels from its stark visuals to its ability to take well worn tropes feel fresh again.

B+

MOVIE REVIEW: AMSTERDAM

 

Set in the '30s, it follows three friends who witness a murder, become suspects themselves, and uncover one of the most outrageous plots in American history.

Director: David O. Russell

Cast: Christian Bale, Margot Robbie, John David Washington, Chris Rock, Anya Taylor-Joy, Zoe Saldaña, Mike Myers, Michael Shannon, Timothy Olyphant, Andrea Riseborough, Taylor Swift, Matthias Schoenaerts, Alessandro Nivola, Rami Malek, Robert De Niro

Release Date: October 7, 2022

Genre: Comedy, Drama, History

Rated R for brief violence and bloody images.

Runtime: 2h 14m

Review:

David O. Russell's star studded Amsterdam is a strange amalgam of a convoluted storyline that's nearly offset by energetic turns from its cast.  The film itself is impeccably shot with a glossy look that gives everything an air of Norman Rockwell nostalgia brought to life.  The visuals keep things interesting while the plot's expansive and overly busy story threads start unfurling.  This is the type of film that's in no hurry to get anywhere as it relishes in setting up scene and sequences which allow his cast to shine.   Christian Bale, Margot Robbie and John David Washington make up the primary trio carrying the film and each of them brings a specific sort of energy to their characters.  Christian Bale's Burt is a collection of idiosyncrasies in a hunched over, emaciated, battle scarred body.  It’s a showy role, the type Bale loves sinking his teeth in and does so with his usual gusto.  John David Washington's character is the opposite side of the coin, and he delivers a turn that's confidently cool and authentic. Margot Robbie brings a nice mix of bohemian and manic energy which is an old hat to her by this point in her career.  All three make their characters incredibly likable which makes the film's unfocused story more palpable and enjoyable.  The supporting cast is a cavalcade of well known actors gleefully chewing up scenery as an assortment of quirky characters.  Amsterdam is the type of film that allows actors to dig into their characters, unfortunately the story doesn't meet the challenge leaving it an uneven experience where the performances are far better than the mystery laid out.  

B-

Cindy Prascik's Review of Reminiscence, Woodstock 99 & Beckett

My dear reader(s), this weekend I had the opportunity to catch a triple feature without ever leaving home...a state of affairs that is as troubling as it is comforting. First on my agenda: Reminiscence.

A machine that allows people to relive their memories leads its operator to obsession.

With its fantastical premise and its core cast of Hugh Jackman, Thandiwe Newton, and Rebecca Ferguson, Reminiscence is the kind of movie I used to love seeing on the big screen. Sadly, hokey twists, broadly-drawn characters, and wooden performances make this one a real drag. The narration sets an awkward tone from the outset, and there's a weird undercurrent of climate-change warning that — no matter how essential — is a poor fit. The pace does pick up somewhat about the midway point, Ramin Djawadi's score is pretty nifty, and an unintentional (I guess?) homage to the great 80s comedy Top Secret! is actually quite funny, but there's just no saving this one.

Reminiscence clocks in at 116 minutes and is rated PG13 for "strong violence, drug material throughout, sexual content, and some strong language."

Reminiscence is a memory you won't care to revisit. Of a possible nine Weasleys, Reminiscence gets three.

Reminiscence is now playing in theaters worldwide, and streaming on HBO Max through mid-September.

Next on the docket: Woodstock 99: Peace, Love, and Rage.

A documentary showcasing the dark side of the third Woodstock festival.

Woodstock 99, the concert, booked talent that clearly indicated it wasn't aiming for the mellow hippie vibe of its predecessors. Woodstock 99, the film, wants you to believe only one outcome ever was possible, and it doesn't mind throwing a little shade at Woodstock 69 and Woodstock 94 along the way. Horror stories abound: Rioting, sexual assaults, even deaths. Attendees are generalized as angry white fratboys, and organizers come across as woefully out of touch. A testosterone-fueled lineup, featuring acts such as Metallica, Rage Against the Machine, Red Hot Chili Peppers, Korn, and Limp Bizkit, is rightfully painted as aggressive, with the only three women on the bill — Jewel, Sheryl Crow, and Alanis Morissette — portrayed as all sunshine and lollipops. Morissette, in particular, writes some pretty angry music, but here she's featured simpering her way through the idiotic "Ironic." While there's no denying some very bad things happened at this festival — some due to poor planning and others due to uncontrollable factors like the weather — I daresay there are thousands who enjoyed themselves and remember the event fondly. This film is interested only in tales of terror.

Woodstock 99: Peace, Love, and Rage runs 110 minutes and is rated TVMA for pervasive language, nudity, violence, and alcohol and drug use.

Woodstock 99: Peace, Love, and Rage is a riveting watch, even if it presents just half the story. Of a possible nine Weasleys, Woodstock 99 gets seven.

Woodstock 99: Peace, Love, and Rage is now streaming on HBO Max.

The final picture on my weekend agenda was Beckett.

Following a deadly car crash, an American tourist in Greece finds himself on the run from dangerous and powerful people.

Beckett is one of those films that probably seemed like a good idea on paper, but the execution is so poor it's hard to imagine anyone ever thought so. This movie is so slow and dull it almost stopped me calling Reminiscence slow and dull. The plot is both jumbled and eye-rollingly predictable, with its sole constant being, "How much can we physically abuse our lead?" John David Washington and Alicia Vikander are the most annoying on-screen couple in recent memory. They're among the top actors of their generation, but they've got zero chemistry and they've phoned it in here. Someone, somewhere, determined it wasn't necessary to caption the Greek dialogue, but there's enough that it's a little too easy to zone out a little too often. Mostly, though, poorly written characters and bland performances make it impossible to invest in anyone. The end seems a long time coming, and by the time you get there, you won't care what happens to any of them.

Beckett clocks in at 110 minutes (feels like about six hours) and is rated TVMA for moderate violence, profanity, and frightening/intense scenes. And because I haven't written anything nearly this funny, here's my favorite user-posted content warning from IMDB, totally more entertaining than the film itself: "Film starts off with a prolonged sex scene with limited thrusting." Kindly beware the "limited thrusting."

I desperately wanted to like Beckett. I didn't. Of a possible nine Weasleys, Beckett gets two.

Beckett is now streaming on Netflix.

Until next time...

Cindy Prascik's Review of Tenet

My dear reader(s), after a six-month (!) absence, yesterday I made my way back to my local cinema. If you were wondering what got me out the door when I really wasn't quite ready, the answer is (as it always was going to be) Christopher Nolan. On the docket: Tenet.

Spoiler level here will be mild, nothing the trailers haven't already revealed.

Regular reader(s) will be well aware that I worship at the Altar of Nolan. That's not to say Tenet was guaranteed a glowing review — on the contrary, I find high expectations generally are not my friend — but Christopher Nolan has never let me down and Tenet definitely keeps his streak alive.

“People assume that time is a strict progression of cause to effect, but actually, from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey stuff.” ~ The Tenth Doctor

You've probably seen the Internet meme about someone's brain being like a hundred browser tabs open at once. This is very much how I imagine it is being Christopher Nolan. I'm not going to pretend for a minute that I understand everything about Tenet — especially not after a single viewing — but instead I'm going to tell you why I loved it, and I think and hope you will too.

Tenet bends time and space to tell a multi-layered and expertly-crafted story. It is massive, thrilling, and even funny at times. The movie features nail-biting action that rivals some of the best I've seen (look for the firetruck sequence) and a moment that is so Airplane!-ey that I can't decide whether or not it was deliberate. The score and sound effects are huge and loud, perfectly complimenting the enormous visual scope of the film. Tenet has a cast to die for, led by John David Washington. Washington (like his father) is an actor that grabs your attention and doesn't let go; I never wanted him to be off-screen. It's no secret that I am a huge Robert Pattinson fan (despite, rather than because of, Twilight), and Tenet gives him an opportunity to shine. Favorites and familiar faces flesh out the supporting cast. Tenet is better for having Michael Caine (of course), Elizabeth Debicki, Kenneth Branagh, Aaron Taylor-Johnson, Clemency Poesy, and Himesh Patel, even though some of them don't turn up for more than a cup of coffee. The movie runs a massive two and a half hours, but to me it felt like seconds. If you're looking for an epic excuse to get back out and see something on the big screen, Tenet is just what the doctor ordered.

Tenet clocks in at 150 minutes and is rated PG13 for "intense sequences of violence and action, some suggestive references, and brief, strong language."

I'm not here to promise that Tenet will make perfect sense after one or even ten screenings (hell, I'm still not sure I understand everything about Inception!), but I'm here to say it's magnificent regardless. I can't wait to see it again. Of a possible nine Weasleys, Tenet gets all nine.

Fangirl points: Cedric Diggory and Fleur Delacour, together again!

Until next time...

MOVIE REVIEW: TENET

A secret agent embarks on a dangerous, time-bending mission to prevent the start of World War III.

Director: Christopher Nolan

Cast: John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine, Kenneth Branagh

Release Date: September 3, 2019

Genre: Action, Sci-Fi

Rated PG-13 for intense sequences of violence and action, some suggestive references and brief strong language

Runtime: 2 h 30 min

Review:

Christopher Nolan’s latest, Tenet, will leave audiences everywhere talking or thinking about well after the film finishes.  Technically, it’s a marvelous piece of grand scale filmmaking with enough thrills to keep nearly everyone on the edge of their seat.  It’s everything Nolan has been perfecting over the last decade or so of his career.  This puzzle box of a story though is overtly and aggressively complex and convoluted, almost to the point of exhaustion.  If you can keep up, the story is multi faceted but simplistic at the same time.  If you’ve had any sort of experience with Star Trek or any other sort of time travel story logic, the techobabble spouted out will feel routine but it’s probably best to not over think it too much otherwise you’ll end up with a splitting headache.  Needless to say, I’m sure there will be people dissecting character timeline after obsessively rewatching the film.  As for the characters that live in this cinematic maze, they are thinly written but it’s not huge issue since the actors and actresses deliver performances that make it easier to gloss over the story’s shortcomings.  The best characters moments in the film occur when John David Washington and Robert Pattinson share screen time mainly the two share strong and naturalistic chemistry together.  Elizabeth Debicki and Kenneth Branagh do what they can with seriously broad characters that don’t have much in the way of depth.  Those critics who complain about Nolan’s emotional distance probably won’t be silenced here since the film keeps Kurbrick like distance from all the characters.  Tenet has flaws but those movie lovers that want massive cinematic scopes and action will find plenty to whet their appetites. 


B+

Cindy Prascik's Review of BlacKkKlansman

Dearest Blog: Yesterday it was off to Marquee Cinemas for Spike Lee's BlacKklansman, touted as one of the year's best films thus far.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers or from the news if you're old enough.

 

Colorado Springs' first black police officer goes undercover to infiltrate the Ku Klux Klan. (Seriously.)

 

Unarmed with knowledge of the true story, one might naturally assume a yarn as absurd as BlacKklansman to be fictional comedy. The movie does, in fact, feature several laugh-out-loud moments. These ridiculous situations that seem hilarious in fiction are decidedly less so when based in reality (especially in today's climate), but the moments of levity are well-placed and necessary in a story that's pretty hard to stomach at times. Despite deliberate pacing, BlacKkKlansman never feels slow, though the harsh, hateful language and the tension of the case itself definitely made me fidgety. Much of the picture is so surprisingly quiet that, on those occasions when Terence Blanchard's score really rears its head, it feels a little jarring and out of place, but otherwise the musical selections are choice! Outstanding leads John David Washington and Adam Driver have terrific chemistry; Washington, in particular, carries the film with the ease of an old pro, despite having just eight acting credits on his resume. Director Lee expends a great deal of quality screen time focusing on individual faces in the crowds, as if begging viewers to remember we're all just people, no matter our ethnicity or heritage. BlacKkKlansman is the kind of essential film making that makes getting out to the cinema not just something you want to do, but something you HAVE to do.

 

BlacKkKlansman clocks in at 135 minutes and is rated R for "language throughout, including racial epithets, disturbing/violent material, and some sexual references."

 

BlacKkKlansman is that rare gem that truly earns the hype. 

 

Of a possible nine Weasleys, BlacKkKlansman gets nine.

 

Fangirl points: Well, dear reader(s), this basic 70s white girl sure did enjoy hearing Emerson Lake & Palmer's "Lucky Man" in digital surround sound!

 

Until next time...

MOVIE REVIEW: BLACKKKLANSMAN

From visionary filmmaker Spike Lee comes the incredible true story of an American hero. It’s the early 1970s, and Ron Stallworth (John David Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. The young detective soon recruits a more seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation of a lifetime. Together, they team up to take down the extremist hate group as the organization aims to sanitize its violent rhetoric to appeal to the mainstream. 

Director: Spike Lee

Cast: John David Washington, Adam Driver, Laura Harrier, Topher Grace

Release Date: August 10, 2018

Genres: Biography, Comedy, Crime

Rated R for language throughout, including racial epithets, and for disturbing/violent material and some sexual references

Runtime: 2h 15 min

Review:

Blackkklansman is one of Spike Lee’s best films in a while.  It’s funny, uncomfortable and incredibly timely.  Spike Lee isn’t shy about being fairly vocal and direct on his message and it fits perfectly for this stranger than fiction true tale.  John David Washington, Denzel’s son, has a strong screen presence which translates well to the big screen.  Washington is the driving force to the film and he handles it with an experienced ease that’s rare to find.  He and Adam Driver share a strong chemistry with both delivering strong performances.  I’m usually not the biggest fan of Driver but he fits the role well.  The supporting cast is made up of strong character actors like Topher Grace and Jasper Pääkkönen who really shine in their roles.  If there’s a small complaint its that Lee’s film could use a tad bit of trimming since the romantic subplot feels oddly forced.  It’s a minor complaint since the film is fairly enjoyable for the majority of its runtime.  It’s a rare kind of message movie that’s as funny as it’s impactful.  

A-