MOVIE REVIEW: MERCY

 

In the near future, an advanced AI judge tells a captive detective that he's on trial for the murder of his wife. If he fails to prove his innocence within 90 minutes, he'll be executed on the spot.

Director: Timur Bekmambetov

Cast: Chris Pratt, Rebecca Ferguson, Kali Reis, Annabelle Wallis, Chris Sullivan, Kylie Rogers

Release Date: December 25, 2025

Genre: Action, Crime, Drama, Mystery, Sci-Fi, Thriller

Rated PG-13 for violence, bloody images, some strong language, drug content and teen smoking.

Runtime:  1h 41m

Review:

Mercy is one of those speculative science fiction films that thinks is a lot smarter than it is but behind the glossy screen life production there’s a preposterous idea that can’t decide what it’s actually trying to say pair with enough plot holes to run a dump truck through.  Timur Bekmambetov knows how to direct a sleek-looking film so it shouldn’t come as a surprise that this is one of the better-looking screen life films out there.  Even though the film technically occurs in a single room with Rebecca Ferguson’s AI Judge and Chris Pratt’s defendant there’s plenty of action thrown at the screen by way of some serious Big Brother style surveillance which the film leads you to believe that nearly everyone signed up for.  There’s a set up where sections of city have been sectioned off, ala Escape from New York, but almost by design this ultra police state is just presented as being readily accepted by the general populace.  It’s an odd bit of world building since it begs more questions than anything outside of the general conceit of the 90-minute timed AI murder court.  Chris Pratt and Rebecca Ferguson do the best they can with what they have to work with since neither role is all that well written with each character suffering from wild changes throughout the film, particularly the supposably infallible, emotionless AI Judge Maddox.  Ferguson looks the part with her Star Trek villain black robe and slicked back hair, but the character goes from preeningly omnificent to strangely helpful and confused by the time it’s all said and done since they apparently created this program and never beta tested it before allowing it start doling out executions.  It doesn’t mean that the central mystery isn’t all that interesting since it plays like a low rent redux of The Fugitive which isn’t all that hard to figure out since the film gives you plenty of clues beforehand.  It all makes Mercy a forgettable bit of sci-fi shlock that could have been more interesting if the script had given the kind of care the visuals were.   

D+

MOVIE REVIEW: DUNE PART TWO

 

Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the universe, he must prevent a terrible future only he can foresee.

Director: Denis Villeneuve

Cast: Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling, Javier Bardem, Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux

Release Date: March 1, 2024

Genre: Action, Adventure, Drama, Sci-Fi

Rated PG-13 for sequences of strong violence, some suggestive material and brief strong language.

Runtime: 2h 46m

Review:

Denis Villeneuve's Dune Part Two is a sci-fi epic in every sense of the word filled with mesmerizing visuals, a stellar cast and a beefier story than you'd expect from a blockbuster of this size.  Villeneuve, now free of the first film's exposition dump, moves his film at a steadier pace delivering massive action set pieces that are impressively staged and far more engaging than the first film's offers.  Paul's first ride on a sandworm is wonderfully set up and executed to create a thrilling and visceral experience, something the battle sequences can't quite match.  Visually, you can see Villeneuve pulling inspiration from other legendary sci-fi films such as 2001 or Star Wars for Arrakis and contrasting it with the Harkonnen's which clearly draws inspiration from H.R. Giger early work from Jodorowsky’s failed attempt to bring the film to the screen in the 70's.  There are a bevy of shots that are sure to join the pantheon of the memorable shots in cinematic history.  Overall, the film and story move at a brisker pace with the full scale of the story's themes and relationships unfurling at steady pace leaving very few dead spots throughout the film’s hefty runtime.  The film's ensemble cast shines throughout with each delivering strong performances regardless of screen time.  Timothée Chalamet and Zendaya get the lion's share of the screen time with both doing fine work albeit their romantic chemistry isn't quite as strong as it should be likely due to their romance being rushed thru in the opening act.  It’s a minor issue especially with the amount of story they have to work through and both still deliver the goods on the dramatic sides.  Rebecca Ferguson gets a meatier role here as her character takes a darker more ominous tone which she's more than capable of conveying.  Javier Bardem also gets more to do this go around after his extended cameo in the first film.  Bardem is fun every time he's onscreen thanks to his general charisma which works for his character's unwavering zealotry.  Austin Butler proves he doesn't have to be Elvis in everything with an impressive about face as the psychotic Feyd-Rautha Harkonnen.  Florence Pugh does well in her limited screen time even though the character is mainly used for exposition dumps, but you get the sense there's more on the horizon if a third film comes to fruition.  Stellan Skarsgård, Dave Bautista, Josh Brolin and Charlotte Rampling return from the first film with much smaller but important roles with each making those small moments far more impactful.  It’s a testament to the scale of Dune Two that these actors serve as garnish to its cinematic cornucopia which delivers on multiple fronts while leaving you wanting to see the story's final act.   

A

MOVIE REVIEW: MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE

 

Ethan Hunt and the IMF team must track down a terrifying new weapon that threatens all of humanity if it falls into the wrong hands. With control of the future and the fate of the world at stake, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than the mission -- not even the lives of those he cares about most.

Director: Christopher McQuarrie

Cast: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Esai Morales, Vanessa Kirby, Pom Klementieff, Henry Czerny

Release Date: July 12, 2023

Genre: Action, Adventure, Thriller

Rated PG-13 for intense sequences of violence and action, some language and suggestive material.

Runtime: 2h 43m

Mission: Impossible - Dead Reckoning Part One delivers another sprawling action epic that shows the series is still firing on all cylinders.  Christopher McQuarrie's film is massive in every sense of the word with another set of incredibly impressive action set pieces from an insane Italy set car chase, my personal favorite of the film, to a thrilling train sequence in the film's latter stages.  Those sequences each deliver a mix of humor and thrills as they unfurl onscreen with each bringing enough variety to keep the whole thing from becoming monotonous.  They are huge sequences but McQuarrie smartly lets them breath and never loses sight of the characters while everything is going on.  Tom Cruise can play Hunt in his sleep by this point but he still carries the film with the steely determination and confidence he's brought to the role since day one. Ving Rhames and Simon Pegg once again join him as members of his team with solid supporting turns that give their interactions ring true as a team that's worked together for years.  Rebecca Ferguson returns as well but isn't given all that much to do as she pops in and out of the story.  Hayley Atwell joins the series as she brings her playful but self assured energy to her role which works really well for her role. Atwell and Cruise share fun chemistry together especially during the car chase sequence but the romantic angle feels a tad forced as the film rolls on.  Esai Morales and Pom Klementieff serve as the primary antagonist for this entry.  Morales is solid but his character never feels as dangerous or intimidating as he should be.  Pom Klementieff on the other hand does a lot with screen time as a mysterious female assassin who would have benefited from a bit more fleshing out.  Shea Whigham and Greg Tarzan Davis have a running sublot as a pair of agents chasing down Ethan for The Community who have some fun moments but we never get any explanations for Whigham's laser focus on Hunt.  The overall plot is surprisingly timely especially considering it was written a few years back which works in the film's favor.  While it works as a singular entry there's plenty of unresolved threads left for the second film by the time this one wraps up. On its own, Mission: Impossible - Dead Reckoning Part One delivers nearly all the goods for a big screen blockbuster adventure with huge action and character moments which makes the film a breezy experience, a testament to the overall  quality of the film since its nearly three hours long.  

A-

Cindy Prascik's Review of Dune

My dear reader(s), this weekend gave me a rare bit of time for watching and writing, so I decided to check out Denis Villeneuve's latest, Dune.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Chronicling the grim interplanetary shenanigans of some absurdly beautiful people.

I will surprise no one by admitting I did not: a) revisit the source material, or b) revisit the original, before diving into Dune 2021. In fact, I remembered so little about the 1984 movie that I had to resort to IMDB to remember who was in it. No, this weekend's choices came down to going to the cinema for over two and a half hours of James Bond, or staying home for over two and a half hours of Dune. I was equally excited (or not) for both, so - as is my norm these days - I opted to stay home. Having said that, I really wanted to like Dune, and was disappointed to find that impossible.

First, though, the good.

Dune boasts a magnificent score by Hans Zimmer. It grabbed me from the very first minute and never let go. The film is visually stunning, the special effects are nifty, and the fight choreography is quite sharp. The cast features a bunch of folks you probably know and love from other things, which leads us to...

...the bad.

Bad acting that is. With the exception of Jason Momoa, who always manages to entertain, everyone is either wooden as a marionette or overacting wildly. No real in-between. (And, no, I'm not saying Momoa is the best actor here by any means, just that he fares best with what he's got to work with.) It's nice to see David Dastmalchian turning up in everything these days, though. The movie is pretentious and far too long. I imagine you're meant to be entranced by the relationships and conflicts among characters and groups, but...nah. I was bored by the 30-minute mark, and completely checked out with about 45 minutes left. With a mighty display of will, I finished it, but it definitely didn't have anything close to my full attention for that last third(ish). Maybe James Bond could have done better.

Dune clocks in at a bloated 155 minutes and is rated PG13 for "sequences of strong violence, some disturbing images, and suggestive material."

Dune is a feast for the eyes, but fails to engage otherwise. Of a possible nine Weasleys, Dune gets three.

Dune is now playing in cinemas worldwide, and streaming on HBO Max until mid-November.

MOVIE REVIEW: DUNE

 

Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence, only those who can conquer their own fear will survive.

Director: Denis Villeneuve

Cast:  Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, David Dastmalchian, Chang Chen, Sharon Duncan-Brewster, Charlotte Rampling, Jason Momoa, Javier Bardem

Release Date: October 22, 2021

Genre: Action, Adventure, Drama, Sci-Fi

Rated PG-13 for sequences of strong violence, some disturbing images and suggestive material

Runtime: 2h 35min

Review:

Denis Villeneuve's Dune is a massive movie in everyway shape and form.  This second attempt at adapting Frank Herbert's notoriously dense tome is an opulent feast for the eyes with each scene and sequence leaving a lasting impression due to sheer amount of craftsmanship on display.  It's the kind of cinematic worldbuilding that is bound to leave plenty of people in awe due to the visual bounty on screen.  The cast is peppered with A list talent across the board with each delivering strong if self serious performances.  Oscar Isaac's stoic but loving father/general plays perfectly into his wheelhouse.  Likewise, Josh Brolin's stern solider fits him perfectly just like Jason Momoa's Duncan the caring but fierce warrior.  Dave Bautista's animalistic Harkonnen savage and Stellan Skarsgård's nefarious Baron Vladimir Harkonnen serve as the primary villain's in what amounts to an origin story for Timothée Chalamet's Paul.  Chalamet's performance is strong but subdued landing somewhere in the Hamlet territory.  Rebecca Ferguson though is the real life blood of film as her character and performance is always the most interesting thing on screen even in the mist of the visual cornucopia.  There's an air of Shakespearian tragedy to the story and overall approach.  It's all very self serious and methodical in it's approach which might be off putting to people who aren't pulled immediately into the story which is admittedly dense.  There is also a Kubrick like clinical distance from the characters on screen making it difficult to connect to them on an emotional level.  Additionally, Dune is merely setting the table for the real action to kick off in it's sequel.  That doesn't make it any less of a cinematic achievement that's sure enrapture and dazzle audiences.

B+

Cindy Prascik's Review of Reminiscence, Woodstock 99 & Beckett

My dear reader(s), this weekend I had the opportunity to catch a triple feature without ever leaving home...a state of affairs that is as troubling as it is comforting. First on my agenda: Reminiscence.

A machine that allows people to relive their memories leads its operator to obsession.

With its fantastical premise and its core cast of Hugh Jackman, Thandiwe Newton, and Rebecca Ferguson, Reminiscence is the kind of movie I used to love seeing on the big screen. Sadly, hokey twists, broadly-drawn characters, and wooden performances make this one a real drag. The narration sets an awkward tone from the outset, and there's a weird undercurrent of climate-change warning that — no matter how essential — is a poor fit. The pace does pick up somewhat about the midway point, Ramin Djawadi's score is pretty nifty, and an unintentional (I guess?) homage to the great 80s comedy Top Secret! is actually quite funny, but there's just no saving this one.

Reminiscence clocks in at 116 minutes and is rated PG13 for "strong violence, drug material throughout, sexual content, and some strong language."

Reminiscence is a memory you won't care to revisit. Of a possible nine Weasleys, Reminiscence gets three.

Reminiscence is now playing in theaters worldwide, and streaming on HBO Max through mid-September.

Next on the docket: Woodstock 99: Peace, Love, and Rage.

A documentary showcasing the dark side of the third Woodstock festival.

Woodstock 99, the concert, booked talent that clearly indicated it wasn't aiming for the mellow hippie vibe of its predecessors. Woodstock 99, the film, wants you to believe only one outcome ever was possible, and it doesn't mind throwing a little shade at Woodstock 69 and Woodstock 94 along the way. Horror stories abound: Rioting, sexual assaults, even deaths. Attendees are generalized as angry white fratboys, and organizers come across as woefully out of touch. A testosterone-fueled lineup, featuring acts such as Metallica, Rage Against the Machine, Red Hot Chili Peppers, Korn, and Limp Bizkit, is rightfully painted as aggressive, with the only three women on the bill — Jewel, Sheryl Crow, and Alanis Morissette — portrayed as all sunshine and lollipops. Morissette, in particular, writes some pretty angry music, but here she's featured simpering her way through the idiotic "Ironic." While there's no denying some very bad things happened at this festival — some due to poor planning and others due to uncontrollable factors like the weather — I daresay there are thousands who enjoyed themselves and remember the event fondly. This film is interested only in tales of terror.

Woodstock 99: Peace, Love, and Rage runs 110 minutes and is rated TVMA for pervasive language, nudity, violence, and alcohol and drug use.

Woodstock 99: Peace, Love, and Rage is a riveting watch, even if it presents just half the story. Of a possible nine Weasleys, Woodstock 99 gets seven.

Woodstock 99: Peace, Love, and Rage is now streaming on HBO Max.

The final picture on my weekend agenda was Beckett.

Following a deadly car crash, an American tourist in Greece finds himself on the run from dangerous and powerful people.

Beckett is one of those films that probably seemed like a good idea on paper, but the execution is so poor it's hard to imagine anyone ever thought so. This movie is so slow and dull it almost stopped me calling Reminiscence slow and dull. The plot is both jumbled and eye-rollingly predictable, with its sole constant being, "How much can we physically abuse our lead?" John David Washington and Alicia Vikander are the most annoying on-screen couple in recent memory. They're among the top actors of their generation, but they've got zero chemistry and they've phoned it in here. Someone, somewhere, determined it wasn't necessary to caption the Greek dialogue, but there's enough that it's a little too easy to zone out a little too often. Mostly, though, poorly written characters and bland performances make it impossible to invest in anyone. The end seems a long time coming, and by the time you get there, you won't care what happens to any of them.

Beckett clocks in at 110 minutes (feels like about six hours) and is rated TVMA for moderate violence, profanity, and frightening/intense scenes. And because I haven't written anything nearly this funny, here's my favorite user-posted content warning from IMDB, totally more entertaining than the film itself: "Film starts off with a prolonged sex scene with limited thrusting." Kindly beware the "limited thrusting."

I desperately wanted to like Beckett. I didn't. Of a possible nine Weasleys, Beckett gets two.

Beckett is now streaming on Netflix.

Until next time...

MOVIE REVIEW: REMINISCENCE

 

A scientist discovers a way to relive your past and uses the technology to search for his long lost love. Whilst a private investigator uncovers a conspiracy while helping his clients recover lost memories.

Director: Lisa Joy

Cast: Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Marina de Tavira, Daniel Wu

Rated PG-13 for strong violence, drug material throughout, sexual content and some strong language

Release Date: August 20, 2021

Genres: Mystery, Romance, Sci-Fi, Thriller

Runtime: 1h 56min

Review:

Writer, director Lisa Joy's Reminiscence is a sci-fi noir thriller that's sweeping and ambitious with a A List cast.  The strange thing about the entire affair is that during it's ambitious world building it forgot to create a story that's as engaging as the concepts presented.  Joy's visuals evoke memories of Blade Runner and dashes of Alex Proyas' Dark City if you bought them from a dollar store.  Hugh Jackman leads the film with relative ease even though he feels miscast for the role and doesn't ask much from him outside of acting sad and angry. Jackman is typically a magnetic performer but this role just doesn't seem to fit him the way it should, the odd voiceover throughout the film doesn't help.  Likewise, Rebecca Ferguson is usually an engaging performer but in this film she's stiff and bland throughout.  Cliff Curtis is the primary villain who pops up in the third act and he chews up his screen time with weird out of place monologues that scream of overkill.  Thandiwe Newton is the lone bright spot who comes out unscathed with a strong performance which the film doesn't take full advantage of.  Reminiscence ends up feeling like a missed opportunity with ideas that needed more time to marinate and mature.  As is, it ends up being another forgettable sci-fi film that feels more like a middle of the road tv show than a big budget film. 

C

Cindy Prascik's Reviews of Ford v Ferrari, The Good Liar & Doctor Sleep

Ford v Ferrari / The Good Liar / Doctor Sleep CINDY PRASCIK·TUESDAY, NOVEMBER 19, 2019·5 MINUTES An extra-long weekend left me with an opportunity to see the weekend's two new releases at my local cinema, as well as catching up a bit from a couple weeks back. On my agenda: Ford v Ferrari, the Good Liar, and Doctor Sleep.

Spoiler level here will be mild, nothing plot-specific.

First on the docket: Ford v Ferrari.

In the mid-1960s, American auto maker Ford decides to challenge perennial champion Ferrari on the world racing stage.

I feel it's first important to note that I would not hesitate to recommend Ford v Ferrari to anyone, even if you don't like cars or racing, even if you think it's just a white-guy movie, even if the sight of Matt Damon makes you want to punch a wall. (I seem to know an inexplicable number of folks in that last group.) It's just a good movie, sans any qualifiers. Ford v Ferrari starts with compelling story, but, as Midway would be happy to show you, not all compelling stories make compelling films. Where Ford v Ferrari succeeds is in making you care about its story, its characters, and its outcome, whether or not you are pre-disposed to do so. Christian Bale and Matt Damon are terrific in the leads, so much so that I think it would be a mistake to write off either in the upcoming best actor races. (As with Joaquin Phoenix, just ceding the nominations. They also may not have Taron's Oscar.) A two-and-a-half-hour runtime is solidly paced and never drags, and the beautifully-filmed racing scenes are tense enough to leave you holding your breath. The movie is funny, too, often unexpectedly so, and it has tons of heart. If it is cars you love, well, there are plenty of revving engines and sexy shots of gorgeous automobiles to go 'round. A phenomenal score by Marco Beltrami and Buck Sanders ties a bow on this true gift of a film.

Ford v Ferrari runs 152 minutes and is rated PG13 for "some language and peril."

As someone whose sole knowledge racing comes from Talladega Nights and that one Finnish driver I follow on Twitter, I am here to tell you, dear reader(s), that Ford v Ferrari is a great movie for everyone. Of a possible nine Weasleys, Ford v Ferrari gets eight and a half.

Next up: the Good Liar.

A career con-artist sets his sights on a seemingly naive, well-to-do lady.

The Good Liar is the sort of grown-up movie that people complain Hollywood doesn't make anymore, then everyone stays home when it turns up at the cinema. That seems a real shame here, with two icons--Helen Mirren and Ian McKellen--fronting a well-crafted yarn that holds a number of surprises. Mirren and McKellan are expectedly fantastic, playing off one another as only two of the best can do. The story itself is a layered one that takes a darker turn than I expected. It's often said that R-rated films weed out not only those viewers who are too young for extreme content, but also those of a certain age who might prefer their entertainment minus violence and vulgarity. Certainly the Good Liar isn't Saw or the Human Centipede, but with a fair few F-bombs and some intense (though not graphic) violence, I wouldn't take my mom to see it, either. The Good Liar moves slowly enough in spots that it gets to feeling a bit overlong, but it's also smart enough to hold your attention pretty much end to end.

The Good Liar clocks in at 109 minutes and is rated R for "some strong violence, and for language and brief nudity."

The Good Liar is the sort of film that will suffer for having nothing to gain by being seen on a big screen, but it's definitely worth catching in some form whenever it crosses your path. Of a possible nine Weasleys, the Good Liar gets eight.

Fangirl points: Russell Tovey!!

Finally, yesterday I closed out my weekend with a-day-late-and-a-dollar-short screening of Doctor Sleep.

Years after the events of the Shining, an adult Dan Torrance must protect a young girl who "shines" from a dangerous cult of immortals.

Doctor Sleep starts off promisingly enough, teasing a few ominous bars of the original Shining theme, but, sadly, it's all downhill from there. The film creeps along at a snail's pace, offers little new or interesting, and is never really properly scary. Nods to the original are copious and always entirely expected, especially towards the final act. Ewan McGregor really seems to have no idea how to salvage the material, and--at a bloated two-and-a-half hours--the movie overstays its welcome by a good 45 minutes. Now...here's why you'll want to go see Doctor Sleep anyway: Rebecca Ferguson. While everyone else seems adrift in a sea of clunky dialogue and predictable turns, Ferguson chews up the pedestrian material and spits it right back out into a riveting turn as Rose the Hat. She's creepy, she's sexy, she's camp, she's absolutely fantastic. You won't be able to take your eyes off of her. It's a performance well worth whatever it costs to see it on the big screen.

Doctor Sleep runs a plodding 152 minutes and is rated R for "disturbing and violent content, some bloody images, language, nudity, and drug use."

If you're an insomniac, Doctor Sleep is the cure. Of a possible nine Weasleys, Doctor Sleep gets four.

Fangirl points: Zahn McClarnon! Bruce Greenwood!

Until next time...

MOVIE REVIEW: DOCTOR SLEEP

Struggling with alcoholism, Dan Torrance remains traumatized by the sinister events that occurred at the Overlook Hotel when he was a child. His hope for a peaceful existence soon becomes shattered when he meets Abra, a teen who shares his extrasensory gift of the "shine." Together, they form an unlikely alliance to battle the True Knot, a cult whose members try to feed off the shine of innocents to become immortal.

Director: Mike Flannagan

Cast: Ewan McGregor, Rebecca Ferguson, Kyliegh Curran, Cliff Curtis

Release Date: November 8, 2019

Rated R for disturbing and violent content, some bloody images, language, nudity and drug use.

Runtime: 2 hr. 31 min.

Genres: Drama, Fantasy, Horror

Review:

Doctor Sleep is a daunting challenge for anyone. Following up a classic by Stanley Kubrick a is tough task but Mike Flannagan is up to the task for the most part. Flannagan echos Kubrick here and there, personally I could have done with a few less tracking shots, but still manages to create his own beast. The film itself is a solid tome that's reeks of Stephen King. It's a good and bad thing, some of the scares are well constructed while some of the characters seem hollow to the point of being goofy. Thankfully, Ewan McGregor is the focal point of the film and he makes the entire thing work even with a shoddy New England accent. He's extremely watchable throughout the film delivering a well rounded performance. Rebecca Ferguson makes an attractive and menacing villain while Kyliegh Curran is one of the stronger child actors I run across since Jacob Trembly. Saying anything too in depth about how the story would be a disservice but rest assured that diehard The Shining fans will leave extremely happy and satisfied.

A

MOVIE REVIEW: MEN IN BLACK: INTERNATIONAL

The Men in Black have expanded to cover the globe but so have the villains of the universe. To keep everyone safe, decorated Agent H and determined rookie M join forces -- an unlikely pairing that just might work. When aliens that can take the form of any human arrive on Earth, H and M embark on a globe-trotting adventure to save the agency -- and ultimately the world -- from their mischievous plans.

Director: F. Gary Gray

Cast: Chris Hemsworth, Tessa Thompson, Kumail Nanjiani, Rebecca Ferguson, Rafe Spall, Laurent and Larry Bourgeois, Liam Neeson, along with Emma Thompson

Release Date: June 14, 2019

Genres: Action, Adventure, Comedy

Rated PG-13 for sci-fi action, some language and suggestive material.

Runtime: 1h 54min

Review:

Men in Black: International is a half hearted reboot that does boast a pair of a game stars that almost makes the film memorable.  F. Gary Gray captures some of the feel from the original but its never maintained for a consistent amount of time.  As such, the film is better in parts than it is as a whole.  The scripting doesn’t help much with it playing to the most basic and predictable story beats.  So ultimately it’s up Chris Hemsworth and Tessa Thompson to make the whole thing watchable, luckily their chemistry makes the whole thing an enjoyable romp even if it’s ultimately forgettable.  The Men In Black series has always had trouble nailing the original’s feel in the sequels.  The third entry in the film came close and is an underrated entry in the series, International will probably fall just short of that entry.  It did take on the gargantuan task of replacing the Will Smith/Tommy Lee Jones dynamic and it does reasonably well even if the story is generic and ultimately mundane.

B-

MOVIE REVIEW: MISSION IMPOSSIBLE - FALLOUT

Ethan Hunt and the IMF team join forces with CIA assassin August Walker to prevent a disaster of epic proportions. Arms dealer John Lark and a group of terrorists known as the Apostles plan to use three plutonium cores for a simultaneous nuclear attack on the Vatican, Jerusalem and Mecca, Saudi Arabia. When the weapons go missing, Ethan and his crew find themselves in a desperate race against time to prevent them from falling into the wrong hands. 

Director: Christopher McQuarrie

Cast: Tom Cruise, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Michelle Monaghan, Alec Baldwin, Henry Cavill, Angela Bassett

Release Date: July 27, 2018

Genres: Action, Adventure, Thriller

Rated PG-13 for some suggestive material

Runtime: 2h 27min

Review:

Mission Impossible – Fallout is truly a fantastic piece of filmmaking.  Christopher McQuarrie raises the bar even more than he did in the last entry by delivering action set pieces that are beautifully designed and filmed.  Everything about the film is big from its set pieces to its stakes.  The plot is a twisty yet simple story that has our heroes chasing down plutonium.  I wished that the film did a better job of holding its secrets a bit closer to the vest.  Some the twists are fairly obvious but it doesn’t hurt the overall enjoyment of the film as a whole.  At the center of the entire thing is Tom Cruise.  Cruise is a seemingly ageless daredevil who just wants to believe he’s literally some sort of superhero.  Returning cast members Ving Rhames, Simon Pegg, and Rebecca Ferguson aka sexy British Michelle Monaghan all turn in strong supporting turns with each getting their time to shine.  Henry Cavill makes for a solid foil to Cruise but I would have like a bit more subtleness and depth to his character.  Sean Harris returns as the villain from the previous film who is incorporated into the plot that references previous iterations, something refreshing which ultimately make the film more engaging.

A

Cindy Prascik's Review of Mission Impossible: Fallout

Dearest Blog: Yesterday it was off to Marquee Cinemas for Mission Impossible: Fallout.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

The past comes after Ethan Hunt and his team with a vengeance.

 

Mission Impossible: Fallout has been called the best film in its lengthy franchise, and that's probably a fair, if arguable, assessment. Ridiculously high stakes and and insane stunts make the Fast & Furious movies look like gritty realism by comparison. Fight and chase scenes are expertly choreographed and never dull or repetitive, even if they go on a bit. Tom Cruise--who, as Facebook has pointed out multiple times this week, is older in this MI installment than Wilford Brimley was in Cocoon (!!)--is in top action-hero form, performing his own stunts whenever the insurance allows and carrying the franchise on his back as if he has no other option. The cast is fleshed out with the usual array of familiar and (generally) likable faces: Rebecca Ferguson, Ving Rhames, Henry Cavill's moustache, Angela Bassett, Michelle Monaghan, and Simon Pegg, who is always best thing about any film lucky enough to have him. The brilliant Sean Harris also makes a welcome return as baddie Solomon Lane. Now I shall (reluctantly) mention just a few negatives: While MI: Fallout has a LOT of moving parts, the twists aren't all that clever. They're enjoyable and satisfying, but I made a game of guessing "surprises" before they happened, and I didn't miss the mark even once. There are too many impossibly lucky turns among the chase scenes (a little of that goes a long way), and some "thinking out loud" dialogue that is too silly even for a movie as over-the-top as this. Henry Cavill's wooden delivery, while perfect for a goody-two-shoes like Clark Kent, is jarringly bad for a character that should be at least a little hard to figure out. Finally, even though it doesn't lag, Fallout would have been well served by at least a small trim of its excessive runtime. Not one of those things makes MI: Fallout less than a great movie, but, in the interest of full and fair disclosure, these are what I see as its flaws. Also, since several people have asked, no, you won't be lost if you haven't seen the previous installment (or any previous installments) in the series. The film explains itself more than well enough for even the most casual fan to keep up.

 

Mission Impossible: Fallout clocks in at a whopping 147 minutes and is rated PG13 for "violence and intense sequences of action, and for brief strong language."

 

Easily the most exciting offering of the season, Mission Impossible: Fallout is that rare commodity: a fun summer blockbuster that's also a genuinely fantastic movie. 

 

Of a possible nine Weasleys, Mission Impossible: Fallout gets eight.

 

Until next time...

MOVIE REVIEW: LIFE

This science fiction saga tells the story of astronauts on the International Space Station who retrieve a sample from Mars and discover it contains evidence of intelligent life. The crew is thrust into danger when the specimen shows signs of aggression, threatening the entire mission. Jake Gyllenhaal stars alongside Ryan Reynolds and Rebecca Ferguson. Daniel Espinosa directed a script written by Deadpool scribes Paul Wernick and Rhett Reese. ~ Daniel Gelb, Rovi

Director: Daniel Espinosa 

Cast: Jake Gyllenhaal, Ryan Reynolds, Rebecca Ferguson, Hiroyuki Sanada, Ariyon Bakare

Release Date: Mar 24, 2017

Rated R for language throughout, some sci-fi violence and terror

Runtime: 1 hr. 43 min.

Genres: Horror, Sci-Fi/Fantasy, Suspense/Thriller

Life is a surprisingly bland rethread of Alien.  Daniel Espinosa does a serviceable job of directed an impressive collections of actors.  It has the hallmarks of decent filmmaking but even with the actor’s best efforts it’s never terribly interesting. The story plays out exactly the way you expect it to go and there’s little effort to bring something new to the story.  The biggest mystery during the entire thing is the order of the characters exit.  Even the finale, which the film seems to think is mind blowing, is incredibly predictable.  You have to wonder if there is a better film in there somewhere.  That’s the only thing that could explain what could have drawn so many talented actors to such a bland and forgettable exercise.     

C-

Cindy Prascik's Reviews of Life & Power Rangers

Dearest Blog: Yesterday it was off to Marquee Cinemas with the throngs who apparently haven't left their homes since Christmas. Ahhhh...springtime. On the docket: Life and Power Rangers.

 

Spoiler level here will be mild, nothing plot-related that you wouldn't know from the trailers.

 

First up: sci-fi thriller Life.

Deadpool, Donnie Darko, and the chick from the last Mission Impossible discover an alien life form. 

 

Humanity weeps.

 

As I was suffering through Life, I was prepared to declare it the worst thing I've ever seen. In hindsight, there's no way it's that (screams Ghost Ship from my DVD collection), but it IS a gruesome, derivative waste of a pretty solid cast. The dialogue ranges from trite to cringe-worthy, and the tired old story drags on like a drum solo at an 80s arena-rock show, cut-rate sci-fi that occasionally knocks you over the head with clumsy attempts at poignancy. Sadly, even the creature effects are lame. Then, after two hours of taking itself way too seriously, the end credits kick off with a perky rendition of Spirit in the Sky. Whatever the filmmakers thought they were doing with that, it was a less-fitting finish than La La Land (which is saying something). The one thing Life has going for it is a terrific score by Jon Ekstrand, but, even in tandem with my best boyfriend Jake Gyllenhaal, it can't save the day.

 

Life clocks in at an interminable 103 minutes and is rated R for "language throughout, some sci-fi violence and terror."

 

Life is dead on arrival. Of a possible nine Weasleys, Life gets one.

 

Next up, the most recent take on Saban's Power Rangers.

 

Five ordinary high-schoolers are chosen to be the next Power Rangers, and are tasked with saving the world from the evil Rita Repulsa.

 

Well, dear reader(s), in the interest of full and fair disclosure, I'll admit that Power Rangers would have had to work very hard to earn a thumbs-down from this blog, but I'm pleased to report it's even better than I'd hoped. This new crew of Rangers is a diverse, likable, good-looking bunch that seems a solid fit, both as a group and individually. Special shoutout (with just a wee bit of personal bias) to Ludi Lin, who does a great job as Zack, the Black Ranger. RJ Cyler is also terrific, portraying Billy, the Blue Ranger, as a young man on the autism spectrum. There's plenty of well-paced action, but it doesn't drag on or overwhelm the whole. Effects are just as huge as you'd expect. Suits and Zords have been updated for a new age, looking slick and impressive. The film's humor is hardly cutting edge, but the movie's funny when it means to be, and the dialogue among the kids feels natural and not over-scripted. Elizabeth Banks gleefully chews the scenery as Rita Replusa, not my favorite take on the character, but definitely entertaining. Power Rangers have always been corny, and this outing is no exception. The movie runs a little long, and Bill Hader is supremely annoying as the voice of Alpha 5, but, overall, Power Rangers is good fun, and my theater gave it the loudest, longest ovation I've ever experienced at the movies. Stick around for a mid-credits scene. It's no great revelation, but it'll still be welcome "news" for most fans.

 

Power Rangers runs 124 minutes and is rated PG13 for "sequences of sci-fi action, violence, and destruction, language, and for some crude humor."

 

2017's Power Rangers pointedly takes aim at a new generation, but still manages to indulge old fans' nostalgia. Of a possible nine Weasleys, Power Rangers gets seven and a half.

 

Fangirl points: There is a Social Distortion song in this movie. I repeat: There is a Social Distortion song in this movie. This is not a drill.

 

Until next time... 

 

Cindy Prascik's Reviews of The Girl on the Train & The Birth of a Nation

Dearest Blog: Yesterday it was off to Marquee Cinemas for the buzzkill double-bill of The Girl on the Train and The Birth of a Nation. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers. First on the docket: The Girl on the Train. An unhappy divorcee makes up stories about the people she sees on her daily commute, then becomes entangled in the case when one of them goes missing. 

 

The Girl on the Train is such a pedestrian mystery that, never having been anywhere near the novel, it took me approximately 23 minutes to clock exactly how it was going to play out...and that was far from my final check of the time, believe me. 

 

Emily Blunt plays the titular girl as a sloppy, irritating drunk, and the supporting characters are so odious it's impossible to care what happens to any of them. (Though I'd forgive Luke Evans for pretty much anything once he started peeling off those clothes.) 

 

A few laughable bits--including a full-on Cameron Frye moment in a gallery--spell a miserable whole that plods along with varying versions of events. Who's telling the truth? Who's lying? 

 

You'll stop caring long before this mess crawls to its predictable finish. About the only things The Girl on the Train has to recommend it are a properly menacing score by Danny Elfman and a couple frames of Evans' glorious bod. 

 

The Girl on the Train runs an excruciating 112 minutes and is rated R for "violence, sexual content, language, and nudity." The Girl on the Train is a slow, dull exercise that made me want to throw myself on the tracks. 

 

Of a possible nine Weasleys, The Girl on the Train gets four. 

Fangirl points: Luke Evans. Luke Evans' abs. Luke Evans' bottom. 

 

Also, a girl in a Damned shirt...yay! Next up: The Birth of a Nation. The true story of Nat Turner, a slave and preacher who orchestrated a rebellion in 1831. 

 

The Birth of a Nation is difficult to watch, and more than once I had to look away from the brutality and abuse. Performances are fantastic across the board, with Nate Parker and Aja Naomi King outstanding in the leads, and Armie Hammer his usual reliable self in an important supporting role. 

 

Turner's Christian faith is central to the story, but the movie also exposes the contradictory nature of the Bible and those who presume to speak for their gods. 

 

The subject matter is unpleasant enough to make the film feel much longer than it is; for the duration I kept thinking the last thing we really need right now is yet another reminder of how horrible people can be to one another. 

 

Only afterward did it occur to me, maybe exactly what we need right now is a reminder of what happens when people are encouraged to treat others as less than themselves. 

 

The Birth of a Nation clocks in at an even two hours and is rated R for "disturbing violent content and some brief nudity." The Birth of a Nation is a well-acted picture with a timely, important message, but, sadly, none of that makes it a truly great movie. 

 

Of a possible nine Weasleys, The Birth of a Nation gets five. .

 

 Fangirl points: The aforementioned Armie Hammer. Mark Boone Junior (Bobby Elvis)! 

 

Until next time... 

 

MOVIE REVIEW: THE GIRL ON THE TRAIN

In the thriller, Rachel (Blunt), who is devastated by her recent divorce, spends her daily commute fantasizing about the seemingly perfect couple who live in a house that her train passes every day, until one morning she sees something shocking happen there and becomes entangled in the mystery that unfolds. Based on Paula Hawkins’ bestselling novel, The Girl on the Train is adapted for the screen by Erin Cressida Wilson and Taylor. The film’s executive producers are Jared LeBoff and Celia Costas, and it will be released by Universal Pictures.

Director: Tate Taylor

Cast: Emily Blunt, Rebecca Ferguson, Haley Bennett, Justin Theroux, Luke Evans

Release Date: Oct 07, 2016

Rated R for violence, sexual content, language and nudity

Genres: Suspense/Thriller

Review:

Is it possible to make an interesting movie with a cast of characters who are all unlikable and fairly terrible?  The Girl on the Train tries really hard to pull it off and has a decent amount of success even if the “mind blowing” twist is telegraphed fairly early on.  Tate Taylor is clearly trying to emulate David Fincher’s Gone Girl but he’s not as talented a filmmaker to make it work.  As is, the film is a surprisingly engrossing tale of bad people doing bad things repeatedly.  Taylor’s real talent is getting some truly impressive performances out of his cast especially Emily Blunt.  Blunt is incredibly impressive throughout with multiple scenes set up to showcase her acting chops.  Haley Bennett, who looks distractingly like a Jennifer Lawrence clone, is just solid even though her character feels unwritten.  It’s a shame because the character seems to be most interesting of the group.  The Girl on the Train is trying it’s hardest to be some special but it never quite gets there.

B-