MOVIE REVIEW: CRUELLA

 

A live-action feature film following the evil exploits of Cruella de Vil, the villain from the Disney film, "101 Dalmatians'. 

Director: Craig Gillespie

Cast: Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, Mark Strong

Release Date: May 28, 2021

Genre: Comedy, Crime

Rated PG-13 for some violence and thematic elements 

Runtime: 2 h 14 min

Review:

Disney's live action remakes haven't been more than cynical cash grabs.  The films themselves have been bland retreads with little to no innovation to justify their existence.  Craig Gillespie's Cruella manages to break the mold by delivering a visual feast for the eyes and story filled with hefty character development and pathos.  Gillespie channels everything from Tim Burton, Lady Gaga, The Devil Wears Prada and even a touch of Cathy Yang's Birds of Prey to create a vibrant dense character study that exceeds all expectations.   It shouldn't work as well as it does and it'll probably bore plenty of the smaller kids expecting something much lighter and funnier.  Gillespie's direction is impressive but it wouldn't work as well as it does if it weren't for spectacular turns by Emma Stone and Emma Thompson.  Both are clearly having a blast glamping it up as the dueling fashionista with their interactions being the high points of the film.  It's be easy to go broad and coast through the film and it'd still be moderately fun but both actresses give their characters so much lived in depth which makes them all the more interesting.  Throw some award winning costumes and it's a feast for movie lovers who enjoy great performances from stars at the top of their game.  The film even manages to give Cruella's sidekicks more depth and characterization than expected with Joel Fry and Paul Walter Hause turning in strong performances as well.  Once the film ends you are sort of left gobsmacked by the quality of the entire production as your reminded this is still a Disney production which started with the most basic of intentions.  Sure it could have used a few trims here and there but the cast and crew all rise above their trappings to deliver something devilishly delightful.

A-

MOVIE REVIEW: MEN IN BLACK: INTERNATIONAL

The Men in Black have expanded to cover the globe but so have the villains of the universe. To keep everyone safe, decorated Agent H and determined rookie M join forces -- an unlikely pairing that just might work. When aliens that can take the form of any human arrive on Earth, H and M embark on a globe-trotting adventure to save the agency -- and ultimately the world -- from their mischievous plans.

Director: F. Gary Gray

Cast: Chris Hemsworth, Tessa Thompson, Kumail Nanjiani, Rebecca Ferguson, Rafe Spall, Laurent and Larry Bourgeois, Liam Neeson, along with Emma Thompson

Release Date: June 14, 2019

Genres: Action, Adventure, Comedy

Rated PG-13 for sci-fi action, some language and suggestive material.

Runtime: 1h 54min

Review:

Men in Black: International is a half hearted reboot that does boast a pair of a game stars that almost makes the film memorable.  F. Gary Gray captures some of the feel from the original but its never maintained for a consistent amount of time.  As such, the film is better in parts than it is as a whole.  The scripting doesn’t help much with it playing to the most basic and predictable story beats.  So ultimately it’s up Chris Hemsworth and Tessa Thompson to make the whole thing watchable, luckily their chemistry makes the whole thing an enjoyable romp even if it’s ultimately forgettable.  The Men In Black series has always had trouble nailing the original’s feel in the sequels.  The third entry in the film came close and is an underrated entry in the series, International will probably fall just short of that entry.  It did take on the gargantuan task of replacing the Will Smith/Tommy Lee Jones dynamic and it does reasonably well even if the story is generic and ultimately mundane.

B-

Cindy Prascik's Reviews of A Walk in the Woods & The Transporter Refueled

Dearest Blog, being on my deathbed last weekend, I missed out on my weekly trip to the cinema.

Hollywood very thoughtfully released only crap this weekend to give me a chance to catch up.

Thanks, Hollywood!

First on my agenda: A Walk in the Woods.

Two older men attempt to hike the Appalachian Trail.

If you take Wild, subtract annoying women who say things like, "I've never been in the driver's seat of my own life!" and add two pretty cool old dudes, you've got A Walk in the Woods. It's not normally the kind of picture I'd need to see on a big screen, but the lure of Robert Redford is strong. He shares excellent camaraderie with co-star Nick Nolte, and their banter is mostly good fun. There are a couple moments where the writing seems a bit awkward, and the movie runs maybe just a hair too long, but otherwise the men's adventure is both funny and uplifting.

A Walk in the Woods runs 104 minutes and is rated R for "language and some sexual references."

Despite its cast's pedigree, this film isn't likely to scare up any awards attention, but throw in some lovely scenery and a bit of screen time for the wonderful Emma Thompson, and it's still an entertaining couple hours.

Of a possible nine Weasleys, A Walk in the Woods gets six.

Next up: The Transporter Refueled.


Cars, cars, chicks, cars, cars, cars, fight scene, cars, fight scene, chicks, cars, cars, cars.

Disclaimer: I missed maybe the first five minutes of The Transporter Refueled. A lousy schedule left me the choice of slightly too little time between shows, or two hours between shows, and, frankly, I didn't care enough about either of these movies to waste two extra hours. I'm telling myself there was something in those first five minutes to keep this from being the worst movie ever made, but I don't think I believe myself.

The thing about the Transporter movies is: they're silly. Of course they're silly. But when you've got the right person at the fore (*cough* Statham *cough*) they're enough fun that you don't mind so much. The Transporter Refueled is absolutely no fun, and you'll mind the hell out of every minute.

The delightful Ray Stevenson is sadly wasted, and the everyone else is just a collection of the worst teeth you've ever seen. It's like the filmmakers went out of their way to find actors who never met a dentist. I had the room to myself for this one (shocking) and I confess I was bored enough to take a peek or two at my phone.

The Transporter Refueled clocks in at a mercifully short 96 minutes and is rated PG13 for "sequences of violence and action, sexual material, some language, a drug reference, and thematic elements."

Do not, under any circumstances, waste your money on this.

Of a possible nine Weasleys, The Transporter Refueled gets one.

Until next time...

 Still dreamy! <3 br="">

Cindy Prascik's Reviews of Saving Mr. Banks & American Hustle

Dearest Blog, yesterday I braved the holiday throngs for a couple movies I hoped would prove worth it, Saving Mr. Banks and American Hustle.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was Saving Mr. Banks, the story behind the story of Mary Poppins, and of Walt Disney's struggle to bring the beloved classic to the big screen.

If ever one of my reviews required a disclaimer, it's this one, so here it is: I HATE Mary Poppins. I hate the character, I hate the story, and if you start singing one of those stupid songs within my earshot, I will pull out your vocal cords through your eye sockets. I was recently scarred by an attempt to watch I'm Not There despite the fact I despise Bob Dylan, so, if I feared my distaste for the subject matter might leave me unable to enjoy this film on its own merits, it's understandable. As it turns out, I needn't have worried.

Saving Mr. Banks is a glorious piece of filmmaking, carried squarely on the shoulders of its magnificent leads, Emma Thompson and Tom Hanks. The two so thoroughly embody P.L. Travers and Walt Disney that it's almost jarring when the old photos used in the end credits don't have their faces. Thompson makes Travers a sympathetic character, even at her stiffest and most difficult, and Hanks...well, if Mr. Disney and Captain Phillips land him two spots on the "Best Actor" lists come year end, that's fair. The supporting cast is also pretty special, with standout performances from Ruth Wilson, Colin Farrell, and Paul Giamatti.The story-within-the-story flows smoothly between flashbacks and present-day happenings, and the costumes and scenery effectively dictate the feel of each sequence and scene. "Nice" is so vanilla that it almost doesn't seem like a compliment even when it's meant as one, but Saving Mr. Banks is just a nice movie that I think pretty much anyone will enjoy. If the film is sentimental, it's in a good way, rather than the eye-rolling way of some of the unfortunate trailers running with it. I cried so much I had to sneak out the back door of the cinema because I was embarrassed to walk through the lobby! If it had that effect on someone so utterly UNsentimental about Mary Poppins, those who love the book and/or the movie had better bring a whole box of Kleenex with them!

Saving Mr. Banks runs 125 minutes and is rated PG13 for "thematic elements including some unsettling images."

Young or old, Mary Poppins fan or not, I don't think a person could help but enjoy this movie. Of a possible nine Weasleys, Saving Mr. Banks gets eight.

Next up was my birthday present from Hollywood, American Hustle.

When a pair of con-artists is busted, they're forced to work with the FBI in an attempt to hook some bigger fish.

It will come as no surprise to anyone when I say awards season movies aren't necessarily my cup of tea. That's not to say I don't often enjoy them, but my taste generally runs more summer blockbuster than Oscar bait. When I start seeing "Academy Award Nominee" and "Golden Globe Winner" before all the names in the trailers, that's exactly what I'm looking for in those movies, performances that knock my socks off. I am pleased to report American Hustle delivers more than a few of those in a fun, exciting ride that will hold your undivided attention from start to finish.

Christian Bale is terrific in the lead, the formerly cut Bruce Wayne barely recognizable as a paunchy fashion nightmare with a bad combover. Bale gained 40 pounds for the role, and, sadly, this movie makes more of a point of showing off his flabby bare belly than the last Batman did of his six pack. His performance is extraordinary, smart and subtle when it needs to be, over the top when it has to be, just all-around perfect. Bradley Cooper is terrific as the FBI agent slowly losing his grip as he tries to make his name on the case, as is my beloved Jeremy Renner as a politician trying to do the right thing in perhaps not quite the right way. On the ladies' side, Amy Adams is fantastic, but can't help be overshadowed by another stellar showing from Jennifer Lawrence. If you were harboring any inexplicable, lingering doubts as to whether Lawrence is actually the most perfect human being in existence, well, this should erase them for good. Finally, I was absolutely delighted to see two of my Boardwalk Empire favorites, Jack Huston and Shea Whigham, who are both great in smaller roles.

American Hustle begins with the warning: "Some of this actually happened." Like Pain & Gain, these people's behavior is sometimes too stupid to believe, and yet...there it is. The movie goes from serious as a heart attack to laugh-out-loud funny in the blink of an eye, the plot zigging and zagging to keep you on the edge of your seat, without getting muddled or confusing. The awesome 70s soundtrack is bound to bring back fond memories for those who remember the era, even if the hairstyles and fashions do not!

American Hustle clocks in at 138 minutes and is rated R for "pervasive language, some sexual content, and brief violence."

For all the time I spend at the cinema, I think I deserved a really great movie for my birthday and, with American Hustle, I got it. Of a possible nine Weasleys, American Hustle gets eight and a half.

So, dear Blog, that's all the news that's fit to print for now. If time and the listings cooperate, and if I can manage to make myself see something besides The Hobbit, I've got a half-dozen new releases to squeeze in over the next seven days before I can finalize my year-end top ten. Fingers crossed!

Until next time...



Would you believe me if I said these are three of Hollywood's hottest leading men??

MOVIE REVIEW: BRAVE

BRAVE



An impetuous princess discovers that her reckless choice has put both her family and her father's kingdom in peril in this animated adventure from Pixar films. As a toddler, Merida (voice of Kelly MacDonald) saw her father, King Fergus (Billy Connolly), do battle with one of the fiercest animals in the kingdom -- a horribly scarred hulk of a bear named Mordu. Though Fergus lost his leg defending his family, Merida and her mother, Queen Elinor (Emma Thompson), managed to escape the beast before it vanished back into the forest. Years later, Merida has grown up to become not just a skilled archer, but also a beautiful princess who inspires a competition among the eligible bachelors in the land. But Merida has little interest in getting married, and the harder her mother pushes the issue, the more fiercely she resists it. When the tournament for her hand gets under way and a deep divide opens between mother and daughter, Merida makes a wish that threatens the future of both her family and the entire kingdom. Now, with only a brief window of time to set things right, Merida must summon the courage to atone for her mistake and prevent a past tragedy from destroying any hope for a peaceful future. ~ Jason Buchanan, Rovi

Director: Brenda Chapman

Cast: Kelly MacDonald, Emma Thompson, Billy Connolly, Julie Walters, Kevin McKidd

Release Date: Jun 22, 2012

Rated PG for Some Scary Action and Rude Humor

Runtime: 1 hr. 40 min.

Genres: Action/Adventure, Animated, Comedy

Review:

The rousing first act of Brave enchants the way you’d imagine a Pixar created film should. We are given a fully realized Scottish landscape that’s beautifully rendered, even more impressive in 3D, which is populated by wonderfully conceived character designs. It’s feast for the eyes and there a strong sense of self the moment Merida’s uncontrollable fiery red hair hits the screen. Kelly MacDonald, a favorite of mine from Broadwalk Empire, gives Merida the perfect blend of strength, drive and impetuous energy. Emma Thompson and MacDonald have good chemistry together in their mother daughter roles with Billy Connolly bringing a good sense of fun to the king. MacDonald’s work remains the driving force throughout the film but sadly the film falters by taking a far too conventional and safe route. It’s not a bad story by any measure but it’s not the type of cutting edge fare we’ve come to expect from Pixar. It’s enjoyable and once we hit the crux of plot, we all know how the plot will play out. It follows course fairly carefully rarely stepping to far into the deep end of some of the themes presented. As is the film works well but you can’t help but wonder if it wasn’t a bit of a missed opportunity for Pixar to make a truly different princess for the Disney stable.

B

MOVIE REVIEW: MEN IN BLACK 3

IN THEATERS

MEN IN BLACK 3



The Men in Black are back, and this time Agent J (Will Smith) must take a trip into the past in order to save both the future and his taciturn partner Agent K (Tommy Lee Jones) in the third installment of the hit sci-fi comedy series. After 15 years of working with aliens from all across the cosmos, Agent J is sure he's seen it all. But just when he's getting the hang of the game, he learns that history has inexplicably been rewritten. In this new timeline of events, Agent K has been dead for 40 years, and Earth will soon come under attack from an extraterrestrial force with the power to claim the entire planet. Now, in order to set the past straight and head off an invasion of epic proportions, Agent J must travel back to the year 1969, when Young Agent K (Josh Brolin) was just a fresh new face on the force. But Agent J only has 24 hours to find the source of the coming catastrophe and discern how his longtime partner ties into the situation -- should he fail he'll be stuck in the past forever. Jemaine Clement, Alice Eve, and Emma Thompson co-star. ~ Jason Buchanan, Rovi
Director: Barry Sonnenfeld

Cast: Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Emma Thompson

Release Date: May 25, 2012

Rated PG-13 for Sci-fi action violence, and brief suggestive content

Runtime: 1 hr. 44 min.

Genres: Comedy, Sci-Fi/Fantasy

Review:

The first Men in Black was one of my favorite blockbuster films when I was in college, I went the see it a multitude of times during its initial run. Its comedy and stars chemistry just hit me perfectly. As much as I loved the original the sequel was an utter mess, filled with too many talking animals and some of the worse product placement I’d been witness to in a film. The long wait for a third film has brought back some of the good fun from the original while injecting some new blood while keeping it fairly familiar. Barry Sonnenfeld learned his lesson from the 2nd film and keeps the focus on K and J’s interactions instead of silly secondary characters. Tommy Lee Jones and Will Smith jump back into their roles with incredible ease. Tommy Lee Jones is only asked to bookend the film but his turn as K has always been one of my favorite things about these films. Josh Brolin makes his absence easier to deal with as he delivers a spot on performance as a younger K. Brolin does more than just mimic Jones; he infuses the performance with a good sense of heart and depth. He and Smith share a strong chemistry, had they not worked well together the film would have fallen apart. Jemaine Clement, whose villain looks like Hugo Weaving on steroids, is fun but underused. Michael Stuhlbarg delivers a strong supporting performance which is touching and heartfelt. The plot is fairly typical sci-fi fare, its light and fun but bringing enough emotional depth to bring the franchise full circle. Some of the script does feel a tad lazy and some of Smith’s dialogue and one liners fall flat. The finale does feel very familiar to the first film’s climax which emphasizes the laziness to a greater degree. Regardless, the film is enough fun to keep you grinning for its run time.

B-