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Showing posts with label Paul Walter Hauser. Show all posts
Showing posts with label Paul Walter Hauser. Show all posts

Sunday, September 12, 2021

MOVIE REVIEW: QUEENPINS

 

A frustrated suburban housewife and her best friend hatch an illegal coupon-club scheme that scams millions from corporations and delivers deals to legions of fellow coupon clippers. Hot on their trail is an unlikely duo -- a hapless loss-prevention officer and a determined U.S. postal inspector -- both looking to end their criminal enterprise.

Director: Gita Pullapilly, Aron Gaudet

Cast: Kristen Bell, Kirby Howell-Baptiste, Paul Walter Hauser, Bebe Rexha, Vince Vaughn

Release Date: September 10, 2021

Genre: Comedy, Crime

Rated R for language throughout

Runtime: 1h 50min

Review:

Queenpins is a breezy slice of life crime drama that's smart enough to make great use of it cast.   Writers/directors Gita Pullapilly & Aron Gaudet give these film an easy sensibility that makes its subject matter easy to digest.  At the center of it all is Kristen Bell who has perfected the damaged overachiever.  Bell is right at home in this role that allows her to use her considerable comedic talents with an air of sadness behind her beaming smile.  She and costar Kirby Howell-Baptiste share a natural likeable onscreen chemistry together.  Their character's relationship serves as the lifeblood of the film and ultimately what makes the film so watchable.  Paul Walter Hauser and Vince Vaughn also share a parallel story arcs as investigators on the tail of the two couponing criminals.  The film biggest issue is that film frames the characters as heroes and it mostly absolves them of any real blame or responsibility.  It's a strange bit of framing for what was a real criminal enterprise but based solely on it's cinematic merits,  Queenpins works as fun dramady buoyed by it's game cast. 

B-

Saturday, May 29, 2021

MOVIE REVIEW: CRUELLA

 


A live-action feature film following the evil exploits of Cruella de Vil, the villain from the Disney film, "101 Dalmatians'. 

Director: Craig Gillespie

Cast: Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, Mark Strong

Release Date: May 28, 2021

Genre: Comedy, Crime

Rated PG-13 for some violence and thematic elements 

Runtime: 2 h 14 min

Review:

Disney's live action remakes haven't been more than cynical cash grabs.  The films themselves have been bland retreads with little to no innovation to justify their existence.  Craig Gillespie's Cruella manages to break the mold by delivering a visual feast for the eyes and story filled with hefty character development and pathos.  Gillespie channels everything from Tim Burton, Lady Gaga, The Devil Wears Prada and even a touch of Cathy Yang's Birds of Prey to create a vibrant dense character study that exceeds all expectations.   It shouldn't work as well as it does and it'll probably bore plenty of the smaller kids expecting something much lighter and funnier.  Gillespie's direction is impressive but it wouldn't work as well as it does if it weren't for spectacular turns by Emma Stone and Emma Thompson.  Both are clearly having a blast glamping it up as the dueling fashionista with their interactions being the high points of the film.  It's be easy to go broad and coast through the film and it'd still be moderately fun but both actresses give their characters so much lived in depth which makes them all the more interesting.  Throw some award winning costumes and it's a feast for movie lovers who enjoy great performances from stars at the top of their game.  The film even manages to give Cruella's sidekicks more depth and characterization than expected with Joel Fry and Paul Walter Hause turning in strong performances as well.  Once the film ends you are sort of left gobsmacked by the quality of the entire production as your reminded this is still a Disney production which started with the most basic of intentions.  Sure it could have used a few trims here and there but the cast and crew all rise above their trappings to deliver something devilishly delightful.

A-

Monday, June 15, 2020

Cindy Prascik's Review of Da 5 Bloods







































My dears, the bad news this week is my cinema has reopened...with a full slate of movies I've already seen, and nothing I'd risk a deadly disease to see again. (*cough* Rocketman *cough*)

The good news is Netflix is premiering a buzzy, brand-new release from revered director Spike Lee, Da 5 Bloods.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A group of veterans returns to Vietnam to repatriate a fallen colleague...and reclaim a hidden treasure.
The good news is Da 5 Bloods is a pretty engaging picture that doesn't feel long despite its boated runtime. It's painfully relevant, hammering home some difficult truths about the many sides to any story, the ambiguousness of "good guys" and "bad guys," and the ugliness of prejudice, even among those who are, themselves, victims of it. It boasts some nice performances (what a delight to see Norm Lewis!), and — between the festering wound that the Vietnam war remains in this country, and the historical footage and photos it uses to underline its own story — the film packs quite an emotional wallop.

The bad news is Da 5 Bloods is more predictable than the worst broadcast network police procedural. The aforementioned nice performances are countered by some legitimately terrible acting. The film's gruesome violence is so over the top as to be almost comical at times, and its melodramatic score is equally ridiculous. Finally Da 5 Bloods suffers a severe shortage of Chadwick Boseman. If you are watching this movie to see Chadwick Boseman, watch 21 Bridges instead. It's a better movie, and you'll get a lot more Chadwick for your buck.

Da 5 Bloods clocks in at 154 minutes and is rated R for, "strong violence, grisly images, and pervasive language."

I'd be hard-pressed to call Da 5 Bloods a good movie, but it's certainly an important one that's worth your time. Of a possible nine Weasleys, Da 5 Bloods gets five.

Until next time, dear reader(s), take care and stay well, and I'll hope to see you at the cinema soon!

Sunday, June 14, 2020

MOVIE REVIEW: DA 5 BLOODS







































Four African American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide.
Director: Spike Lee

Cast: Delroy Lindo, Jonathan Majors, Clarke Peters, Norm Lewis, Isiah Whitlock Jr., Mélanie Thierry, Paul Walter Hauser, Jasper Pääkkönen, Jean Reno
Release Date: June 12, 2020

Genres: Drama, War

Rated R for strong violence, grisly images and pervasive language

Runtime: 2h 35min

Review:

Da 5 Bloods is a film that has a lot on its mind.  Spike Lee foregoes subtly and delivers a timely but decidedly didactic treaty on race which feels incredibly timely given the current state of the world.   Lee’s visuals here are impressively aggressive throughout with aspect ratios changing based on time periods and news reel footage interspaced to highlight film some of his points.  The story itself feels like a something for the late 70s or 80s Vietnam films which is clearly intentional.  The cast is stellar across the board with Delroy Lindo delivering some of his best work in his storied career.  It’s always great to see The Wire alums get a spotlight and both Clarke Peter and Isiah Whitlock Jr. both deliver excellent work here.  Those expecting Chadwick Boseman to be a major part of the film will likely walk away disappointed since his character gets limited screen time even though he’s one of the driving forces in the story.  While the basic plot is fairly basic, Lee uses multiple techniques to keep the story engaging but its hard not to notice that there could have been some cuts here or there to make the film tighter.  As is, the film moves at a snail’s pace working better as a series of character studies and history lesson. 


B-

Sunday, December 15, 2019

MOVIE REVIEW: RICHARD JEWELL







































During the 1996 Summer Olympics in Atlanta, security guard Richard Jewell discovers a suspicious backpack under a bench in Centennial Park. With little time to spare, he helps to evacuate the area until the incendiary device inside the bag explodes. Hailed as a hero who saved lives, Jewell's own life starts to unravel when the FBI names him the prime suspect in the bombing.

Director: Clint Eastwood

Cast: Paul Walter Hauser, Sam Rockwell, Kathy Bates, Jon Hamm, Olivia Wilde

Release Date: December 13, 2019

Genres: Drama

Rated R for language including some sexual references, and brief bloody images

Runtime: 2h 9min

Review:

Clint Eastwood’s Richard Jewell is an engaging but flawed filmed even though the performances and direction is strong all around.  Eastwood crafts an engrossing film about the truth life event with Paul Walter Hauser delivering a singular performance.  Hauser gives Jewell a sort of Forrest Gump vibe from the get go even though it’s readily apparent that certain aspects of Jewell’s life reeked of warming signs.  He’s painted as an earnest if somewhat delusional individual who ultimately wanted to do the right thing.  His interplay with Sam Rockwell and Kathy Bates really gives the film a spark that gives the understated film life its beating heart.  Unfortunately, the film’s script takes massive liberties with another real life person and their actions.  It’s a glaring misstep that damages the film’s credibility by deciding to go for a clichéd and misogynistic take on the female reporter who is the defacto villain in the film.  It’s a bit puzzlingly that Olivia Wilde would take the role in the first place and then give the character nearly no depth.  Having Jon Hamm do Don Draper with an FBI badge only exasperates how problematic the characterization is.  The fact that Clint Eastwood and his screen writer have no issue taking such an antiquated approach really keeps the film from being some truly special if they’d just gone for a more nuanced approach to the story.  As is, it’s a well acted drama that tells the story of a true life event with fictionalized elements.


B-
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