MOVIE REVIEW: SPRINGSTEEN: DELIVER ME FROM NOWHERE

On the cusp of global superstardom, New Jersey rocker Bruce Springsteen struggles to reconcile the pressures of success with the ghosts of his past as he records the album "Nebraska" in the early 1980s.

Director: Scott Cooper

Cast: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Stephen Graham, Odessa Young

Release Date: October 24, 2025 

Genre: Biography, Drama, Music

Rated PG-13 for thematic material, some sexuality, strong language, and smoking.

Runtime: 1h 59m

Review:

Springsteen: Deliver Me from Nowhere is a pensive, reflective look at a very specific moment in his career powered by an engrossing, tortured turn from Jeremy Allen White.  Scott Cooper film possesses a melancholic melody to it that underwrites the whole thing.  He tries his best to avoid the usual pitfalls of the musical biopic by delivering something more pensive and introspective as we follow Springsteen right before he truly becomes an icon.  Flipping back and forth between the black and white past and the 80's as Springsteen works through the trauma of his past by working his way through a deeply personal demo.  This approach allows us to watch him struggle with his complicated history with his father as he's on the precipice super stardom.  It’s hard to avoid some of the more clichéd aspects of the genre especially in the flashback sequences but Cooper maintains a thoughtful approach to it all that gives it an air of authenticity that works in the film's favor.  The pacing is methodical throughout as he lets every moment settle before providing a musical jolt of vibrant energy.  Those musical numbers are stripped down which allows Jeremy Allen White to really show off an impressive set of pipes as he sings Springsteen's songs highlighted by a showstopper of a performance of Born in the USA.  White though brings so much more to the role by giving it a soulful, guilt-ridden humanity to his performance that drives the film.  It’s a fascinatingly subtle turn that gives you a window into the amount of turmoil simmering underneath with a revelatory moment in the film's final act finally allowing its release.  Jeremy Strong as Jon Landau, Springsteen's manager, is equally impressive particularly when they both share the screen.  Strong gives his character a tangible sense of steadfast belief and support throughout the film which leaves you wishing you had a friend like him.  They bring so much to the roles that you can't help but feel their deep-rooted, lived-in connection onscreen, something sure to garner both their share of awards consideration when the time comes.  Odessa Young also delivers strong work as the love interest but you are left feeling she could have brought so much more to the role if it had a tad more depth to it.  Gaby Hoffmann, Paul Walter Hauser and Stephen Graham have small but pivotal supporting roles with each doing the most with their limited screentime.  By the time it’s all said and done, Springsteen: Deliver Me from Nowhere manages to stand on its own as a musical biopic thanks to its stars and its thoughtful approach to storytelling.  

B+

MOVIE REVIEW: THE GENTLEMEN

Mickey Pearson is an American expatriate who became rich by building a marijuana empire in London. When word gets out that he's looking to cash out of the business, it soon triggers an array of plots and schemes from those who want his fortune.

Director: Guy Ritchie

Cast: Matthew McConaughey, Charlie Hunnam, Henry Golding, Michelle Dockery, Jeremy Strong, Eddie Marsan, Colin Farrell, Hugh Grant

Release Date: January 24, 2019

Genres: Action, Crime

Rated R for violence, language throughout, sexual references and drug content

Runtime: 1h 55min

Review:

The Gentlemen is a fun return to the genre that made Guy Ritchie a name back in the early 2000s.  It’s easy to forget how fun his older films like Lock Stock and Smoking Barrel and Snatch were because his subsequence films have fallen into a general blandness that’s made unmemorable.  That’s not to say that certain films like his Sherlock Holmes movies or his underrated The Man from U.N.C.L.E. aren’t fun but they felt way too polished and glossy.  The Gentlemen is a film that’s far better than it deserves to be.  The plot isn’t quite as clever as it thinks it is but the cast of characters and actors make the film so incredibly fun and watchable that you can overlook some of those failings.  Each of the cast delivers performances that make it clear that they are having the time of their lives in this film.  McConaughey gives us a solid mix of charm and underling menace with Charlie Hunnam delivering one of best film work thus far.  The supporting cast shines throughout with Hugh Grant, playing against type with great gusto, and Colin Farrell leaving the biggest impressions.  The story drags here and there but when the cast is clicking it’s the kind of throwback that makes you remember why people noticed Guy Ritchie’s type of filmmaking in the first place instead of something like Aladdin.

B

Cindy Prascik's Review of The Gentleman

Yesterday it was off to the pictures for back-to-back screenings of Guy Ritchie's the Gentlemen.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

The kingpin of Britain's largest marijuana enterprise attempts to ease into retirement and finds there's nothing easy about it.

Dear reader(s), it's important for me to note that I saw the Gentlemen twice yesterday. While I often see movies more than once (hey there, Jack Sparrow!), seldom do I see them more than once before I write about them. In this case, it made a difference of a half to a full point improvement on the film's final Weasley score, so that's material enough to warrant a mention.

The Gentlemen is a rollicking tale that's as clever as it is crass. A wordy script is liberally seasoned with swearing and slurs, weaving its way from twist to unexpected turn. The movie gets off to a bit of a slow start (which I found much less noticeable the second time around), but once it gets rolling, it is ROLLING, through a tense, violent, funny, and often surprising tale. The Gentlemen is blessed with a cast that is perfect in every way. Matthew McConaughey is crafty, dashing, and just the right amount of menacing as the mogul with an eye on retirement. Hugh Grant is hilarious as a sleazy PI looking out for number-one, while Henry Golding impresses as an up-and-comer with his eye on the prize. Downton Abbey's Michelle Dockery holds her own with the guys, no refined Lady Mary, this one, but, per usual, it's Colin Farrell who steals the show with a smart, funny turn. Annnnnnnd...to my Charlie People (and all you future Charlie People): this is a GREAT role for Charlie Hunnam. He gets just about the most screen time of anyone in the terrific ensemble, and he absolutely nails it. One of the reasons I'm proud to call myself a Charlie Person (and why I continue to evangelize new Charlie People) is because, despite his obscenely good looks, Charlie Hunnam has never traded on that commodity. He takes interesting roles in interesting projects, almost always aiming higher than he really has to. As McConaughey's smart, stoic, sweatered wing man, Hunnam is given a great opportunity to shine in the Gentlemen, and shine he does. One of my favorite performances from him to date.

The Gentlemen clocks in at 113 minutes and is rated R for "violence, language throughout, sexual references, and drug content." (I really, really feel like the "drug content" should be first there, but oh well.)

The Gentlemen is a humorous, exciting, well-crafted, and perfectly-cast film that takes viewers on a wild ride and effectively corrals an almost impossible number of moving pieces.

Of a possible nine Weasleys, the Gentlemen gets eight. Until next time...