MOVIE REVIEW: QUEENPINS

 

A frustrated suburban housewife and her best friend hatch an illegal coupon-club scheme that scams millions from corporations and delivers deals to legions of fellow coupon clippers. Hot on their trail is an unlikely duo -- a hapless loss-prevention officer and a determined U.S. postal inspector -- both looking to end their criminal enterprise.

Director: Gita Pullapilly, Aron Gaudet

Cast: Kristen Bell, Kirby Howell-Baptiste, Paul Walter Hauser, Bebe Rexha, Vince Vaughn

Release Date: September 10, 2021

Genre: Comedy, Crime

Rated R for language throughout

Runtime: 1h 50min

Review:

Queenpins is a breezy slice of life crime drama that's smart enough to make great use of it cast.   Writers/directors Gita Pullapilly & Aron Gaudet give these film an easy sensibility that makes its subject matter easy to digest.  At the center of it all is Kristen Bell who has perfected the damaged overachiever.  Bell is right at home in this role that allows her to use her considerable comedic talents with an air of sadness behind her beaming smile.  She and costar Kirby Howell-Baptiste share a natural likeable onscreen chemistry together.  Their character's relationship serves as the lifeblood of the film and ultimately what makes the film so watchable.  Paul Walter Hauser and Vince Vaughn also share a parallel story arcs as investigators on the tail of the two couponing criminals.  The film biggest issue is that film frames the characters as heroes and it mostly absolves them of any real blame or responsibility.  It's a strange bit of framing for what was a real criminal enterprise but based solely on it's cinematic merits,  Queenpins works as fun dramady buoyed by it's game cast. 

B-

My 10 Favorite Films of 2020

 

2020 was a strange year on many levels but for movie lovers it was a particularly strange one.  This year was probably the first time I didn’t lurk the halls of my beloved theaters for months at a time.  Still there were plenty of films that stood out, since I’m terrible at making and sticking with a top 10 ranking, here are my 10 favorite films of the year in no particular order. 

Birds of Prey

Cathy Yan’s Birds of Prey was one of the early victims of the Covid Pandemic which is a shame since the film is one of the comic book films that truly found its own voice.  Birds of Prey never feels formulaic or cookie cutter as we see Margot Robbie’s Harley evolve into her own. 

Gretel & Hansel

Oz Perkin’s film went under the radar but those looking for a striking horror film will find plenty to like with the mind bending remaining of the classic fairy tale.  Sophia Lillis continues to rack up impressive performances, films like this should make her big break feel like inevitable. 

The Invisible Man

Leigh Whannell’s remake of The Invisible Man seemed ready made for forgettable horror fodder.  What Leigh Whannel and Elisabeth Moss were able to accomplish is quite an impressive feat.  They take a fascinating angle on the concept which made it fresh and timely, paired with a stellar turn from Moss turned this retread into a taut thriller. 

Wonder Woman 1984

Patty Jenkin’s follow up is a overstuffed and unfocused but that doesn’t keep her film from being fun and trying for something meaningful.  Even if she didn’t quite stick the landing you have to respect Jenkin’s attempt to create a 80s superhero film in tone as opposed to just placing it in the 80s.  Gadot was born to play Diana but Kristen Wiig and Pedro Pascal both put in memorable turns.

Promising Young Woman

There are some films that just stick with you long after you’ve left the theater.  Emerald Fennell’s meticulously crafted debut film fits the bill in spades.  Carey Mulligan delivers a career best performance playing against type as the tragic protagonist.    

Palm Springs

Andy Samberg & Cristin Milioti time loop rom/com seemed tailor made for 2020.  The concept has been done plenty of times before but there’s a sweetness and reflective insight that makes this love story work. 

Sound of Metal

Riz Ahmed has built up a solid resume of strong performances but Sound of Metal might be his best.  Ahmed’s work here is a raw, gritty and authentic, so much so that he’s sure to earn best actor nods come award season. 

Soul

Pixar has tackled some big concepts over the years but Soul feels like another step up.  While the candy colored film still has the hallmarks of a kids movie this is the first one that feels like it’s aimed more at the parents than the kids. 

Freaky

Christopher Landon’s third film continues to show how much a horror fan he is while showing that it’s ok to have fun with some of the concepts.  Freaky’s body swap concept works because Vince Vaughn and Kathryn Newton both go all in with the concept to great effect.

Mank

David Fincher’s labor of love is sure to get plenty of awards nods when the season comes simply because Hollywood loves Hollywood.  Still Fincher’s film is a loving homage to the golden era of Hollywood led by strong performance from Gary Oldman who could make these kinds of films for the rest of his career as far as I’m concerned. 

MOVIE REVIEW: FREAKY

 

A mystical, ancient dagger causes a notorious serial killer to magically switch bodies with a 17-year-old girl.

Director: Christopher Landon

Cast: Vince Vaughn, Kathryn Newton, Katie Finneran, Celeste O'Connor, and Alan Ruck.

Release Date: November 13, 2020

Genre: Comedy, Horror, Thriller 

Rated R for strong bloody horror violence, sexual content, and language throughout

Runtime: 1 h 41min

Review:

Christopher Landon obviously loves horror movies it was obvious in his 2017 debut Happy Death Day and even more so in his newest film Freaky.  Horror aficionados will find plenty of little Easter Eggs scattered throughout the film.  The film itself is a fairly hilarious riff on the Freaky Friday trope with Vince Vaughn delivering one of his best performances in recent memories.  Vaughn is thoroughly committed to the role and his comedic timing makes him the best thing on screen throughout the film.  Watching him channel a teenage girl in his massive frame is just comedic gold especially as the situations get more and more absurd.  Kathryn Netwon isn't asked to do much outside of holding a steely gaze and look menacingly at her victims.  She does have a few moments were she lets loose a bit but them moments are few and far between.  It's mostly Vaughn's showcase but that doesn't mean that supporting players like Celeste O'Connor and Misha Osherovich don't get their time to shine with the latter leaving a memorable impression.  Those looking for real scares might be a little let down since there are a handful of jump scares and gore aplenty but you'd be hard pressed to ever call it scary.  Freaky leans much more on the comedy side and it works well as a farcical horror comedy where you can leave your brain at the door.

B

MOVIE REVIEW: UNFINISHED BUSINESS

Ken Scott's comedy Unfinished Business stars Vince Vaughn as a struggling businessman trying to get his fledgling company off the ground. To do so he must travel with his partners (Dave Franco and Tom Wilkinson) on a foreign business trip in order to land a huge client. Unexpectedly, our hero discovers that he is competing against his former boss, and his attempts to show the prospective clients the best night of their lies leads to a number of unexpected complications. ~ Perry Seibert, Rovi

Director: Ken Scott     

Cast: Vince Vaughn, Tom Wilkinson, Dave Franco, James Marsden, Nick Frost

Release Date: Mar 06, 2014     

Rated R for some strong risqué sexual content/graphic nudity, language and drug use    

Runtime: 1 hr. 31 min.     

Genres: Workplace Comedy, Comedy     

Review:

Unfinished Business is a lazy uninspired comedy that’s a mish mash of various things while never really coming together at all.  The film seems like its fertile ground for the comedy but it just never pulls itself together.  As a result you’re left with various dead spots which make the relatively short film seem incredibly long.  Throw in an oddly shoehorned anti-bullying subplot and you have a strangely unfunny film even though Dave Franco and Tom Wilkinson are trying their hardest to pull something out of the film.  Vince Vaughn does his usual shtick looking more haggard than usual, probably how you’ll feel by the end of the film.

D

MOVIE REVIEWS: PRECIOUS, BOONDOCK SAINTS 2 & COULPLE’S RETREAT

Wednesday, March 17, 2010

On DVD


PRECIOUS



Monster's Ball producer Lee Daniels follows up his 2005 directorial debut, Shadowboxer, with this adaptation of author Sapphire's best-selling novel about an overweight, illiterate African-American teen from ..Harlem.. who discovers an alternate path in life after she begins attending a new school. Clareece "Precious" Jones is only a teenager, yet she's about to give birth to her second child. Unable to read or write, Clareece shows little prospect for the future until discovering that she has been accepted into an alternative school. There, with a little help from a sympathetic teacher (Paula Patton) and a kindly nurse (Lenny Kravitiz), the young girl receives something that most teens never get -- a chance to start over. Mo'nique co-stars in an inspirational drama featuring the debut performance of screen newcomer Gabourey "Gabbie" Sidibe. ~ Jason Buchanan, All Movie Guide

Director: Lee Daniels

Release Date: Nov 06, 2009

Rated R for child abuse including sexual assault, and pervasive language.

Runtime: 1 hr. 49 min.

Genres: Drama

Cast: Gabourey Sidibe, Lenny Kravitz, Paula Patton, Mo'Nique, Mariah Carey.




Review:




First and foremost this film’s plot is something that’s probably already done on Lifetime at one point of another. Had the director not been able to get such wonderful performances from his cast, this film probably would have come and gone with little notice. Daniel’s direction is fairly rudimentary only occasionally does he give the film some creative flair. Lee Daniel’s real strength lies on his ability to pull out such strong performances from his much praised and awarded cast. It’s a truly impressive feat that elevates this film. Gabourey Sidibe comes across as authentic throughout, so much so that it feels like a documentary at times. Mo’Nique is just terrifying throughout, he character just seethes with anger and self pity. Paula Patton has been mostly overlooked but she provides a steadiness to the film, her performance is easy to overlook but it shouldn’t be. Mariah Carey is just as effective, shedding nearly all of her pretension and glam for a grounded performance. Precious is a difficult movie to sit through and probably not one you’d be quick to revisit. It is an actor’s movie through and through and the entire cast delivers stellar work deserving of all the praise.



B+





BOONDOCK SAINTS 2: ALL SAINTS DAY




Boondock Saints, the 2000 crime picture renowned for the unique story of the fast rise
and fall of its egomaniacal filmmaker, Troy Duffy, as well as the cult following that appeared later on home release, gets the sequel treatment with this follow-up. Sean Patrick Flanery and Norman Reedus reunite as the vigilante MacManus brothers, with Billy Connolly returning as Il Duce. Duffy once again directs from his own script, with Clifton Collins Jr., Julie Benz, and David Della Rocco filling out the rest of the cast. ~ Jeremy Wheeler, All Movie Guide

Director: Troy Duffy




Release Date: Oct 30, 2009




Rated R for bloody violence, some nudity and language




Runtime: 1 hr. 27 min.




Genres: Action




Cast: Sean Patrick Flanery, Norman Reedus, Billy Connolly, Clifton Collins, Jr., Julie Benz.



Review:



The original Boondock Saint’s was a movie I really wanted to love and just couldn’t ever warm up too for some reason. The entire thing seemed terribly derivative and amateurish. That’s not to say that Duffy’s film didn’t have a few inspired moment but it just seemed lacking and I still can’t quite understand the fascination with it. Duffy seemed to have some interesting concepts but his prowess as a writer and director seemed lacking. I was expecting Duffy’s follow up would be something akin to Sam Raimi or Robert Rodriguez follow ups to cult hits. Sadly, Duffy seems stuck in the mud. The sequel gives us a more steady directorial hand but the writing borders on horrid various times throughout the proceedings. The characters are all underwritten, the plot generic and the attempts are humor are terribly sophomoric. Sean Patrick Flanery and Norman Reedus return do the best they can with the roles but they seem more like an after thought for some reason. Julie Benz, working with one of the worse Southern accents in recent memory, is never believable. Her character’s spot as William Dafoe’s replacement here doesn’t work and she simply becomes grating as the film proceeds. Clifton Collins Jr., who’s usually solid in manic character’s, is generally wasted and generally seems disinterested as he utters some terrible dialogue. This is something that kind of a recurring theme throughout as the actors lack any energy or conviction. Duffy doesn’t seem capable of getting strong performances out of his cast, it was a problem that plagued the first film and is equally problematic here. Billy Connolly seems to be the only one actually trying and he’s got the least screen time of anyone. Once the film ends, I was left with the same feeling after watching the first one. I wanted to like it a lot more than I did. The ideas could be interesting and witty but they are executed so poorly that it’s hard to enjoy it.




C-





COUPLE’S RETREAT




Their relationship in danger of dissipating, a couple racing to salvage their marriage invites three other couples to join them at a tropical island resort. Upon arriving at the island paradise to enjoy some carefree fun in the sun, the other couples are disturbed to discover that participation in therapy sessions is mandatory if they hope to remain at the resort. Peter Bilingsley directs a comedy penned by Jon Favreau, produced by Vince Vaughn, and pairing the two Made collaborators onscreen with co-stars Jason Bateman and Faizon Love. ~ Jason Buchanan, All Movie Guide

Director: Peter Bilingsley




Release Date: Oct 09, 2009



Rated PG-13 for sexual content and language




Runtime: 1 hr. 47 min.



Genres: Comedy



Cast: Vince Vaughn, Jason Bateman, Faizon Love, Jon Favreau, Malin Akerman.



Review:



Vince Vaughn and Jon Favreau have written some strong comedies in the past which makes this totally inert and neutered film a real head scratcher. Peter Bilingsley, Ralphie from A Christmas Story, provides fairly generic direction throughout and does a nice job of capturing pretty vistas once they move to the island. His pacing could use some work as the film seems to have very little flow or momentum. It doesn’t help that the script provides some of the blandest and most generic types for each of the couples. All of them are instantly recognizable and they wouldn’t do anything that surprises you throughout. It’s a real shame considering the comedic talent on hand. The cast just goes through the motions, only rarely delivering more than slight chuckle. Making matters worse this film is overly long, so much so that once we get to the final act you just want it to be over because the laughs have long since disappeared.



D