MOVIE REVIEW: THE MARKSMAN

 

Jim is a former Marine who lives a solitary life as a rancher along the Arizona-Mexican border. But his peaceful existence soon comes crashing down when he tries to protect a boy on the run from members of a vicious cartel.

Director: Robert Lorenz

Cast: Liam Neeson, Jacob Perez, Katheryn Winnick, Juan Pablo Raba, Teresa Ruiz

Release Date: January 15, 2021

Genre: Action, Thriller 

Rated PG-13 for violence, some bloody images and brief strong language

Runtime: 1 h 48 min

Review:

There's an overwhelming sense of mediocrity at the center of The Marksman, Liam Neeson's latest action flick.  Robert Lorenz knows how to shoot scenic vistas and Neeson makes a for surprisingly  effective Client Eastwood proxy in this straightforward film.  Neeson, for his part, is earnest and believable even as his southern drawl comes and goes throughout the film.  The film's main problem is it's plot and script which is filled with plot holes and cardboard cut out characters.  As such there's zero emotional weight or heft to the primary relationship between Neeson's character and Jacob Perez's Miguel.  Sadly,Jacob Perez isn't a talented enough child actor to add anything to his character, making him slightly more grating as the film moves along.  The villain's in the piece are equally one note with random character moments that point to a more nuanced script which the film never explores.  As such the film plays out in an almost perfunctory manner with things happening simply because they have to.  The Markman is a slower paced action vehicle for Neeson's late stage action period and if he had a better script he might have delivered a more memorable entry into his lengthy resume. 

C

MOVIE REVIEW: HONEST THIEF

 

Hoping to cut a deal, a professional bank robber agrees to return all the money he stole in exchange for a reduced sentence. But when two FBI agents set him up for murder, he must now go on the run to clear his name and bring them to justice.

Director: Mark Williams

Cast: Liam Neeson, Kate Walsh, Robert Patrick, Anthony Ramos, Jeffrey Donovan, Jai Courtney

Release Date: October 16, 2020

Genre: Action, Crime, Drama

Rated PG-13 for strong violence, crude references and brief strong language

Runtime: 1 h 39 min

Review:

Honest Thief serves as a fine encapsulation of Liam Neeson’s late career action star turn.  The main issue is this entry lacks any real flair or gusto, instead it all feels kind of perfunctory.  Mark Williams seems to come from the generic filmmaking school since the film is impressively bland and generic.  Liam Neeson goes through the motions while still trying to infuse some gravitas to the proceedings.  The main issue is that the characters are all so thinly written that there is only so much these actors can do with them.  Kate Walsh is given the thankless love interest role that seems to just go along with all the increasingly insane situations with nary a question or concern.  Jai Courtney character is so over the top that the only thing he’s missing is a villainous mustache to twirl throughout the film.  Those expecting some Taken style action to cover up the script’s failings will be left wanting since there’s not much to be found.  Honest Thief seems tailor made for that random mindless cable watching when you put zero effort into your entertainment choices.

C

MOVIE REVIEW: MEN IN BLACK: INTERNATIONAL

The Men in Black have expanded to cover the globe but so have the villains of the universe. To keep everyone safe, decorated Agent H and determined rookie M join forces -- an unlikely pairing that just might work. When aliens that can take the form of any human arrive on Earth, H and M embark on a globe-trotting adventure to save the agency -- and ultimately the world -- from their mischievous plans.

Director: F. Gary Gray

Cast: Chris Hemsworth, Tessa Thompson, Kumail Nanjiani, Rebecca Ferguson, Rafe Spall, Laurent and Larry Bourgeois, Liam Neeson, along with Emma Thompson

Release Date: June 14, 2019

Genres: Action, Adventure, Comedy

Rated PG-13 for sci-fi action, some language and suggestive material.

Runtime: 1h 54min

Review:

Men in Black: International is a half hearted reboot that does boast a pair of a game stars that almost makes the film memorable.  F. Gary Gray captures some of the feel from the original but its never maintained for a consistent amount of time.  As such, the film is better in parts than it is as a whole.  The scripting doesn’t help much with it playing to the most basic and predictable story beats.  So ultimately it’s up Chris Hemsworth and Tessa Thompson to make the whole thing watchable, luckily their chemistry makes the whole thing an enjoyable romp even if it’s ultimately forgettable.  The Men In Black series has always had trouble nailing the original’s feel in the sequels.  The third entry in the film came close and is an underrated entry in the series, International will probably fall just short of that entry.  It did take on the gargantuan task of replacing the Will Smith/Tommy Lee Jones dynamic and it does reasonably well even if the story is generic and ultimately mundane.

B-

Cindy Prascik's Reviews of Cold Pursuit & The Lego Movie 2

Dearest Blog: Yesterday it was off to Marquee Cinemas for Cold Pursuit and the Lego Movie 2.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First up: Cold Pursuit. Liam Neeson gets revenge in the snow.

Action thrillers have become Liam Neeson's bread and butter. There's not much about Cold Pursuit that sets it apart from Taken or Run All Night or The Commuter, except it's quite funny, and I'm *almost* sure that's on purpose. Of course, in a film with this kind of body count, it's a grim humor, but...yeah, I'm reasonably certain it actually means to be funny. It's also super-cold, the kind of cold that makes you cold just looking at it, yet Liam Neeson is perpetually without his gloves. That was my big takeaway, so that probably tells you a good deal about the rest of it. Neeson is enjoyable but unremarkable in a role that, by now, he could play in his sleep. His supporting cast is as good as it needs to be, but a handful of Native American characters who turn up late and don't get enough screen time are the most interesting people in the movie. The action is solid and almost entirely unbelievable, and the picture is paced well enough that--despite playing out predictably--it's never slow or dull. If you aren't put off by literal mountains of snow, the scenery is a real feast for the eyes, too. Overall, if you can put aside the controversy currently surrounding its lead, Cold Pursuit is forgettable good fun.

Cold Pursuit clocks in at 118 minutes and is rated R for "strong violence, drug material, and some language including sexual references."

If you want to watch Liam Neeson kill something besides his career this weekend, Cold Pursuit is the film for you.

Of a possible nine Weasleys, Cold Pursuit gets six.

Fangirl points: Nathaniel Arcand! NexDearest Blog: Yesterday it was off to Marquee Cinemas for Cold Pursuit and the Lego Movie 2. Spoiler level here will be mild, nothing you wouldn't know from the trailers. First up: Cold Pursuit. Liam Neeson gets revenge in the snow. Action thrillers have become Liam Neeson's bread and butter. There's not much about Cold Pursuit that sets it apart from Taken or Run All Night or The Commuter, except it's quite funny, and I'm *almost* sure that's on purpose. Of course, in a film with this kind of body count, it's a grim humor, but...yeah, I'm reasonably certain it actually means to be funny. It's also super-cold, the kind of cold that makes you cold just looking at it, yet Liam Neeson is perpetually without his gloves. That was my big takeaway, so that probably tells you a good deal about the rest of it. Neeson is enjoyable but unremarkable in a role that, by now, he could play in his sleep. His supporting cast is as good as it needs to be, but a handful of Native American characters who turn up late and don't get enough screen time are the most interesting people in the movie. The action is solid and almost entirely unbelievable, and the picture is paced well enough that--despite playing out predictably--it's never slow or dull. If you aren't put off by literal mountains of snow, the scenery is a real feast for the eyes, too. Overall, if you can put aside the controversy currently surrounding its lead, Cold Pursuit is forgettable good fun. Cold Pursuit clocks in at 118 minutes and is rated R for "strong violence, drug material, and some language including sexual references." If you want to watch Liam Neeson kill something besides his career this weekend, Cold Pursuit is the film for you. Of a possible nine Weasleys, Cold Pursuit gets six. Fangirl points: Nathaniel Arcand! Next on yesterday's docket was the Lego Movie 2: The Second Part. Everything is no longer awesome in Legoland. Like its predecessor, the Lego Movie 2 is a genuine delight. Top-notch voice work fronts an upbeat, colorful movie with a sweet message. The film’s terrific sense of humor will appeal as much to adults as to kids, and a cheerful score peppered with bouncy original songs is sure to engage the young’uns, and, as one song threatens, end up stuck in your head. As before, the best bits revolve around Batman (offered without bias!), but, truly, there is not a weak link here. The Lego Movie 2: The Second Part runs 106 minutes and is rated PG for "some rude humor." The Lego Movie 2 is another fun outing foe the entire family. Of a possible nine Weasleys, The Lego Movie 2 gets 8. Until next time... PS: Where's my Cats trailer? in Legoland. Like its predecessor, the Lego Movie 2 is a genuine delight. Top-notch voice work fronts an upbeat, colorful movie with a sweet message. The film’s terrific sense of humor will appeal as much to adults as to kids, and a cheerful score peppered with bouncy original songs is sure to engage the young’uns, and, as one song threatens, end up stuck in your head. As before, the best bits revolve around Batman (offered without bias!), but, truly, there is not a weak link here.

The Lego Movie 2: The Second Part runs 106 minutes and is rated PG for "some rude humor."

The Lego Movie 2 is another fun outing foe the entire family.

Of a possible nine Weasleys, The Lego Movie 2 gets 8.

Until next time... PS: Where's my Cats trailer?

MOVIE REVIEW: WIDOWS

A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows -- Veronica, Linda, Alice and Belle -- have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, Veronica joins forces with the other three women to pull off a heist that her husband was planning.

Director: Steve McQueen

Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, Liam Neeson

Release Date: November 16, 2018

Genres: Crime, Drama, Thriller

Rated R for violence, language throughout, and some sexual content/nudity

Runtime: 2h 9 min

Review:

Steve McQueen’s Widows is a densely packed heist thriller.  Beautifully shot and thoroughly engaging, the film is never boring.  McQueen packs so much into his film that it might be necessary to give it multiple viewings.  He touches a multitude of topics from gender and racial politics all while unfurling a well crafted heist film.  The film moves at a methodical pace, never rushing from one scene to the next.  Instead it allows you to enjoy and appreciate the series of fine performances on display.  Viola Davis leads the film with her steady hand which makes you feel every bit of determination commingled with grief.  Elizabeth Debicki is just as impressive playing an abused trophy wife who is left picking up the pieces to her life after her husband’s death.  Michelle Rodriguez delivers as strong a performance as she can turn in but it’s hard not to notice the difference in talent level between her and her cast mates.  Colin Farrell and Robert Duvall make for a fascinating father and son duo and they deliver one of the film’s most impactful moments.  Brian Tyree Henry and Daniel Kaluuya are both just as interesting with limited screen time.  Widows is quiet at the level of Michael Mann’s Heat but its pretty close.

B+

Cindy Prascik's Reviews of The Commuter & The Shape of Water

 

 

 

Dearest Blog: A heavy slate of January releases and an unusually chaotic real life (ughhhhh...real life!) have conspired to set me behind at the cinema, so yesterday I burned an afternoon's PTO to head to Marquee Cinemas for a pair of films that didn't particularly excite me: The Commuter and The Shape of Water. If you thought one was markedly better than the other, you would be mistaken.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First up: The Commuter.

 

Liam Neeson Liam-Neesons his way through the sort of crisis that seems to follow Liam Neeson, this time on a commuter train.

 

A moviegoer could be forgiven for assuming that The Commuter is merely Taken on a train...or Non-Stop on a train...or Run All Night on a train, but I'm sorry to tell you it's a whole lot worse than that. Sure, the Taken movies are getting samey, but I enjoyed all but the middle one. Non-Stop was pretty good fun, and I actually loved Run All Night. The Commuter's every turn is obvious, every character as easy to figure out as the ending of a Nicholas Sparks novel. The dialogue is pitiful, and the delivery just as bad. The fight scenes are ho-hum, and even the daring train stunts are so poorly executed as to be laughable. Sam Neill and Patrick Wilson, two pretty extraordinary actors, are wasted on small, easy-to-peg roles. If there's any good news, it's that the insufferable Vera Farmiga enjoys similarly little screen time. When I heard Liam Neeson planned to retire from action films, I felt a bit sad, but if this is what he's being offered, it's probably the right decision. 

 

The Commuter clocks in at 105 minutes and is rated PG13 for "some intense action/violence, and language."

 

One of The Commuter's early scenes shows a poster for Paddington 2 hanging on a train station wall, almost as if the movie itself were pointing you towards a better use of your time. Of a possible nine Weasleys, The Commuter gets three.

 

Fangirl points: Shazad Latif! ("Yes I can hear you, Clem Fandango!) Kingsley Ben-Adir!

 

Next on the docket: awards darling The Shape of Water.

 

A laboratory cleaning lady forms a relationship with a captive creature.

 

I did not expect to love The Shape of Water. I did not expect it to be my top pick for Best Picture. I DID expect it to be a great movie that just isn't my cup of tea, but I was mistaken. 

 

The Shape of Water is extraordinary on several fronts, the first and most obvious being its performances. This movie is an acting master class! Sally Hawkins is breathtaking in the lead role, expressive and sympathetic. Michael Shannon and Richard Jenkins, on opposite ends of the likability scale, turn in layered performances. Michael Stuhlbarg is incredible as usual, and I'm delighted he continues to get such high-profile work; however, it's Octavia Spencer who is the film's highlight, sometimes serving as the movie's comic relief, other times as its foot in reality. The Shape of Water also boasts glorious visuals, carrying through the water theme in lovely, unexpected, and sometimes uncomfortable ways. It takes itself seriously, but it's also very funny at times. Part love story, part monster movie, The Shape of Water is, at least, a pretty interesting idea.

 

'Til about the midway point, I was prepared to say I didn't hate The Shape of Water as much as I thought I would. Sadly, it hit a downhill skid that culminated in the most ill-fitting movie scene since the ending of La La Land, and at that point I gave up and called it a total loss. In the interest of avoiding spoilers, I make no comment on the scene itself being good or bad, happy or sad, only about how the scene felt IN the movie, which was so far off it took me out of the picture entirely, and I did nothing but check the clock from that point on. The creature doesn't appear much removed from 1954's Creature from the Black Lagoon, which I imagine is meant as a sort-of love letter to old school horror, but--in 2018--it makes taking the film seriously pretty difficult. Unsubtle parallels are drawn between prejudice against the creature and other prejudices that were prevalent just a few decades ago; this is a message movie trying to hide behind a fairy tale and failing miserably.

The Shape of Water runs an interminable 123 minutes and is rated R for "sexual content, graphic nudity, violence, and language."

 

The Shape of Water is lovely music with nonsensical lyrics, aesthetically pleasing but not good for much else.  Of a possible nine Weasleys, The Shape of Water gets four.

 

Until next time...

MOVIE REVIEW: A MONSTER CALLS

A young boy (Lewis MacDougall) befriends a wise tree monster (voiced by Liam Neeson) while coping with bullying and the terminal illness of his mother (Felicity Jones). He moves in with his grandmother (Sigourney Weaver) as his mom's condition deteriorates, and uses his imagination and friendship with the monster to escape reality. J.A. Bayona (The Impossible) directed this fantasy drama. ~ Daniel Gelb, Rovi

Director: Juan Antonio Bayona

Cast: Felicity Jones, Sigourney Weaver, Liam Neeson, Toby Kebbell, Ben Moor, Lewis MacDougall

Release Date: Dec 23, 2016

Rated PG-13 for Thematic Content and Some Scary Images

Runtime: 1 hr. 48 min.

Genres: Drama, Sci-Fi/Fantasy

Review:

Juan Antonio Bayona’s A Monster Calls is an interesting fantasy parable with a very human message.  Bayona crafts together a beautifully gothic tale with some impressive visual flourishes peppered in throughout.  Its pace is decidedly measured and methodical throughout.  It might be a turnoff to some because it does move at snail’s pace during large portions of the film.   The monster and his tales are wonderfully animated through lush water colored animation which is as striking as it is effective. The cast lead by Lewis MacDougall is stellar through out and you’d think with the bigger names in the film, MacDougall might get lost in the shuffle but he never does. He turns in an impressive performance filled with melancholy and visible pain.  Its finale delivers a simple and 

straightforward lesson but do so with a strong emotional punch sure to leave many in tears.  

B+

Cindy Prascik's Review of Run all Night

Dearest Blog, yesterday it was off to the pictures for the latest in a seemingly-endless series of "Liam Neeson Kicks Butt" movies, Run all Night.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Well, dear reader(s), I have to be honest with you: with two major new releases on the weekend's docket, this was meant to be a double review. Yes, I love you all enough that I was going to force myself to see that damn princess movie.

However, when I got to the theatre and found it crawling with little girls--all of whom were queuing up to have their ideas of life and romance irreparably warped by some fool in a glass shoe--I had to dodge and go with a fourth screening of Kingsman: The Secret Service instead. It was the only responsible thing to do.

Liam Neeson...yadda yadda yadda...family in danger...yadda yadda yadda...guns, explosions, carnage...yadda yadda yadda...my hero!...yadda yadda yadda...the end.

Look, this is one of those movies where I have little sympathy for anyone who sees it and doesn't like it. It couldn't possibly be more exactly what you'd expect, so shame on you if you buy a ticket and then complain about it. Neeson is once again in fine butt-kicking form, perhaps a little rougher around the edges than in some of his other, similar films, but no less convincing as the guy you want to be hanging around with when there's trouble...ANY sort of trouble.

Joel Kinnaman does a terrific job as the neglected son, dragged into the very chaos he's worked his whole life to avoid, and Ed Harris is, of course, great as that guy you'd really be rooting for if only the movie weren't expressly designed to make you root for that other guy. Harris undoubtedly could pull off something like this in his sleep, but it sure is fun watching him.

The movie itself is a bit more grim than some others of its ilk. Not suggesting for a minute that the Taken movies and Non-Stop and A Walk Among the Tombstones are a barrel of laughs, but this one has virtually no lighter moments, and the few it attempts are so crass and abrasive that they don't do much to lift the tone.

The movie is set at Christmastime, and the omnipresent Christmas decorations are a stark contrast to the film's miserable atmosphere. The timing did leave me curious about a thunderstorm towards the beginning of the movie and the coloring trees at the end, though. In New York, in December?

Like the famous ghosts, I think Liam did this all in one night. We really shouldn't have experienced changing seasons, but I guess it's hardly the sort of movie where I'd expect perfect attention to detail. On a personal note, I was delighted to see Bruce McGill (a favorite in our house), Common, and the many, many New York Rangers references scattered about the movie.

Run All Night clocks in at 114 minutes and is rated R for "strong violence, language including sexual references, and some drug use."

It doesn't reinvent the wheel, but if you like watching Liam Neeson kick ass (and who doesn't?) you should be decently entertained. Of a possible nine Weasleys, Run All Night gets five.

And sorry about the princess.

Until next time...

(not my graphic)

Cindy Prascik Reviews of Selma & Taken 3

Dearest Blog, this weekend my cinema surprised me with three new(ish) releases. In an attempt at responsible behavior, I saw two of said new releases rather than just seeing The Hobbit again. Since I can be just SO responsible, you know it was always gonna be Taken 3 and whichever awards hopeful worked best with Taken 3, which happened to be Selma.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was Selma.

Dr. Martin Luther King, Jr. leads a march from Selma to Montgomery, Alabama, in an attempt to assure equal voting rights.

Well, dear reader(s), I don't really have adequate words for Selma, other than to say it should be required viewing for everyone, period. Based on actual events that are often difficult to watch, the movie still manages to entertain as it inspires.

The performances are extraordinary, with David Oyelowo leading the way in an Oscar-worthy turn.

Tim Roth is also especially noteworthy as Alabama Governor George Wallace.

The story moves at a good clip and is peppered with rousing monologues. There were times I actually jumped in my seat at the violence, even knowing what was coming. The movie's historical accuracy has been called into question a bit, but there's no denying Selma is a fantastic film with a vital message.

Selma runs 128 minutes and is rated PG13 for "disturbing thematic material including violence, a suggestive moment, and brief strong language."

Whether it wins any of the big prizes remains to be seen, but Selma is likely the most important movie you'll watch this year.

Of a possible nine Weasleys, Selma gets eight and a half.

Next up was the final (?) installment in Liam Neeson's Taken trilogy.

Accused of murder, Bryan Mills sets out to clear his name and protect his family.

So...you say "Taken 3" and people just kinda roll their eyes.

How many times can this happen to the same guy, right? If you're willing to suspend your disbelief, though, Taken 3 is self-aware good fun. Liam Neeson is in top ass-kicking form, managing lots of awesomely ridiculous escapes and delivering plenty of crowd-pleasing kills.

The rest of the cast--including Academy Award winner Forest Whitaker--is fine, but, if we're being honest, they could be marionettes for all it matters; it's Neeson's show and as long as he's outsmarting baddies and beating them to a pulp, you don't much care about anything else.

The movie has spectacular action sequences, well-choreographed fight scenes, a fair few laugh-out-loud moments, a satisfying--if predictable--final act, and is smart enough not to wear out its welcome.

With even half-reasonable expectations, you're guaranteed a fun couple hours.

Taken 3 runs 109 minutes and is rated PG13 for "intense sequences of violence and action, and for brief strong language."

If you're in the market for a bit of brainless entertainment, it doesn't get much more brainless or much more entertaining than this.

Of a possible nine Weasleys, Taken 3 gets six.

Until next time...

Cindy Prascik's Review of A Walk Among the Tombstones

Dearest Blog, yesterday it was off to the pictures for my first double-header in awhile. Before a final screening of summer's most fun flick, Guardians of the Galaxy, I had a look at Liam Neeson's latest, A Walk Among the Tombstones.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

An ex-cop working as an unlicensed P.I. hunts a woman's killers.

A Walk Among the Tombstones looks a lot like an old TV cop show. It's set against the harshest, ugliest parts of New York, in that gloomy bit of the year when the leaves have dropped but the snow hasn't yet fallen. Though the lack of color sets an appropriately morose tone, the movie is not without its lighter moments, most of which hit the right mark, lifting the mood without derailing it.

Liam Neeson does what Liam Neeson does best, ensuring you leave the theatre thinking you never, EVER want to face a crisis without him. The solid supporting cast features Downton Abbey heartthrob Dan Stevens in a VERY different role from Matthew Crawley, Sebastian Roche (who will ever be Law & Order's C-Square to me!), and the precocious Brian "Astro" Bradley. The story has enough twists and turns to keep you interested, without being so long or overly complicated that it bogs down.

A Walk Among the Tombstones clocks in at 113 minutes and is rated R for "strong violence, disturbing images, language, and brief nudity." It may not be especially memorable, but it's an entertaining, well-crafted thriller that easily holds your attention.

Of a possible nine Weasleys, A Walk Among the Tombstones gets seven.

Until next time.

Where's Carson when ya need him??

MOVIE REVIEW: A MILLION WAYS TO DIE IN THE WEST

Mild-mannered sheep farmer Albert Stark (Seth MacFarlane) feels certain that the Western frontier is trying to kill him, then he loses his girlfriend, Louise (Amanda Seyfried), to the town's most successful businessman. However, a beautiful, pistol-packing woman named Anna (Charlize Theron) rides into town and helps Albert find his inner courage. Then Stark must put his newfound bravery to the test when Anna's outlaw husband arrives with plans to plant him in an unmarked grave.

Director: Seth MacFarlane 

Cast: Seth MacFarlane, Charlize Theron, Amanda Seyfried, Giovanni Ribisi, Liam Neeson

Release Date: May 30, 2014

Genres: Comedy Western, Outlaw (Gunfighter) Film, 

Comedy, Western 

Review:

After the surprising success of Ted, my expectation of Seth MacFarlane next live action film were fairly high.  Sadly, A Million Ways to Die in the West doesn’t live up to expectations.  It plays out like an extended “Road to…” episode of Family Guy with very little in the way of innovation, satire or even laughs.  It will bring a grin to your face from time to time but MacFarlane seems to forget he’s making a comedy and seems more interested in making a clichéd western.  Outside of the occasional MacFarlane riffs on how horrible the old west was, there isn’t a ton to the plot.  As a result the story as a whole lacks forward momentum with noticeable dead spots spread across the bloated run time, most obvious during the climax of the forced storyline with MacFarlane and Theron.  A Million Ways to Die in the West is one of those films that has a few false endings and then it drags on for another 20 minutes longer than it should, essentially wasting  Liam Neeson’s screen time.  A few laughs here and there will never replace Blazing Saddles.

C-

Cindy Prascik's Reviews of Non-Stop & Mr. Peabody & Sherman

Dearest Blog, yesterday it was off to the cinema for the unlikely double-bill of Non-Stop and Mr. Peabody & Sherman.

Spoiler level here will be mild, nothing you wouldn't know or have guessed from the trailers.

The schedule dictated that I start my day with Non-Stop.

Somewhere over the Atlantic, a Federal air marshal begins receiving threats to the passengers on his flight. When he's accused of having a part in the hijacking, he must keep them safe while trying to clear his own name.

I think everybody took one look at the trailer for Non-Stop and knew it was going to be another of "those" movies that Liam Neeson makes these days. A fair enough assessment, though I don't imagine they'd keep making them if someone weren't enjoying them. (But, then again, there's always Madea...) At any rate, Neeson plays Bill Marks on the same note he does Bryan Mills and John Ottway and Hannibal Smith, and, if you like that sort of thing (as I do), then you'll have a good enough time with it. His supporting cast is comprised of familiar faces: Julianne Moore, Michelle Dockery, Scoot McNairy, Nate Parker, Corey Stoll, Linus Roache, Anson Mount, an underused Lupita Nyong'o, and the suddenly ubiquitous Shea Whigham. No standouts here, Non-Stop is the kind of movie where you probably could have dropped any halfway competent actor into any supporting role and been just fine with Neeson at the helm.

Non-Stop does a terrific job of putting the viewer ON the plane, maintaining tension for the duration of its almost-two-hour runtime. Some of it is predictable and more than a bit hokey, but I was engaged throughout and the eventual resolution did surprise me. Believe me when I say, you won't be in any hurry to get on a plane after you see it!

Non-Stop runs 106 minutes and is rated PG13 for "intense sequences of action and violence, some language, sensuality, and drug references."

Non-Stop is the Chinese food of the cinema world; you'll enjoy the hell out of it while it lasts, but it won't stick with you long.

Of a possible nine Weasleys, Non-Stop gets five and a half.

My closer on yesterday's double-bill was the animated feature Mr. Peabody & Sherman.

Canine genius Mr. Peabody and his adopted human son Sherman must use the Wayback Machine to repair a time rift they created.

Well, dear Blog, regular reader(s) will know that I'm deeply in love with Dreamworks Animation, enough so that I even looked at an open clerical position with them last year. (Dear Employer: I'm not qualified to be their janitor. You're safe.) Even with my high expectations, Mr. Peabody & Sherman did not disappoint. The art and animation are bright, colorful, and sharp. Voice talent includes some notable funnymen (and women): Modern Family's Ty Burrell and Ariel Winter, Leslie Mann, Stephen Colbert, Mel Brooks, and Patrick Warburton. Allison Janney, Stanley Tucci, and Dennis Haysbert also turn up in supporting roles. The movie keeps up a solid pace and doesn't wear out its welcome, maintaining a good balance of kid-safe adventure and humor that's also fun for grownups.

Mr. Peabody & Sherman clocks in at 92 minutes and is rated PG for "some mild action and brief rude humor."

If the movie year generally goes Throwaway Season to Superhero Season to Awards Season, it's fair to say that the animated features are throwing down early this year.

Mr. Peabody & Sherman isn't quite the Lego Movie, but it's still good fun for the entire family.

Of a possible nine Weasleys, Mr. Peabody & Sherman gets seven.

Until next time...

 

 

Tough times at Downton as Lady Mary takes a job as a flight attendant...

MOVIE REVIEW: TAKEN 2

IN THEATERS

TAKEN 2



His family targeted by a vengeful crime boss in Istanbul, retired CIA agent Bryan Mills (Liam Neeson) must fight an army of killers to ensure their safe return in this action sequel from director Olivier Megaton (ransporter 3) and producer/co-writer Luc Besson (who penned the screenplay alongside Taken scribe Robert Mark Kamen). ~ Jason Buchanan, Rovi

Director: Olivier Megaton

Cast: Liam Neeson, Maggie Grace, Famke Janssen, Rade Sherbedgia, Luke Grimes

Release Date: Oct 05, 2012

Rated PG-13 for intense sequences of violence and action, and some sensuality

Runtime: 1 hr. 32 min.

Genres: Drama, Suspense/Thriller

Review:

A sequel to Taken seems like it’d write itself. The plot is everything you’d expect it to be. Liam Neeson is gravelly voiced and dead serious when talking on cell phones, even tiny ones. Director Oliver Megaton should just keep this in cruise control and let whoever is watching this get what they wanted which is watching the world’s most awesome overprotective dad use his special set of skills to kill anyone and everyone that attempts to interrupt him on vacation. Megaton does this for a decent chuck of the film but for some reason the screen writers decided it was a good idea to get Maggie Grace’s character more involved. This is about as terrible an idea as having a nearly 30 year old actress play a 16 year old. The character is shrill and annoying. All the while she can go from taking a driving test to driving like a stunt driver in about 20 minutes. It’s a serious misstep in a movie that should just be about 60 year Liam Neeson taking out track suit wearing tugs with a coffee cup. Neeson is focused and dedicated as usual. He does well in the action sequences making even the most ridiculous situations seem plausible. Famke Janseen has more screen time but she’s comatose for the better part of the film not as an actress per say but as written. Rade Serbedzija is still cashing paychecks as that guy who not from here again. Taken 2 should be mindless fun and there is some obvious effort to get into Mills fastidious mindset but a detour into his daughter taking the lead is a bad misstep.

C

[Trailer] Taken 2

Silly Bryan Mills thinking he could take a family vacation without all hell breaking loose….

Trailer for the sequel looks like it’ll continue the ass kicking that started in the first film. Liam looks like he’s ready to go again, can’t wait to see it….

MOVIE REVIEW: THE GREY

ON DVD

THE GREY



Liam Neeson stars in producer/director Joe Carnahan's tense adventure thriller about a group of tough-as-nails oil rig workers who must fight for their lives in the Alaskan wilderness after their airplane crashes miles from civilization. With supplies running short and hungry wolves closing in, the shaken survivors face a fate worse than death if they don't act fast. Dermot Mulroney, Dallas Roberts, and Frank Grillo co-star. ~ Jason Buchanan, Rovi
Director: Joe Carnahan

Cast: Liam Neeson, Frank Grillo, Dermot Mulroney, Dallas Roberts, Joe Anderson

Release Date: Jan 27, 2012

Rated R for bloody images, violence/disturbing content including bloody images and for pervasive language

Runtime: 1 hr. 57 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

The Grey is and isn’t a complicated film. On its surfaces it’s a stripped down survival story. Looking a little deep you’ll find that Joe Carnahan is working with some Hemmingway-lite themes and subject. The allegory is symbolism is fairly obvious but never overbearing. It’s got an almost metaphysical feel to it while its plot plays out like a nature version of The Warriors or Neil Marshall’s recent Centurion. Carnahan delivers a piece of filmmaking that’s brutal and pensive at the same time. At its center is Liam Neeson at his weatherworn gravelly best. Making the character Irish lets the Neeson focus on his character which is the most realized of the group of survivors. The supporting cast, including a nearly unrecognizable Dermot Mulroney in a quiet yet effective role, does the best they can with limited characterization. It’s one of the film’s most obvious failing, if they’d given the supporting players more life the life and death situations would have achieved a far more potent effect. Carnahan shoots a lovely film, using the winter landscapes to establish a strong sense of isolation, matched with some incredibly effective creature effects for the wolves who feel truly menacing throughout. The Grey is the kind of film that feels like could be easily forgettable after you’ve finished watching it but after it settles it does leave an impression.

B-

MOVIE REVIEW: WRATH OF THE TITANS

IN THEATERS

WRATH OF THE TITANS 3D



The epic battle between the Titans and the gods continues in this sequel set ten years after the events in Clash of the Titans, as Perseus (Sam Worthington) descends into the underworld on a mission to rescue Zeus from the clutches of Hades (Ralph Fiennes), Ares (Edgar Ramirez), and Kronos. In the wake of his decisive victory against the Kraken, Perseus has retreated to a remote fishing village to raise his young son, Helius. Meanwhile, humanity has lost faith in the gods. As a result, Zeus, Hades, and Poseidon find their power beginning to slip, a development that could spell disaster for all of humankind should their imprisoned father, Kronos, manage to break free from his underworld prison in Tartarus. When Perseus learns that Zeus' son Ares has teamed with Hades and Kronos to capture Zeus, steal his power, and create hell on earth, the time comes to take action. Now, with Andromeda (Rosamund Pike), Argenor (Toby Kebbell), and Hephaestus (Bill Nighy) by his side, brave Perseus will venture deep into the underworld on a mission to defeat the Titans, deliver Zeus from evil, and prevent the powers of darkness from consuming all of humanity. ~ Jason Buchanan, Rovi

Director: Jonathan Liebesman

Cast: Sam Worthington, Liam Neeson, Ralph Fiennes, Edgar Ramirez, Toby Kebbell

Release Date: Mar 30, 2012

Rated PG-13 for Intense Sequences of Fantasy Action and Intense Sequences Fantasy Violence

Runtime: 1 hr. 39 min.

Genres: Action/Adventure

Review:

The sequel that nobody really asked hits the screen like a film that’s content not being the porta potty stain that the Clash of the Titans was. As a result, we get a straight up film that’s easy to follow but terribly generic with a script that has some groan inducing moments like having the hero defend himself from a fire breathing creature with a wooden board leaving him unscathed. Line are uttered, comic relief spatter out as if this were a test film created by a studio executive to function as a “how to create a blockbuster”. Jonathan Liebesman deserves a little credit for delivering some watch set pieces that are sufficiently fun to watch. Spattered throughout the film’s runtime, these action sequences keep the film moving even though none of the characters are fleshed out beyond the most superficial of terms. Sam Worthington is listed as the lead and he does some yelling, grunting and whispering all while rocking a strong mullet. Liam Neeson and Ralph Fiennes return as well, seemingly battling in a “who can be more somber contest”. Rosamund Pike and Toby Kebbell are tasked with being Worthington’s side kick and love interest with Kebbell trying his hardest to bring some life to a terribly underwritten character. Bill Nighy shows up briefly trying just as hard to surpass the hackneyed script. The finale is fun eye candy even though it feels more like a superhero/video game than anything else. The first film put the bar so low that any outside of 2 hours of human waste would have been an improvement, Wrath is an improvement even if nobody really asked for it.

D+

[Trailer] Wrath of the Titans

Being overshadowed by the massive new of The Dark Knight Rises trailer’s release, the sequel to the redux of Clash of the Titans has released its first trailer.

Personally, Clash of the Titans was one of my least favorite remakes of recent memory. It just seemed to get everything wrong on so many levels.

This one looks a bit more promising, probably because of the higher amount of CGI and hair conditioner, and the trailer gives off a noticeable God of War video game feel.

They might deliver a more enjoyable experience, especially since they are removed from the first films requirement to adhere to part of the originals plot.

Then again it might just be more garbage….

MOVIE REVIEWS: CLASH OF THE TITANS

Sunday, April 04, 2010

IN THEATERS



CLASH OF THE TITANS



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The 1981 mythological fantasy adventure Clash of the Titans is resurrected in this remake from Incredible Hulk director Louis Leterrier. The joint Legendary Films/Warner Bros. production focuses on Perseus (Sam Worthington), the mortal hero made to carry out a series of quests by the gods in order to win the hand of the imprisoned princess Andromeda (Alexa Davalos). Liam Neeson, Ralph Fiennes, Mads Mikkelsen, and Gemma Arterton co-star. ~ Jeremy Wheeler, All Movie Guide

Director: Louis Leterrier

Cast: Sam Worthington, Liam Neeson, Ralph Fiennes, Jason Flemyng, Gemma Arterton.

Release Date: Apr 02, 2010..

Rated PG-13 for some frightening images, fantasy action violence and brief sensuality

Runtime: 1 hr. 50 min.

Genres: Action

Review:

Being a child of the 80’s I have had a handful of my childhood movie loves remade with varying degrees of effectiveness. The original Clash of the Titans for all its flaws is still a terribly enjoyable film for me that take me back to childhood. It left indelible images on my young mind and was one of those films that helped shape my general love for films. I doubt Louis Leterrier’s remake will leave that type of impression on today’s children. I could be wrong but I doubt this type of uninspired and chunky film making will leave much of an impression after they leave the theater but who knows, a lot of people said that about the original as well. This film is a chesse fest that’s only occasionally fun and mostly tedious. Leterrier’s direction does his best to give the proceedings an epic feel but for the most part it feels like that is way beyond his talents. The large scale action set pieces are handled with a pedestrian hand only occasionally capturing any sense of grandeur or scope. The battle in Medusa’s lair and final battle with the final battle with the Kraken are the best of the group but the scorpion battle feels more like something out of Starship Troopers. The script makes various changes to the original plot changing the general motivation of Perseus and the gods. They work to certain extent, the gods in particular are a tad more interesting even if we only get Zeus and Hades for the most part and the remainder stands around looking godly. The changes to Perseus aren’t as effective mainly because it makes him less heroic and more petulant. Worthington’s performance doesn’t help as he appears to have mastered the ability to be aggressively wooden. He lacks any fire or drive and just comes across as disingenuous for the better part of the film. Liam Neeson and Ralph Fiennes have more fun hamming it up, Fiennes in particular looks like he’s having a ball. Gemma Arterton doesn’t make as much of an impression as she should and Mads Mikkelsen is overly serious throughout. The cast is saddled with a script that’s just as clunky as the film’s direction; neither seems to be able to decide if it wants to be serious or cheesy. While I suppose there is a chance this could become a cult favorite like the original I think it’s a long shot. The original has a certain endearing campiness to it and this remake has a terribly generic feel to it.

C-

Movie Reviews: TAKEN

Saturday, May 16, 2009
Movie Reviews: TAKEN
ON DVD

TAKEN

Bryan Mills has only recently given up his government career as what he calls, a "preventer" to be near his daughter Kim, who lives with Bryan's ex-wife Lenore and her new husband. To make ends meet, Bryan joins some former colleagues for special security details (like guarding a pop diva), but most of his time and energy are spent re-connecting with Kim. But, when Kim requests his permission to spend time in Paris with a friend, he reluctantly consents. Bryan's worst fears are realized when Kim and her friend Amanda are suddenly abducted - in broad daylight - from the Paris apartment at which they've just arrived. Moments before Kim is dragged away by the as yet unseen and unknown assailants, she manages to phone Bryan, who begins to expertly piece together clues that will take him to the darkness of Paris's underworld, and to the
City of Light's plushest mansions.

Cast: Liam Neeson, Maggie Grace, Famke Janssen, Leland Orser, Jon Gries

Director: Pierre Morel

Opened January 30, 2009

Runtime: 1 hr. 33 min.

Rated PG-13 for intense sequences of violence, disturbing thematic material, sexual content, some drug reference

Genres: Action Thriller, Thriller

Review:

Totally preposterous and ludicrous, Taken doesn’t concern itself with logic or reality but it does give the audience a nice dosage of adrenaline rush. Director Pierre Morel keeps a brisk pace once the film moves past its clunky opening. Morel has a keen eye for action and his direction of the various action sequences are top notch. Liam Neeson seems like an unlikely choice for an action vehicle but he does fantastic believe work once his character begin using his plethora of “skills” to punish the bad guys. Neeson is totally committed to the role and he maintains a palatable intensity throughout much of the film. He’s also remarkably believable in his Bourne like action sequences. The supporting cast is mostly background noise with Maggie Grace having the most screen time mostly acting like a goofy teenager. Famke Janssen is given an underwritten role and doesn’t have much to do other than be a stereotypical ex wife to Neeson’s character. Once the action starts going this film is Neeson’s and he does wonderful work. In a lesser actor’s hand this would have utter trash, Neeson elevates it with a serious sense of gravitas even in though he’s working with a totally unoriginal script and a plot so silly that it’s laughable at times.

C+