MOVIE REVIEW: NOPE

 

Caretakers at a California horse ranch encounter a mysterious force that affects human and animal behaviour.

Director: Jordan Peele

Cast: Daniel Kaluuya, Keke Palmer, Brandon Perea, Steven Yeun, Michael Wincott

Release Date: July 22, 2022

Genre: Horror, Mystery, Sci-Fi, Thriller

Rated R for language throughout and some violence/bloody images.

Runtime: 2h 10m

Review:

Jordan Peele's Nope is a strange sort of concoction that's intriguing on multiple levels for a variety of reasons.  Peele's film is a slow burn sci-fi film which leans heavily on its colorful characters and gorgeous cinematography both of which makes it easier to ignore some of the script's more glaring inadequacies.  The story plays out in two portions with the lead up providing some genuine, albeit fake out, chills while the second borrows heavily from a couple of classic horror films.  Peele pulls off an impressive sleight of hand in the first half leading you to believe you are watching a certain type of genre film before flipping the script even though he provides plenty of clues early on.  This is the type of film that will prove divisive once the reveal occurs especially since there is very little in the way of answers provided.  Peele seems to be making a concerted effort to make his film a discussion piece since multiple facets of it leave it open for endless theorizing and pontification.  On screen, Daniel Kaluuya, Keke Palmer and  Brandon Perea make for a fun trio.  Kaluuya is a talented performer who can transmit so much by doing so little, its not a showy turn but its still incredibly dense.  Keke Palmer is lively and fun throughout getting some of the film's funniest lines.  Brandon Perea also get some fun moments as the overly involved Fry's  employee.  Michael Wincott and Steven Yeun both do solid work in underwritten roles that never feel fully realized.  Those looking for a terrifying horror film will likely be left wanting with Nope since its funnier than scary.  Peele's film does play well as a love letter to his cinematic inspirations from a genre he clearly loves.

A-

Cindy Prascik's Review of Judas and the Black Messiah

 

My dear reader(s), the long Presidents' Day weekend provided me an opportunity to catch up with what's sure to be one of 2021's best and most important movies: Judas and the Black Messiah.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or from actual events.

The FBI pressgangs a small-time criminal into infiltrating the Black Panthers.

Judas and the Black Messiah is an explosive story propelled by powerhouse performances. LaKeith Stanfield and Daniel Kaluuya will garner the bulk of the glory - and rightly so - but in truth the whole cast is magnificent. Viewers may well know the outcome of this tale due to its being based on actual events, but the movie does an excellent job of sustaining tension and never feels less than edge-of-your-seat. The curse of ongiong racial injustice makes Judas and the Black Messiah a difficult watch, but a necessary one.

Judas and the Black Messiah clocks in at 126 minutes and is rated R for "violence and pervasive language."

Judas and the Black Messiah sets a high bar for films in 2021. Of a possible nine Weasleys, Judas and the Black Messiah gets eight.

Judas and the Black Messiah is now playing in cinemas and streaming on HBO Max.

Until next time...

MOVIE REVIEW: JUDAS AND THE BLACK MESSIAH

 

Offered a plea deal by the FBI, William O'Neal infiltrates the Illinois chapter of the Black Panther Party to gather intelligence on Chairman Fred Hampton.

Director: Shaka King

Cast: Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Ashton Sanders, Darrell Britt-Gibson, Lil Rel Howery, Algee Smith, Martin Sheen

Release Date: February 12, 2021

Genre: Biography, Drama, History

Rated R for violence and pervasive language

Runtime: 2 h 6 min

Review:

Judas and The Black Messiah is heart wrenching look into our past that holds the mirror up and reflects it back to us in the present day.  Shaka King’s debut feature film is visually affecting while being intimate in its examination of its two primary characters.  The story itself is cinematically familiar as it treads on similar beats to something like Donnie Brasco.  Daniel Kaluuya and Lakeith Stanfield are the heart and soul of the movie.  Both just inhabit the skins of their characters with impressive ease and heartbreaking authenticity.  Kaluuya has amassed an impressive resume of performances improving on each with his turn as Fred Hampton marking another high point.  He’s thoroughly engaging and charismatic as Hampton which makes the entire film work, you sense his desire and passion through the big moment and smaller ones as well.  Lakeith Stanfield, meanwhile, has proven himself a chameleon who can transform himself into pretty much anything.  He nails the duplicitous self serving nature of his real life character while still imbuing him with enough pathos to make the audience feel his conflicted nature.  The supporting cast is made up of recognizable faces that add to the overall quality of the film.  Judas and The Black Messiah is a film that’s filled with tension and pain but it feels terribly necessary at this point in history to remember how much process still needs to be made all these years later while still remembering those trailblazers who paved the way.   

A-

MOVIE REVIEW: WIDOWS

A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows -- Veronica, Linda, Alice and Belle -- have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, Veronica joins forces with the other three women to pull off a heist that her husband was planning.

Director: Steve McQueen

Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, Liam Neeson

Release Date: November 16, 2018

Genres: Crime, Drama, Thriller

Rated R for violence, language throughout, and some sexual content/nudity

Runtime: 2h 9 min

Review:

Steve McQueen’s Widows is a densely packed heist thriller.  Beautifully shot and thoroughly engaging, the film is never boring.  McQueen packs so much into his film that it might be necessary to give it multiple viewings.  He touches a multitude of topics from gender and racial politics all while unfurling a well crafted heist film.  The film moves at a methodical pace, never rushing from one scene to the next.  Instead it allows you to enjoy and appreciate the series of fine performances on display.  Viola Davis leads the film with her steady hand which makes you feel every bit of determination commingled with grief.  Elizabeth Debicki is just as impressive playing an abused trophy wife who is left picking up the pieces to her life after her husband’s death.  Michelle Rodriguez delivers as strong a performance as she can turn in but it’s hard not to notice the difference in talent level between her and her cast mates.  Colin Farrell and Robert Duvall make for a fascinating father and son duo and they deliver one of the film’s most impactful moments.  Brian Tyree Henry and Daniel Kaluuya are both just as interesting with limited screen time.  Widows is quiet at the level of Michael Mann’s Heat but its pretty close.

B+

MOVIE REVIEW: BLACK PANTHER

After the death of his father, T'Challa returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T'Challa's mettle as king -- and as Black Panther -- gets tested when he's drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.

Director: Ryan Coogler

Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, Andy Serkis

Release Date: Feb 16, 2018

Genres: Action, Adventure, Sci-Fi

Rated PG-13 for prolonged sequences of action violence, and a brief rude gesture

Runtime: 2h 14 min

Review:

Black Panther is a bit of a watershed moment for Marvel films for a variety of reasons.  First and foremost, the cast and director are primarily people of color and it carries over on screen.  The film has a decidedly strong theme of African Heritage running throughout all within the trapping of a superhero story.  Ryan Coogler does an impressive job of giving his film a visual distinctiveness that’s missing from most of Marvel entries.  As such, Black Panther has a strong identity and it uses it to its advantage by telling an emotionally engaging and thoughtful story.  Chadwich Boseman leads the film with an easy charisma that’s hard to resist.  Boseman has an effortless way about himself all the while maintaining a sense of nobility in T’Challa.  The supporting cast is probably one of the best assembled for any of the Marvel movies.  Lupita Nyong’o, Danai Gurira, Letitia Wright and Martin Freeman all leave lasting impressions on the film.  Their characters aren’t simply throwaway supporting players but instead feel like well rounded characters equal to the lead.  Michael B. Jordan makes for a fine villain.  He’s a strong counterpart to Boseman’s T’Challa in every manner of speaking.  The character’s motivations actually make sense and pose some interesting questions.  Unfortunately, the film doesn’t spend nearly the amount of time it should fleshing him out which could have made him iconic.  It’s a minor issue compared to the whole.  Black Panther, much like last year’s Wonder Woman, elevates the super hero genre and forces future entries to raise their game.   

A

MOVIE REVIEW: GET OUT

A young African-American photographer (Daniel Kaluuya) is nervous at the thought of meeting his white girlfriend's parents (Catherine Keener and Bradley Whitford) for the first time during a trip to the latter's country estate. However, his anxiety soon turns into outright terror when he discovers that the family's seemingly idyllic community is hiding a sinister conspiracy, one that involves the disappearance of several black people in the area. Jordan Peele, one half of the comedic duo Jordan Peele, makes his directorial debut with this horror thriller. Allison Williams, LaKeith Stanfield, and Caleb Landry Jones co-star. ~ Jack Rodgers, Rovi

Director: Jordan Peele

Cast: Daniel Kaluuya, Bradley Whitford, Caleb Landry Jones, Stephen Root, LaKeith Stanfield, 

Allison Williams

Release Date: Feb 24, 2017

Rated R for Language, Bloody Images, Sexual References and Violence

Runtime: 1 hr. 44 min.

Genres: Horror, Suspense/Thriller

Review:

Get Out is a fine debut for Jordan Peele even if it isn’t a landmark horror benchmark some have made it out to be.  Get Out plays more like a comedic satire of classic horror movie tropes with a racial slant.  As it plays out, it’s clear that Jordan Peele is a fan of classic films like Invasion of the Body Snatchers and The Stepford Wives.  On the downside there are few surprises for anyone who’s watched any of these films, resulting in a few jump scares but very little in the way of tension.  Thankfully, there’s a fair amount of laughs as the increasingly uncomfortable weekend unfurls for our protagonist.  Daniel Kaluuya is solid as the lead even if he isn’t given much to do outside of act uncomfortable and mildly terrified.  Allison Williams, and her dead eyes, is perfect for what the role calls for, which is very little.  Bradley Whitford and Catherine Keener are given fun roles, which they clearly relish, but there is practically mustache twirling unsettling from the get go.  As a result, there is a very little surprise about where any of these characters end up.  LaKeith Stanfield is given the best role in the film as Chris friend who spends the majority of the film telling him there’s something seriously off about the situation.  It’s a credit to Jordan Peele’s talent that he can make you overlook these short coming and deliver an enjoyable film.  Get Out isn’t a hallmark in horror filmmaking, the majority of hardcore horror buffs may walk out disappointed, but it’s a solid debut.

B+

MOVIE REVIEW: SICARIO

An idealistic FBI agent (Emily Blunt) is assigned to work a dangerous stretch of the US-Mexico border by her superior officer (Josh Brolin). She's exposed to the brutality of the Mexican drug cartel, and becomes partners with a defector from the cartel (Benicio Del Toro) who possesses keen knowledge about the organization. As she gets deeper into the ruthlessness and corruption surrounding the FBI sting to find the organizations leaders, her moral and professional boundaries are pushed to their breaking point. Denis Villeneuve directs this pulse-pounding crime drama, which competed for the Palme d'Or at the 2015 Cannes Film Festival. ~ Daniel Gelb, Rovi

Director: Denis Villeneuve

Cast: Emily Blunt, Benicio Del Toro, Josh Brolin, Jon Bernthal, Daniel Kaluuya

Release Date: Sep 18, 2015

Runtime: 2 hr. 1 min.

Genres: Action/Adventure, Drama

Review:

Sicario is the type of action thriller that leans towards the adult audience more so than the blockbusters.  It’s a moody mix of suspense peppered with action and compelling characters.  Denis Villeneuve’s is beautifully shot film that never shies away from the ugly side of violence and vengeance.  Still it’s not nearly as bleak as his previous film Prisoners which seemed intent on showing the closing darkness.  That’s not to say that this film is a bright and uplifting sing along, far from it.  Its characters are various shades of gray.   Emily Blunt’s performance here shores up her transformation from rom-com to ruthless but with a touch of subtle vulnerability.  The supporting cast is headline by Josh Brolin who is having a good time playing a CIA spook that is out for his own interest but Benicio Del Toro is the star of the show.  Del Toro is a fascinating mix of cool and dangerous throughout.  His character doesn’t say much but the performance lets you know there’s plenty going on behind those eyes.  It’s an intriguing drug war drama throughout Villeneuve’s most accessible film yet.

A