MOVIE REVIEW: TRANSFORMERS ONE

 

Brothers-in-arms Orion Pax and D-16 become sworn enemies Optimus Prime and Megatron.

Director: Josh Cooley

Cast: Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne,  Jon Hamm

Release Date: September 20, 2024

Genre: Animation, Action, Adventure, Family, Fantasy, Sci-Fi

Rated PG for sci-fi violence and animated action throughout, and language.

Runtime: 1h 44m

Review:

Transformers One is a rather impressive revitalization of the franchise by bringing it back to the animated realm on the big screen and smartly putting the focus back on the bots.  Josh Cooley's film possesses an engaging energy from start to finish as we follow the tragic journey of our central pair.  The animation is vibrant with each frame pulsating with life as he gives Cybertron an updated look that is still familiar enough to satisfy longtime fans but fresh enough to attract new fans as well.  It’s a tightrope he manages to traverse for the majority of the film's runtime with plenty of Easter eggs scattered throughout while still managing to tell a solid story.  It’s fun and light for a large portion of the first half before the story shifts thematically as we see Pax and D-16's worldviews diverge in starkly different ways.  Even though you know where the story is going, the script handles it so well that it makes sense in an organic way that leaves far more shades of grey on both sides.  There's a tangible amount of nuance at play as the whole thing unfolds which gives it far more emotional impact than you'd expect from this franchise.  There's plenty of heart baked into the script but strong vocal performances from Chris Hemsworth and Brian Tyree Henry make it all click.  Hemsworth is appropriately youthful, curious and heroic as the pre Prime Orion Pax.  He and Brian Tyree Henry share solid chemistry together which makes their brotherly relationship work especially with D-16 serving as a solid counter point to Pax's wide eyed optimism.  Henry does subtle vocal work as he establishes his character as a true believer who ultimately has the rug pulled out from under him.  Their dynamic together is subtly drawn even as the lighter action adventure portion of the film dominates the first two acts before the ultimate payoff.  Scarlett Johansson and Keegan-Michael Key are solid but a bit underserved by the script in supporting roles.  Johansson's Elita is the kind of strong willed, fearless character she could play in her sleep.  There's a definite sense that there was a lot more to the character than what we're given but she's definitely got plenty of room to grow in future installments.  Keegan-Michael Key is fun in spots as the motor mouth comedic relief in the form of Bumblebee but there are moments where his take on the character boarders on grating as its clearly aimed at the younger members of the audience.  Jon Hamm, Steve Buscemi and Laurence Fishburne round out the supporting cast with each doing well in limited screen especially Hamm who's perfectly suited to the traitorous Sentinel Prime.  Once it's all said and done, Transformers One proves to be one of the more pleasant surprises especially for an unabashed die hard fan like myself.

B+

MOVIE REVIEW: GODZILLA X KONG: THE NEW EMPIRE

 

Godzilla and the almighty Kong face a colossal threat hidden deep within the planet, challenging their very existence and the survival of the human race.

Director: Adam Wingard

Cast: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, Fala Chen

Release Date: March 29, 2024

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for creature violence and action.

Runtime: 1h 54m

Review:

Adam Wingard's Godzilla x Kong: The New Empire brings a massive amount of kaiju action to the big screen in a big dumb, popcorn film that keeps the focus on the central monsters.  Those looking for any sort of deep story from the human side of the film will likely be disappointed with them serving as little more than afterthoughts primarily used for exposition dumps.  Rebecca Hall, returning from the previous entry, does what she can with her paper thin character.  Hall, to her credit, doesn't phone it in as she clearly enjoying herself throughout regardless of how ridiculous the dialogue or action is while also managing to squeezing out every bit of emotional connection possible with Kaylee Hottle.  Brian Tyree Henry also returns as the chatter box conspiracy podcaster taking care of most of the comic relief along with Dan Stevens.  Stevens brings his charismatic energy from the moment he pops up on screen, chewing up scenery with impressive enthusiasm.  Of course this is all secondary to the monster mayhem Wingard unleashes onscreen as he creates his version of 1968's Destroy All Monsters battle royal.  He delivers a series of expansive and inventive battles for the titan's conflict with a weightless kaiju battle in the film's final act leaving an impression.  This entry is focused more on Kong's side of the story as he searches for a community after his extended isolation.  He's joined by an adopted mini Kong for large spurts of the film and they manage to create a surprisingly enduring relationship even in the mist of all the CGI action.  Those looking for more Godzilla action might be a little disappointed since he's more of a secondary character here even though he gets to dole out his fair share of destruction.  The action isn't concerned with collateral damage in anyway shape or form as cities are destroyed left and right throughout.  Wingard is fully aware of what kind of film he's making with Godzilla x Kong: The New Empire and those looking for epic kaiju battles are sure to leave happy.

B

MOVIE REVIEW: SPIDER-MAN ACROSS THE SPIDER-VERSE

 

After reuniting with Gwen Stacy, Brooklyn's full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. However, when the heroes clash on how to handle a new threat, Miles finds himself pitted against the other Spiders. He must soon redefine what it means to be a hero so he can save the people he loves most.

Director: Joaquim Dos Santos, Kemp Powers, Justin K. Thompson

Cast: Shameik Moore, Hailee Steinfeld, Brian Tyree Henry, Luna Lauren Vélez, Jake Johnson, Jason Schwartzman, Issa Rae, Karan Soni, Daniel Kaluuya, Oscar Isaac

Release Date: June 2, 2023

Genre: Animation, Action, Adventure, Comedy, Family, Fantasy, Sci-Fi

Rated PG for sequences of animated action violence, some language and thematic elements

Runtime: 2h 20m

Spider-Man: Into the Spider-Verse is the kind of sequel that ups the ante on pretty much everything that made the original so special.  The fact that it manages to do so with incredible ease while never losing touch with its emotional center is an impressive feat.  Visually, it’s an aggressive hodgepodge of animations styles thrown at the screen with reckless abandon.  It’s an optic assault on the senses which makes every shot and sequence impossible to fully appreciate on a single viewing due the level of detail and depth contained in every frame.  The action is kinetic and frenzied in its own way with each new set piece and character offering a very specific sort of visual style and approach.  Directors Joaquim Dos Santos, Kemp Powers and Justin K. Thompson could have leaned on the visuals and delivered a middling story, but they manage to keep the story grounded with its character and their relationships.  Shameik Moore and Hailee Steinfeld make up the film's emotional core with both delivering stellar voicework throughout.  Moore's voice gives Miles a believable and relatable tenor to his interactions something that really shines in the quieter moments with Lauren Vélez and Brian Tyree Henry who play his parents.  Steinfeld's character is given a bit more depth this go around with the added pathos making her far more interesting.  The supporting spiders are all given their moments to shine but Karan Soni as Spider-Man India and Daniel Kaluuya as Spider Punk leave the biggest impression.  Oscar Isaac as Spider-Man 2099 and Issa Rae Spider-Woman both have important roles, but you get the sense that both characters will get a bigger focus in the third entry which this film sets up with a tantalizing cliffhanger that'll give people of certain age flashbacks of Empire Strikes Back or Star Trek The Next Generation's The Best of Both Worlds so be forewarned.  

A

MOVIE REVIEW: BULLET TRAIN

 

Ladybug is an unlucky assassin who's determined to do his job peacefully after one too many gigs has gone off the rails.

Director: David Leitch

Cast: Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Benito A Martínez Ocasio, Sandra Bullock

Release Date: August 5, 2022

Genre: Action, Thriller

Rated R for strong and bloody violence, pervasive language, and brief sexuality.

Runtime: 2h 6m

Review:

Bullet Train doesn't deliver much in terms of story or characterization, instead it relies on spurts of hyper stylized violence and its cast endless charisma.   David Leitch's film is choppier than his last two film, Deadpool 2 and Atomic Blonde, making the lulls in between the action set pieces much more noticeable and jarring.  When those action set pieces kick in though they do offer some colorful and gleefully violent choreography that gives the film a boost of adrenaline.  The biggest issue being that the remainder of the film's story and character backgrounds are told via flashy slow motion flashbacks with nearly every single character in the large ensemble getting a vignette.  The majority of the character's themselves are incredibly thin with a handful popping up and off the screen with little more than a few lines of dialogue.  The saving grace of it all is the cast who are clearly having a ball hamming it throughout the film's runtime.  Brad Pitt leads the group giving a light, but fun turn as an operative who's looking for deeper meaning in his overly lethal life.  Aaron Taylor-Johnson and Brian Tyree Henry prove to be standouts together with each of them bouncing dialogue off each other with incredible ease.  They provide the most consistent and energetic characters making their time on screen some of the film's highpoints.  Joey King looks the part but doesn't really add much to her character outside of what's written onscreen even though we're lead to believe she's smarter than nearly everyone.  Hiroyuki Sanada and Michael Shannon have small supporting roles with both punching well under their class but providing the film some credibility even though Shannon is sporting a ridiculously impressive wig and accent.  Bullet Train is the type of film that would have been more effective in a smaller package since it never earns it's two hour runtime and starts to sag noticeably in its final act.  It's still a fairly fun throwback of sorts to those late 90's early 2000 Pulp Fiction knock offs like 2 Days In The Valley, Go or Smoking Aces with a dash of John Woo for good measure.     

C+

MOVIE REVIEW: ETERNALS

 

The Eternals, a race of immortal beings with superhuman powers who have secretly lived on Earth for thousands of years, reunite to battle the evil Deviants.

Director: Chloé Zhao

Cast: Gemma Chan, Richard Madden, Kumail Nanjiani, Lia McHugh, Brian Tyree Henry, Lauren Ridloff, Barry Keoghan, Don Lee, Harish Patel, Kit Harington, Salma Hayek, Angelina Jolie

Release Date: November 5, 2021

Genre: Action, Adventure, Drama, Fantasy, Sci-Fi

Rated PG-13 for fantasy violence and action, some language and brief sexuality.

Runtime: 2h 37m

Review:

Chloé Zhao’s Eternals is one of the more interesting entries in the ongoing Marvel series.  The mash up of Zhao’s naturalistic style and superhero tropes results in a character focused film that’s more interested in the smaller moments than big action sequences.  As such, it has a different feel than most of these films do while still accomplishing the usual Marvel albeit at a glacial pace.  It has an odd pace that drains the proceedings of any urgency even though it’s literally dealing with end of the world stakes.  Intermixing flashbacks with present day events drains the film of any sense of forward momentum since neither section get enough time to gain any sort of real traction.  Luckily the incredibly diverse cast makes the slog more bearably with earnest performances.  Gemma Chan and Richard Madden do the heavy lifting for the majority of the film with each providing a steady stoicism to their duo. The large supporting cast each get their moments to shine during the film with Lia McHugh, Brian Tyree Henry and Barry Keoghan leaving the biggest impressions.  Angelina Jolie does well as the tortured warrior whose being crushed under the weight of her memories.  Salma Hayek gets a scant few moments to shine but ultimately the film waste her with an underwritten role.  Eternals tries hard to be sweeping and epic but it never really achieves it, only skirting with it during it’s hefty runtime. 

B-

Cindy Prascik's Review of The Woman in the Window

 

My dear reader(s), for the first time in what seems like a very long time, I have two reviews to share this weekend. My second film of the weekend was Netflix' the Woman in the Window.

An agoraphobic woman's credibility comes into question when she claims to have witnessed a terrible crime.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Regular reader(s) will know for certain: I am not a movie snob. I'm addicted to the Expendables movies. I actually own that dreadful remake of Lost in Space. My annual top-ten list once included Gnomeo & Juliet *and* one of the Hotel Transylvania sequels (same year, don't judge). I do not believe the cinema is the only credible way to see new movies. I want Netflix, Amazon, and all the other streaming services to do well with their original films. BUT...the Woman in the Window definitely won't help Netflix be taken seriously as a purveyor of quality content.

I have not read the Woman in the Window. I understand filmmakers took some creative liberties with the book, but I can't say if that's what's to blame for this sad waste of a brilliant cast. Even putting my obsession with Gary Oldman aside, how can a movie go so wrong when it has Amy Adams? Julianne Moore? Brian Tyree Henry? Jennifer Jason Leigh? Anthony Mackie, for flip's sake?? I can't say exactly how, but it definitely does go very, very wrong indeed. Dialogue is so wooden that even this company of decorated, gifted actors might as well be reading from cards. The story itself skips around and fails to maintain any tension or mystery; the characters couldn't be more obvious if they were twirling cartoon moustaches. By the time it limps to its pitiful conclusion, you'll wish they all were murder victims, rather than potential witnesses.

The Woman in the Window runs a painful 100 minutes and is rated R for "violence and language."

The Woman in the Window is a criminal waste of an interesting concept and a superb group of actors. Of a possible nine Weasleys, the Woman in the Window gets two.

The Woman in the Window is now streaming on Netflix.

Fangirl points: My Gary (of course). MACKIE! Until next time...

PS: Just saw a headline that said "The Woman in the Window has two Captain Americas," and I can state with authority that that is the most interesting thing about it.

Cindy Prascik's Review of Godzilla vs. Kong

My dear reader(s), the week just passed brought us Godzilla vs. Kong, a film that — by its very name — made a return to the big screens of the cinema seem imperative.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or if you've ever watched a monster movie before.

As the title indicates, Godzilla vs. Kong pits one giant creature against another, with puny humans serving as catalysts and comic relief.

A disclaimer: I wanted to see this movie on the big screen. I had every intention of seeing this movie on the big screen. I think this movie is 100% worth seeing on the big screen. BUT...for reasons including (but not limited to) Easter weekend always being crazy busy and my cinema still having weird Covid hours, I was forced to watch it on my reasonably-large television. *sadface*

For a movie like this to meet my needs, all it really has to do is have huge creatures, solid effects, and well choreographed battles. Plot doesn't mean much, and people are merely a distraction. Godzilla vs. Kong executes its mission to a "T." Both titular titans look very big and very, very good in this film. Showdowns between the two are magnificent. There are a fair number of consequential humans ("consequential," for my purposes, meaning named characters with at least a little dialogue), but the people are mostly unobtrusive, despite being portrayed by such notable names as Rebecca Hall, Brian Tyree Henry, Demian Bichir, Lance Reddick, Kyle Chandler, Millie Bobby Brown, and Alexander Skarsgard. Sound effects are nearly as impressive as visuals; however, in order to get the dialogue even barely audible, I had my volume so high that action sequences and music rattled the walls. I find that's the norm these days, both with movies and with television, and I have to think it can't be so hard to do better. Godzilla vs. Kong is fun and well paced, a series of epic action jewels strung together with thin human string. Oh, and the *real* titan here is Elvis Presley, whose "Loving Arms" makes a...peculiar...appearance.

Godzilla vs. Kong clocks in at 113 minutes and is rated PG13 for "intense sequences of creature violence/destruction and brief language."

If massive creatures, colossal clashes, and unimaginable destruction are your cup of tea, Godzilla vs. Kong is just the ticket. Of a possible nine Weasleys, Godzilla vs. Kong gets eight.

Godzilla vs. Kong is now playing in cinemas and streaming on HBO Max.

This review is dedicated to my wonderful friend David, a Godzilla scholar who has probably forgotten more about this character than I could ever know, and to my dad, who would have loved this movie more than anything.

Until next time...

MOVIE REVIEW: GODZILLA VS. KONG

 

Kong and his protectors undertake a perilous journey to find his true home. Along for the ride is Jia, an orphaned girl who has a unique and powerful bond with the mighty beast. However, they soon find themselves in the path of an enraged Godzilla as he cuts a swath of destruction across the globe. The initial confrontation between the two titans -- instigated by unseen forces -- is only the beginning of the mystery that lies deep within the core of the planet.

Director: Adam Wingard

Cast: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Lance Reddick, Kyle Chandler,  Demián Bichir

Release Date: March 26, 2021

Genre: Action, Sci-Fi, Thriller

Rated PG-13 for intense sequences of creature violence/destruction and brief language

Runtime: 1 h 53 min

Review:

Godzilla vs. Kong is the type of film that is very open about what kind of film it is and it never pretends to be anything else.  Adam Wingard’s film uses the thinnest of a story to get the action moving.  Wingard moves the film at a steady pace so that you don’t think about the exposition heavy human sequences too much since it’s all fairly nonsensical.  Wingard is smart enough to see that people who sit down to see Godzilla vs. Kong want to see the two titans fight in epic fashion.  He delivers some truly impressive action set pieces between the two behemoths in well staged mayhem.  These action sequences are the primary lifeblood of the entire film so if they didn’t work the film would be a failure.  The human side of these films are typically afterthoughts at best and the same holding true here.  The cast is populated with familiar faces who are barely straining one ounce of talent into their roles.  Demián Bichir does manage to leave a lasting impression in the villain role that’s only missing a dash of mustache twirling.  Deft actress Kaylee Hottle leaves the biggest impression in a small but pivotal role. Her portion of the story with Kong is the beefiest of story threads but it’s not explored in any great depth.  Godzilla vs. Kong isn’t the type of film that’s interested in any sort of in depth storytelling just massive mayhem and it delivers the big dumb action you’d expect from these types of films. 

B-

MOVIE REVIEW: CHILD’S PLAY

After moving to a new city, young Andy Barclay receives a special present from his mother -- a seemingly innocent Buddi doll that becomes his best friend. When the doll suddenly takes on a life of its own, Andy unites with other neighborhood children to stop the sinister toy from wreaking bloody havoc.

Director: Simon Kinberg

Cast: Gabriel Bateman, Aubrey Plaza, Brian Tyree Henry, Mark Hamill

Rated R for bloody horror violence, and language throughout

Release Date: June 21, 2019

Genres: Horror

Runtime: 1h 30 min

Review:

The remake of Child’s Play bears only passing resemblance to 80s original which isn’t a terrible thing.  Sure purist will complain about it but this new version does feel a bit cleaner and more straightforward which is a good and bad.  The film itself it fairly lean and moves at a decent pace although it does feel a tad rushed in spots.  Gabriel Bateman who plays Andy is solid if unimpressive in the lead role while Aubrey Plaza feels miscast and under utilized at the same time.  Brian Tyree Henry sparks up the film when he’s on screen but much like Plaza, the film doesn’t take advantage of their talents.  Mark Hamill’s voice as Chucky is distinctive enough from Brad Dourif’s work in the previous films to leave an impression.  Still, Dourif’s work is so iconic at this point that it’s hard to believe that anyone would choose this new iteration as their favorite.  Simon Kinberg directs the film with an odd sense of humor but it’s never all that edgy or scary.  Even the violence feels somewhat sanitized and bland, not to mention the general silliness of the whole thing.  Still it wasn’t as if the original films where any bastion of high end writing so perhaps the remake is still in line with the older films.

C+

Cindy Prascik's Review of Spider-Man: Into the Spider-Verse

Dearest Blog: After rather a long hiatus, yesterday it was off to Marquee Cinemas for Spider-Man: Into the Spider-Verse.

Spoiler level here will be...uh...you know what, we're five weeks in and I never did see a trailer for this, so let's just say read on and take your chances.

Many Spideys from many dimensions join forces to fight a common threat.

Dear reader(s), the week Spider-Verse was released, we had five new movies opening locally. As the busy holiday season left me time for only two and I am prone to poor life choices, I opted for The Mule and Mortal Engines. Yesterday was my first opportunity to catch up with Spider-Verse, and, while I normally wouldn't bother reviewing a movie this late in its run*, Spider-Verse is so extraordinary that if I can convince even one person to get out and see it while it's still on the big screen, it's my civic duty to do that.

Spider-Man: Into the Spider-Verse is a terrific film, sans genre qualifier. The story is clever and layered without being muddled, and it explains itself well enough that even those not well-versed  in the multi-verse should have no trouble keeping up. Glorious visuals could pass for pages pulled directly from a comic; in fact, there's more than one panel I'm pretty sure *was* pulled directly from a comic. Your enjoyment may ebb and flow depending on the amount of time "your" Spidey spends on screen (I'm a Peter Parker girl myself), but the movie is at its best when all the Spideys share scenes together. A familiar stable of villains lends a comfortable feel to the proceedings, but a great sense of humor and multiple focal points keep the picture moving at pretty frantic pace. Daniel Pemberton's fantastic score and a positive, empowering message wrap up the heroic proceedings with a neat little bow.

Spider-Man: Into the Spider-Verse clocks in at 117 minutes and is rated PG for "frenetic scenes of animated action violence, thematic elements, and mild language."

Spider-Man: Into the Spider-Verse is an exceptional movie that stands out among a glut of super-hero movies and sets a new standard for animation.

Of a possible nine Weasleys, Spider-Man: Into the Spider-Verse gets nine.

Until next time...

*Feel free to laugh at this remark when my next review is of a movie that turns 15 years old this summer.

MOVIE REVIEW: IF BEALE STREET COULD TALK

In early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the devoted couple dream of a future together, but their plans are derailed when Fonny is arrested for a crime he did not commit.

Director: Barry Jenkins

Cast: KiKi Layne, Stephan James, Colman Domingo, Teyonah Parris, Michael Beach, Dave Franco, Diego Luna, Pedro Pascal, Ed Skrein, Brian Tyree Henry, Regina King

Release Date: December 25, 2018

Genres: Crime, Drama, Romance

Rated R for language and some sexual content 

Runtime: 1h 59 min

Review:

If Beale Street Could Talk is a fascinatingly dense film that tackles a bevy of themes while maintaining an incredible style and intimacy.  Barry Jenkins, adapting the book of the same name, delivers a ponderous film that asks for the audience’s patience while the cast unfurls the story.  KiKi Layne leads the film with an impressive performance that starts off full of innocence but slowly transforms over the course of the film.  She’s a capable and likeable lead, her and Stephen James shares believable chemistry together as the lovers whose story is beautifully tragic and real.  Its cinematography creates a sort of cinematic poetry that’s feels authentic even when it’s stylized.  Some might take issue with its methodical pace but ultimately it adds so much to the overall experience and it’s ruminations on race, love, gender politics and a handful of other topics.  

A-

MOVIE REVIEW: SPIDERMAN INTO THE SPIDERVERSE

Bitten by a radioactive spider in the subway, Brooklyn teenager Miles Morales suddenly develops mysterious powers that transform him into the one and only Spider-Man. When he meets Peter Parker, he soon realizes that there are many others who share his special, high-flying talents. Miles must now use his newfound skills to battle the evil Kingpin, a hulking madman who can open portals to other universes and pull different versions of Spider-Man into our world.

Director: Peter Ramsey, Robert Persichetti Jr., Rodney Rothman

Cast: Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna 

Lauren Velez, John Mulaney, Nicolas Cage, Liev Schreiber

Rated PG for frenetic sequences of animated action violence, thematic elements, and mild 

language

Genres: Animation, Action, Adventure

Runtime: 1h 57min

Review:

Spiderman into the Spiderverse is one of those animated films that is instantly striking due to it’s visual style and energy.  The visual style is so striking that it takes a little while to adjust to it in action.  Once you settle into it it’s a cornucopia of visual delights.  The character designs and lush backgrounds make for a beautifully vivid film.  Thankfully the story is just as strong as the visual.  The story is a fun superhero tome filled with great messages for kids and adults alike.  The voice cast all fit their characters perfectly with Shameik Moore and Jake Johnson sharing great chemistry.  Hailee Steinfeld as a SpiderGwen has spinoff written all over it but it’s not nearly as fun as John Mulany as Spider Ham and Nicholas Cage as Spiderman Noir.  Ultimately, Spiderman into the Spiderverse is a fun film which offers a fresh version of animation which makes it pop.

B

MOVIE REVIEW: WIDOWS

A police shootout leaves four thieves dead during an explosive armed robbery attempt in Chicago. Their widows -- Veronica, Linda, Alice and Belle -- have nothing in common except a debt left behind by their spouses' criminal activities. Hoping to forge a future on their own terms, Veronica joins forces with the other three women to pull off a heist that her husband was planning.

Director: Steve McQueen

Cast: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo, Colin Farrell, Brian Tyree Henry, Daniel Kaluuya, Jacki Weaver, Carrie Coon, Robert Duvall, Liam Neeson

Release Date: November 16, 2018

Genres: Crime, Drama, Thriller

Rated R for violence, language throughout, and some sexual content/nudity

Runtime: 2h 9 min

Review:

Steve McQueen’s Widows is a densely packed heist thriller.  Beautifully shot and thoroughly engaging, the film is never boring.  McQueen packs so much into his film that it might be necessary to give it multiple viewings.  He touches a multitude of topics from gender and racial politics all while unfurling a well crafted heist film.  The film moves at a methodical pace, never rushing from one scene to the next.  Instead it allows you to enjoy and appreciate the series of fine performances on display.  Viola Davis leads the film with her steady hand which makes you feel every bit of determination commingled with grief.  Elizabeth Debicki is just as impressive playing an abused trophy wife who is left picking up the pieces to her life after her husband’s death.  Michelle Rodriguez delivers as strong a performance as she can turn in but it’s hard not to notice the difference in talent level between her and her cast mates.  Colin Farrell and Robert Duvall make for a fascinating father and son duo and they deliver one of the film’s most impactful moments.  Brian Tyree Henry and Daniel Kaluuya are both just as interesting with limited screen time.  Widows is quiet at the level of Michael Mann’s Heat but its pretty close.

B+