MOVIE REVIEW: GODZILLA X KONG: THE NEW EMPIRE

 

Godzilla and the almighty Kong face a colossal threat hidden deep within the planet, challenging their very existence and the survival of the human race.

Director: Adam Wingard

Cast: Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, Fala Chen

Release Date: March 29, 2024

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for creature violence and action.

Runtime: 1h 54m

Review:

Adam Wingard's Godzilla x Kong: The New Empire brings a massive amount of kaiju action to the big screen in a big dumb, popcorn film that keeps the focus on the central monsters.  Those looking for any sort of deep story from the human side of the film will likely be disappointed with them serving as little more than afterthoughts primarily used for exposition dumps.  Rebecca Hall, returning from the previous entry, does what she can with her paper thin character.  Hall, to her credit, doesn't phone it in as she clearly enjoying herself throughout regardless of how ridiculous the dialogue or action is while also managing to squeezing out every bit of emotional connection possible with Kaylee Hottle.  Brian Tyree Henry also returns as the chatter box conspiracy podcaster taking care of most of the comic relief along with Dan Stevens.  Stevens brings his charismatic energy from the moment he pops up on screen, chewing up scenery with impressive enthusiasm.  Of course this is all secondary to the monster mayhem Wingard unleashes onscreen as he creates his version of 1968's Destroy All Monsters battle royal.  He delivers a series of expansive and inventive battles for the titan's conflict with a weightless kaiju battle in the film's final act leaving an impression.  This entry is focused more on Kong's side of the story as he searches for a community after his extended isolation.  He's joined by an adopted mini Kong for large spurts of the film and they manage to create a surprisingly enduring relationship even in the mist of all the CGI action.  Those looking for more Godzilla action might be a little disappointed since he's more of a secondary character here even though he gets to dole out his fair share of destruction.  The action isn't concerned with collateral damage in anyway shape or form as cities are destroyed left and right throughout.  Wingard is fully aware of what kind of film he's making with Godzilla x Kong: The New Empire and those looking for epic kaiju battles are sure to leave happy.

B

MOVIE REVIEW: RESURRECTION

 

A woman's carefully constructed life gets up-ended when an unwelcome shadow from her past returns, forcing her to confront the monster she's evaded for two decades.

Director: Andrew Semans

Cast: Rebecca Hall, Grace Kaufman, Michael Esper, Tim Roth

Release Date: July 29, 2022

Genre: Crime, Drama, Horror, Mystery, Thriller

Rated R for some violent content, sexual content, and for language

Runtime: 1h 43m

Resurrection is a lean, psychological potboiler that works mainly because of Rebecca Hall’s thoroughly committed performance.  Andrew Semans’ film is grounded for the most part but from the opening shot you get the sense that something’s off.  There are plenty of moments that feel familiar throughout as we follow Hall’s character steady decent into madness.  It’s a disorienting sensation even if she starts going off the rails quickly much like Jack Nicholson in The Shining.  Additionally, it’s obvious early on that Hall’s character isn’t the most reliable point of view as the film highlights a few blackouts and dissociative moments which will leave you wondering how much of what you are seeing is real or imagined.  There are few actresses around that can play internalized trauma like Rebecca Hall, see Christine or The Night House.  Hall is fully committed from the start, never letting up, making the audience feel every tinge of pain and intensity.  She carries the film by providing a multifaceted performance that is distinctively her own.  Tim Roth delivers a measured, subtly menacing turn that’s as unnerving as it’s understated.  His scenes with Hall pop off the screen especially as the film turns into its final act where it’s likely to lose or confuse a portion of the audience.  Whether the ending works or not is entirely up to everyone’s personal taste, but Resurrection is the kind of film that will linger in your memory.

B+

MOVIE REVIEW: THE NIGHT HOUSE

 

Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep together-but then the dreams come. Disturbing visions of a presence in the house call to her, beckoning with a ghostly allure. But the harsh light of day washes away any proof of a haunting. Against the advice of her friends, she begins digging into his belongings, yearning for answers.

Director: David Bruckner

Cast: Rebecca Hall, Sarah Goldberg, Evan Jonigkeit, Stacy Martin, Vondie Curtis-Hall

Rated R for some violence/disturbing images, and language including some sexual references

Release Date: August 20, 2021

Genres: Horror, Thriller

Runtime: 1h 48min

Review:

David Bruckner's The Night House is the best type of psychological horror because it works both as a straightforward horror film and on a deep more emotional level.  Bruckner's film is visually impressive and impactful throughout as he builds an unsettling atmospheric tension which only lets up with well time dark humor.  He sets the stage wonderfully to showcase the endless talents of Rebecca Hall.  Hall is a master of playing damaged women, see the criminally underseen 2016 film Christine, dealing with trauma.  This film gives her a perfect showcase to display her acting prowess.  She has an incredible ability to subtly move her emotions from mournful to a simmer rage without breaking a sweat.  The film's heady script is bendy but a serious approach on how we deal with the trauma of loss.  It's an adults horror film that doesn't rely on cheap scares instead it uses atmosphere and tension to great effect.  The plot isn't straightforward and it may leave some people scratching their head especially those expecting a paint by the numbers ghost story.  This is the type of film that will stay with you after you leave the theater much like the other great horror film of 2021 Saint Maude.  

A-

Cindy Prascik's Review of Godzilla vs. Kong

My dear reader(s), the week just passed brought us Godzilla vs. Kong, a film that — by its very name — made a return to the big screens of the cinema seem imperative.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or if you've ever watched a monster movie before.

As the title indicates, Godzilla vs. Kong pits one giant creature against another, with puny humans serving as catalysts and comic relief.

A disclaimer: I wanted to see this movie on the big screen. I had every intention of seeing this movie on the big screen. I think this movie is 100% worth seeing on the big screen. BUT...for reasons including (but not limited to) Easter weekend always being crazy busy and my cinema still having weird Covid hours, I was forced to watch it on my reasonably-large television. *sadface*

For a movie like this to meet my needs, all it really has to do is have huge creatures, solid effects, and well choreographed battles. Plot doesn't mean much, and people are merely a distraction. Godzilla vs. Kong executes its mission to a "T." Both titular titans look very big and very, very good in this film. Showdowns between the two are magnificent. There are a fair number of consequential humans ("consequential," for my purposes, meaning named characters with at least a little dialogue), but the people are mostly unobtrusive, despite being portrayed by such notable names as Rebecca Hall, Brian Tyree Henry, Demian Bichir, Lance Reddick, Kyle Chandler, Millie Bobby Brown, and Alexander Skarsgard. Sound effects are nearly as impressive as visuals; however, in order to get the dialogue even barely audible, I had my volume so high that action sequences and music rattled the walls. I find that's the norm these days, both with movies and with television, and I have to think it can't be so hard to do better. Godzilla vs. Kong is fun and well paced, a series of epic action jewels strung together with thin human string. Oh, and the *real* titan here is Elvis Presley, whose "Loving Arms" makes a...peculiar...appearance.

Godzilla vs. Kong clocks in at 113 minutes and is rated PG13 for "intense sequences of creature violence/destruction and brief language."

If massive creatures, colossal clashes, and unimaginable destruction are your cup of tea, Godzilla vs. Kong is just the ticket. Of a possible nine Weasleys, Godzilla vs. Kong gets eight.

Godzilla vs. Kong is now playing in cinemas and streaming on HBO Max.

This review is dedicated to my wonderful friend David, a Godzilla scholar who has probably forgotten more about this character than I could ever know, and to my dad, who would have loved this movie more than anything.

Until next time...

MOVIE REVIEW: GODZILLA VS. KONG

 

Kong and his protectors undertake a perilous journey to find his true home. Along for the ride is Jia, an orphaned girl who has a unique and powerful bond with the mighty beast. However, they soon find themselves in the path of an enraged Godzilla as he cuts a swath of destruction across the globe. The initial confrontation between the two titans -- instigated by unseen forces -- is only the beginning of the mystery that lies deep within the core of the planet.

Director: Adam Wingard

Cast: Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Lance Reddick, Kyle Chandler,  Demián Bichir

Release Date: March 26, 2021

Genre: Action, Sci-Fi, Thriller

Rated PG-13 for intense sequences of creature violence/destruction and brief language

Runtime: 1 h 53 min

Review:

Godzilla vs. Kong is the type of film that is very open about what kind of film it is and it never pretends to be anything else.  Adam Wingard’s film uses the thinnest of a story to get the action moving.  Wingard moves the film at a steady pace so that you don’t think about the exposition heavy human sequences too much since it’s all fairly nonsensical.  Wingard is smart enough to see that people who sit down to see Godzilla vs. Kong want to see the two titans fight in epic fashion.  He delivers some truly impressive action set pieces between the two behemoths in well staged mayhem.  These action sequences are the primary lifeblood of the entire film so if they didn’t work the film would be a failure.  The human side of these films are typically afterthoughts at best and the same holding true here.  The cast is populated with familiar faces who are barely straining one ounce of talent into their roles.  Demián Bichir does manage to leave a lasting impression in the villain role that’s only missing a dash of mustache twirling.  Deft actress Kaylee Hottle leaves the biggest impression in a small but pivotal role. Her portion of the story with Kong is the beefiest of story threads but it’s not explored in any great depth.  Godzilla vs. Kong isn’t the type of film that’s interested in any sort of in depth storytelling just massive mayhem and it delivers the big dumb action you’d expect from these types of films. 

B-

Cindy Prascik's Reviews of The Foreigner & Professor Marston and the Wonder Women

Dearest Blog: Yesterday it was off to Marquee Cinemas for a double-bill of The Foreigner and Professor Marston and the Wonder Women.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on the docket: Jackie Chan seeks revenge in The Foreigner.

A grieving father goes after the individuals responsible for a terrorist bombing that claimed the life of his young daughter.

The Foreigner is one of those movies that feels like it should be much more entertaining than it is. A solid if oft-told story, the picture boasts a well-loved lead and a suspenseful plot, with fierce action sequences that will set you on the edge of your seat. Sadly, all of the above is weighed down by a plodding tempo that makes the movie seem much longer than it is. Jackie Chan is solid in the lead, but the film gives you at least its first half to ponder how this humble restaurant owner got such...erm...Jackie Chan-like skills, with no real payout for your wait; the answer is exactly what you'll know it was going to be if you've ever watched an action/revenge movie before. When everything hits the fan, Pierce Brosnan is perfect as the blustering minister who WON'T HAVE IT!!...but where was he going with that accent? The convoluted plot would feel almost comical at times if not for Chan wearing his very best Emmett Kelly face for the duration; in fact, I think I really might have hated this one but for how much sympathy he earned for his character.

The Foreigner runs 114 minutes and is rated R for "violence, language, and some sexual material."

The Foreigner earns a half-Weasley bonus for (briefly) featuring Harry Potter's Cho Chang, Katie Leung, but gets a full demerit for getting Hot Blooded into my head.

Of a possible nine Weasleys, The Foreigner gets four and a half.

Next up: Professor Marston and the Wonder Women.

The relationships among a psychologist, his wife, and a student give birth to our most beloved female superhero.

Well, dear reader(s), it feels like quite the privilege to be a girl writing in a time when I get to ask which is the better of this year's two Wonder Woman films. I mean, the answer is unequivocally "the other one," but still...

Professor Marston and the Wonder Women has all the pieces of a great story, so--especially riding 2017's wave of Wonder Woman mania--it should have been a can't-miss. Unfortunately, it goes foul by sensationalizing the sexual aspects of the story, resulting in an uncomfortable and unsatisfying finished product.

Wonder Women's chief positives are in its leads; Luke Evans and especially Rebecca Hall are terrific. Bella Heathcote is a bit of a weak link, and prominent enough that you'll feel it at every turn, but two out of three isn't so bad, I guess. The film has some genuinely touching moments as well as some funny ones, and it's told in such a way that it keeps moving even when there's not a lot to tell.

Ultimately, though, WW is just too lurid in its presentation to be taken seriously. When a roomful of adults is overcome by the giggles at every erotic turn, that's a sure-fire sign that, as the Internet is so fond of saying: "You're doing it wrong." Wonder Women sincerely attempts to sell its titular family as "normal," but does so with so little finesse that it only comes across as tawdry, even to someone (like myself) who wouldn't normally bat an eye. Amusingly, the movie even takes a stab at explaining Wonder Woman's skimpy costume, but--just a year removed from Batman v. Superman (where you can bet it wasn't Batman or Superman who featured in a gratuitous crotch shot)--it rings pretty hollow.

Professor Marston and the Wonder Women clocks in at 108 minutes and is rated R for "strong sexual content, including brief graphic images, and language."

Sadly, Professor Marston and the Wonder Women is a coulda-shoulda-mighta been great picture that falls well short of even memorable.

Of a possible nine Weasleys, Professor Marston and the Wonder Women gets four.

Fangirl points: It's always a delight to hear Benny Goodman's Sing Sing Sing in glorious surround-sound!

Until next time...

Cindy Prascik Review of Transcendence

Dearest Blog, yesterday I took full advantage of a day off to sneak out to the cinema. On my agenda was the new Johnny Depp flick, Transcendence.

Spoiler level here will be mild, nothing you wouldn't know from the trailer.\

When a brilliant A.I. researcher is gunned down by opponents of his work, his grieving widow and a former colleague seek a way to save him, but the result of their efforts is not quite what they intended.

Well, dear Blog, the first thing I noticed when I got to the theatre yesterday was that I couldn't check in to Transcendence on TV Tag (formerly GetGlue); it wasn't even in their library. I thought to myself, "Self, that can't be a good sign," and I was right. Opening on a holiday weekend to a pretty busy cinema, there were only three other people in the room with me, far fewer than for my second screening of Captain America: The Winter Soldier afterward.

As regular reader(s) and anyone who knows me will be well aware, I think Johnny Depp is the world's finest living actor. I've been a fan since his days on Jump Street, and, while his performance never lets me down (even in sub-par movies), I admit I've grown tired of him playing the quirky guy in the funny hat, and was ready for something at least a little bit more serious. Sadly, after seeing Transcendence, I think I'd almost rather have had another Mad Hatter; the role was so blah I wasn't even looking forward to his screen time as the movie dragged on. Rebecca Hall is fine as his widow, though she, too, has little to work with and does even less with it. (Also, leggings, big shirts, and ballet flats are not her best look. She's one of my favorite girl crushes, and I was deeply saddened by this.) The rest of the cast is a who's who of faces I love seeing, to the point that listing them all here would venture into the ridiculous. Instead I'll just say a movie that can't be fixed by Clifton Collins, Jr. simply can't be fixed at all.

Transcendence doesn't exceed my recommended two-hour guideline, yet it seems to go on forever. The premise is fascinating and the cast solid...yet somehow the execution fails completely. I grew more bored by the second and practically sprinted from my seat when it was over (and not just because I was that eager to see Sebastian Stan again...no matter what you've heard)!

Transcendence isn't a terrible move, but, when you can't help comparing what it is with what it could and should have been, it's bound to be a disappointment.

Of a possible nine Weasleys, Transcendence gets four and a half.
Until next time...

 

I call it Transcendence!

MOVIE REVIEW: TRANSCENDENCE

A brilliant innovator in the field of Artificial Intelligence becomes the bridge in the gap between man and machine in this sci-fi thriller starring Johnny Depp. His entire career, Dr. Will Caster (Depp) has been working toward one goal -- to create a machine possessing the entire spectrum of human emotions, and the collective intelligence of every person who has ever lived. But while Dr. Caster's unorthodox experiments have made him famous in scientific circles, a radical anti-tech group known as Rift is determined to stop him at all costs. In the midst of an attack on A.I. labs across the United States, one Rift agent manages to shoot Dr. Caster with a radioactive bullet, ensuring his death. Little did Rift realize that their efforts to destroy Dr. Caster would only make him stronger than they ever could have imagined, because before he dies, his wife Evelyn (Rebecca Hall) and best friend Max (Paul Bettany) successfully transfer Dr. Caster's consciousness into a computer, where his hunger for knowledge and power transforms him into an unstoppable force of sentient energy inhabiting every computer and electrical system on the planet. Morgan Freeman co-stars. ~ Jason Buchanan, Rovi

Director: Wally Pfister

Cast: Johnny Depp, Paul Bettany, Rebecca Hall, Morgan Freeman, Kate Mara

Release Date: Apr 18, 2014

Rated: PG-13 for sci-fi action and violence, some bloody images, brief strong language and 

sensuality

Runtime: 1 hr. 59 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

Transcendence is a movie that desperately wants you to think that it’s intelligent.  It throws so much technobabble at you that you vaguely start to think it might be smart. Until you snap out of it and realize it is a hodgepodge of sci-fi tropes and clichés is nothing but a silly Frankenstein, Skynet, Her retread.  Wally Pfister, Christopher Nolan’s long time award winning cinematographer, first film is visually impressive but thematically empty.  Pfister’s style is wasted on such a silly script and story.  Even worse it’s filled with top name talent that’s wasted throughout.  Some people might be comforted by the fact that Depp isn’t doused in two pounds of make up in this film but the trick’s on you because he disappears from the film fairly quickly with the majority of the film’s performance done by an avatar.  I had a passing thought that his contract stated he’s do this movie if he only physically had to be there at the start and end of filming.  Rebecca Hall and Paul Bettany are given fairly thankless roles of looking sad and not much else, Bettany is allowed to grow a beard at one point so that counts for something.  Kate Mara, whose creepy looking enough, sports a bad blonde dye job and enough black eye mascara to give a raccoon pause.  Even worse off are poor Morgan Freeman and Cillian Murphy who, I assume, thought were shooting another Batman film and were thoroughly disappointed when they showed up, much like you will be when this crock is over.

D

Cindy Prascik’s Review of Iron Man 3

Dearest Blog, yesterday I braved the fanboy throngs for Iron Man 3's opening weekend.
Spoiler level here will be mild, nothing you haven't seen in the trailers.

When billionaire Tony Stark's world is torn apart by a terrorist, he sets out to save "the one thing (he) can't live without"...and, you know, maybe the rest of us too.

If one of those realistic movie description sites took on Iron Man 3, its tagline would undoubtedly be "Go big or go home." The movie is in constant competition with itself to be bigger and bigger and BIGGER, to the point it sometimes feels like nothing more than a series of ever-growing explosions. Regular reader(s) will know that's a concept I firmly support, but the runtime's pretty bloated for so much filler.

Robert Downey, Jr. is, as always, magnificent in a role tailor-made for him. The brilliant Don Cheadle is underused 'til the movie's last act, and Guy Pearce is marginally less ridiculous than he was in Lawless. (That's meant as more of a compliment than it sounds.) Gwyneth Paltrow is her usual pasty, unbearable self--why can't all films take a cue from Contagion and kill her off right away??--but my beautiful girl Rebecca Hall more than makes up for it. Oscar winner Ben Kingsley does what he can with what I'll call a curious role.

As mentioned, the action and destruction in Iron Man 3 are HUGE; the digital surround-sound on this one almost necessitates earplugs. The effects are pretty terrific, though, and I daresay the bigger the screen, the better they look. I'm not invested in Iron Man lore, so any affronts to the core fandom would have gone straight over my head. The story's nothing to write home about, but some of the dialogue is amusing enough to showcase Downey's comedic talent. Overall it's pretty entertaining, but the film definitely over-labors some points and would have been a lot better with a half-hour edited out.

Iron Man 3 runs a very unnecessary 135 minutes and is rated PG13 for "sequences of intense sci-fi action and violence throughout, and brief suggestive content. Of a possible nine Weasleys, Iron Man 3 earns six.

Until next time...




Well, hellooooooo Iron Man!

MOVIE REVIEW: IRON MAN 3

Tony Stark (Robert Downey, Jr.) wrestles with inner demons while contending with monsters of his own creation in this sequel from writer\director Shane Black. The story in Iron Man 3 picks up shortly after the events of The Avengers. Having previously entered another dimension in order to save New York City, Tony remains deeply haunted by the experience. Tony has only started to appreciate the gravity of his problems when an enigmatic terrorist named the Mandarin (Ben Kingsley) hijacks the airwaves and threatens to bring America to its knees with a painful series of "lessons". ~ Rovi

Director: Shane Black

Cast: Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall

Release Date: May 03, 2013

Rated PG-13 for sequences of intense sci-fi action and violence throughout, and brief suggestive content

Runtime: 2 hr. 20 min.

Genres: Action/Adventure

Review:

Picking up after the Avengers was going to be a bit of a task, thankfully Iron Man 3 handles it fairly well lead by new director Shane Black. A slightly more focused, albeit kind of silly, plot than the overstuffed 2nd entry breathes life back into the franchise. Black and Robert Downey Jr. have a tangible chemistry together. Black is capable of keeping RDJ from going into cruise control and the script forces him to explore the effects of the events in The Avengers. It’s a solid logical choice, it would have been terribly easy to just breeze past it and keep him feeling invincible. There are still plenty of laughs and tons of massive summer movie level action set pieces that are thrillingly staged such as the attack on Starks home and a mid air multi-person rescue. That being said there are a few blemishes on the film. It’s not as overstuffed as Iron Man 2, which was too busy serving as a sequel to Iron Man and prequel to The Avengers, but it’s still too busy. The villains are a bit too cartoonish with Ben Kingsley going a bit too overboard (with good reason though). Sadly, Guy Pierce’s character never feels like a complete creation, simply functioning as a plot mechanism. Paltrow and Cheadle are given some extra bits of characterization but nothing earth shattering. As the film, wraps the film starts to feel like it’s tying things up in case RDJ decides to retire from the superhero business (this films marks the last film on his contract with Marvel). While a bit of streamlining and trimming would have made this more efficient summer film, it still manages to trill and excite so maybe it’s not time to throw this franchise on the scrap heap just yet.

B

MOVIE REVIEWS: THE TOWN

ON DVD

THE TOWN



Boston bank robber Doug MacRay (Ben Affleck) falls for a woman his gang had previously taken hostage after feigning a chance meeting with her to ensure that she can't identify them in Affleck's adaptation of author Chuck Hogan's novel Prince of Thieves. The son of a tough Charlestown, MA thief, Doug passed on his chance to walk the straight and narrow in favor of becoming a career bank robber. Not only is Doug's crew one of the most ruthless in Boston, but they're also one of the best; they never leave a trace of evidence, and always make a clean break. Over the years, Doug's fearless partners in crime have become something of a surrogate family to him; Jem (Jeremy Renner), the most dangerous of the bunch, is the closest thing Doug has ever had to a brother. But a divide begins to open between the two career criminals when Jem takes bank manager Claire Keesey (Rebecca Hall) hostage during a particularly tense heist, and the group subsequently discovers that she hails from their own tight-knit suburb. When Jem proposes that the gang make an effort to find out just how much Claire recalls about the crime, Doug fears that his volatile partner may do more harm than good and volunteers himself for the job. Later, Doug turns on the charm while pretending to bump into Claire by chance, and becomes convinced that she doesn't suspect him of being the same man who just robbed her bank. As the feds turn up the heat on the gang, Doug finds himself falling for Claire, and searching desperately for a means of cutting his ties to his criminal past. But with each passing day, Jem grows increasingly suspicious of Doug's true motivations. Now caught between two worlds with no chance of turning back, Doug realizes that his only hope for finding a happy future is to betray the only family he's ever known. ~ Jason Buchanan, Rovi

Director: Ben Affleck

Cast: Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner, Blake Lively.

Release Date: Sep 17, 2010

Rated R for strong violence, pervasive language, some sexuality and drug use

Runtime: 2 hr. 5 min.

Genres: Drama

Review:

Ben Affleck’s sophomore directorial effort is a dirty gritty heist drama that’s always interesting even if the story feels predictable. Affleck has an undeniable talent to capture the feel of the area and the people who live there. Even if the plot is a bit far fetched Affleck keeps the film grounded with characters that feel lived in and world weary. In the lead role, Affleck turns in his best work in years allowing the audience to feel the character conflicted nature. While Affleck is impressively strong, Jeremy Renner is absolutely stellar in a supporting role. Renner almost disappears into his character, creating a character that’s menacing and unpredictable. Jon Hamm also delivers strong work as the pressing FBI agent. Blake Lively is appropriately grimy but her performance occasionally feels forced. Faring worse is Rebecca Hall who just seems to blend in with the scenery never making much of an impression. Chris Cooper and Pete Postlethwaite have small but important roles, they both perform well and make you wish they’d been given a bit more screen time since the characters are so intriguing. The film ends with a pulse pounding bang with a massive action set piece that’s a perfect bloody send off for a well crafted and acted film.

B+