Cindy Prascik’s Review of Iron Man 3

Dearest Blog, yesterday I braved the fanboy throngs for Iron Man 3's opening weekend.
Spoiler level here will be mild, nothing you haven't seen in the trailers.

When billionaire Tony Stark's world is torn apart by a terrorist, he sets out to save "the one thing (he) can't live without"...and, you know, maybe the rest of us too.

If one of those realistic movie description sites took on Iron Man 3, its tagline would undoubtedly be "Go big or go home." The movie is in constant competition with itself to be bigger and bigger and BIGGER, to the point it sometimes feels like nothing more than a series of ever-growing explosions. Regular reader(s) will know that's a concept I firmly support, but the runtime's pretty bloated for so much filler.

Robert Downey, Jr. is, as always, magnificent in a role tailor-made for him. The brilliant Don Cheadle is underused 'til the movie's last act, and Guy Pearce is marginally less ridiculous than he was in Lawless. (That's meant as more of a compliment than it sounds.) Gwyneth Paltrow is her usual pasty, unbearable self--why can't all films take a cue from Contagion and kill her off right away??--but my beautiful girl Rebecca Hall more than makes up for it. Oscar winner Ben Kingsley does what he can with what I'll call a curious role.

As mentioned, the action and destruction in Iron Man 3 are HUGE; the digital surround-sound on this one almost necessitates earplugs. The effects are pretty terrific, though, and I daresay the bigger the screen, the better they look. I'm not invested in Iron Man lore, so any affronts to the core fandom would have gone straight over my head. The story's nothing to write home about, but some of the dialogue is amusing enough to showcase Downey's comedic talent. Overall it's pretty entertaining, but the film definitely over-labors some points and would have been a lot better with a half-hour edited out.

Iron Man 3 runs a very unnecessary 135 minutes and is rated PG13 for "sequences of intense sci-fi action and violence throughout, and brief suggestive content. Of a possible nine Weasleys, Iron Man 3 earns six.

Until next time...




Well, hellooooooo Iron Man!

MOVIE REVIEW: IRON MAN 3

Tony Stark (Robert Downey, Jr.) wrestles with inner demons while contending with monsters of his own creation in this sequel from writer\director Shane Black. The story in Iron Man 3 picks up shortly after the events of The Avengers. Having previously entered another dimension in order to save New York City, Tony remains deeply haunted by the experience. Tony has only started to appreciate the gravity of his problems when an enigmatic terrorist named the Mandarin (Ben Kingsley) hijacks the airwaves and threatens to bring America to its knees with a painful series of "lessons". ~ Rovi

Director: Shane Black

Cast: Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall

Release Date: May 03, 2013

Rated PG-13 for sequences of intense sci-fi action and violence throughout, and brief suggestive content

Runtime: 2 hr. 20 min.

Genres: Action/Adventure

Review:

Picking up after the Avengers was going to be a bit of a task, thankfully Iron Man 3 handles it fairly well lead by new director Shane Black. A slightly more focused, albeit kind of silly, plot than the overstuffed 2nd entry breathes life back into the franchise. Black and Robert Downey Jr. have a tangible chemistry together. Black is capable of keeping RDJ from going into cruise control and the script forces him to explore the effects of the events in The Avengers. It’s a solid logical choice, it would have been terribly easy to just breeze past it and keep him feeling invincible. There are still plenty of laughs and tons of massive summer movie level action set pieces that are thrillingly staged such as the attack on Starks home and a mid air multi-person rescue. That being said there are a few blemishes on the film. It’s not as overstuffed as Iron Man 2, which was too busy serving as a sequel to Iron Man and prequel to The Avengers, but it’s still too busy. The villains are a bit too cartoonish with Ben Kingsley going a bit too overboard (with good reason though). Sadly, Guy Pierce’s character never feels like a complete creation, simply functioning as a plot mechanism. Paltrow and Cheadle are given some extra bits of characterization but nothing earth shattering. As the film, wraps the film starts to feel like it’s tying things up in case RDJ decides to retire from the superhero business (this films marks the last film on his contract with Marvel). While a bit of streamlining and trimming would have made this more efficient summer film, it still manages to trill and excite so maybe it’s not time to throw this franchise on the scrap heap just yet.

B

[Trailer] Iron Man 3

The newest trailer for Iron Man 3 is out and it looks pretty impressive. The Avengers kind of made you forget about the overstuffed 2nd film.

This new trailer looks like it really ups the ante and gives us hope we’ll have a better entry this go around. Lots of wonderful tidbits offered throughout, check out the trailer and enjoy.

[Trailer] Iron Man 3

First trailer for Iron Man 3 has been released and it looks to take the series in more serious and darker direction.

Shane Black takes over the directorial reigns and these early bits of footage look more impressive than expected.

Since Iron Man 2 fell into a lot of the traps that big sequels suffer from, including the extended set up for The Avengers, so it’d be nice to see a more focused entry from Marvel.

MOVIE REVIEW: PROMETHEUS

IN THEATERS

PROMETHEUS



A team of space explorers embarks on a fantastic voyage to the edge of the universe after making a profound discovery that hints at the true origins of the human race. Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba, and Charlize Theron head-up the cast of this epic sci-fi saga from director Ridley Scott and writers Jon Spaihts (The Darkest Hour) and Damon Lindelof (Lost, Star Trek). ~ Jason Buchanan, Rovi

Director: Ridley Scott

Cast: Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba, Guy Pearce

Release Date: Jun 08, 2012

Rated R for Sci-Fi Violence, Brief Language and Some Intense Images

Runtime: 2 hr. 3 min.

Genres: Horror, Suspense/Thriller

Review:

Grandiose and epic in scale, Ridley Scott’s return to sci-fi is simply an achievement in filmmaking. His film is a visual feast for the eyes, shot in stunning 3D, and an endless buffet for genre fans to digest. This sort of prequel to his original masterpiece Alien offers enough visual and script hints winks and nods to keep franchise fans happy but never content. Answers to many plot threads are left dangling in the wind by the film’s runtime. This can be a good or bad thing depending on the individual viewer. Hints of Stanley Kubrick’s 2001 pepper the film right from the start and Scott never shies away, it’s clear he’s going for something larger with this film. Its plot is an endless landfill of spoilers to those that haven’t seen it but if you’ve seen enough of the trailers some of the major points are fairly evident. While Scott is in top form behind the camera, the script does leave some room for improvement. It sets up and telegraphs major twist in such an obvious way that it sucks any tension or surprise right out of the film. Plot holes are readily apparent but the director and the cast do their best to move past them. The cast itself is stellar with Noomi Rapace delivering a tender and subtle turn as the film’s lead. Rapace’s character will be compared to Ripley from Alien but it’s not an apt comparison. Her character is driven by a variety of forces outside of survival; it’s an interesting centerpiece which could have benefited from left heavy handing scripting. Michael Fassbender continues his current run of seeming less endless run of fantastic performances. His android David is a singular and engaging performance which is reminiscent of many sources yet never feels tired. Idris Elba, sporting one of most interesting American accents, is incredibly fun as the ship’s captain, easily becoming the coolest character in the whole film. The remaining cast isn’t given much to do and even stalwarts like Theron are left with mostly one note characters. Even with the most obvious issues, Prometheus is cinematic flypaper never letting your eyes or mind go once it’s got a firm grip.

A-

MOVIE REVIEW: LOCK OUT

IN THEATERS

LOCK OUT



The U.S. government strong-arms a man accused of treason into rescuing the president's daughter from a maximum-security space prison that's been taken over by the inmates in a brutal riot. Guy Pearce, Maggie Grace, and Peter Stormare star. ~ Jason Buchanan, Rovi

Director: James Mather

Cast: Guy Pearce, Maggie Grace, Vincent Regan, Joe Gilgun, Lennie James

Release Date: Apr 13, 2012

Rated PG-13 Language, Intense Sequences of Violence, Intense Sequences of Action and Some Sexual References

Runtime: 1 hr. 35 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

There’s not an original note in Lock Out’s runtime. Every element is “borrowed” from somewhere else with the most obvious being John Carpenter’s Escape from New York. Director James Mather shoots his film with a choppy hand. Occasionally he’ll hit a fun note but it’s rarely sustained. His biggest failing is never getting much out of his actors. Guy Pearce, who I’ve always thought should have been a bigger star, does the best he can even if his dialogue comes off clunky from time to time. Maggie Grace is equally stiff and shares very little chemistry with Pearce. Peter Stormare mugs through a few scenes adding very little. Even with its obvious failings, Lock Out is extremely watch able as pulp sci-fi fun. The first 2 acts breeze easily with the film coming to a screeching halt in the final act which saps the film of any energy it had.

C-

MOVIE REVIEWS: THE KING’S SPEECH

IN THEATERS

THE KING’S SPEECH



Emmy Award-winning director Tom Hooper (John Adams) teams with screenwriter David Seidler (Tucker: A Man and His Dreams) to tell the story of King George VI. When his older brother abdicates the throne, nervous-mannered successor George "Bertie" VI (Colin Firth) reluctantly dons the crown. Though his stutter soon raises concerns about his leadership skills, King George VI eventually comes into his own with the help of unconventional speech therapist Lionel Logue (Geoffrey Rush). Before long the king and Lionel have forged an unlikely bond, a bond that proves to have real strength when the United Kingdom is forced to flex its international might. ~ Jason Buchanan, Rovi

Director: Tom Hooper

Cast: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall.

Release Date: Nov 26, 2010

Rated R for Language

Runtime: 1 hr. 51 min

Genres: Drama

Review:

The King’s Speech is the definition of an award’s/actor’s movie. It’s the type of film that allows actors to flex their considerable muscle. Colin Firth is front and center with a character that’s complex, distant and thoroughly conflicted. Firth is only half of what makes this film work. The always impressive Geoffrey Rush is stellar working with Firth. Their chemistry is what drives the film and while there are larger historical event that are addressed this friendship is central to the story. It’s wonderful relationship to watch and especially once Rush’s character starts to break down “Bertie’s” walls. Firth is most impressive during a one on one exchange with Rush after the death of King. Helena Bonham Carter is impressive in limited screen time as the supporting and loving queen. Director Tom Hooper doesn’t have much work to do but he still crafts an elegant film that lovely to watch and rarely drags. Hooper most impressive work is at the beginning and end of the film by making thing like a microphone and typed words seem incredibly terrifying. He allows the audience to feel every bit of trepidation and fear that the character feels as he struggles through each work. The finale is like watching a maestro direct an orchestra that has you hanging on each and every word.

A

DON’T BE AFRAID OF THE DARK Teaser Trailer

Guillermo del Toro Presents Don’t be Afraid of the Dark, directed by first timer Troy Nixey, looks impressive and fun but the January release dates makes me a tad cautious….

Movie Reviews: THE HURT LOCKER

Wednesday, January 27, 2010
Movie Reviews: THE HURT LOCKER
ON DVD

THE HURT LOCKER



Based on the personal wartime experiences of journalist Mark Boal (who adapted his experiences with a bomb squad into a fact-based, yet fictional story), director Kathryn Bigelow's Iraq War-set action thriller The Hurt Locker presents the conflict in the Middle East from the perspective of those who witnessed the fighting firsthand -- the soldiers. As an elite Army Explosive Ordnance Disposal team tactfully navigates the streets of present-day Iraq, they face the constant threat of death from incoming bombs and sharp-shooting snipers. In Baghdad, roadside bombs are a common danger. The Army is working to make the city a safer place for Americans and Iraqis, so when it comes to dismantling IEDs (improvised explosive devices) the Explosive Ordnance Disposal (EOD) crew is always on their game. But protecting the public isn't easy when there's no room for error, and every second spent dismantling a bomb is another second spent flirting with death. Now, as three fearless bomb technicians take on the most dangerous job in Baghdad, it's only a matter of time before one of them gets sent to "the hurt locker."

Cast: Jeremy Renner, Anthony Mackie, Brian Geraghty, Guy Pearce, Ralph Fiennes.

Director: Kathryn Bigelow

Release Date: ..Jun 26, 2009..

Rated R for language and war violence

Runtime: 2 hr. 11 min.

Genres: Action, Drama, Thriller

Review:

Kathryn Bigelow’s tension filled The Hurt Locker is an excellently crafted film even if it becomes a war of attrition by the finale. From the opening sequence, Bigelow ratchets up the tension to 11 and, outside of a few scenes, never really lets up. It’s the type of film that never really lets you breathe as it’s a succession of high stress moments after another. Bigelow does a wonderful job of capturing the tension by framing and shooting scenes so that everything has a sense of immediacy. The film would be a failure if the cast didn’t come off as believable, luckily this cast, made up of working actors not stars, is more than up to the task. Jeremy Renner leaves a strong impression with his work here. Renner gives his character a definite sense of authenticity while never allowing his character to come off as clichéd, something the script falls into later in the film. Anthony Mackie and Brian Geraghty are equally strong in their performances. The film is almost entirely limited to these 3 men and they share a great chemistry throughout. Effective cameos from name actors such as Ralph Fiennes, Guy Pierce and David Morse add to the overall quality of the film and they keep the audience off balance with unexpected situations or resolutions. If there are a few miscues they limited to the script, as it heads towards its conclusions some situations and relationships start to come off as artificially generated and lack the authenticity of film. It’s nothing horrible but noticeable. The Hurt Locker avoids any political leanings and focuses almost primarily on the individuals that trudge through the Iraq conflict. It’s a film that feels every minute of its 2 hour plus run time and that’s not really a bad thing.

B+

Movie Reviews: THE ROAD

Saturday, November 28, 2009
Movie Reviews: THE ROAD
IN THEATERS

THE ROAD

A father (Viggo Mortensen) and his son (Kodi Smit-McPhee) try to keep the dream of civilization alive as they wander through a post-apocalyptic landscape.

Cast: Viggo Mortensen, Kodi Smit-McPhee, Robert Duvall, Charlize Theron, Guy Pearce


Director: John Hillcoat


Opened ..November 25, 2009..


Runtime: 1 hr. 59 min.


Rated R for some violence, disturbing images and language


Genres: Road Movie, Sci-Fi Disaster Film, Science Fiction


Review:


The film adaptation The Road requires the viewer’s patience and attention as it pontificates on various elements of human nature and civility in extreme circumstances. Strikingly bleak yet inspirational and hopeful, John Hillcoat’s film can be a slight chore to trudge through but that’s kind of the point. Hillcoat doesn’t attempt to give the audience any glimmer of anything resembling a ..Hollywood.. style happy ending. The majority of the film is shot in weather worn greys and blacks, sapped of color and life mirroring the plot. The characters all look like walking cadavers; most look like they could barely be considered living breathing human beings. It’s a tough movie to watch and not the type that has a clear path, instead it meanders almost aimlessly. The plot isn’t concerned with the destination as much as the journey and the pivotal relationship between father and son. Viggo Mortensen delivers an Oscar worthy performance, his face a mixture of melancholy and quiet strength. Determined but devastated, Mortensen allows the audience to feel every painful step of this harrowing journey. Newcomer Kodi Smit-McPhee also delivers fine work as Mortensen’s onscreen son only occasionally bordering on irritating. It’s a challenging role and could have easily been drowned out by Mortensen’s shining work but Smit-McPhee more than holds his own. The two share strong on screen chemistry as demonstrated by some gut wrenchingly tough scenes near the film’s conclusion. Robert Duvall and Guy Pearce are nearly unrecognizable in small roles but both make the most of their limited screen time. Charlize Theron has an equally small role her but is nearly forgettable in comparison. Small issues aside the cast provides strong work across the board. Hillcoat’s adaptation of Cormac McCarthy best selling novel, maintains all the power and most of the shocking imagary of the book. The Road is a fasicinating visual parabable about the human condition and the perserverance of the human spirit, a rewarding excursion that might not be for everyone.


B+