Cindy Prascik's Reviews of Gringo & The Hurricane Heist

Dearest Blog: Yesterday it was off to Marquee Cinemas for the rowdy double-bill of Gringo and The Hurricane Heist.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on my agenda, Gringo.

 

Things go south for a pharmaceutical rep when he unwittingly runs afoul of a Mexican crime lord.

Gringo is a darkly funny outing that certainly won't be everyone's cup of tea. Filled with rough language, drug and sexual references, and up-close-and-personal violence, the story is a crazy one, though clever and sometimes more thoughtful than I expected. David Oyelowo (whose name I'll never learn to spell without looking) heads an excellent cast, striking a perfect tone for our confused and terrified titular gringo. The extraordinary Sharlto Copley shines in a small supporting role, but it's Charlize Theron who really steals the show with a sexy, foul-mouthed turn. Gringo is action packed, well crafted, and makes some surprise turns, building to a suitable and satisfying finale. It does suffer some sluggishness, but if sticking with it occasionally feels like work, the payout is worth it.

 

Gringo clocks in at an efficient 110 minutes and is rated R for "language throughout, violence, and sexual content."

 

Gringo can be a rough ride at times, but a great cast and solid story make it worth the effort. Of a possible nine Weasleys, Gringo gets seven.

 

Fangirl points: Alan Ruck! Yul Vazquez! Harry Treadway! A weird-but-awesome flamenco version of the Cure's Just Like Heaven over the end credits!

 

Next on the docket: The Hurricane Heist.

 

Thieves plan to use a Category 5 hurricane as cover for their attempt to steal $600 million from a US Treasury vault.

 

The Hurricane Heist is that rare picture that is 100% as advertised. It is, in truth, a very stupid movie; however, if you leave disappointed, it can only be due to unreasonable expectations. While it is neither as fun as Geostorm, nor as irrefutably awesome as Den of Thieves, the Hurricane Heist is just wacky enough to get away with its implausible premise and D-list cast. The obvious selling feature for this sort of film is its disaster effects, and here the quality ranges all the way from "pretty sweet" to "stuck in 1939 with The Wizard of Oz." Suffice to say the cast isn't exactly loaded with talent, and it doesn't need to be. True Blood got me used to Aussie Ryan Kwanten speaking with a southern drawl, but I was jarred incessantly by that sound coming out of Toby Kebbell's face. "Starring Maggie Grace" usually means a hard pass from me, so it's no surprise that it was difficult for me to get past her in the lead. The action is wild and the story is as goofy as you'd expect, but--while the movie definitely doesn't take itself too seriously--it's missing a certain element of fun that its wacky premise should have guaranteed.

 

The Hurricane Heist runs 102 minutes and is rated PG13 for "sequences of gun violence, action, destruction, language, and some suggestive material."

 

The Hurricane Heist is a passable couple hours of witless entertainment for those slow, waning weeks of winter. (Also I kept thinking of Justin Timberlake in The Social Network: “Drop the ‘the;’ just ‘Hurricane Heist.’ It’s cleaner.”) 

 

Of a possible nine Weasleys, the Hurricane Heist gets four.

 

Until next time...

MOVIE REVIEW: TAKEN 2

IN THEATERS

TAKEN 2



His family targeted by a vengeful crime boss in Istanbul, retired CIA agent Bryan Mills (Liam Neeson) must fight an army of killers to ensure their safe return in this action sequel from director Olivier Megaton (ransporter 3) and producer/co-writer Luc Besson (who penned the screenplay alongside Taken scribe Robert Mark Kamen). ~ Jason Buchanan, Rovi

Director: Olivier Megaton

Cast: Liam Neeson, Maggie Grace, Famke Janssen, Rade Sherbedgia, Luke Grimes

Release Date: Oct 05, 2012

Rated PG-13 for intense sequences of violence and action, and some sensuality

Runtime: 1 hr. 32 min.

Genres: Drama, Suspense/Thriller

Review:

A sequel to Taken seems like it’d write itself. The plot is everything you’d expect it to be. Liam Neeson is gravelly voiced and dead serious when talking on cell phones, even tiny ones. Director Oliver Megaton should just keep this in cruise control and let whoever is watching this get what they wanted which is watching the world’s most awesome overprotective dad use his special set of skills to kill anyone and everyone that attempts to interrupt him on vacation. Megaton does this for a decent chuck of the film but for some reason the screen writers decided it was a good idea to get Maggie Grace’s character more involved. This is about as terrible an idea as having a nearly 30 year old actress play a 16 year old. The character is shrill and annoying. All the while she can go from taking a driving test to driving like a stunt driver in about 20 minutes. It’s a serious misstep in a movie that should just be about 60 year Liam Neeson taking out track suit wearing tugs with a coffee cup. Neeson is focused and dedicated as usual. He does well in the action sequences making even the most ridiculous situations seem plausible. Famke Janseen has more screen time but she’s comatose for the better part of the film not as an actress per say but as written. Rade Serbedzija is still cashing paychecks as that guy who not from here again. Taken 2 should be mindless fun and there is some obvious effort to get into Mills fastidious mindset but a detour into his daughter taking the lead is a bad misstep.

C

[Trailer] Taken 2

Silly Bryan Mills thinking he could take a family vacation without all hell breaking loose….

Trailer for the sequel looks like it’ll continue the ass kicking that started in the first film. Liam looks like he’s ready to go again, can’t wait to see it….

MOVIE REVIEW: LOCK OUT

IN THEATERS

LOCK OUT



The U.S. government strong-arms a man accused of treason into rescuing the president's daughter from a maximum-security space prison that's been taken over by the inmates in a brutal riot. Guy Pearce, Maggie Grace, and Peter Stormare star. ~ Jason Buchanan, Rovi

Director: James Mather

Cast: Guy Pearce, Maggie Grace, Vincent Regan, Joe Gilgun, Lennie James

Release Date: Apr 13, 2012

Rated PG-13 Language, Intense Sequences of Violence, Intense Sequences of Action and Some Sexual References

Runtime: 1 hr. 35 min.

Genres: Action/Adventure, Suspense/Thriller

Review:

There’s not an original note in Lock Out’s runtime. Every element is “borrowed” from somewhere else with the most obvious being John Carpenter’s Escape from New York. Director James Mather shoots his film with a choppy hand. Occasionally he’ll hit a fun note but it’s rarely sustained. His biggest failing is never getting much out of his actors. Guy Pearce, who I’ve always thought should have been a bigger star, does the best he can even if his dialogue comes off clunky from time to time. Maggie Grace is equally stiff and shares very little chemistry with Pearce. Peter Stormare mugs through a few scenes adding very little. Even with its obvious failings, Lock Out is extremely watch able as pulp sci-fi fun. The first 2 acts breeze easily with the film coming to a screeching halt in the final act which saps the film of any energy it had.

C-

MOVIE REVIEW: KNIGHT AND DAY

IN THEATERS

KNIGHT AND DAY



A fugitive couple (Tom Cruise and Cameron Diaz) wages a war between truth and trust while speeding across the globe in an attempt to avoid capture by a determined federal agent (Peter Sarsgaard). Paul Dano, Viola Davis, Olivier Martinez, Maggie Grace, and Marc Blucas co-star. ~ Jason Buchanan, All Movie Guide

Director: James Mangold

Cast: Tom Cruise, Cameron Diaz, Peter Sarsgaard, Paul Dano, Viola Davis, Olivier Martinez, Maggie Grace

Release Date: Jun 23, 2010

Rated: brief strong language and sequences of action violence

Runtime: 2 hr. 10 min.

Genres: Action/Adventure, Comedy, Comedy

Review:

Silly, predictable and occasionally fun Knight and Day is exactly what it looks like, nothing and nothing less. A thinly veiled plot which only serves to move Cruise and Diaz from one set piece to another so madcap action can ensue. James Mangold shoots his stars as such and it’s light and fluffy with never an ounce of weight or depth. Mangold takes full advantage of the budget with beautiful locales all the while using his general “splosion” money well. Cruise is light hearted and fun, pretty much doing his Ethan Hunt character from Mission Impossible throughout. Cameron Diaz does her usual tomboy but I’m cute deal, something she has down pat, and smiles her Joker smile shrieking intermittently. She’s not as grating as she could have been so that’s always a positive considering what’s required of the role. The strange thing here is that Cruise and Diaz are strangely disconnected throughout as if they are both doing their own thing and the only reason we know they like each other is because the film tells us so. The supporting cast is pretty just going through the motions doing what’s required of their paper thin characters. In the end, it’s Cruise and Diaz showcase; if you enjoy them you’ll enjoy this overlong predictable film.

C

Movie Reviews: TAKEN

Saturday, May 16, 2009
Movie Reviews: TAKEN
ON DVD

TAKEN

Bryan Mills has only recently given up his government career as what he calls, a "preventer" to be near his daughter Kim, who lives with Bryan's ex-wife Lenore and her new husband. To make ends meet, Bryan joins some former colleagues for special security details (like guarding a pop diva), but most of his time and energy are spent re-connecting with Kim. But, when Kim requests his permission to spend time in Paris with a friend, he reluctantly consents. Bryan's worst fears are realized when Kim and her friend Amanda are suddenly abducted - in broad daylight - from the Paris apartment at which they've just arrived. Moments before Kim is dragged away by the as yet unseen and unknown assailants, she manages to phone Bryan, who begins to expertly piece together clues that will take him to the darkness of Paris's underworld, and to the
City of Light's plushest mansions.

Cast: Liam Neeson, Maggie Grace, Famke Janssen, Leland Orser, Jon Gries

Director: Pierre Morel

Opened January 30, 2009

Runtime: 1 hr. 33 min.

Rated PG-13 for intense sequences of violence, disturbing thematic material, sexual content, some drug reference

Genres: Action Thriller, Thriller

Review:

Totally preposterous and ludicrous, Taken doesn’t concern itself with logic or reality but it does give the audience a nice dosage of adrenaline rush. Director Pierre Morel keeps a brisk pace once the film moves past its clunky opening. Morel has a keen eye for action and his direction of the various action sequences are top notch. Liam Neeson seems like an unlikely choice for an action vehicle but he does fantastic believe work once his character begin using his plethora of “skills” to punish the bad guys. Neeson is totally committed to the role and he maintains a palatable intensity throughout much of the film. He’s also remarkably believable in his Bourne like action sequences. The supporting cast is mostly background noise with Maggie Grace having the most screen time mostly acting like a goofy teenager. Famke Janssen is given an underwritten role and doesn’t have much to do other than be a stereotypical ex wife to Neeson’s character. Once the action starts going this film is Neeson’s and he does wonderful work. In a lesser actor’s hand this would have utter trash, Neeson elevates it with a serious sense of gravitas even in though he’s working with a totally unoriginal script and a plot so silly that it’s laughable at times.

C+