MOVIE REVIEW: TRANSFORMERS ONE

 

Brothers-in-arms Orion Pax and D-16 become sworn enemies Optimus Prime and Megatron.

Director: Josh Cooley

Cast: Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Steve Buscemi, Laurence Fishburne,  Jon Hamm

Release Date: September 20, 2024

Genre: Animation, Action, Adventure, Family, Fantasy, Sci-Fi

Rated PG for sci-fi violence and animated action throughout, and language.

Runtime: 1h 44m

Review:

Transformers One is a rather impressive revitalization of the franchise by bringing it back to the animated realm on the big screen and smartly putting the focus back on the bots.  Josh Cooley's film possesses an engaging energy from start to finish as we follow the tragic journey of our central pair.  The animation is vibrant with each frame pulsating with life as he gives Cybertron an updated look that is still familiar enough to satisfy longtime fans but fresh enough to attract new fans as well.  It’s a tightrope he manages to traverse for the majority of the film's runtime with plenty of Easter eggs scattered throughout while still managing to tell a solid story.  It’s fun and light for a large portion of the first half before the story shifts thematically as we see Pax and D-16's worldviews diverge in starkly different ways.  Even though you know where the story is going, the script handles it so well that it makes sense in an organic way that leaves far more shades of grey on both sides.  There's a tangible amount of nuance at play as the whole thing unfolds which gives it far more emotional impact than you'd expect from this franchise.  There's plenty of heart baked into the script but strong vocal performances from Chris Hemsworth and Brian Tyree Henry make it all click.  Hemsworth is appropriately youthful, curious and heroic as the pre Prime Orion Pax.  He and Brian Tyree Henry share solid chemistry together which makes their brotherly relationship work especially with D-16 serving as a solid counter point to Pax's wide eyed optimism.  Henry does subtle vocal work as he establishes his character as a true believer who ultimately has the rug pulled out from under him.  Their dynamic together is subtly drawn even as the lighter action adventure portion of the film dominates the first two acts before the ultimate payoff.  Scarlett Johansson and Keegan-Michael Key are solid but a bit underserved by the script in supporting roles.  Johansson's Elita is the kind of strong willed, fearless character she could play in her sleep.  There's a definite sense that there was a lot more to the character than what we're given but she's definitely got plenty of room to grow in future installments.  Keegan-Michael Key is fun in spots as the motor mouth comedic relief in the form of Bumblebee but there are moments where his take on the character boarders on grating as its clearly aimed at the younger members of the audience.  Jon Hamm, Steve Buscemi and Laurence Fishburne round out the supporting cast with each doing well in limited screen especially Hamm who's perfectly suited to the traitorous Sentinel Prime.  Once it's all said and done, Transformers One proves to be one of the more pleasant surprises especially for an unabashed die hard fan like myself.

B+

MOVIE REVIEW: FLY ME TO THE MOON

 

Sparks fly between a marketing executive and a NASA official as he makes preparations for the Apollo 11 moon landing.

Director: Greg Berlanti

Cast: Scarlett Johansson, Channing Tatum, Jim Rash, Anna Garcia, Donald Elise Watkins, Noah Robbins, Colin Woodell, Christian Zuber, Nick Dillenburg, Ray Romano, Woody Harrelson

Release Date: July 12, 2024

Genre: Comedy, Romance

Rated PG-13 for some strong language, and smoking

Runtime: 2h 11m

Review:

Fly Me to the Moon is a charming rom-com throwback carried by Scarlett Johansson who ably guides the film over some of its more glaring missteps.  Greg Berlanti's film is generally lighthearted and fizzy making it easily digestible onscreen even though he struggles to a nail the overall tone he's shooting for.  There's a handful of choppy transition in tones as the film covers more serious subject matter such as Vietnam War and the Apollo 1 tragedy.  Their inclusion makes sense but with the rest of the fictional story playing it very light those moments are all the more jarring.  When the film is focused on the central romance and Johansson's character in particular there's a noticeable bump in energy.  Johansson is magnetic as the ad exec brought in to "sell" the moon by giving her a believable sense of charisma, drive and determination.  It’s a confident turn that drives the entire film which she pulls off with impressive ease.  She's the most interesting on screen for the majority of the film's overlong runtime.  Channing Tatum doesn't fare quite as well as he delivers a serviceable but stiff performance that rarely matches Johansson's energy.  It doesn't help that they don't have much romantic chemistry with their early antagonistic exchanges working better than the romantic side.   Tatum tries his best to give the character an air of tortured regret over the Apollo 1 tragedy, but it doesn't quite land the way it should.  Woody Harrelson, on the other hand, is in his wheelhouse playing the mysterious spook that recruits Johansson's Kelly Jones and devises the fall back plan.  Harrelson brings the perfect mix of playful and menacing to his character who is constantly hovering in the background.  Jim Rash brings his manic, over the top energy as the director tasked with filming the actual contingency plan.  Anna Garcia, Donald Elise Watkins and Noah Robbins have smaller supporting roles but make the most of their screen time even though it’s a bit confounding that film makes such little use of Ray Romano's earnest energy.  There's a handful of issues like that which really keep Fly Me to the Moon from hitting out of the park in spite of Johansson's inspired turn.

B-

MOVIE REVIEW: ASTEROID CITY

 

World-changing events spectacularly disrupt the itinerary of a Junior Stargazer/Space Cadet convention in an American desert town circa 1955.

Director: Wes Anderson

Cast: Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, Jeff Goldblum

Release Date: June 23, 2023 

Genre: Comedy, Drama, Romance

Rated PG-13 on appeal for brief graphic nudity, smoking and some suggestive material

Runtime:1h 45m

By this point in Wes Anderson's career people should know what they are getting into when they step into the theater to watch one of his films.  His esoteric, meticulous style may not be for everybody but you have to appreciate the level of craftmanship on display in every shot.  This latest entry has all of his quirks and style set to max which a multilevel structure that allow him to explore a wide variety of themes and ruminations on life, love and loss.  Anderson has run through these sort of themes in the past but this is his most densely packed film which is ready made for discussion and dissection. The film follows a very specific pace which might be a bit slow for some since its in no hurry to get anywhere.  Like everything in this film, its measured and calculated and it allows the all star cast really shine in each scene.  It's truly an ensemble piece with everyone getting their moment throughout the film with Schwartzman and Johansson getting slightly more screen time.  Those looking for a straightforward comedy might be disappointed since it's a much more varied beast that has more charm than outright belly laughs.  As the film moves into its final act it also gets more experimental in its structure and overall approach.  Asteroid City proves to be something far more interesting and innovative when its all said and done.  Its an impressive feat from Anderson and his cast but I don't believe this is the type of film that will change people who dislike his singular style into fans.  

A-

MOVIE REVIEW: SING 2

 

Can-do koala Buster Moon and his all-star cast of animal performers prepare to launch a dazzling stage extravaganza in the glittering entertainment capital of the world. There's just one hitch -- he has to find and persuade the world's most reclusive rock star to join them. What begins as Buster's dream of big-time success soon becomes an emotional reminder of the power of music to heal even the most broken heart.

Director: Garth Jennings

Cast: Matthew McConaughey, Reese Witherspoon, Scarlett Johansson, Taron Egerton, Tori Kelly, Nick Kroll, Jennings, Peter Serafinowicz, Jennifer Saunders, Nick Offerman, Bobby Cannavale, Pharrell Williams, Halsey, Chelsea Peretti, Letitia Wright, Eric André, Adam Buxton, Bono

Release Date: December 22, 2021

Genre: Animation, Adventure, Comedy, Family, Musical

Rated PG for some rude material and mild peril/violence

Runtime: 1h 50m

Review:

Garth Jennings's Sing 2 is a fun breezy family film that's easy to enjoy.  Sing 2 doesn't break any new ground or really dig deep into any big themes so it's not quite as impactful as some of Pixar's films.  It understands what it is and provides a fizzy, colorful jukebox musical that's always fun and entertaining regardless of how old you are.  Matthew McConaughey leads the film as the go getter koala Buster Moon.  Much like in the original, you get the feeling that McConaughey really enjoys voicing this character because he disappears into the role so much so that you occasionally forget it's him behind the microphone.  Reese Witherspoon, Scarlett Johansson, Taron Egerton and Tori Kelly all return with each getting a chance to show off their impressive singing voices.  Newcomers Bobby Cannavale, Chelsea Peretti and Halsey are all great fun with the latter clearly having a great time.  Bono who plays the reclusive rock star lion is far better than expected in his limited role.  Sing 2 is an easily digestible family film that works well as mindless entertainment for kids and parents alike.

B+

MOVIE REVIEW: BLACK WIDOW

 

Natasha Romanoff, aka Black Widow, confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy, and the broken relationships left in her wake long before she became an Avenger.

Director: Cate Shortland

Cast: Scarlett Johansson, Florence Pugh, David Harbour, O-T Fagbenle, William Hurt, Ray Winstone, Rachel Weisz

Release Date: July 9, 2021 

Genre: Action, Adventure, Sci-Fi

Rated PG-13 for intense sequences of violence/action, some language and thematic material

Runtime: 2h 13min

Review:

Black Widow, directed with a meticulous hand by indie director Cate Shortland, is an engaging spy thriller/family drama that's far more grounded than most Marvel movies.  Scarlett Johansson's long overdue solo outing feels a bit like a film displaced in time, you get the strong sense this film should have come out much earlier.  Being sandwiched between Captain America: Civil War and Avengers Infinity War allows the stakes to less grand and more personal.  That being the case, the film is able to focus on her character and relationships on a more granular level while still delivering massive action set pieces.  This makes the film's first half feel more like a Mission Impossible/Bond mash up than a straight up superhero film.  It also benefits from more organic banter and interactions which is due in no larger part to the stellar cast assembled.  Johansson wears this character like a second skin at this point but she's able to bring some more nuance and vulnerability to her performance here.  It'd have been easy for her to phone in her performance, but you get the sense she really cares about this character and cares about her legacy in this universe.  Her costars deliver equally strong performances even if the script is clunky on more than a few occasions.  Florence Pugh delivers a fun and memorable turn as Natasha's "sister" Yelena Belova.  Pugh's wry wit and spunk really shines through her entire performance.  It's a perfect showcase for an immensely talented actress who looks to be taking over the mantel from Johansson.  Pugh and Johansson have natural chemistry together and they serve as the beating heart of the entire film.  David Harbour is perfectly cast as Russian super solider who's more brawn than brains.  Rachel Weisz is sadly underutilized but she makes the most of her scenes since she's clearly acting well above the material.  Ray Winstone's villain isn't asked to do much more than talk menacingly and look vaguely greasy which leaves the finale lacking the cathartic kick it's meant to have.  Instead, it does what most Marvel movies do, and become a long CGI action sequence which is well choregraphed but becomes mildly numbing by the end since we know how it'll all end.  There in is the main problem with the film, had Marvel made and released this film after Captain America: Civil War it would have amplified the emotional impact of the character's ultimate sacrifice in Avengers Endgame.  Ultimately, Black Widow is a well-made spy thriller that fleshes out her character on a personal level but still feels like a missed opportunity.  

B

MOVIE REVIEW: JOJO RABBIT

Jojo is a lonely German boy who discovers that his single mother is hiding a Jewish girl in their attic. Aided only by his imaginary friend -- Adolf Hitler -- Jojo must confront his blind nationalism as World War II continues to rage on.

Director: Taika Waititi

Cast: Roman Griffin Davis,Scarlett Johansson, Thomasin McKenzie, Rebel Wilson, Stephen Merchant, Alfie Allen, Sam Rockwell, Taika Waititi

Release Date: October 18, 2019

Genres: Comedy, Drama, War

Rated PG-13 for mature thematic content, some disturbing images, violence, and language

Runtime: 1h 48min

Review:

Jojo Rabbit’s concept may sound odd on paper but some how Taika Waititi makes the whole thing work.  Waititi’s irreverent type of humor is perfectly suited for this satire delivering a fun, touching and moving film.  Roman Griffin Davis stars as the titual Jojo and he does an admirable job of carrying the film.  He’s likable and never feels forced which is rare for a child actor.  Thomasin McKenzie is equally impressive in her role even if she’s a bit more understated than Davis.  Scarlett Johansson’s role is limited but she makes the most of her scenes giving the film a good deal of its heart.  Taika Waititi’s Hitler is fun particularly when he breaks into full bore Hitlering.  Sam Rockwell and Alfie Allen are good fun in supporting roles.  The cast as a whole makes this dark subject matter end up being a feel good film with a timely message given our current state of political tribalism.  It’s not a perfect film with the final act lingering on a bit too long but otherwise it’s surprisingly thoughtful film with some real heart. 

A

MOVIE REVIEW: MARRIAGE STORY

A stage director and his actor wife struggle through a gruelling, coast-to-coast divorce that pushes them to their personal and creative extremes.

Director: Noah Baumbach

Cast: Adam Driver, Scarlett Johansson, Laura Dern, Alan Alda, Ray Liotta, Azhy Robertson, Julie Hagerty, Merritt Wever, Wallace Shawn

Release Date: December 13, 2019

Genres: Comedy, Drama, Romance

Rated R for language throughout and sexual references.

Runtime: 2h 17min

Review:

Noah Baumbach’s Marriage story is as subtle as it is familiar.  You’d be hard pressed to ignore echos from films like 1979’s Kramer vs Kramer which starred Dustin Hoffman and Meryl Streep or even 1989’s The War of the Roses with Kathleen Turner and Michael Douglas.  Perhaps every generation needs one or two films that captures the slow-moving disintegration of a love story perhaps to act as a counterweight to the endless Rom-Coms that Hollywood churns out.  Baumbach’s film does a fine job of capturing what those singular films have in the past by capturing the ordinary and mundane that can lead to larger life events.  We never see the marriage in its heyday and it’s probably for the best that its only referred to but never explicitly shown, capturing how those fiery moment have faded into the mundane.  At the film’s center are two performances that keep your attention even through the quieter moments which pepper the film.  Adam Driver and Scarlett Johansson keep it watchable and engaging throughout.  I’ll readily admit that I’ve never understood Driver’s appeal, in my opinion he’s been playing version of the same character since he first hit the screen, but it’s hard to ignore his measured but realistic performance.  The film paints his character in a slightly more sympathetic light which makes him easier to like since the film tends to follow him more than Johansson.  Scarlett Johansson is just as strong even if her character is a bit more distant from the center of the film.  Still both are likable for the better part of the film even as things start to get more and more pointed leading to an explosive confrontation which is realistic in its gloves off emotional brutality.  If this makes the film sound like a decidedly dour affair, it’s not.  In fact, the film is an ebb and flow in emotions with moments of levity coming as readily as the sadder moments.  The supporting actors all have fun moments with Laura Dern channeling her Big Little Lies character.  Alan Alda and Ray Liotta both have smaller roles, but each leave a lasting impression and make you wish they’d been on screen just a tad more.  As a whole, Marriage Story is a bitter sweet tale about what happens once the romantic comedy moments end

A

Cindy Prascik's Review of Marriage Story

With the weekend fully occupied by my annual New York City trip, today I took advantage of my "recovery day" today to check out Noah Baumbach's Marriage Story.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A divorce seen from all points of view.

Marriage Story is the sort of movie I expect to loathe. No explosions. No gunfights. No Jason Statham. Why even bother making that movie, am I right?? This one, though? I liked it. It's good. It's clever. It's deep. I mean, still no Statham, but, well, you can't have everything, I guess.

Marriage Story dives deep into the divorce of an actor (Scarlett Johansson) and a director (Adam Driver), poking at the story from all sides. Determined to split amicably, the two are pulled in different directions by extraneous forces, as they navigate the challenging terrain of their separation and its effects not only on themselves, but also on their young child. Johansson and Driver are brilliant, and--while he may not have Taron Egerton's Oscar, either--this is probably the closest anyone's gotten to Egerton's fantastic work in Rocketman all year long. Authentic, devastating performances by both leads. The supporting players are no slouches themselves, with Wallace Shawn, Alan Alda, Laura Dern, Ray Liotta, and Julie Hagerty among the notables fleshing out this layered tale. Marriage Story is inescapably sad, but also funny at times. It realistically portrays how a person might hate and love someone at the same time. It is a complex, well-crafted story whose only real flaw is that the painful subject matter makes its excessive length cumbersome. It also confirms my theory that most trouble starts with having Laura Dern around, so there's that.

Marriage Story clocks in at 136 minutes and is rated R for "language throughout and sexual references."

Marriage Story is a heartbreaking, hopeful work of art, and I recommend it with some surprise but no hesitation.
Of a possible nine Weasleys, Marriage Story gets eight.

Until next time...

MOVIE REVIEW: AVENGERS: ENDGAME

Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers -- Thor, Black Widow, Captain America and Bruce Banner -- must figure out a way to bring back their vanquished allies for an epic showdown with Thanos -- the evil demigod who decimated the planet and the universe.

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper, Josh Brolin

Release Date: April 24, 2019

Genres: Action, Adventure, Fantasy

Rated PG-13 for sequences of sci-fi violence and action, and some language

Runtime: 3 h 2min

Review:

Avengers Endgame is the final chapters of the first season of Marvel long running superhero show.  It’s been a bit of an issue that I’ve had with Marvel mainly because very few of the movies have ever just wowed me, that’s not to say I haven’t enjoyed them but they’ve never been the type of films that have blown my mind.  The episodic nature of them always reminded me more of a TV show than movies.  The Russo Brothers do have a nailed down their ability to manage all the various character and plotlines and this culmination does feel like a bit of a victory lap through the last 10 years of films. There are plenty of moments where fan service seems more important than actual plot but it works because the film is ultimately entertaining.  The first hour plays out like a Marvel version of the under watched HBO series The Leftovers with the 2^nd hour pushing into something very reminiscent of the classic series finale of Star Trek The Next Generation.  Much like that series finale the story focuses on the characters we’ve come to know over years as opposed massive action.  Sure it all leads to a climatic showdown but it’s smart to keep the focus on the main 6 characters since they’ve always been the focus of the entire endeavor.  Once the big show down comes it’s a massive spectacle that delivers some incredibly satisfying moments.  The only small drawback is that some of it feels fairly familiar with one moment seemingly channeling an iconic shot from Game of Thrones legendary Battle of the Bastards episode.  I’ll throw in the fact that if anyone whose familiar with another long seeded collection of superhero stories from DC animated universe will get a sense of déjà vu since that series ended with a very similar final battle.  Once the battle is over there are a few more lingering issues because there are plot holes aplenty if you think about many of the choices made, a few are particularly glaring,  It’s really a testament to the work of the cast and directors that film works because in lesser hands it could have been a real mess.  The film is a fitting end to this chapter even if the finality of it doesn’t quiet resonate much like that cliffhanger at the end of Infinity War. 

B-

Cindy Prascik's Review of Avengers Endgame

Yesterday I, along with three-quarters of the world's population, hit the cinema for Avengers: Endgame.

An important note on spoilers: The vast majority of movie-goers, and plenty of people who don't usually bother with the cinema, too, will see this movie. A smaller number wouldn't see it if it were the best film ever made; it's just not their thing. A movie like this is probably the only time that literally NOBODY needs someone else's input to decide whether or not to watch. Couple that with the fact that people are so twitchy about spoilers that I barely understand what constitutes one in some people's eyes, well, best not to risk it, I suppose. So...rather than a review, we'll call this a conversation. I'm starting with my thoughts, and--after you've seen the movie--I hope you'll revisit this and join me in the comments. In other words: HERE THERE BE SPOILERS. Also, this is gonna get long, as is only fitting for a three-plus-hour movie. Forewarned is forearmed on both counts.

Endgame marks the culmination of the Avengers Infinity Saga, and is the next-to-last film in Phase Three of the Marvel Cinematic Universe. It's all about the endings as the remaining Avengers attempt to undo the damage done by a snap of Thanos' fingers in Infinity War.

As I've noted time and again, I am not really a Marvel Person. I enjoy most of Marvel's films, but I don't find them to be anything special and I always have plenty of complaints, both legit and nitpicky. I'd read some spoilers for Endgame that left me thinking I wouldn't like it even as much as I do the average Marvel flick, but I am happy to say I was pleasantly surprised. Not only did I well and truly enjoy the picture, but many of the recurring beefs I have with Marvel product proved to be non-factors.

Endgame kicks off with Traffic's Dear Mr. Fantasy in glorious surround-sound. That right there is good for a whole lot of Weasleys, before I put even half an eyeball on the other two hours and 59 minutes. Epic.

The first hour of Endgame is not just good, it's excellent. The people who embody these heroes are decorated actors and adept at emotional as well as physical heavy lifting. Watching the survivors cope with the aftermath of Infinity War, interacting among themselves and with others, is a real treat. Robert Downey, Jr. is especially effective and, for the first time since maybe Tropic Thunder, it doesn't seem like he's playing an exaggerated version of himself. Sure, Tony Stark is still Tony Stark, but this performance is--dare I say it?--even a little understated, setting a perfect tone. Helping matters is the fact that the usual shoehorned one-liners are in short supply here. There is some unfortunate comedy (more on that later), but this go-round it's not Iron Man's fault.

Come the middle hour, Endgame starts to bog down a bit. I wasn't clock-watching (except for purposes of wanting to know when this or that happens), but it definitely didn't hold my attention like hour one. The third act has the big action, and--while it isn't as pointlessly bloated as Captain America: Civil War or Avengers: Infinity War--it probably could have used a trim. Having said all that, at no point in this three hours did it feel like I'd been sitting for 12 (a welcome change for me with Marvel) and, truly, through the end, the only times I looked at the clock were those times I wanted to mark at what point a certain scene happened or a character turned up. Performances: RDJ isn't the only one doing great work in Avengers: Endgame. Bradley Cooper continues to mesmerize as Rocket; he is extraordinary. Scarlett Johansson and Jeremy Renner are magical when they share the screen, reminding me very much of Eva Green and Rory Kinnear's all-too-infrequent scenes together in Penny Dreadful. Paul Rudd...seriously, who doesn't love Paul Rudd? While most of the film is comparatively somber, Scott Lang gives us those lighter moments that--when done well and timely placed--provide important relief in such a grim tale. Tom Holland shows, again, that he's become the heart of the MCU, and Sebastian Stan--reminiscent of "...but I knew him..." in Captain America: the Winter Soldier--proves he needs only his two eyes and 15 seconds on camera to outshine a veritable gaggle of award-winning actors. The movie does a fair job of shaking out screen time among the principals, but the previously-dusted characters turn up late and don't get much to do. The bulk of the attention is (rightly) on the original Avengers, whose time with Marvel allegedly ends with this film. *cough cough* It remains Marvel's greatest strength that they've been able to find just the right people to inhabit their much-loved characters, which, for me, is what makes even their worst movies pretty enjoyable.

A couple quibbles, and let none of these be mistaken for reasons not to see this on a big screen: Wow is the God of Thunder ill-used here. Sure, the Thor movies are probably the lightest of Marvel's offerings (and also my favorites, for the record), but here he's straight-up comic relief, and it seems very unfair, especially as the character is visibly dealing with PTSD. Iron Man gets a scene straight out of a Best Picture nominee, but Thor's just a boozed-up fat joke? I call shenanigans! Thor's handling in Endgame is almost totally missed opportunities and dubious humor, very unfortunate for such a great character and an actor who deserves better. I also feel like Endgame craps on Steve Rogers a bit. Steve's friendship with Bucky is the cornerstone of his story, so it seems implausible that he would abandon Bucky to his (horrible) fate to stay in the past with Peggy. Steve being Steve, it's also unlikely he'd have upended Peggy's life in such a way, when she'd gotten married, had a family, and (as far as we know) been happy. Considering Peggy passed--what, three movies ago?--of natural causes, it felt very forced that half of Steve's close-ups in Endgame were of him mooning over that photo of her in the locket. I knew all that was coming and I honestly thought it would make me hate the movie, but...well...on down the line here I'll explain why it didn't.

As I said 18 years ago at the beginning of this dissertation, Avengers: Endgame is a climax, a torch-passing, an ending. As such, there are significant deaths and impending disappearances of long-loved characters. Tony Stark's passing hit me harder than expected, given how uninvested I've been in the character, but losing Nat? Well...that one about murdered me. Romanoff is a great character and ScarJo an even better actor; the movie feels her absence immediately and consistently once she's gone, despite the fact there are some super-badass female warriors carrying the girl-power mantle going forward. (Can Shuri have her own movie now, please and thank you?) Given the weight and volume the deaths, you'd think I might have shed a tear or two, but...nope. I, who ran right over two cinema employees on my way out of Saving Mr. Banks because I didn't see them through the veil of my tears...I, who had to be consoled by a stranger over the end credits of American Sniper...I couldn't muster so much as a sniffle here, and therein lies a big problem not only for Marvel, but for fantasy entertainment in general: "Death" has no real consequence, especially once the universe starts fiddling with time travel. If RDJ's next couple movies are flops? No worries, we'll just go back in time and un-kill him for Iron Man 12. Yes, I know they've stressed "dead means dead." I know this installment very specifically brings back only the characters who were dusted by Thanos, and not those who were killed otherwise. And I know everybody and their brother's Marvel contract is up. BUT...yeah, I'm still not buying it. If the demand is there and the principals are willing, any or all of them could pop back up at any time, and some of them seem quite likely to. (Lookin' at you, Loki!) The silver lining--and what allows me to not hate what they did with Steve Rogers--is I don't believe that was really Steve Rogers, or at least not the only Steve Rogers. Somewhere, there's a Steve Rogers who meant "'til the end of the line" when he said it. The way the scene played out, Bucky standing back, seemingly knowing what was happening and allowing Steve to choose his own happiness for once, also made it less horrible than it could have been, though, far as I'm concerned, still not the sendoff Steve Rogers deserved. (And may I mention again the quiet, heartbreaking genius of Sebastian Stan, which makes the scene?)

Moments: I'm nobody's feminist--or at least I stand so accused because I don't like Captain Marvel--but there's a bit where all the female heroes charge together against Thanos and...oh my...the chills! I loved the Cap vs. Cap fight, and the "America's ass" joke was genuinely funny and not over-used. It was great that Hot Tub Time Machine (probably not Sebastian Stan's proudest cinematic moment?) was name-checked, and the call-back to the elevator fight in CATWS--for my money, Marvel's greatest film--was terrific. Timeline tomfoolery often becomes muddled and, as mentioned, can result in a lack of investment in the proceedings (who cares what happens if they can just make it un-happen?), but I can't pretend I wasn't happy to see some familiar faces who have passed on or simply disappeared from the MCU. (Huzzah, Brock Rumlow!) Finally, though there are no mid- or post-credits scenes at the end of Endgame, the first credits sequence--which ends with a sort-of curtain call for Cap, Iron Man, Black Widow, Hulk, Thor, and Hawkeye--is quite epic in and of itself and entirely worth sticking around for. After that, it's okay to take off like a person who's consumed a bathtub-sized Diet Coke and has been waiting three and a half hours to pee. I see you. You're good.

Avengers: Endgame runs 182 minutes (yikes!) and is rated PG13 for "sequences of sci-fi violence and action, and some language."

Avengers: Endgame is one of Marvel's best offerings, and definitely finishes the Infinity Saga on an uptick. Of a possible nine Weasleys, Avengers: Endgame gets eight.

Fangirl points: I mean, you noticed I really, really like Sebastian Stan, right?

Until next time...

MOVIE REVIEW: AVENGERS INFINITY WAR

Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet -- the evil Thanos. On a mission to collect all six Infinity Stones, Thanos plans to use the artifacts to inflict his twisted will on reality. The fate of the planet and existence itself has never been more uncertain as everything the Avengers have fought for has led up to this moment.

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Chris Pratt

Release Date: April 27, 2018

Genres: Action, Adventure, Fantasy

Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references.

Runtime: 2h 29min
 

Avengers Infinity War is the culmination of a massive and unprecedented shared universe.  The biggest question is does this huge ensemble of A list actors work, the answer is mostly.  Infinity War is an intensely busy film that carries multiple story lines throughout the film.  Most directors would easily get lost but Anthony and Joe Russo have steadily been prepping for this moment.  They expertly juggle everything while avoiding most of the pitfalls that could easily pop up and don’t make it a chore to watch.  The film has a strong verve to it mainly due to the collection of characters which have such wonderful charisma.  The interplay between all these characters makes the whole thing chug along.  Familiarity helps since we’ve been exposed to these characters in the past, so even if a particular role is small in this film, we’re invested.  The actors and actresses are all on their game, so it’s fun to watch all these top level talents appear onscreen like some sort of cinematic red carpet.  The biggest surprise though is Thanos, the CGI super villain voiced by Josh Brolin, who has far more depth than expected.  It’s a strong cog to the entire film which delivers epic action and iconic moments.  There is only a tad bit of fatigue that starts to set in before the final act starts.  It’s not surprising with so much happening and the finale is a somber closer but it’s hard not to see the set up for the next installment.  So while the film delivers real deaths, some of them do seem like they’ll be reversed as soon as the next film starts.  

B+

Cindy Prascik's Review of Avengers: Infinity War

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for Avengers: Infinity War.

 

Regarding spoilers: Because it's essential to my overall impression of the movie, I have to drop a pretty consequential "what" without giving away the "who," "how," "where," or "when." If you are overly concerned, by all means, put this aside until after you've seen the movie.

 

Onward to the review that's nearly as long as the film...........

 

The Avengers & Company face their (and the universe's) greatest threat yet in the mighty Thanos.

 

As regular reader(s) may remember, I'm often a little vexed by Marvel. On the one hand, there's Captain America: The Winter Soldier, second only to The Dark Knight as a benchmark of excellence for the superhero genre...or any genre, really. On the other hand, there's Age of Ultron and Civil War, a.k.a. "the eight-dollar naps." Spoiler junkie that I am, I knew a lot about Infinity War going in, and I was prepared to be both bored and annoyed by it. Thanks to a great cast and some spot-on humor, I was neither.

 

Infinity War is a jumble of plotlines that share a common endgame, but that never really feel like the same story. Marvel has thrown just about everyone in its existing cinematic universe at the screen for this one, the exclamation point at the end of the MCU's first decade. While it's iconic seeing them all (sort of) together, in many ways it makes a mess the film can't quite clean up, even with its ... erm ... "considerable" runtime. There are some eye-popping special effects, yet there's some wonky CGI as well, which I never understand in movies that cost this much to make. Alan Silvestri's score, much like the picture itself, reaches for epic without ever quite getting there. I think most everyone expected consequential deaths in Infinity War, but the movie goes for quantity rather than quality with the cull. So safe is it to assume most of what's done will be undone in part two that it's impossible to invest in any of it. It's easy to become frustrated with a film that's not much more than a setup for the next one and that doesn't achieve much of consequence (at least not much you can expect to stick) in its own right.

 

The good news is Infinity War is a supremely enjoyable two and a half hours. Credit first goes to its extraordinary cast, which is a delight almost to a person, both individually and in tandem. Whoever your favorites are, it's a fair bet they won't have enough screen time for your liking, but, really, everyone works together so well it's hard to complain. Being aware of real-world considerations like how many films certain actors have left in their Marvel contracts or the Marvel rollout schedule through 2022 may keep fans from taking the film's mammoth losses too seriously, but such complacency is entirely absent onscreen, and the cast proves itself more than capable of the emotional heavy lifting. Special shout-outs to Benedict Cumberbatch, a boundless genius; Tom Holland, the picture's heart and soul; Robert Downey, Jr., who is as good here as he's ever been; and Sebastian Stan, who expresses more with a single word or look than most actors do with a franchise. It's also worth saying again (and again and again) that Bradley Cooper doesn't get half enough credit for what he achieves with a CGI raccoon. It's easy to write off that character as comic relief, but Cooper's evocative work always gives Rocket real depth. Amidst the high stakes and great losses, Infinity War also has some legitimately funny stuff. The humor is organic and well placed, and not once did I feel my usual annoyance with Marvel shoe-horning in jokes and wisecracks that are ill-timed or ill-advised or sometimes both. As the end credits rolled, I was delighted and not just a little surprised to realize I'd hardly felt the passage of two and a half hours. The last time I could say that about a Marvel movie was never.

 

Avengers: Infinity War clocks in at two hours and twenty-nine minutes, and is rated PG13 for "intense sequences of sci-fi violence and action throughout, language, and some crude references."

 

Avengers: Infinity War is a big, fat mess and a tremendously good time, proof that a movie doesn't have to be technically great to be wholly worth seeing. 

 

Of a possible nine Weasleys, Avengers: Infinity War gets eight.

 

Until next time...

MOVIE REVIEW: ISLE OF DOGS

When, by executive decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, 12-year-old Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture.

Director: Wes Anderson

Cast: Bryan Cranston, Edward Norton, Bill Murray, Jeff Goldblum, Greta Gerwig, Frances McDormand, Courtney B. Vance, Harvey Keitel, Liev Schreiber, Scarlett Johansson, Tilda Swinton, F. Murray Abraham, Frank Wood, Yoko Ono.

Release Date: March 23, 2018

Genres: Animation, Adventure, Comedy

Rated PG-13 for thematic elements and some violent images

Runtime: 1h 41min

Review:

Isle of Dogs, Wes Anderson’s 2^nd foray into stop motion, is a charming and thoughtful tale of mans best friends.  Wes Anderson’s film is filled with his usual hipster hallmarks which people either love or hate.  Its all here in spades so if you’re not a fan of his distinct style this won’t change your mind.  Those who do enjoy his style will find plenty to love here.  The direction and craftsmanship is top notch throughout making it one of the most visually arresting films of the year.  The voice cast is filled with Anderson regulars and a few newcomers like Bryan Cranston.  Cranston provides the emotional center of the film and really gives the story its heart.  Like most of Anderson’s films there’s a streak of sadness through the entire story.  Isle of Dogs does have a slightly bleaker outlook than usual and the story has a fairly obvious allegory to current events which makes it more dense than expected and one of Anderson’s best.

A

MOVIE REVIEW: ROUGH NIGHT

Five best friends (Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, Zoë Kravitz) from college reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amid the craziness of trying to cover it up, they're ultimately brought closer together when it matters most.

Director: Lucia Aniello

Cast: Scarlett Johansson, Jillian Bell, Kate McKinnon, Zoe Kravitz, Ilana Glazer, Ty Burrell, 

Demi Moore

Release Date: Jun 09, 2017

R for crude sexual content, language throughout, drug use and brief bloody images

Runtime: 1 hr. 41 min.

Release Date: Jun 16, 2017

Genres: Comedy

Review:

Rough Night is a raucous comedy with a free and loose feel to it with a solid cast.  Writer director Lucia Aniello directs an efficient comedy with only a handful of noticeable dead spots.  The story isn’t ground breaking by stretch of the imagination but the cast keeps it fun for the better part of the film.  Scarlett Johansson, Jillian Bell, Ilana Glazer, Kate McKinnon and Zoe Kravitz make for a fun comedic combination.  Kate McKinnon creates another memorably weird character that steals most of the scenes she’s in.  Johansson is a tad bit under utilized as the “straight man” in the piece.  Ty Burrell and Demi Moore have fun supporting roles that probably could have been played for a few more laughs if the script had given them a little more to do.  Similarly, Paul W. Downs boyfriend character and his bachelor party seemed like it was ripe for more laughs even though his story thread provided some inspired sequences.  There are a few sequences near the end of the film that slow the story down.  They try to give the story a bit of emotional depth which ends up feeling tacked on.  The story doesn’t really need it, its mindless guilty fun that delivers what it set out to do.

B

MOVIE REVIEW: GHOST IN THE SHELL

In a future in which humanity and technology have begun to merge, a cybernetically enhanced policewoman (Scarlett Johansson) hunts a mysterious terrorist who can hack into his victims' minds and control their thoughts and memories. Her pursuit eventually leads her to discover the full truth about her traumatic past. Pilou Asbaek, Takeshi Kitano, Juliette Binoche, and Michael Pitt co-star. Directed by Rupert Sanders (Rupert Sanders), Ghost in the Shell is based on a popular Japanese manga series, which was already adapted into an iconic anime film of the same name. ~ Jack Rodgers, Rovi

Director: Rupert Sanders

Cast: Scarlett Johansson, Pilou Asbæk, Takeshi Kitano, Juliette Binoche, Michael Pitt

Release Date: Mar 31, 2017

Rated PG-13 for some Disturbing Images, Intense Sci-Fi Violence and Suggestive Content

Runtime: 1 hr. 42 min.

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy

Review:

The 1995 Ghost in the Shell anime is a personal favorite of mine so the live action iteration had a lot to live up to.  Rupert Sanders nails the aesthetic, borrowing elements from Blade Runner and A.I., throughout.  Sanders seems most comfortable replicating iconic sequences from the classic anime and he does it well.  The action set pieces are impressive throughout.  It’s hard not to be impressed by some of the shots but it’s a shame that the story was neutered.  Ghost in the Shell was always a heady meditation on souls, “ghost”, and technology so it’s not unexpected that live action story would be made a bit more palpable.  Unfortunately, it’s stripped down to a Jason Borne meets Robocop plot.  Thankfully, Scarlett Johansson is excellent as the Major even if she’s not given much narrative meat to chew on.  Still, she is always the most interesting thing on screen.  That being said decidedly multicultural supporting cast is a spot on.  Pilou Asbæk is a solid Batou even if his voice leans closer to Sin City’s Marv than it should.  Sadly, Michael Pitt isn’t given much to do as the primary antagonist since he’s just there to move the plot along more than anything else.  The live action Ghost in the Shell is an origin story, so fans should hope that future installments have a bit more meat behind the glossy shell.

B-

MOVIE REVIEW: CAPTAIN AMERICA: CIVIL WAR

Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must pick a side.

Release Date: May 06, 2016 RealD 3D 

Runtime: 2 hr. 26 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Director:Joe Russo, Anthony Russo

Cast: Chris Evans, Robert Downey, Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie

Review:

Captain America: Civil War is a busy film that has a lot of ground to cover.  It’s the type of film that has a clear agenda and while the story is fairly predicable it never bores you much, the first act is a tad slow moving, as it moves its chess pieces into place.  The Russo brothers deserve a massive amount of praise for keeping all the proverbial balls in the air while giving each character their time to shine.  It’s an impressive trick considering the size of the cast and none of the characters feel short changed.  The new additions add a welcome breathe of fresh air with Tom Holland’s Spiderman leaving the biggest impression.  As always, the action set pieces are massive and impressive with the airport battle shown in all the promos being the centerpiece.  The best action sequence though might be a fight in an apartment building which is a masterwork of choreography.  Captain America: Civil War is a fun film with a healthy bit of pathos at play but when everything is said and done the story isn’t quite as ground shaking as some have made it out to be. 

B+

Cindy Prascik's Review of Captian America: Civil War

Dearest Blog: Yesterday it was off to Marquee Cinemas for the highly-anticipated blockbuster Captain America: Civil War. Spoiler level here will be mild, nothing you wouldn't know from trailers and the odd Internet clip. 

 

Well, dear Reader(s), I've got good news and bad news. The good news is Civil War is a pretty great movie. 

 

The bad news is it doesn't even come close to the masterpiece that preceded it, Captain America: The Winter Soldier. To justify my disappointment, I'll be making some comparisons...not, as regular reader(s) might expect of me, to that *other* costumed hero grudge match movie that came out a few weeks back, but rather to some of Cap's Marvel stablemates. 

 

There are a good many positives here, though, so let's get started with some of those. This cast is a gift. Most everyone is a fantastic talent in his or her own right, and the chemistry among them is extraordinary. Stoic and steely-eyed Chris Evans remains the perfect embodiment of our all-American hero, and is 100% effective in selling Steve Rogers' Boy Scoutish worldview. Sebastian Stan is incredible, but, while he has more screen time this outing, he unfortunately seems to have fewer opportunities to really showcase his skills. 

 

Disappointing. A longtime Stan-Fan must be forgiven for being a little over-enthusiastic about the Captain America movies, as they're pretty much the only decent movies this gifted actor ever makes. 

 

The other returning Avengers are solid as always, and newcomers Tom Holland, Daniel Bruhl, and especially Chadwick Boseman all turn in terrific performances. Those are some BIG impact moments when Black Panther and Spider-Man turn up; electricity rolls through the room like a lightning strike. Civil War includes so many Marvel favorites it's jokingly been called "Avengers 2.5," yet it never shortchanges its titular hero, a remarkable feat in its own right. 

 

Much like The Winter Soldier before it, Civil War opens the action with a massive, complicated sequence that's as much espoinage as ass-kicking, and the overall scope of things leaves some dodgy CGI quickly forgotten. There are plenty of one-liners to go around, and the story itself is engaging, if not as smart or interesting as its predecessor. On the downside, permit me to copy and paste from a hundred previous reviews: This movie is TOO. DAMN. LONG. No excuse for this thing exceeding two hours, certainly it should never run longer than 2:15. 

 

Civil War needs some serious editing, and I don't mean by taking a hacksaw to entire scenes, I mean, as always, by using an Xacto knife to trim it to a sharper, more manageable whole. Civil War gives the original Avengers a run for its money in the battle fatigue department, and much of the fight choreography isn't even all that interesting, particularly by comparison to the stellar Lumerian Star sequence in CATWS. The movie's humor also misses the mark a bit too often. 

 

Unlike Guardians of the Galaxy, which expertly rides a fine line between brilliant and so-goofy-it's-actually-brilliant, Civil War often shoehorns silliness into scenes where it fits poorly with both mood and content. 

 

The deadpan wit of Tony Stark and Sam Wilson always sets well, but Peter Parker, and, to a much lesser degree, Scott Lang, are jarringly stupid at all the wrong times. By comparison to the Winter Soldier, even Henry Jackman's score feels like it's missing something. 

 

Captain America: Civil War runs 146 minutes, and is rated PG13 for "extended sequences of violence, action, and mayhem." It's not a perfect movie, but if you bring those expectations down just a smidge, Civil War is a fun, action-packed bit of brain candy. 

 

Of a possible nine Weasleys, Captain America: Civil War gets eight.

 

Until next time...