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Showing posts with label Thomasin McKenzie. Show all posts
Showing posts with label Thomasin McKenzie. Show all posts

Friday, October 29, 2021

MOVIE REVIEW: LAST NIGHT IN SOHO

 






















An aspiring fashion designer is mysteriously able to enter the 1960s, where she encounters a dazzling wannabe singer. However, the glamour is not all it appears to be, and the dreams of the past start to crack and splinter into something far darker.

Director: Edgar Wright

Cast:  Thomasin McKenzie, Anya Taylor-Joy, Matt Smith, Terence Stamp, Diana Rigg, Margaret Nolan

Release Date: October 29, 2021

Genre: Drama, Horror, Mystery, Thriller

Rated R for bloody violence, sexual content, language, brief drug material and brief graphic nudity

Runtime: 1h 56min

Review:

Edgar Wright's Last Night in Soho is a retro horror thriller that uses his technical prowess to deliver a visual cinematic treat.  Wright, who co-wrote the film with Krysty Wilson-Cairns, draws inspiration from 60's horror thrillers and it's obvious from the onset it's a genre he loves as he recreates the era with incredible energy.  Those 60's set sequences are the life blood of the film as he uses era songs and a seemingly endless bag of technical tricks to make them stand out.  It's an impressive trick to watch him slyly move the atmosphere of these sequences from light and fun to something far more ominous and foreboding.  Thomasin McKenzie and Anya Taylor-Joy hold the entire thing together with excellent engaging performances.  McKenzie who looks and sounds like a life sized pixie is immediately believable as a country mouse in the big city.  It's not the showiest of the two roles but she does get her moments to shine as the film takes on a more horror centric look and feel.  Anya Taylor-Joy looks like she was born to channel the era with great effect much like she did in The Queen's Gambit.  She's a blonde Barbie in pink with doll eyes filled with sadness.  Sadly, both character's are woefully underwritten with each relying on well worn tropes far too much.  The supporting cast makes it easier to ignore some of the scripts deficiencies with strong turns Matt Smith, Terence Stamp and the late Diana Rigg.  Smith does well playing swarmy while Stamp is just as strong playing ominous and mysterious.  Diana Rigg gets a fun cinematic send off as she blesses the screen with her signature style. Last Night in Soho falls just short of greatness mainly due to a script that only scratches the surface of its themes and characters even though its an incredibly fun ride. 

B

Sunday, December 29, 2019

MOVIE REVIEW: JOJO RABBIT








































Jojo is a lonely German boy who discovers that his single mother is hiding a Jewish girl in their attic. Aided only by his imaginary friend -- Adolf Hitler -- Jojo must confront his blind nationalism as World War II continues to rage on.

Director: Taika Waititi

Cast: Roman Griffin Davis,Scarlett Johansson, Thomasin McKenzie, Rebel Wilson, Stephen Merchant, Alfie Allen, Sam Rockwell, Taika Waititi

Release Date: October 18, 2019

Genres: Comedy, Drama, War

Rated PG-13 for mature thematic content, some disturbing images, violence, and language

Runtime: 1h 48min

Review:

Jojo Rabbit’s concept may sound odd on paper but some how Taika Waititi makes the whole thing work.  Waititi’s irreverent type of humor is perfectly suited for this satire delivering a fun, touching and moving film.  Roman Griffin Davis stars as the titual Jojo and he does an admirable job of carrying the film.  He’s likable and never feels forced which is rare for a child actor.  Thomasin McKenzie is equally impressive in her role even if she’s a bit more understated than Davis.  Scarlett Johansson’s role is limited but she makes the most of her scenes giving the film a good deal of its heart.  Taika Waititi’s Hitler is fun particularly when he breaks into full bore Hitlering.  Sam Rockwell and Alfie Allen are good fun in supporting roles.  The cast as a whole makes this dark subject matter end up being a feel good film with a timely message given our current state of political tribalism.  It’s not a perfect film with the final act lingering on a bit too long but otherwise it’s surprisingly thoughtful film with some real heart. 


A
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