Cindy Prascik's Review of Rebel Moon: A Child of Fire

My dear reader(s): Over the Christmas break, my plan was to catch up with some movies.

First on my holiday docket: Zack Snyder's Rebel Moon.

Spoiler level here will be mild, nothing you wouldn't know from the trailers, except the exact second when Charlie Hunnam turns up.

Rebels rise up against an evil space empire. (No, not *those* rebels or *that* space empire.)

Out of the gate, I want to offer a couple disclaimers: First, though I've kicked science fiction fantasy to the curb almost entirely, I like Zack Snyder and I hoped/expected to like this. Secondly, Netflix has some super algorithms, because the Rebel Moon picture on my home page is all Charlie Hunnam, though he doesn't appear until 51:05 and enjoys only sporadic screen time after. Well played, Netflix. Well played.

While almost any story bears traces of tales that came before it, Rebel Moon is nothing but derivative, Star Wars with a Mad-Maxey vibe...if Star Wars and Mad Max somehow managed to become the most boring movies ever made. I fell asleep three times in the first hour and had to keep rolling it back so I didn't "miss" anything.

The acting seems almost universally awful, but the dialogue is so badly written it's difficult to pin blame. The cast is full of well-known faces, most of whom are generally at least decent, so it's possible Meryl Streep couldn't have done anything with this material. Charlie's is a cheeky role that's particularly well suited to him, so he fares better than most. Nice visuals are marred by the odd bad green screen moment. Fight sequences are dull, awkward, and painfully fake-looking. The story, so often (better) told before, doesn't begin to earn its two-hours-plus runtime. A disappointment all 'round.

Rebel Moon clocks in at 133 minutes and is rated PG13 for "sequences of strong violence, sexual assault, bloody images, language, sexual material, and partial nudity."

The fact that Rebel Moon, part two, is coming next year feels more like a threat than a promise. Of a possible nine Weasleys, Rebel Moon gets three.

Rebel Moon is now streaming on Netflix.

Until next time...

MOVIE REVIEW: REBEL MOON PART ONE: A CHILD OF FIRE

 

When a colony on the edge of the galaxy finds itself threatened by the armies of the tyrannical Regent Balisarius, they dispatch a young woman with a mysterious past to seek out warriors from neighbouring planets to help them take a stand.

Director: Zack Snyder

Cast: Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman, Doona Bae, Ray Fisher, Charlie Hunnam, Anthony Hopkins

Release Date: December 15, 2023

Genre: Action, Adventure, Drama, Fantasy, Sci-Fi

Rated PG-13 for sequences of strong violence, sexual assault, bloody images, language, sexual material and partial nudity.

Runtime: 2h 13m

Zack Snyder's Rebel Moon Part One: A Child of Fire is a lifeless space epic that never truly finds its footing as it mines bits and pieces of Star Wars by way of Seven Samurai while bringing nothing new to the table.  All of Snyder's visual bravado and his unrelenting love of slow motion is still here but it all feels perfunctory and overdone paired with a rather listless, all too familiar story.  Characterization is at minimal as the story journey's to collection a ragtag crew of rebels whom we have little to no emotional connection to as we move from introductory set piece to another.  It would be easier to ignore some of these story issues if the action was fun or interesting.  There's a surprisingly blandness to the action which is something you wouldn't expect from Snyder with Bae Doona's Nemesis battle with a spider woman being the only one that registers as any sort of tangible fun.  Likewise the performances are all rather lifeless with Sofia Boutella's lead character barely registering as determined and driven much less inspiring.  Anthony Hopkins voicework for the robot introduced in the first act and offers a small tinge of life but he quickly disappears from the story only to reappear at the very without another line of dialogue.   It doesn't help matters that the entire film serves as nothing more than set up for the second part which would be fine if there were some time invested in character development and world building.  Sadly, this first entry feels more like a Sucker Punch level misfire from Snyder which feels like a major step back for him as a storyteller.  
 

D

MOVIE REVIEW: ALITA: BATTLE ANGEL

Set several centuries in the future, the abandoned Alita is found in the scrapyard of Iron City by Ido, a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens, she has no memory of who she is, nor does she have any recognition of the world she finds herself in. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious past.

Director: Robert Rodriguez

Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson

Release Date: February 14, 2019

Genres: Fantasy/Science Fiction

Rating: PG-13 for sequences of sci-fi violence and action, and for some language

Runtime: 2h 22min

Review:

Alita: Battle Angel is a movie I've been hearing about for round about 20 years now, if that's not completely accurate it's pretty close.  James Cameron's passion project has been gestating in one shape or form for a long while.  Originally he'd intended to direct the script he'd co-written but he'd become engulfed in Avatar and its subsequent sequels.  He finally handed off the film to Robert Rodriguez to finally bring the whole thing to life.  So simply put, is it worth the wait?  I believe so and that's coming at this Manga adaptation completed unfamiliar with the source material, like say Ghost in The Shell.  

The film is a surprisingly cynical free, cyberpunk adventure that has a lot to offer.  First and foremost, the world building and CGI visuals are all top notch with only a few hiccups here and there.  Alita, herself, is a fully realized motion capture CGI creation, after getting used to her large Anime inspired eyes, that's a true testament to the technical prowess of the people behind the film.  Rose Salazar's motion capture performance is endearing as she plays a nice balance between naive and lethal.  The world feels lived in and diverse even if it doesn't feel as fresh as most post-apocalyptic cyber punk landscapes did back in the 90s.  Still, it's well done and populated with a large variety of different characters to keep things fresh and interesting.  

The story itself feels familiar, which is a common issue with Mangas from the 90's or even William Gibson novels, but there are enough disparate story threads to keep you engaged in what's going on.  There are issues that pop up throughout, mostly due the script which has its fair share of clunky dialogue.  There's also the massive misstep of casting top line actors like Christoph Waltz, Jennifer Connelly and Mahershala Ali to support Salazar and the story but never taking full advantage of their talents.  Instead the film opts to give Keean Johnson a spotlight even though he and Salazar don't share much chemistry.  Alita: Battle Angel's issues and how they affect your enjoyment of the film is totally dependent on whether you buy in early on.  The film throws a lot at you, everything from Motorball (a sort of Nascar meets cyborg roller derby), cyborg bounty hunters, cities in the sky and some sort of cataclysmic war that occurred 300 years before the start of film.  Does it resolve all plot points, not even close and a reveal at the end shows that Rodriguez and Cameron have more entries in mind, but I believe the film will either leave you wanting more or hating it with a passion.

B+

MOVIE REVIEW: DEADPOOL

In this irreverent spin on the superhero genre, mercenary Wade Wilson (Ryan Reynolds) agrees to participate in a top-secret experiment after learning that he has terminal cancer. When the procedure leaves him with advanced healing powers and a disfigured face, he reinvents himself as a wisecracking, spandex-clad antihero known as Deadpool, and seeks revenge on those responsible. Morena Baccarin, Ed Skrein, T.J. Miller, and Gina Carano co-star. Directed by Tim Miller. ~ Jack Rodgers, Rovi

Director: Tim Miller

Cast: Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano

Release Date: Feb 12, 2016

Rated R for language Throughout, Graphic Nudity, Sexual Content and Strong Violence

Runtime: 1 hr. 48 min.

Genres: Action/Adventure, Comedy, Sci-Fi/Fantasy

Review:

Deadpool is a fun send up of the superhero genre, one that Ryan Reynolds has been talking about since 2002.  Its story is a pretty basic origin story which would been fairly forgettable if it’d played it straight but since Deadpool is a comic book character who knows he’s a comic book character, it rarely does so.  The first half of the film is the strongest with a hefty serving of super hero jokes and 4^th wall breaking madness.  Ryan Reynolds is totally in his element as the wisecracking merc.  His comedic timing is tailormade for the character, which is probably why he’s been such a huge fan.  The film works best when it’s poking fun at the genre, Reynolds and Huge Jackman.  It’s got an anarchic spirit when it’s rolling along at brisk pace.  First time director keeps the film moving at a steady pace with the main potholes occurring when the film has to take care of the rudimentary parts of the superhero plot particularly defeating the baddie and saving the girl.  Still, it’s different enough to give the genre a nice pinch of variety to keep the genre fresh.

B+

Cindy Prascik's Review of Deadpool

Dearest Blog: Yesterday I took my Valentine (me!) to Marquee Cinemas for the first of 2016's bucket of superhero offerings, Deadpool. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

After being diagnosed with terminal cancer, a mercenary undergoes a series of experiments that leaves him with some unique powers. 

 

Ryan Reynolds has long been ridiculed as box-office poison, fronting flop after flop, but I've always said he's great, he just needed the right vehicle. 

 

In Deadpool, he's finally found the right vehicle. Deadpool is all about the attitude. Frequently breaking the fourth wall to address the audience directly, he's snarky, rude, and foul. 

 

The movie contains some nudity, a boatload of in-jokes, maximum carnage, and pretty much nothing but bad language, so it's definitely not for the kiddies; however, the incessant puerile humor may wear thin with many adults, too. 

 

Certainly not *this* adult (#driveby!), but...well...some folks may find it a bit much. Deadpool takes its time with a solid story, spelled by well-crafted action and fight sequences, and, though it's Reynolds' movie to carry, he's lucky to be backed by a great supporting cast, particularly the hilarious TJ Miller. 

 

Neither as light as most other Marvel product, nor dark in the same way as DC, Deadpool may be exactly the superhero movie die-hards have been waiting for. 

Deadpool clocks in at 108 minutes and is rated R for "strong violence and language throughout, sexual content and graphic nudity." 

Deadpool's explicit content will take it off the table for some viewers, but, if you're not among the easily offended, you can't go wrong with this funny and thrilling costumed-hero outing. 

 

Of a possible nine Weasleys, Deadpool gets eight. 

 

Until next time...