MOVIE REVIEW: DEADPOOL & WOLVERINE

Wolverine is recovering from his injuries when he crosses paths with the loudmouth, Deadpool. They team up to defeat a common enemy.

Director: Shawn Levy

Cast: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfadyen, Stefan Kapicic, Brianna Hildebrand, Leslie Uggams, Rob Delaney

Release Date: July 26, 2024

Genre: Action, Comedy, Sci-Fi

Rated R for strong bloody violence and language throughout, gore and sexual references.

Runtime: 2h 7m

Review:

Deadpool & Wolverine releases the floodgates on fan service, taking the meta approach to storytelling used in the previous entries to a nuclear extreme here.  It’s not shy about acknowledging the fact that the story is little more than an excuse to open up the sand box to let Ryan Reynolds and Hugh Jackman run amok in the most gorily funny way possible.  The script is funny throughout with Reynolds doing his thing while Jackman is more than capable as the gruff straight guy.  By this point in time, Ryan Reynolds wears this character like a second skin, so his comedic energy is expected but Hugh Jackman manages to bring a tortured depth to this version of Wolverine.  Their onscreen energy carries the film even as the cameos, winks and nods start coming at a regular rate.  There are plenty of genuine surprises scattered throughout the film which serves a love letter/send off for the Fox era Marvel movies which Reynolds clearly has an affection for.  On the supporting end, Matthew Macfadyen and Emma Corrin get the largest amount of screen time with each leaving enough of impression that makes you wish the film had used them a bit more.  Macfadyen brings an outsized, manic energy to his character while Corrin is clearly having a ball playing the more calculating villainess who likes to get up close and personal.  The action sequences are over the top and gleefully bloody even though the Deadpool Wolverine fight lose some of their punch by the second or third time they roll around since neither can actually die.  It’s a strange balance for the film as it veers into full blown parody of the genre on multiple occasions but that doesn't keep Deadpool & Wolverine from being an entertaining jaunt even for the uninitiated. 

B

MOVIE REVIEW: IF

After discovering she can see everyone's imaginary friends, a girl embarks on a magical adventure to reconnect forgotten IFs with their kids.

Director: John Krasinski

Cast: Cailey Fleming, Ryan Reynolds, John Krasinski, Fiona Shaw, Alan Kim, Liza Colón-Zayas, Phoebe Waller-Bridge, Louis Gossett Jr., Steve Carell

Release Date: May 17, 2024

Genre: Action, Adventure, Sci-Fi

Rated PG for thematic elements and mild language.

Runtime: 1h 44m

Review:

John Krasinski’s first foray into family films, IF, has plenty of ideas for its saccharine sweet story but its unfocused nature keeps it from really being something special.  Krasinski's film does have a certain earnestness that's endearing enough to carry the film through some of the film's slower moments.  However, there is a somber undercurrent that pervades the film's narrative as it deals with the trauma of loss and grief which stands in contrast to the candy-colored visuals onscreen.  It works in sections but for a film that's only an hour and forty-four minutes it feels decidedly longer than it actually is because it can't maintain a consistent rhythm.  It’s a shame because you're left feeling there's a better film in there somewhere if Krasinski had focused on the original trauma angle and storyline instead of pivoting to rediscovering your inner child theme in the back half of the film.  Story issues aside he's blessed with a game ensemble cast of Cailey Fleming, Ryan Reynolds, Steve Carrell and Phoebe Waller-Bridge doing solid work throughout.  Fleming has a likable screen presence throughout which makes her easily relatable as we follow her journey.   Reynolds plays against his usual sarcastic type here playing more of a straight man against the CGI creations that pepper the screen.  Steve Carrell and Phoebe Waller-Bridge carry the lion's share of the voice work as the imaginary friends who get the most screen time with both doing strong work even if their characters could have benefited from some added depth.  Louis Gossett Jr. manages to leave a strong paternal impression with his final screen credit as an elderly teddy bear who sets up a retirement home for forgotten Ifs.  A bevy of other A listers voice cameo as other Ifs which makes for a fun game of whose who as they pop up onscreen.  You can't deny that IF has its heart in the right place and it delivers some emotional punch in spots, but it proves to be more of a middling experience when compared to something like Monsters Inc. which covers some of the same territory.

B-

Cindy Prascik's Reviews of The Harder They Fall & Red Notice

My dear reader(s), these past two weeks I'd have liked to go to the cinema and didn't get there, so I threw myself on the mercy of Netflix for a couple new releases. 

First on my agenda, the Harder They Fall. An outlaw puts his gang back together to seek revenge on an old enemy. The Harder They Fall is an okay movie with a cast it doesn't quite deserve. Idris Elba, Regina King, LaKeith Stanfield, and Edi Gathegi are standouts in a group that has no weak links. Outside the exceptional actors, the rest - story to humor to music - works about half the time. Sadly, any time the movie gets good enough to feel invested, it derails itself with hokey or contrived choices, and the overlong run time only exacerbates its problems. 

The Harder They Fall clocks in at 139 minutes and is rated R for "strong violence and language." The Harder They Fall is worth a look for its incredible cast, but otherwise is nothing special. 

Of a possible nine Weasleys, the Harder They Fall gets five. The Harder They Fall is now streaming on Netflix. 

Next on the docket, Red Notice. The world's greatest art thief attempts to steal a rare treasure while on the run from the law. Red Notice is the kind of dumb fun I feared Covid had cost me my ability to enjoy. I am well pleased to report that is not the case. The movie's goofy humor is pitch perfect for stars Dwayne Johnson and Ryan Reynolds, Action sequences are well choreographed and don't run on too long. Plenty of twists keep the story moving at a good clip, and Gal Gadot is simply a delight. Red Notice runs 118 minutes and is rated PG13 for "violence and action, some sexual references, and strong language." 

Red Notice is dopey good fun that will keep you smiling and won't overtax your brain. Of a possible nine Weasleys, Red Notice gets seven. Fangirl points: Red Notice earns some BIG fangirl points for something that might be considered a spoiler, so I'll just say keep your eyes open for a "perfect" cameo! 

Red Notice is now streaming on Netflix. Until next time...

MOVIE REVIEW: FREE GUY

 

When a bank teller discovers he's actually a background player in an open-world video game, he decides to become the hero of his own story -- one that he can rewrite himself. In a world where there's no limits, he's determined to save the day his way before it's too late, and maybe find a little romance with the coder who conceived him.

Director: Shawn Levy

Cast: Ryan Reynolds, Taika Waititi, Jodie Comer, Lil Rel Howery, Utkarsh Ambudkar, Joe Keery

Rated PG-13 for strong fantasy violence throughout, language and crude/suggestive references

Release Date: August 13, 2021

Genres: Action, Comedy, Sci-Fi

Runtime: 1h 55 min

Review:

In a strange world The Lego Movie and John Carpenter’s They Live got married and had baby which grew up to be Free Guy.  Shawn Levy’s video game film is fun romp which isn’t nearly as clever as it thinks it is but manages to maintain an undeniable energy that makes the whole thing enjoyable.  Ryan Reynold’s uses his endless charm to great extent to make the film work.  He’s pretty much the lifeblood of the film but Killing Eve star Jodie Comer ends up being the film’s beating heart.  Together they make a fun onscreen couple among all the insanity that pulls heavily from the Grand Theft Auto video game series.  The supporting cast help make the film work through the predictable story.  Lil Rel Howery is incredibly earnest as Guy’s best friend, so much so that a moment near the end is surprisingly moving.  Taika Waititi though makes the biggest impression with his natural comedic talents.  Waititi’s character is incredibly over the top but so much fun as he spoofs the worse version of video game company owners.  Free Guy is a fun film but you can’t help but think that you’ve already seen much better versions of the same story. 

B-

MOVIE REVIEW: THE HITMAN'S WIFE'S BODYGUARD

 

The world's most lethal odd couple -- bodyguard Michael Bryce and hit man Darius Kincaid -- are back for another life-threatening mission. Still unlicensed and under scrutiny, Bryce is forced into action by Darius's even more volatile wife. Soon, all three are in over their heads when a madman's sinister plot threatens to leave Europe in total chaos.

Director: Patrick Hughes

Cast: Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Richard E. Grant, Frank Grillo, Tom Hopper, Antonio Banderas, Morgan Freeman

Release Date: June 16, 2021

Genre: Action, Comedy, Crime

Rated R for strong bloody violence throughout, pervasive language, and some sexual content

Runtime: 1h 39min

Review:

The Hitman's Wife's Bodyguard never really breaks any new ground on the genre and it's script feels hackneyed and lazy but its still manages to provide some good mindless R rated fun.  Patrick Hughes directs his film with a made for standard cable feel to it even with the A list talent.  The action is fast and energetic set in attractive European locales but it all feels disposable like they could have been lifted from a dozen other films.  Thankfully, he's edited this film down to a lean hour and half so it's kinetic energy doesn't become exhausting like the first film.  Ultimately what save this film is the what made the first film work the chemistry of the cast.  Ryan Reynolds and Samuel L. Jackson are once again set to ten for the duration of the film as curse words and bullets fly.  Salma Hayek gets a much larger role here and it's to the film's benefit since she can play just as rough and loose as her two counter parts.  Antonio Banderas is just as a fun sporting a fabulous blonde wig while doing his best mock James Bond Villain.  It's all decidedly goofy and silly but you get the feeling the cast knows exactly what kind of film they are making, Frank Grillo's over the top Boston accent should be a dead giveaway, and they have fun with it.  The Hitman's Wife's Bodyguard isn't going to be topping a lot of people top ten films of the year but it's goofy enough for an enjoyable bit of mindless fun.

C+

MOVIE REVIEW: THE CROODS: A NEW AGE

 

Searching for a safer habitat, the prehistoric Crood family discovers an idyllic, walled-in paradise that meets all of its needs. Unfortunately, they must also learn to live with the Bettermans -- a family that's a couple of steps above the Croods on the evolutionary ladder. As tensions between the new neighbors start to rise, a new threat soon propels both clans on an epic adventure that forces them to embrace their differences, draw strength from one another, and survive together.

Director: Joel Crawford

Cast: Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Clark Duke, Cloris Leachman, Peter Dinklage, Leslie Mann, Kelly Marie Tran

Release Date: November 25, 2020

Genre: Animation, Adventure, Comedy

Rated PG for peril, action and rude humor.

Runtime: 1 h 35 min

Review:

The Croods: A New Age which randomly appears 7 years after the original is more unfocused than the first film but still a fun family film.  The story in this sequel is more straightforward but it allows Joel Crawford to move the story into weird and surprisingly psychedelic areas.  Crawford moves the story along a steady pace getting into the story fairly quickly introducing the new characters/cast.  The returning cast easily gets back into their characters and have great chemistry with newcomers Peter Dinklage and Leslie Mann.  Dinklage and Mann play great foils to the Croods as the hipster Bettermans who are slightly more evolved.  Dinklage and Cage in particular seem to be having a ball throughout the film with it all climaxing with a great Punch Monkey finale.  Stone, Keener, Leachman, Mann & Tran also get their time to shine with a strong girl power story thread that has them all saving the day.  Its message is sweet but it’s not anything revelatory like some of the prestige Pixar films.  This sequel isn’t as consistent as the original but it’s still a lot of fun in parts but be warned some sequences might be a bit too intense or scary for very small children. 

B

Cindy Prascik's Review of Hobbs & Shaw

Following my blissful ten-week Rocketman interlude, yesterday it was off to the pictures for the decidedly-un-Rocketman-like Fast & Furious Presents: Hobbs & Shaw.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

When a genetically-enhanced baddie (Idris Elba) threatens to release a virus to cull humanity, it's up to Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) to put aside their differences and save the world.

In the grand tradition of the Fast & Furious franchise, Hobbs & Shaw is big, loud, dumb fun that uses a single ridiculous set-piece to up the ante for the whole action genre. (Think Tom Cruise hanging off the side of that airplane in Mission Impossible: Rogue Nation.) The film is fast-paced from start to finish, with well-choreographed fight sequences and insane car chases, but the last act holds a special surprise only hinted at in the trailers. Overall the movie looks really good, though there are a few spots where the green screen is so obvious the actors might as well be Colorforms. (How old is everyone reading this? Do I need a different reference there?) The humor comes easy and is only seldom forced, working especially well for Kevin Hart and Ryan Reynolds in roles that are little more than cameos, but are just what the doctor ordered for the aging F&F series. Elba, Statham, Johnson, and franchise newcomer Vanessa Kirby ensure the movie isn't short on eye-candy. The picture's a bit overlong, but it keeps moving well enough that it's hardly noticeable.

Fast & Furious Presents: Hobbs & Shaw clocks in at 137 minutes and is rated PG13 for "prolonged sequences of action and violence, suggestive material, and some strong language."

While it's fair to say the Fast & Furious franchise is getting a bit long in the tooth, Hobbs & Shaw is good fun that not only ticks all the boxes for action fans, but also continues to raise the stakes for stupidly huge stunts. Of a possible nine Weasleys, Fast & Furious Presents: Hobbs & Shaw gets six.

Fangirl points: My go-to guy Jason Statham and my want-to guy Idris Elba! Until next time...

Cindy Prascik's Reviews of Tolkien & Pokemon: Detective Pikachu

This weekend it was off to the cinema for the disparate duo of Tolkien and Pokemon: Detective Pikachu.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First up: Tolkien, chronicling the early years of one of the world's most celebrated and beloved authors. Regular reader(s) will know I make a point of not reading reviews until I write my own, but headlines I've seen in passing tell me most folks, including the Tolkien family themselves, don't like this movie.

Since the Tolkien family isn't noted for liking much of anything, I suggest putting that aside and giving the picture a fair shake. It's really not bad at all.

First we have a likable cast, fronted by Nicholas Hoult and Lily Collins. The material won't win anyone an Oscar, but the performances are quite enjoyable. There are plenty of nods to the things Tolkien fans will want to see...Balrogs and Nazgul and of course very powerful rings. These come mostly in the form of Tolkien's fevered battlefield imagination. Other influences come from Tolkien's real world, most obviously three close friendships formed in his school days. The references aren't exactly subtle, but the movie doesn't constantly beat you over the head with them either. Tolkien does not follow a linear timeline, but rather jumps back and forth between the author's school days to his World War II experiences and beyond. (It's worth noting that some of the war sequences do get a bit gruesome.) The film's meandering pace makes two hours seem a bit long, but it's an engaging enough story that it never lost my attention.

Tolkien clocks in at 112 minutes and is rated PG13 for "some sequences of war violence." If Tolkien isn't an especially memorable movie, it's a serviceable biopic that won't bore you, either. Of a possible nine Weasleys, Tolkien gets six.

Next on the docket, Pokemon: Detective Pikachu.

After his detective father is killed in an apparent accident, a young man happens upon the father's Pokemon partner and a mystery involving the two.

If Pokemon: Detective Pikachu were the worst movie ever, it would have every right.

The concept feels pretty thin, and little--if anything--I've seen at the cinema lately has been as jarring as Deadpool's voice coming out of that adorable little Pokemon. Curiously, though, each trailer got funnier and funnier, and, as it turns out, the finished product isn't half bad.

Let's start with Ryan Reynolds. Yeah...that voice probably still wouldn't be what I imagine for Pikachu, but this version of Pikachu is all Reynolds, and it's pretty hilarious. Justice Smith capably plays the straight man to Reynolds' wisecracking yellow cutie. Ryme City is loud and colorful and looks every bit the sort of bustling, progressive burgh where humans and Pokemon would live and work side by side. Action sequences are well choreographed and don't run on too long. The movie is great for kids, but there's a fair bit of grownup humor to entertain adults as well. Pokemon: Detective Pikachu runs 104 minutes and is rated PG for "action/peril, some rude and suggestive humor, and thematic elements."

Pokemon: Detective Pikachu is a fun movie that's a lot better than it should be.

Of a possible nine Weasleys, Pokemon: Detective Pikachu gets six and a half.

Until next time...

Cindy Prascik's Review of Deadpool 2

Dearest Blog: Yesterday it was off to Marquee Cinemas to catch up with everyone's favorite foul-mouthed hero, Deadpool.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

The further adventures of Wade Wilson, complete with a whole lotta swearing, a fair bit of innuendo, a bucket of pop-culture references, and a pretty thin plot holding it all together.

 

Regular reader(s) may remember I've been in Ryan Reynolds' corner for a very long time. I thought he deserved Oscar consideration for Buried, and I even liked Green Lantern. (That makes one of us, right?) I'm delighted and grateful he can call the Deadpool franchise a big win, but I have to admit the abrasiveness of the first film wore thin for me very quickly. I loved it when I first saw it, but a second screening left me no desire to further revisit it...and you're talking to a person for whom repeat viewings are the norm, rather than the exception. Still, I was looking forward to this sequel, and am pleased to report that, at least on first look, it is a rollicking good time.

 

Reynolds is once again fantastic in the lead. It's a role he fought long and hard to bring to the screen, and he owns it. Josh Brolin continues his MCU takeover with an intense turn as Cable, but it's Zazie Beetz who steals the show as Domino. (*cue the cosplays*) Deadpool 2 boasts plenty of action and non-stop laugh-out-loud moments. Unlike Ready Player One, whose incessant pop-culture references made me want to put a fist through the screen, DP2 works those references to its advantage, taking genuinely funny shots at TV characters, presidents, and pretty much everyone in between, including both Marvel and DC heroes in equal measure. Musical selections such as Air Supply's All Out of Love pile on the comedy. If the plot is erratic and the story barely there, I can't say anyone in my screening appeared to mind, and a reasonable runtime helps the whole feel fresh and exciting. Stay tuned for a handful of mid-credits scenes, including one that drew an enormous round of applause from my theater. 

 

Deadpool 2 clocks in at 119 minutes and is rated R for "sex, nudity, violence, gore, profanity, alcohol, drugs, and smoking." (That's quite a laundry list, and they mean it, folks. There's barely a minute of this movie where someone isn't doing something offensive, so please, please, please leave the kids at home.)

 

Deadpool 2 may or may not stand the test of time, but on first viewing I laughed for nearly two hours straight. If you're looking for a nice afternoon of pure escapism, and you aren't squeamish about explicit content, it's definitely the movie for you. Of a possible nine Weasleys, Deadpool 2 gets seven and a half.

 

Fangirl Points: Yeah, I know he's A-List, nevermind one of the above-the-title stars of this very film, but I have loved Josh Brolin since The Goonies, and I think it's only fair to award him my Fangirl Points when I remember!

 

Until next time...

MOVIE REVIEW: DEADPOOL 2

Wisecracking mercenary Deadpool joins forces with three mutants -- Bedlam, Shatterstar and Domino -- to protect a boy from the all-powerful Cable.

Director: David Leitch

Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Jack Kesy

Release Date: May 18, 2018

Genres: Action, Adventure, Comedy 

R for strong violence and language throughout, sexual references and brief drug material

Runtime: 1h 59min 

Review:

Deadpool 2 is the type of sequel that improves on the original while never losing the spirit of the first film.  The meta humor is bad and stronger than the first go around even if a handful of jokes fall flat, particularly in the first act.  Once it gets going though, the film has an undeniable energy and pace.  David Leitch does fine work, picking up seamlessly from Tim Miller works in the first film, directing the sequel.  It’s never a particularly showy film but some of the set pieces are incredibly impressive and funny at the same time.  Ryan Reynolds, of course, makes the whole thing go without him and his charisma this ship wouldn’t sail.  Reynolds and Deadpool are so intertwined it hard to tell where one starts and one ends.  He’s clearly having the time of his life in these films and we get to enjoy the fruits of his labors.  

B+

Cindy Prascik's The Hitman’s Bodyguard & Logan Lucky

Dearest Blog: Yesterday it was off to Marquee Cinemas for the promising pair of The Hitman's Bodyguard and Logan Lucky.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First up: The Hitman's Bodyguard.

 

When a former assassin's testimony is needed at the International Criminal Court, it's up to a disgraced personal security expert to get him there safely.

 

The Hitman's Bodyguard is exactly as advertised, a thrilling and wildly funny action-comedy. Co-stars Ryan Reynolds and Samuel L. Jackson have as much chemistry as the best buddy-comedy pairs, easily playing off one another in hilarious fashion. Gary Oldman digs his cartoonish bad-guy schtick out of storage for a broad, accented turn reminiscent of his mid-90s meat and potatoes. He's not really in the movie as much as I'd have liked, but, as always, he puts his screen time to good use. Action is almost non-stop, though the story beneath never feels underdone. Pretty European locales and a multi-cultural cast give the film a nice international flavor. Only the final chase scene seems to drag on just a bit too long; otherwise, the movie is a perfect balance of well-crafted action and foul-mouthed comedy.

 

The Hitman's Bodyguard clocks in at 118 minutes and is rated R for "strong violence and language throughout."

 

The Hitman's Bodyguard is a rollicking end-of-summer blast. Of a possible nine Weasleys, The Hitman's Bodyguard gets eight.

 

Fangirl points: GARY! (Duh.)

 

Next on the docket: Logan Lucky.

 

A pair of small-town brothers attempts to rob Charlotte Motor Speedway.

 

Dear reader(s), I'll consider it more a warning than a spoiler to tell you one thing about Logan Lucky that you probably didn't guess from the trailer: It's not really a comedy. It's amusing at times, and the overall tone certainly isn't heavy, but it is not the laugh-riot promised by the trailer.

 

Logan Lucky IS a clever, well-acted yarn about a down-on-his-luck West Virginia boy (Channing Tatum) who conscripts his brother (Adam Driver) into a wild plot to rob Charlotte Motor Speedway. The brothers enlist an "in-car-cer-rated" felon (Daniel Craig, playing delightfully against type) to assist with the scheme, which obviously doesn't go entirely as planned, or there'd be no movie. The terrific cast is rounded out by Katie Holmes, Riley Keough, Seth McFarlane, Katherine Waterston, Dwight Yoakam, and Sebastian Stan in a blink-and-you'll-miss-it turn. When Logan Lucky is funny, it's really funny, but unfortunately you've already seen most of what's really funny in the trailer. The twists and turns along our would-be robbers' path are well-plotted and certainly not boring, but the movie is so unlike its advertising that the whole can't help feeling kinda dull.

 

Logan Lucky runs 119 minutes and is rated PG13 for "language and some crude comments."

 

Logan Lucky is a smartly-crafted heist picture whose impact is sadly diminished by misleading advertising. 

 

Of a possible nine Weasleys, Logan Lucky gets six.

 

Fangirl points: Sebastian Stan! 

 

Also, however much it may have been intended to make fun of us, a roomful of people singing Country Roads will always put a teardrop in my eye.

 

Until next time...

MOVIE REVIEW: LIFE

This science fiction saga tells the story of astronauts on the International Space Station who retrieve a sample from Mars and discover it contains evidence of intelligent life. The crew is thrust into danger when the specimen shows signs of aggression, threatening the entire mission. Jake Gyllenhaal stars alongside Ryan Reynolds and Rebecca Ferguson. Daniel Espinosa directed a script written by Deadpool scribes Paul Wernick and Rhett Reese. ~ Daniel Gelb, Rovi

Director: Daniel Espinosa 

Cast: Jake Gyllenhaal, Ryan Reynolds, Rebecca Ferguson, Hiroyuki Sanada, Ariyon Bakare

Release Date: Mar 24, 2017

Rated R for language throughout, some sci-fi violence and terror

Runtime: 1 hr. 43 min.

Genres: Horror, Sci-Fi/Fantasy, Suspense/Thriller

Life is a surprisingly bland rethread of Alien.  Daniel Espinosa does a serviceable job of directed an impressive collections of actors.  It has the hallmarks of decent filmmaking but even with the actor’s best efforts it’s never terribly interesting. The story plays out exactly the way you expect it to go and there’s little effort to bring something new to the story.  The biggest mystery during the entire thing is the order of the characters exit.  Even the finale, which the film seems to think is mind blowing, is incredibly predictable.  You have to wonder if there is a better film in there somewhere.  That’s the only thing that could explain what could have drawn so many talented actors to such a bland and forgettable exercise.     

C-

Cindy Prascik's Reviews of Life & Power Rangers

Dearest Blog: Yesterday it was off to Marquee Cinemas with the throngs who apparently haven't left their homes since Christmas. Ahhhh...springtime. On the docket: Life and Power Rangers.

 

Spoiler level here will be mild, nothing plot-related that you wouldn't know from the trailers.

 

First up: sci-fi thriller Life.

Deadpool, Donnie Darko, and the chick from the last Mission Impossible discover an alien life form. 

 

Humanity weeps.

 

As I was suffering through Life, I was prepared to declare it the worst thing I've ever seen. In hindsight, there's no way it's that (screams Ghost Ship from my DVD collection), but it IS a gruesome, derivative waste of a pretty solid cast. The dialogue ranges from trite to cringe-worthy, and the tired old story drags on like a drum solo at an 80s arena-rock show, cut-rate sci-fi that occasionally knocks you over the head with clumsy attempts at poignancy. Sadly, even the creature effects are lame. Then, after two hours of taking itself way too seriously, the end credits kick off with a perky rendition of Spirit in the Sky. Whatever the filmmakers thought they were doing with that, it was a less-fitting finish than La La Land (which is saying something). The one thing Life has going for it is a terrific score by Jon Ekstrand, but, even in tandem with my best boyfriend Jake Gyllenhaal, it can't save the day.

 

Life clocks in at an interminable 103 minutes and is rated R for "language throughout, some sci-fi violence and terror."

 

Life is dead on arrival. Of a possible nine Weasleys, Life gets one.

 

Next up, the most recent take on Saban's Power Rangers.

 

Five ordinary high-schoolers are chosen to be the next Power Rangers, and are tasked with saving the world from the evil Rita Repulsa.

 

Well, dear reader(s), in the interest of full and fair disclosure, I'll admit that Power Rangers would have had to work very hard to earn a thumbs-down from this blog, but I'm pleased to report it's even better than I'd hoped. This new crew of Rangers is a diverse, likable, good-looking bunch that seems a solid fit, both as a group and individually. Special shoutout (with just a wee bit of personal bias) to Ludi Lin, who does a great job as Zack, the Black Ranger. RJ Cyler is also terrific, portraying Billy, the Blue Ranger, as a young man on the autism spectrum. There's plenty of well-paced action, but it doesn't drag on or overwhelm the whole. Effects are just as huge as you'd expect. Suits and Zords have been updated for a new age, looking slick and impressive. The film's humor is hardly cutting edge, but the movie's funny when it means to be, and the dialogue among the kids feels natural and not over-scripted. Elizabeth Banks gleefully chews the scenery as Rita Replusa, not my favorite take on the character, but definitely entertaining. Power Rangers have always been corny, and this outing is no exception. The movie runs a little long, and Bill Hader is supremely annoying as the voice of Alpha 5, but, overall, Power Rangers is good fun, and my theater gave it the loudest, longest ovation I've ever experienced at the movies. Stick around for a mid-credits scene. It's no great revelation, but it'll still be welcome "news" for most fans.

 

Power Rangers runs 124 minutes and is rated PG13 for "sequences of sci-fi action, violence, and destruction, language, and for some crude humor."

 

2017's Power Rangers pointedly takes aim at a new generation, but still manages to indulge old fans' nostalgia. Of a possible nine Weasleys, Power Rangers gets seven and a half.

 

Fangirl points: There is a Social Distortion song in this movie. I repeat: There is a Social Distortion song in this movie. This is not a drill.

 

Until next time... 

 

Cindy Prascik's Review of Criminal

Dearest Blog: Yesterday it was off to Marquee Cinemas to see my main man Gary Oldman in his new movie, Criminal.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

In order to thwart a nefarious plot, an experimental procudure is used to transfer the mind of a murdered agent into a notorious criminal.

Dear Reader(s), I had genuinely high hopes for Criminal. It's been awhile (four years, to be exact) since Gary has had a critical and/or box office winner, and this one looked like it might break the chain of disappointments. Alas, it was not to be.

Right off the top, Criminal is saddled with one almost-insurmountable handicap, that is, Kevin Costner's acting abilities...or lack thereof. If he were a bit player, or in any supporting role, really, you might get around it, but not when he's the focal point of the whole picture. Sure, the lead character is meant to be a thug lacking social graces, but the way Costner grunts his way through the movie, he might as well be a gorilla...and that's probably not a very nice thing to say about the acting talent of gorillas.

The supporting cast is solid, in particular an under-used Ryan Reynolds, but it's just not enough. Gary's character does a lot of barking orders at people, a somewhat angrier and less honorable Jim Gordon. It's fine for what it is, but it hardly taxes his talent. (Though, for the record, he looks really, REALLY good!)

Criminal presents an interesting premise that fails in its execution. The writing is atrocious, with allegedly top-notch agents acting so stupidly you'll want to scream at the screen. There are a few laugh-out-loud bits prompted by Costner's character's inappropriate behavior. They're uncomfortable, but, curiously, still one of the more entertaining things about a movie that otherwise sleepwalks its way to one of the most insufferably hokey endings ever.

Criminal clocks in at 113 minutes and is rated R for "strong violence and language throughout."
In my book, Gary Oldman is reason enough to get out and see ANY movie, but, if you're looking for another reason to see Criminal, you won't find it.

Of a possible nine Weasleys, Criminal gets three.

Until next time...

MOVIE REVIEW: DEADPOOL

In this irreverent spin on the superhero genre, mercenary Wade Wilson (Ryan Reynolds) agrees to participate in a top-secret experiment after learning that he has terminal cancer. When the procedure leaves him with advanced healing powers and a disfigured face, he reinvents himself as a wisecracking, spandex-clad antihero known as Deadpool, and seeks revenge on those responsible. Morena Baccarin, Ed Skrein, T.J. Miller, and Gina Carano co-star. Directed by Tim Miller. ~ Jack Rodgers, Rovi

Director: Tim Miller

Cast: Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano

Release Date: Feb 12, 2016

Rated R for language Throughout, Graphic Nudity, Sexual Content and Strong Violence

Runtime: 1 hr. 48 min.

Genres: Action/Adventure, Comedy, Sci-Fi/Fantasy

Review:

Deadpool is a fun send up of the superhero genre, one that Ryan Reynolds has been talking about since 2002.  Its story is a pretty basic origin story which would been fairly forgettable if it’d played it straight but since Deadpool is a comic book character who knows he’s a comic book character, it rarely does so.  The first half of the film is the strongest with a hefty serving of super hero jokes and 4^th wall breaking madness.  Ryan Reynolds is totally in his element as the wisecracking merc.  His comedic timing is tailormade for the character, which is probably why he’s been such a huge fan.  The film works best when it’s poking fun at the genre, Reynolds and Huge Jackman.  It’s got an anarchic spirit when it’s rolling along at brisk pace.  First time director keeps the film moving at a steady pace with the main potholes occurring when the film has to take care of the rudimentary parts of the superhero plot particularly defeating the baddie and saving the girl.  Still, it’s different enough to give the genre a nice pinch of variety to keep the genre fresh.

B+

Cindy Prascik's Review of Deadpool

Dearest Blog: Yesterday I took my Valentine (me!) to Marquee Cinemas for the first of 2016's bucket of superhero offerings, Deadpool. Spoiler level here will be mild, nothing you wouldn't know from the trailers. 

 

After being diagnosed with terminal cancer, a mercenary undergoes a series of experiments that leaves him with some unique powers. 

 

Ryan Reynolds has long been ridiculed as box-office poison, fronting flop after flop, but I've always said he's great, he just needed the right vehicle. 

 

In Deadpool, he's finally found the right vehicle. Deadpool is all about the attitude. Frequently breaking the fourth wall to address the audience directly, he's snarky, rude, and foul. 

 

The movie contains some nudity, a boatload of in-jokes, maximum carnage, and pretty much nothing but bad language, so it's definitely not for the kiddies; however, the incessant puerile humor may wear thin with many adults, too. 

 

Certainly not *this* adult (#driveby!), but...well...some folks may find it a bit much. Deadpool takes its time with a solid story, spelled by well-crafted action and fight sequences, and, though it's Reynolds' movie to carry, he's lucky to be backed by a great supporting cast, particularly the hilarious TJ Miller. 

 

Neither as light as most other Marvel product, nor dark in the same way as DC, Deadpool may be exactly the superhero movie die-hards have been waiting for. 

Deadpool clocks in at 108 minutes and is rated R for "strong violence and language throughout, sexual content and graphic nudity." 

Deadpool's explicit content will take it off the table for some viewers, but, if you're not among the easily offended, you can't go wrong with this funny and thrilling costumed-hero outing. 

 

Of a possible nine Weasleys, Deadpool gets eight. 

 

Until next time...

Cindy Prascik's Review of Mississippi Grind

 

 

 

Dearest Blog: This week, Wednesday brought me a new flick in the form of Mississippi Grind, thus managing to achieve something besides being not-as-horrible-as-Monday-but-not-as-awesome-as-Friday.

 

Spoiler level here will be mild, nothing you wouldn't know from the...erm...has anyone even *seen* a trailer for this? I haven't. Okay, I'll try not to give away anything of consequence.

 

A gambling addict hits the road with a newfound friend, in search of a big score or redemption or maybe just something new.

 

Dear reader(s), you know me. I like actors. I like a LOT of actors a LOT, but far greater in number than those obsessions who sometimes grace my Instagram are those who simply delight me when they turn up in a movie or show, even if I have no idea of their birthdays or favorite colors. One such actor is Australian Ben Mendelsohn. 

 

When I heard there was some Oscar buzz around his Mississippi Grind performance, it didn't take more than that to sell me on the movie.

 

Mississippi Grind is a downbeat portrait of addiction. It's occasionally humorous and sometimes even a bit sexy, but it's mostly a realistic depiction of desperation, a person who just can't stop what he's doing, however harmful it is to himself or to those around him. Mendelsohn is breathtaking, probably no greater than he's been a dozen times before, but for some reason people are noticing this time. Ably playing opposite is the constantly maligned Ryan Reynolds. 

 

For my money, Reynolds is always solid, however bad the project. He'll surely lose his reputation as box-office poison with next year's Deadpool, but, for now, give him full marks for holding his own opposite a performance that's being called Oscar-worthy. Verbal exchanges between the two leads, as the new friends try to get a read on one another, are the clear highlight of a movie that's otherwise somewhat slow and unremarkable.

 

Mississippi Grind clocks in at 108 minutes and is rated R for language.

 

It won't brighten your day, but Mississippi Grind is a decent drama made worthwhile by stellar performances. 

 

Of a possible nine Weasleys, Mississippi Grind gets five.

 

Until next time...

Cindy Prascik's Reviews of Self/Less & Minions

Dearest Blog, today the sun came out in the Ohio Valley, so I escaped to the cold darkness of the cinema. On the docket: Self/Less and Minions.

Spoiler level here will be mild, nothing the trailers haven't already given away.

First up: Self/less.

A wealthy, terminally-ill man (Ben Kingsley) undergoes a secret, controversial procedure to transfer his consciousness into a healthy young body (Ryan Reynolds).

Well, dear reader(s), if you've done any Internetting since yesterday, you've probably already seen Self/less bashed every which way from Sunday, called a flop, and held aloft as further proof that Ryan Reynolds just doesn't put butts in the seats. None of that is probably far off the mark, but it's perhaps more harsh than the movie--and Reynolds--deserve.

The basic premise of Self/less--the idea of putting our minds, our personalities, our "souls" (if you believe in such things) into another vessel when our existing ones expire--is not revolutionary, and the movie's means of tackling it is neither new nor special. It feels ho-hum from the outset, and things don't exactly pick up quickly. Laying the groundwork takes a good 45 minutes. Once the film gets moving, the tension is solid and there are a couple decent twists.

The writing is a bit awkward, and any foreshadowing is so obvious they might as well have run a crawl across the bottom: "Pay attention! This will be important later!" Most performances are wooden at best, though Reynolds is as earnest as always. For my part, I think he does the best he can with the material. Matthew Goode is also okay, but there's just not much to work with. Surprisingly, I was never really bored, but I couldn't fairly call it a good movie, either.

Self/less runs 114 minutes and is rated PG13 for "sequences of violence, some sexuality, and language."

Self/less probably isn't *quite* as bad as you've heard, but please don't mistake that for a ringing endorsement.

Of a possible nine Weasleys, Self/less gets four and a half.

Next on the agenda, Minions.

Bet you didn't even know you needed an "origins" story for Despicable Me's lovable little yellow fellows, did ya?

B.G. (Before Gru), the Minions do time with other super-villains.

The Minions are my favorite part of the Despicable Me movies, but even I wondered if their gibberish routine wouldn't wear thin over a full 90 minutes of it. The good news: Minions are still a lot of fun.

The bad news: the story is paper thin and barely holds up for even such a short movie. The voice talent features big names like Sandra Bullock, Jon Hamm, Alison Janney, and Michael Keaton, but nobody is all that interesting. There are a few good laughs, and, for the older fan, some tips of the hat to the time period in which the film is set (including some terrific tunes), but mostly I was fidgeting in my seat and checking the clock.

Minions clocks in at 91 minutes and is rated PG for action and mild rude humor.

Minions are still pretty lovable, but your money would be better spent on a cute, plush Kevin, Bob, or Stuart than on a ticket to this movie. Of a possible nine Weasleys, Minions gets three.

Until next time...

Banana!

Cindy Prascik’s review of Despicable Me 2 & R.I.P.D.

Dearest Blog, a hot, humid, rainy day means one thing to me: lots of people sharing my cinema. It's a prospect that doesn't thrill me, to say the least, but off I went anyway for a double-bill of Despicable Me 2 and R.I.P.D.

Spoiler level here will be mild, limited to things you'd know once you'd seen a trailer or two.
Our leadoff batter was the animated sequel Despicable Me 2.

Former super-villain Gru has gone straight, and spends his days being a father to Margo, Agnes, and Edith, and trying to start a business, his own line of jellies and jams. When a new threat emerges, the Anti-Villain League recruits Gru and his super-villain knowledge to help thwart it.

I liked Despicable Me 2 easily as well as its predecessor, in fact, maybe even a little better. The Despicable Me franchise has learnt that its bread is buttered on the Minion side, and the little yellow fellows play an even bigger role this time around, which is to the film's benefit.

The solid voice talent includes Steve Carrell and Russell Brand, reprising their roles from the first film, as well as newcomers Kristin Wiig, Benjamin Bratt, Ken Jeong, and the delightful Steve Coogan. The movie looks great, too. I saw it in 2D, and while I could certainly see things that were designed for 3D effectiveness, there's nothing that didn't look right in 2D, and everything is clear and bright. The second half does fall off somewhat from the first, which might have left me with a less-positive impression if the ending weren't so much fun.

Despicable Me 2 clocks in at 98 minutes and is rated PG for "rude humor and mild action." It's a family-friendly good time, well worth your movie dollar.

Of a possible nine Weasleys, Despicable Me 2 gets seven and a half.

Next up on my agenda was the comic book movie R.I.P.D.

A cop (Ryan Reynolds) is killed on the job and joins R.I.P.D. ("Rest In Peace Department"), a team of undead good guys who keep undead bad guys from taking over the Earth. He's partnered with an old West lawman (Jeff Bridges) who disdains the idea of any partner, let alone one of the newly-dead.

Now, dear Blog, I try to make a point of being a well-educated consumer. As such, it's not often I get stuck paying for a movie I hate. For sure some are better or worse than I anticipate, but as long as the trailers aren't misleading, seldom am I all that disappointed. R.I.P.D. is the unfortunate exception to the rule; I was bored out of my gourd from beginning to end.

If we're being honest, I don't think most of us expected R.I.P.D. to be anything more than a poor man's Men In Black: good action, some awesome monsters, and hilarious wisecracks. Unfortunately, the action isn't exciting, the monsters look terrible, and the wisecracks are anything but funny. I don't think I laughed even once. The plot didn't engage me for a second, and the whole thing looks so dark (even daylight scenes) that it appears to be under a heavy fog. By luck of the schedule draw, I ended up seeing this in 3D, which is pointless.

The cast is decent, but mostly phones it in. Ryan Reynolds is as likable as any actor working today (ditto his leading lady Stephanie Szostak), but his role is so bland I couldn't say I was actively rooting for him. Academy Award winner Bridges has cornered the market on crusty-but-lovable, kooky old guy roles, but unfortunately this one is just crusty and not at all lovable. By rights he's supposed to provide most of the comedy, but he left me totally flat. Any way you slice it, I was getting stuck with one of my most-despised actors, Mary-Louise Parker, this weekend, as she also stars in the weekend's other big action flick, Red 2. It goes without saying her presence didn't help anything. My beloved Robert Knepper has a cameo that's so bad I'd have been happier not seeing him at all. Other than Szostak, pretty much the only thing the movie has going for it is Kevin Bacon, who is oddly perfect for his role. Oh, and if they got one thing right, it's that Boston is surely a bastion of the undead...I know every time I look at Aerosmith.

R.I.P.D. runs 96 minutes, which seem like 96 hours, and is rated PG13 for "violence, sci-fi/fantasy action, some sensuality, and language including sex references."

Of a possible nine Weasleys, R.I.P.D. gets three.

If I hadn't had to wait for my ride anyway, I probably would have walked out on it.

Until next time...




EEK! The Boston Undead!!

MOVIE REVIEW: R.I.P.D.

Veteran sheriff Roy Pulsifer (Bridges) has spent his career with the legendary police force known as R.I.P.D. tracking monstrous spirits who are cleverly disguised as ordinary people. His mission? To arrest and bring to justice a special brand of criminals trying to escape final judgment by hiding among the unsuspecting on Earth. Once the wise-cracking Roy is assigned former rising-star detective Nick Walker (Reynolds) as his junior officer, the new partners have to turn grudging respect into top-notch teamwork. When they uncover a plot that could end life as we know it, two of R.I.P.D.’s finest must miraculously restore the cosmic balance...or watch the tunnel to the afterlife begin sending angry souls the very wrong way.~ Jeremy Wheeler, Rovi

Director: Robert Schwentke

Cast: Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker, Stephanie Szostak

Release Date: Jul 19, 2013 RealD 3D

Rated PG-13 for violence, sci-fi/fantasy action, some sensuality, and language including sex references

Genres: Action/Adventure, Comedy

Review:

R.I.P.D is a hammier sillier knock off of Men In Black, some of the character designs and sets look like they’ve been stolen from their backlot, with bits of Ghostbusters sprinkled in for good measure. If you can get past that fact then you might be able to enjoy some of the goofy fun on display here. Robert Schwentke created a breeze silly little film with some rather impressive action set pieces especially the 3D finale. It rarely lingers much on anything and moves from scene to scene like a college kid on a bar hop. When it does linger to long on quiet moments it really bogs down, thankfully there aren’t many. Most of the cast seems to be having a ball especially Jeff Bridges who chews up scenery throughout. Bridges just looks like he’s having a ball and while he and Ryan Reynolds don’t have perfect chemistry together it works well enough. Reynolds himself does his usual act and it fit the character for the most part. Mary-Louise Parker is great in a small but fun turn as the duo’s boss. Kevin Bacon is the only one that kind of phones in his performance, he seems rather disinterested for the most part. Honestly, that might be a result of reading the overly predictable script. There isn’t any tension throughout the film and the plot is rather uninspired even downright lazy occasionally. R.I.P.D is harmless fluff that’ll probably be viewed more often than not on cable tv.

C+