MOVIE REVIEW: LET HIM GO

 

Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.

Director: Thomas Bezucha

Cast: Kevin Costner, Diane Lane, Lesley Manville, Will Brittain, Jeffrey Donovan, Kayli Carter, Booboo Stewart

Release Date: November 6, 2020

Genre: Crime, Drama, Thriller

Rated R for violence

Runtime: 1 h 54 min

Review:

Let Him Go is meditative western that’s really heavily on it’s cast since it’s story and plot are decidedly light.  Thomas Bezucha slow burn of a film is an interesting mix of idolized nostalgia and crime drama.  Bezucha takes his time letting us get to know the main couple before moving the film’s plot forward in earnest.  Kevin Costner & Diane Lane make for a believable and good looking pair of grandparents.  They both add far more subtle and nuance to their characters than what’s in the actual script.  Through their talents they give us a relationship that feel real and lived in, making it the cornerstone of the entire film.  Lesley Manville’s villainous Blanche is a much showier role and she’s excellent in limited screen time.  The film would have been wise to give us a tad more depth or history to her character and the Weboy clan as a whole.  As is, they’re thinly drawn evil ciphers whose sole purpose is to terrorize the protagonist.  The lack of depth wouldn’t be such an issue if you couldn’t spot story threads in the early part of the film that are presented and ultimately abandoned.  Ultimately, the performances alone make this a rewarding watch even with its pedestrian pacing and thin characters. 

B-

MOVIE REVIEW: MOLLY’S GAME

The true story of Molly Bloom, a beautiful, young, Olympic-class skier who ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknown to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned there was much more to Molly than the tabloids led people to believe.

Director: Aaron Sorkin

Release Date: Dec 25, 2017

Cast: Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera, Brian d'Arcy James, Chris O'Dowd

Rated R for language, drug content and some violence

Runtime: 2 hr. 20 min.

Genres: Biography, Drama

Review:

Molly’s Game, the directorial debut of renowned screenwriter Aaron Sorkin, is a crackling dialogue driven legal thriller.  Sorkin’s move behind the camera is fairly effortless as he directs his film with a confident steady hand.  His style isn’t overly flashy, outside of an expertly crafted opening sequence, he keeps a steady and measured hand allowing his actors and script to do the heavy lifting.  The script is everything you’d expect from Aaron Sorkin, the snappy dialogue is as plentiful as the extended monologues.  The film carries a sort of Social Network feel to it, especially in the first act, before it settles into its own rhythm.  Molly Brown’s story is a fascinating perversion of the American Dream.  Jessica Chastain is electric in the lead role and she’s nearly always the most magnetic person on screen.  It probably helps that she’s glam vamped for the better part of the film as her character routinely transformed herself into the “Cinemax” version of herself.  Chastain’s talent is on full display as she simultaneously displays sexuality while still radiating an intrinsic intelligence and unbridled drive throughout the entire film.  There’s a running theme about an overbearing father that feels slightly off especially in its resolution even though Kevin Costner turns in decent work in an undercooked role.  Idris Elba spends the most time with Chastain in the post arrest scenes and he’s just ready made for Sorkin’s writing.  He and Chastain share solid chemistry together, making their mutual intellect and respect believable.  A few of the courtroom scenes in the third act do feel a bit clunky and convenient when compared to the majority of the film that came before it.  Still, Sorkin’s first foray into directing is an impressive and entertaining success.

A-

Cindy Prascik's Review of Criminal

Dearest Blog: Yesterday it was off to Marquee Cinemas to see my main man Gary Oldman in his new movie, Criminal.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

In order to thwart a nefarious plot, an experimental procudure is used to transfer the mind of a murdered agent into a notorious criminal.

Dear Reader(s), I had genuinely high hopes for Criminal. It's been awhile (four years, to be exact) since Gary has had a critical and/or box office winner, and this one looked like it might break the chain of disappointments. Alas, it was not to be.

Right off the top, Criminal is saddled with one almost-insurmountable handicap, that is, Kevin Costner's acting abilities...or lack thereof. If he were a bit player, or in any supporting role, really, you might get around it, but not when he's the focal point of the whole picture. Sure, the lead character is meant to be a thug lacking social graces, but the way Costner grunts his way through the movie, he might as well be a gorilla...and that's probably not a very nice thing to say about the acting talent of gorillas.

The supporting cast is solid, in particular an under-used Ryan Reynolds, but it's just not enough. Gary's character does a lot of barking orders at people, a somewhat angrier and less honorable Jim Gordon. It's fine for what it is, but it hardly taxes his talent. (Though, for the record, he looks really, REALLY good!)

Criminal presents an interesting premise that fails in its execution. The writing is atrocious, with allegedly top-notch agents acting so stupidly you'll want to scream at the screen. There are a few laugh-out-loud bits prompted by Costner's character's inappropriate behavior. They're uncomfortable, but, curiously, still one of the more entertaining things about a movie that otherwise sleepwalks its way to one of the most insufferably hokey endings ever.

Criminal clocks in at 113 minutes and is rated R for "strong violence and language throughout."
In my book, Gary Oldman is reason enough to get out and see ANY movie, but, if you're looking for another reason to see Criminal, you won't find it.

Of a possible nine Weasleys, Criminal gets three.

Until next time...

Cindy Prascik's Reviews of 3 Days to Kill & Pompeii

Dearest Blog, yesterday it was off to the pictures for a pair of too-late-for-awards-season/too-early-for-summer-blockbuster-season throwaways, 3 Days to Kill and Pompeii.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.
First on my agenda was Kevin Costner's unlikely action thriller 3 Days to Kill.

A terminally ill CIA agent is persuaded to take one final job in exchange for an experimental treatment that could extend his life.

Oh, dear Blog, where do I even start? I guess I should start by saying the fact that this is a terrible movie in no way diminished my enjoyment of it; on the contrary, I quite liked it. BUT...........

Beginning at the beginning, nobody is buying Amber Heard in her role as a top CIA agent. She has neither the years nor the bearing to pull it off. It's not a poor performance, by any means, she's just entirely unsuitable for the part. Having said that, ain't nobody complainin' about looking at Amber Heard for two hours, either!

Kevin Costner is just...Kevin Costner. What else can I say? I like the guy, I do, but he's about as emotive as Joan Rivers' terminally botoxed face. He gets away with it here, as he always does, by being just that likable. I'm sitting there thinking, "God, that was bad.......but, you know what, I actually don't mind." And there's Kevin Costner for ya.

The movie itself provides so much backstory on Costner's character that it's really more like two movies. I want some depth, some rationale for the characters' situations and choices, but TWO hokey subplots that never really tie into the actual story? It's a bit much. The humor is lowbrow and predictable--but I laughed anyway--and the songs the director (McG) plops here and there are poor choices, terribly timed, or both. Maybe I'm just spoiled because nobody's as good at that as Edgar Wright, but I can't be the only one who was creeped out by an old dude like Costner slow-dancing with his teenage onscreen daughter to Bread's Make it With You...even if it is supposed to be her mother's favorite song. The action is solid, though, the characters mostly sympathetic, and there's a small, decent twist that I did not see coming for one minute.

3 Days to Kill runs 113 minutes and is rated PG13 for "intense sequences of violence and action, some sensuality, and language."

3 Days to Kill provides a couple hours of forgettable fun. Even during awards season, that's not a crime.

Of a possible nine Weasleys, 3 Days to Kill gets five.

Rounding out yesterday's double-header was Paul W.S. Anderson's latest bit of eye candy, Pompeii.

Do we really need a synopsis for this one? Volcano goes "boom," and even Kit Harington's spectacular abs can't save the day for the doomed city of Pompeii.

In addition to the volcano, this version of Pompeii offers its own forbidden love story, in the form of Harington's slave/gladiator, who falls for a princess (Emily Browning), unwillingly betrothed to a Roman senator (Kiefer Sutherland). Though he enjoys top billing, Harington has the fewest lines of any of the main cast, and is mostly called on to stand around looking fit while casting longing looks at the princess or withering looks at the Senator and his thugs. Sutherland spends 90 minutes falling in and out of the same half-assed English accent he used in 1993's The Three Musketeers, and, surprisingly, is the worst thing about a movie that's pretty resoundingly terrible. What little challenge this script provides isn't beyond most of the cast, but nobody does anything in particular to elevate it, either. In the most backhanded of backhanded compliments, I suppose Sasha Roiz and Jared Harris made me cringe the least.

Pompeii's effects strictly adhere to the "go big or go home" credo, with plenty of flying fireballs and crumbling buildings. Sadly, the costumes and set pieces look like something out of a high-school production of Jesus Christ Superstar, and I was not impressed with the overall look of the movie. Having said that, I'm a woman of simple tastes, and if you give me a couple hours of big explosions, hot, shirtless dudes in tiny skirts, and a few glorious 3D shots of one lady-in-waiting's bodacious bosom, well, I'm probably not going to complain too much.

Pompeii clocks in at a quick 98 minutes and is rated PG13 for "intense battle sequences, disaster-related action, and brief sexual content."

As with 3 Days to Kill, the fact that Pompeii isn't a very good movie didn't stop me having a good time with it, so I'll say for the final time this season: if you're looking for a break from all the uber-serious awards bait, Pompeii just might be the movie for you.

Of a possible nine Weasleys, Pompeii also gets five.

Until next time...

Wait...what was I saying??

Cindy Prascik's Jack Ryan: Shadow Recruit, Dallas Buyers Club & 12 Years a Slave

Dearest Blog, in a weekend where my cinema rolled out all the awards nominees at once and I should have seen six movies, I feel pretty good about the fact that I managed three: Jack Ryan: Shadow Recruit, Dallas Buyers Club, and 12 Years a Slave. Though most of the world has probably already seen at least two of those, we'll keep spoilers to a minimum, nothing you wouldn't know or guess from the trailers.

First on the weekend's agenda was the new release Jack Ryan: Shadow Recruit.

Newly-minted agent Jack Ryan gets himself in hot water after discovering a terrorist threat from Russia.

First, dear Blog, let me say how comforting it is to have good ol' Mother Russia back to her cinematically villainous ways. I'm a child of the Cold War, and I have to admit I'm just not feelin' more recent threats like North Korea and the Taliban.

In his first outing as the iconic Ryan, Chris Pine is younger and less polished than his predecessors, but no less entertaining. He's a good fit for the role, and I won't mind if he's the new face of a(nother) franchise. Kenneth Branagh is a bit over the top, but enjoyable, as the big baddie, but, sadly, Kiera Knightly is a casting misstep as Ryan's fiance. She's flat, unsympathetic, and her generic American accent is awful.

Good action sequences and interesting (if dubious) technology keep Shadow Recruit moving at a nice pace, and it doesn't overstay its welcome.

Jack Ryan: Shadow Recruit runs 105 minutes and is rated PG13 for "sequences of violence and intense action, and brief strong language."

Especially in this glittering awards season, there's nothing special or memorable about Shadow Recruit, but if you're looking for a couple hours of fun escapism at the movies, don't let snotty reviewers talk you out of this one.

Of a possible nine Weasleys, Jack Ryan: Shadow Recruit gets six.

Number two on my weekend's agenda was the much-anticipated Dallas Buyers Club.

After discovering he has HIV, a Texas rodeo rider challenges the law and his own prejudices in his attempts to find treatment.

With Golden Globes, Critics' Choice, and SAG awards already under Matthew McConaughey's and Jared Leto's belts, nobody needs this blog to reassure them of the quality of performances in Dallas Buyers Club; it goes without saying they are simply amazing. The supporting cast, including Denis O'Hare and Jennifer Garner, also does a fine job.

The story is at times sad and difficult to watch, but never miserable just for effect. It doesn't bog down and engages from the first second to the last.

Dallas Buyer's Club clocks in at 117 minutes and is rated R for "pervasive language, some strong sexual content, nudity, and drug use."

Reviews say as much about the reviewer as they do about the subject, and when it comes to this year's awards contenders, Dallas Buyers Club is the one telling the story that matters to me, personally. I'm grateful the people telling it have done such an extraordinary job.

Of a possible nine Weasleys, Dallas Buyers Club gets eight and a half.

The final installment in my weekend triple-header was the lauded drama 12 Years a Slave.

A free black man is torn from his life in New York and sold into slavery in the south.

Again, any plaudits I can heap on this film are pretty redundant at this point. It's cleaning up at the major awards shows and, while it's not my personal best picture, I wouldn't say doesn't deserve the accolades, either.

The cast, awards-acknowledged (Chiwetel Ejiofor and Lupita Nyong'o) and not (Benedict Cumberbatch, Michael Fassbender, Alfre Woodard, Brad Pitt, Garrett Dillahunt, and especially Paul Dano), is extraordinary, and the story is as fascinating as it is disturbing. For my money, the movie occasionally over-does it, dragging some shots and scenes on longer than necessary. There's no denying that it works at times to set a mood or maintain tension, but other times it just made me look at the clock. In the end, it's a small flaw to forgive in what's otherwise a truly special picture.

12 Years a Slave runs 134 minutes and is rated R for "violence/cruelty, some nudity, and brief sexuality."

Tough as it is to watch, 12 Years a Slave should be mandatory viewing for everyone, period. It's just that important.

Of a possible nine Weasleys, 12 Years a Slave gets eight.

Now I've done my duty with awards nominees and have to get out to see The Hobbit again one day this week! Until next time...



When "Chris Pine on a motorcycle" is an option, you didn't think I'd pick a photo from one of those other movies, did you?

[Trailer] Man of Steel

The first few trailers for Zach Snyder reboot of Superman were pretty lackluster to say the least. While I don’t quite have the vitriol that some do with Snyder, I was letdown with first glimpse but this trailer is rather rousing and exciting, give it a look below….

[Trailer] Man of Steel

Heres' the first trailer for Zack Snyder’s Superman reboot.

It gives us a better idea of what we’ll be seeing in this version, much more than the underwhelming teaser.

Snyder does look like he’s learned some lessons from his atrocious film Sucker Punch delivering a more polished and mature feel to his film.

Still not sure what the plot is going to be but trailer teases an epic confrontation between Michael Shannon’s General Zod and Cavill’s Superman…






Director: Zack Snyder

Cast: Henry Cavill, Amy Adams, Michael Shannon, Russell Crowe, Kevin Costner.

Release Date: Jun 14, 2013

Genres: Action/Adventure, Drama, Sci-Fi/Fantasy