Cindy Prascik's Review of Wrath of Man

My dear reader(s), this week it was back to the cinema (yay!) for one thing that always gets me there: Jason Statham. On the docket: Wrath of Man.

Mystery surrounds an armored vehicle guard in Los Angeles.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Honestly being the best policy and all that, I shall go on record as saying Wrath of Man is just the sort of testosterone-fueled bloodbath I want to see when I go to the pictures. I'm a woman of simple tastes, and watching Jason Statham beat the crap out of people is one of my favorite things.

Wrath of Man is directed and co-written by Guy Ritchie, and - while it is not incapable of surprising - its general nature is reasonably predictable if you like Guy Ritchie. (I like Guy Ritchie.) The non-linear plot seems muddled at times, some of the dialogue is cringey, and the whole is a bit humorless, but Wrath of Man is still exciting and entertaining.

Statham is in top form, a strong, mostly silent type who carries the film easily. It's always a pleasure to see Holt McCallany in anything, and the rest of the supporting cast is fine for what's asked of them. (If we're being honest, I probably would think Josh Hartnett and Scott Eastwood were the same person if one of them hadn't made out with Reeve Carney for the TV cameras some years back.) The film is well paced, it doesn't outstay its welcome, and a menacing score by Christopher Benstead perfectly accentuates its dark tone. It's not a game-changer, but Wrath of Man is more than enough reason to get on out to the movies.

Wrath of Man clocks in at 118 minutes and is rated R for "strong violence throughout, pervasive language, and some sexual references."

A strong lead, maximum carnage, and a twisty plot make Wrath of Man a thrilling yarn. Of a possible nine Weasleys, Wrath of Man gets seven.

Until next time...

MOVIE REVIEW: WRATH OF MAN

 

Mysterious and wild-eyed, a new security guard for a cash truck surprises his co-workers when he unleashes precision skills during a heist. The crew is left wondering who he is and where he came from. Soon, the marksman's ultimate motive becomes clear as he takes dramatic and irrevocable steps to settle a score.

Director: Guy Ritchie

Cast: Jason Statham, Holt McCallany, Jeffrey Donovan, Josh Hartnett, Laz Alonso, Chris Reilly, Raúl Castillo, DeObia Oparei, Eddie Marsan, Scott Eastwood

Release Date: May 7, 2021

Genre: Action, Thriller

Rated R for strong violence throughout, pervasive language, and some sexual references

Runtime: 1 h 58 min

Review:

Wrath of Man, Guy Ritchie and Jason Statham forth film together is a bit of a mixed bag of a crime drama.  Ritchie style is less flashy and more focused here but it only partially works since there seem to be a strange disconnect between him and the actors.  The style is slick but each of the actors delivers their lines in the stiffest and most wooden manner possible.  This works for Statham since it’s pretty similar to his usual delivery but it doesn’t quiet work for the rest of the cast.  To his credit, Statham performance is appropriately steely and determined throughout even though he disappears off screen for a big chunk of the film after it’s opening act as the story adopts a Rashomon style of storytelling.  While a solid choice for the story’s plot but none of the other characters are quiet as interesting or engaging as Statham’s H since the other characters are fairly one dimensional.  The story itself is nearly as clever as it thinks it is as all the reveals are fairly predictable from the start.  The impressive part of the film that it overcomes it’s shortcomings by being continually watchable and engaging, so much so that you can ignore some of its massive plot holes and paper thin characters. 

B-

MOVIE REVIEW: LET HIM GO

 

Following the loss of their son, a retired sheriff and his wife leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas.

Director: Thomas Bezucha

Cast: Kevin Costner, Diane Lane, Lesley Manville, Will Brittain, Jeffrey Donovan, Kayli Carter, Booboo Stewart

Release Date: November 6, 2020

Genre: Crime, Drama, Thriller

Rated R for violence

Runtime: 1 h 54 min

Review:

Let Him Go is meditative western that’s really heavily on it’s cast since it’s story and plot are decidedly light.  Thomas Bezucha slow burn of a film is an interesting mix of idolized nostalgia and crime drama.  Bezucha takes his time letting us get to know the main couple before moving the film’s plot forward in earnest.  Kevin Costner & Diane Lane make for a believable and good looking pair of grandparents.  They both add far more subtle and nuance to their characters than what’s in the actual script.  Through their talents they give us a relationship that feel real and lived in, making it the cornerstone of the entire film.  Lesley Manville’s villainous Blanche is a much showier role and she’s excellent in limited screen time.  The film would have been wise to give us a tad more depth or history to her character and the Weboy clan as a whole.  As is, they’re thinly drawn evil ciphers whose sole purpose is to terrorize the protagonist.  The lack of depth wouldn’t be such an issue if you couldn’t spot story threads in the early part of the film that are presented and ultimately abandoned.  Ultimately, the performances alone make this a rewarding watch even with its pedestrian pacing and thin characters. 

B-

MOVIE REVIEW: HONEST THIEF

 

Hoping to cut a deal, a professional bank robber agrees to return all the money he stole in exchange for a reduced sentence. But when two FBI agents set him up for murder, he must now go on the run to clear his name and bring them to justice.

Director: Mark Williams

Cast: Liam Neeson, Kate Walsh, Robert Patrick, Anthony Ramos, Jeffrey Donovan, Jai Courtney

Release Date: October 16, 2020

Genre: Action, Crime, Drama

Rated PG-13 for strong violence, crude references and brief strong language

Runtime: 1 h 39 min

Review:

Honest Thief serves as a fine encapsulation of Liam Neeson’s late career action star turn.  The main issue is this entry lacks any real flair or gusto, instead it all feels kind of perfunctory.  Mark Williams seems to come from the generic filmmaking school since the film is impressively bland and generic.  Liam Neeson goes through the motions while still trying to infuse some gravitas to the proceedings.  The main issue is that the characters are all so thinly written that there is only so much these actors can do with them.  Kate Walsh is given the thankless love interest role that seems to just go along with all the increasingly insane situations with nary a question or concern.  Jai Courtney character is so over the top that the only thing he’s missing is a villainous mustache to twirl throughout the film.  Those expecting some Taken style action to cover up the script’s failings will be left wanting since there’s not much to be found.  Honest Thief seems tailor made for that random mindless cable watching when you put zero effort into your entertainment choices.

C

Cindy Prascik's Review of Sicario: Day of the Soldado

Dearest Blog: Yesterday it was off to Marquee Cinemas for the highly anticipated (at least by me) Sicario sequel, Day of the Soldado.

 

Spoiler level here will be mild, nothing plot-related that the trailers didn't give away.

 

In order to combat trafficking of would-be terrorists across the border, the US aims to set the Mexican drug cartels at war with one another.

 

The usual full and fair disclosure(s)...quite a laundry list this time! First, I love Josh Brolin. Like, I really, really love him...since the Goonies but especially since The Young Riders. He never seems to be one of the guys who comes up in the Gary Oldman-level conversation, but I've loved him so long he's practically part of my DNA, and, despite the fact that he's become a superstar with a hefty collection of accolades, I've never learned to take his position above the movie's title for granted. 

 

Secondly, I am what is not-so-politely referred to as "part of the problem" in Hollywood. I like testosterone-fueled shoot 'em ups, and I didn't miss a female lead this time around. (No hate; I mention it only because it does color my opinion of movies.) Finally, the real world is such a shambles these days that it can be difficult to stomach films that depict some of its worst aspects, and certainly it's never easy to be reminded how awful your own government can be. I was pretty twitchy through Day of the Soldado's opening scene, but I was able to get lost in the story quickly, troublesome as the subject matter is.

 

Onward: Sicario: Day of the Soldado is a solid follow-up to one of 2015's better surprises. The movie loses a bit of momentum in its second act, but, thanks to well-maintained tension, a fully-utilized runtime, and amazing performances all 'round, it never really lets go of your attention. An implausible twist nearly derails the whole shebang (my cinema actually laughed out loud during the grim scene, certainly not the filmmakers' intention), but the film quickly regains its footing. 

 

Brolin and co-star Benicio Del Toro are riveting, and, like the original, Day of the Soldado boasts extraordinary cinematography (this time by the incomparable Dariusz Wolski), and a phenomenal score by Hildur Guonadottir. This felt like the first time in a very, very long time I was truly excited to get out to the movies, and Sicario: Day of the Soldado did not disappoint. Also, small spoiler alert: Josh Brolin eating noodles like he's never seen food before is my new porn.

Sicario: Day of the Soldado clocks in at 122 minutes and is rated R for "strong violence, bloody images, and language."

 

Sicario: Day of the Soldado as a whole is never quite as good as some of its parts, but it met my expectations and kept me engaged to the end. 

 

Of a possible nine Weaslesys, Sicario: Day of the Soldado gets eight.

 

Fangirl points: Yeah, still gotta give 'em to Josh Brolin, and also Dariusz Wolski, whose work never ceases to amaze me. AND...Shea Whigham, too!

 

Until next time...

SICARIO: DAY OF THE SOLDADO

FBI agent Matt Graver calls on mysterious operative Alejandro Gillick when Mexican drug cartels start to smuggle terrorists across the U.S. border. The war escalates even further when Alejandro kidnaps a top kingpin's daughter to deliberately increase the tensions. When the young girl is seen as collateral damage, the two men will determine her fate as they question everything that they are fighting for.

Director: Stefano Sollima

 

Cast: Benicio del Toro, Josh Brolin, Jeffrey Donovan, Isabela Moner, Manuel Garcia-Rulfo, Catherine Keener

Release Date: June 29, 2018

 

Genres: Action, Crime, Drama

Rated R for strong violence, bloody images, and language

Runtime: 2h 3min

Review:

Sicario: Day of the Soldado is a solid sequel even though it is missing that spark that made the original film so impressive.  Losing Denis Villeneuve and Roger Deakins was bound to leave a gap but new director Stefano Sollima tries his best to keep the aesthetics the same and general feel of the original.  Still there’s a noticeable talent gap which is compounded by some truly bleak sequences which are as shocking as they are rather unnecessary.  The script has a strange undercurrent of nastiness which can distract you from some strong performances.  Benicio del Toro drives the film with an impressive showing expanding on his character from the first film.  Del Toro is always the most interesting person on screen while Josh Brolin is a close second.  Brolin adds some needed depth to his character but the film doesn’t spend as much time cultivating it as it should.  Isabela Moner is a strong child performer who emotes fairly well even though she’s not given a ton of dialogue.  Catherine Keener is given a thankless role which wastes her considerable talents which is a real shame.  The film’s twisty plot is kind of muddled and once the film gains momentum it suddenly just ends with a door flapping open for a sequel.  It’s weird to think of this series being a franchise but that’s where the film leads us.

B-