MOVIE REVIEW: SMILE 2

 

About to embark on a new world tour, global pop sensation Skye Riley begins to experience increasingly terrifying and inexplicable events. Overwhelmed by the escalating horrors and pressures of fame, she must face her dark past to regain control of her life before it spirals out of control.

Director: Parker Finn

Cast: Naomi Scott, Rosemarie DeWitt, Lukas Gage, Miles Gutierrez-Riley, Peter Jacobson, Raúl Castillo, Dylan Gelula, Ray Nicholson, Kyle Gallner

Release Date: October 18, 2024

Genre: Horror, Mystery, Thriller

Rated R for strong bloody violent content, grisly images, language throughout and drug use.

Runtime: 2h 12m

Review:

Parker Finn's Smile 2 is gorier and devilishly funnier than its predecessor as focus shifts to a damaged pop star played by a stellar Naomi Scott.  Finn's second turn, immediately feels more confident and elegantly eerie as we follow Skye Riley's decent into madness.  He still relies on jump scares a tad too much for my taste but its hard to hate it too much when he sets up those moments up so effectively.  A handful of sequences are anxiety inducing and set up with impressive visual panache such as a gloriously nightmarish where Skye's smiling back up dancers chasing her around her apartment.  There are a handful of moments like that which leaves a noticeable impact with each leaving you wonder what's real and what's not as things get increasingly out of control.  This all doesn't work nearly as well as it does if not for a instantly engaging turn from Naomi Scott.  Scott is fully committed from the start by bringing a believable sense of mental fraying from the onset.  Her Skye is damaged and isolated before the madness begins due to a horrific event that's left her traumatized beforehand.  Scott conveys that sense of isolation and self hate with a natural ease that's incredibly impressive.  As things get more dire and her character starts to fall apart at the seams there's an exasperated terror to her as she starts to lose her grip on reality and she becomes an increasingly unreliable narrator.  Rosemarie DeWitt, Lukas Gage, Miles Gutierrez-Riley and Dylan Gelula are solid in supporting roles but this is Scott's showcase and she is the most fascinating performer onscreen throughout the entire film.  Given the amount of celebrities we've seen go off the rails there's something that feels slightly more realistic about this setup than the original which makes it one of the few horror films to earn its two hour runtime.  Smile 2 proves to be one of the rare horror sequels that improves on the original by taking in a slightly different sphere to deliver a mash up of The Ring and Nightmare on Elm Street which leaves me eager to see where the series goes next.

A-

Cindy Prascik's Review of Wrath of Man

My dear reader(s), this week it was back to the cinema (yay!) for one thing that always gets me there: Jason Statham. On the docket: Wrath of Man.

Mystery surrounds an armored vehicle guard in Los Angeles.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Honestly being the best policy and all that, I shall go on record as saying Wrath of Man is just the sort of testosterone-fueled bloodbath I want to see when I go to the pictures. I'm a woman of simple tastes, and watching Jason Statham beat the crap out of people is one of my favorite things.

Wrath of Man is directed and co-written by Guy Ritchie, and - while it is not incapable of surprising - its general nature is reasonably predictable if you like Guy Ritchie. (I like Guy Ritchie.) The non-linear plot seems muddled at times, some of the dialogue is cringey, and the whole is a bit humorless, but Wrath of Man is still exciting and entertaining.

Statham is in top form, a strong, mostly silent type who carries the film easily. It's always a pleasure to see Holt McCallany in anything, and the rest of the supporting cast is fine for what's asked of them. (If we're being honest, I probably would think Josh Hartnett and Scott Eastwood were the same person if one of them hadn't made out with Reeve Carney for the TV cameras some years back.) The film is well paced, it doesn't outstay its welcome, and a menacing score by Christopher Benstead perfectly accentuates its dark tone. It's not a game-changer, but Wrath of Man is more than enough reason to get on out to the movies.

Wrath of Man clocks in at 118 minutes and is rated R for "strong violence throughout, pervasive language, and some sexual references."

A strong lead, maximum carnage, and a twisty plot make Wrath of Man a thrilling yarn. Of a possible nine Weasleys, Wrath of Man gets seven.

Until next time...

MOVIE REVIEW: WRATH OF MAN

 

Mysterious and wild-eyed, a new security guard for a cash truck surprises his co-workers when he unleashes precision skills during a heist. The crew is left wondering who he is and where he came from. Soon, the marksman's ultimate motive becomes clear as he takes dramatic and irrevocable steps to settle a score.

Director: Guy Ritchie

Cast: Jason Statham, Holt McCallany, Jeffrey Donovan, Josh Hartnett, Laz Alonso, Chris Reilly, Raúl Castillo, DeObia Oparei, Eddie Marsan, Scott Eastwood

Release Date: May 7, 2021

Genre: Action, Thriller

Rated R for strong violence throughout, pervasive language, and some sexual references

Runtime: 1 h 58 min

Review:

Wrath of Man, Guy Ritchie and Jason Statham forth film together is a bit of a mixed bag of a crime drama.  Ritchie style is less flashy and more focused here but it only partially works since there seem to be a strange disconnect between him and the actors.  The style is slick but each of the actors delivers their lines in the stiffest and most wooden manner possible.  This works for Statham since it’s pretty similar to his usual delivery but it doesn’t quiet work for the rest of the cast.  To his credit, Statham performance is appropriately steely and determined throughout even though he disappears off screen for a big chunk of the film after it’s opening act as the story adopts a Rashomon style of storytelling.  While a solid choice for the story’s plot but none of the other characters are quiet as interesting or engaging as Statham’s H since the other characters are fairly one dimensional.  The story itself is nearly as clever as it thinks it is as all the reveals are fairly predictable from the start.  The impressive part of the film that it overcomes it’s shortcomings by being continually watchable and engaging, so much so that you can ignore some of its massive plot holes and paper thin characters. 

B-