MOVIE REVIEW: JURASSIC WORLD REBIRTH

Zora Bennett leads a team of skilled operatives to the most dangerous place on Earth, an island research facility for the original Jurassic Park. Their mission is to secure genetic material from dinosaurs whose DNA can provide life-saving benefits to mankind. As the top-secret expedition becomes more and more risky, they soon make a sinister, shocking discovery that's been hidden from the world for decades.

Director: Gareth Edwards

Cast: Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, Manuel Garcia-Rulfo, Ed Skrein

Release Date: July 2, 2025

Genre: Action, Adventure, Sci-Fi, Thriller

Rated PG-13 for intense sequences of violence/action, bloody images, some suggestive references, language and a drug reference.

Runtime: 2h 14m

Review:

Jurassic World Rebirth offers the big scale dinosaur action we've come to expect from the long running series however it suffers from an identity crisis as it struggles to figure out if it wants to lean into its horror roots or something more family friendly and safe.  Gareth Edwards is perfectly capable of handling the dinosaur mayhem that occurs throughout the film by delivering impressive set pieces.  There are sequences that are reminiscent of his older works such as The Creator, Godzilla and Monsters which work well for this franchise.  The required T-Rex set piece is particularly well executed although people of a certain age might get heavy hints of the Land of the Lost intro from the 70's.  The rest of the action is solid but it’s nothing groundbreaking or new which is disappointing since the crux of this entry being that this was an R&D island which worked on genetic splicing to create something new to keep the public’s waning interest in the park and their regular dinosaurs.  It’s a bit of unintentional meta commentary on the series itself as this entry’s creatures really don't take any wild swings with the raptor/pterosaur hybrids and Distortus rex (which looks like a weird hybrid of the Rancor from Star Wars and an Alien from that franchise) which aren't nearly as memorable as they should be.  The story doesn't help matter much as we get competing narratives with one following Johansson's covert opt to retrieve dino DNA and a random family that's rescued by her team after being shipwrecked by Mosasaurus.  The script separates each group once they hit the island for no discernible reason other than to expand the geography of the film.  Scarlett Johansson and Mahershala Ali top line the film and their characters are given hints of deeper development which should have been nurtured with more screentime instead of the narrative tangents provided by the most generic family in the form of the Delgado's.  It’s a headscratcher of a decision since the film has two top list stars that could have carried this film with general ease, but the script decides to sideline them for half the film's screentime.  As a result, both groups of characters are underserved and they all come off as far more generic than they should be, especially considering the top tier talent.  It leaves everything in Jurassic World Rebirth feel like a retread of the far superior original, something a steady series of clunky visual easter eggs manage to hammer home.

C+

MOVIE REVIEW: THE CREATOR

 

As a future war between the human race and artificial intelligence rages on, ex-special forces agent Joshua is recruited to hunt down and kill the Creator, the elusive architect of advanced AI. The Creator has developed a mysterious weapon that has the power to end the war and all of mankind. As Joshua and his team of elite operatives venture into enemy-occupied territory, they soon discover the world-ending weapon is actually an AI in the form of a young child.

Director: Gareth Edwards

Cast: John David Washington, Madeleine Yuna Voyles, Gemma Chan, Ken Watanabe, Sturgill Simpson, Allison Janney

Release Date: September 29, 2023

Genre: Action, Adventure, Drama, Sci-Fi, Thriller

Rated PG-13 for violence, some bloody images and strong language

Runtime: 2h 15m

Gareth Edwards The Creator is a sprawling sci-fi epic that's got a distinctive visual style that echoes its massive scope.  Edwards mines a variety of sources such as Blade Runner, District 9, Children of Men, A.I. Artificial Intelligence, and a small dash of Kubrick's 2001 in the final shot.  The result is a cornucopia of fully realized settings that feel lived in and real that keeps the film from feeling too artificial.  Story wise it's equally expansive and grounded even as it traverses some well worn story threads, particularly the child messiah idea from The Terminator but opting to flip the script.  It’s a dense story that throws a hefty amount of thematic ideas that makes the film work both as something literal and as a more allegorical tale which the best kind of sci-fi tends to do.  Needless to say, it’s the kind of hard sci-fi that we rarely see these days especially on the scope and scale that Edwards delivers.  Its deadly serious from start to finish with performances that are equally committed to their roles.  John David Washington leads the film with a heartfelt, driven performance which gives him ample time to shine.  He serves as the anchor of the film, keeping everything tethered to the emotional core of the story.  Newcomer Madeleine Yuna Voyles, who plays Alphie the child AI, is impressive throughout with her and Washington sharing strong chemistry together even as the script starts to thug on heartstrings a tad too much in the final act.  The supporting cast is solid even if they do take a backseat to the central relationship with Ken Watanabe and Allison Janney leaving the biggest impression.  Watanabe gets his moments, but the film would have been smart to take better advantage of his talented presence.  Janney does get more screen time which she uses to deliver an icy, stone cold killer turn that could have come off as cartoonish in lesser hands.  She makes for a compelling villain, but the script doesn't give the character a ton of depth outside of a few passing lines of dialogue early on.  Its one of the minor issues that peppers the film in addition to pacing issues here and there that make the film feel longer than its actual runtime and some fairly noticeable logical leaps the story ask you make at various points in the plot.  Still, The Creator is an achievement on multiple levels from its stark visuals to its ability to take well worn tropes feel fresh again.

B+

MOVIE REVIEW: ROGUE ONE: A STAR WARS STORY

This prequel to the very tells the thrilling story of how a ragtag band of freedom fighters -- including a former soldier-turned-prisoner (Felicity Jones), a Rebel Alliance insider (Diego Luna), a Jedi (Donnie Yen), and a sentient robot (voiced by Alan Tudyk) -- worked together to steal the Death Star's secret blueprints. Ben Mendelsohn, Forest Whitaker, Riz Ahmed, Mads Mikkelsen, and Jimmy Smits co-star in Rogue One, the first of several Jimmy Smits spin-offs planned after J.J. Abrams' J.J. Abrams reboot. ~ Violet LeVoit, Rovi

Director: Gareth Edwards

Cast :Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen

Release Date: Dec 16, 2016

Rated PG-13 for Sci-Fi Violence and Action

Runtime: 2 hr. 13 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Review:

It’s probably best to start with a small disclaimer.  I’ve never been a diehard Star Wars fan and watched all of them mainly out of duty.  That’s not to say I don’t like a few of them but I can’t say I really love them with any deep rooted passion.  A fact that was reiterated after watching The Force Awakens last year, a film I liked the first time and instantly disliked after a 2^nd viewing.  The biggest issue with that film was how lazily it played on nostalgia with very little in the way of innovation.  Rogue One thankfully brings some fresh energy to the franchise by opening up the established world and telling a story free of major shackles outside of major events from the first film.  Gareth Edwards delivers a film that offers a fresh perspective with a decidedly more grounded and visceral approach.  At its center is Felicity Jones who plays Jyn Eros with a tormented but heartfelt energy throughout.  She’s a well rounded character which serves the film well.  Diego Luna is a bit more of a cipher as the film only gives passing moments of depth to his character which is a shame since Luna is a talented actor.  Alan Tudyk, Donnie Yen and Riz Ahmed all bring a strong sense of heart to the film.  It’s a testament to the film that we meet some of these characters well into the film but form a strong connection with them quickly.  It’s nice to see that Mads Mikkelsen fairs better here than he did in Dr. Strange even if his screen time is much smaller.  Ben Mendelsohn plays a perfect villain even if he leans a bit too much toward the mustache twirling variety.  Darth Vader is used sparingly but when he appears it makes a strong impact, particularly in the third act.  A bit of trimming here and there could have streamlined the film a bit but considering how troubled the production was, it’s a bit of a minor miracle that the film came out as well as it did.  I go even as far as to say it’s probably one of my favorite Star Wars films in general.

A-

Cindy Prascik's Review of Godzilla

Dearest Blog, yesterday I headed to the cinema to see Godzilla with the rest of the known universe.
Spoiler level here will be mild, pretty much nothing you wouldn't know or have guessed from the trailers.

The fate of the world hangs in the balance when giant monsters do battle.

Well, dear Blog, I gotta say this is the first time I ever wished I had a video blog so I could make the video and audio out of sync for this review. My version of an homage. Sorry, best I got.

Godzilla's latest screen outing has a bit of a split personality. The titular monster does not make his first real appearance until almost exactly halfway through (I checked the clock) and the first and second acts are like night and day.

Act one is our setup, and it's a little slow and "peopley" for my taste. The cast boasts some noteworthy names: Bryan Cranston, Juliette Binoche, Aaron Taylor-Johnson, Ken Watanabe, Sally Hawkins, and David Strathairn. Whatta we got, an Oscar and a handful of nominations there? For all that acting juice, nobody is really worth a mention either way, other than to say, if you were thinking of seeing this movie just because you love Juliette Binoche...um...maybe don't, m-kay?

Act two: MONSTERS. Woot! I can't speak for anybody else, but I sure as hell didn't see Godzilla because I thought Bryan Cranston might be looking for an Oscar to go with his Emmy. I saw it because I like monsters...big, scary ones that look like they're coming off the screen at me. And let me tell ya somethin', people: if I'd seen this in 3D, I might have wet myself. The monsters are phenomenal, absolutely everything for which I'd hoped, imposing with just the right touch of silliness here and there. The disaster effects are great too, authentic looking and presented in such a way that the mass destruction never wears thin. (Are you paying attention, Man of Steel?) Though the first hour does feel a bit long, once the action gets rolling, you won't care...or even remember.

Godzilla clocks in at 123 minutes and is rated PG13 for "intense sequences of destruction, mayhem, and creature violence."

If Godzilla's first act feels a little sluggish, I'm pretty sure I was grinning from ear to ear for the entire second hour. Of a possible nine Weasleys, Godzilla gets seven.

Until next time...

A number four...and super-size it!

MOVIE REVIEW: GODZILLA

The king of all monsters gets a reboot with this Warner Bros./Legendary Pictures production helmed by Gareth Edwards, who gained critical attention with his intimate twist on the giant-creature genre with his feature-film debut, Monsters. Frank Darabont (The Mist) and Max Borenstein provide the script. ~ Jeremy Wheeler, Rovi 

Director: Gareth Edwards 

Cast: Aaron Johnson, Elizabeth Olsen, Bryan Cranston, David Strathairn, Ken Watanabe

Rated PG-13 for intense sequences of destruction, mayhem and creature violence

Genres: Creature Film, Sci-Fi Action, Science Fiction 

Review:

Gareth Edwards’ Godzilla is filled with top level acting talent.  So much so that Juliette Binoche stops by for a cup of coffee and is gone before you notice it.  Bryan Cranston is there, makes an impression, and is gone.  Then there’s Ken Watannabe and David Strathairn looking stern and concerned for the majority of their screen time.  Throw in Aaron, is his voice really still cracking, Johnson and Elizabeth Olsen for good measure and you have a lot of recognizable faces who really don’t matter in the grand scheme of this film.  This film is name Godzilla for a reason after all.  Edwards, shooting a visually beautiful film, shows a level of restraint that’s rare for big budget blockbuster.  His slow reveal of the titular monster is like watching a monster mash version of a burlesque show, lots of tease before the payoff.  The human stories are clichéd but interesting enough to keep you entertained in between some massive set pieces that feel fresh but familiar.  The monster on monster action, which includes destroying some fun vacation spots, is top notch with excellent CGI throughout especially Godzilla himself.  Some of the battles do lose a tad bit of their luster since Pacific Rim ran through some similar sequences but there are plenty of moments which are filled singular Godzilla greatness that’ll bring a gleeful smile to anyone raised on the original films.  Be sure to watch it on a massive theater screen.

B+

[Trailer] Godzilla 2014

The first teaser trailer for Gareth Edwards redux of Godzilla is out and it does its job perfectly, setting up tone and atmosphere.

We don’t get a clear view of Godzilla but it sure looks like it’ll actually be Godzilla and not some unrecognizable beast like the 1998 film, which also had an excellent teaser trailer I might add. For now, I’ll give Gareth Edward the benefit of the doubt…..