MOVIE REVIEW: DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS

 

Dr Stephen Strange casts a forbidden spell that opens a portal to the multiverse. However, a threat emerges that may be too big for his team to handle.

Director: Sam Raimi

Cast:  Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

Release Date: May 6, 2022

Genre: Action, Adventure, Fantasy, Horror, Sci-Fi

Rated PG-13 for intense sequences of violence and action, frightening images and some language.

Runtime: 2h 6m

Review:

Doctor Strange In The Multiverse of Madness is a Sam Raimi film from start to finish, it's bloody, outlandish but never boring even if the actual plot plays like a Rick and Morty episode.  Raimi takes very little time to put his stamp on his entry into the Marvel universe by throwing out monster and mayhem from the start.  People familiar with his filmography will pick up on nods to his past film with Evil Dead and Drag Me to Hell being the most obvious inspirations.  Benedict Cumberbatch is surprisingly at ease amidst the general insanity that Raimi throws at him in the film.  He clearly comfortable in the role but you get the distinct sense that he'd relish a bit more depth to his character this far into his run as he throws out quips at the same pace as magic spells.  Elizabeth Olsen's Wanda is untethered, broken and  and she plays her with impressive intensity even though her backstory will requires some Disney+ homework for the uninitiated.  Olsen has the ability to display pain and loss with naturalistic ease and she does so with great effect even though some fans may not be happy with her character ultimate arch.  Rachel McAdams gets some time to shine in the backend of the film which makes you wish the film had made better use of her while Xochitl Gomez is given the task of being little more than a human McGuffin.  The multiverse conceit opens up worlds of possibilities and Raimi takes great pleasure in delivering fanboy moments especially when there aren't any real consequences to what happens.  Doctor Strange In The Multiverse of Madness is one of the more jumbled entries in the Marvel franchise but it does overcome some of its story deficiencies by letting Raimi go nuts.  

B

Cindy Prascik's Reviews of Wind River & Goon: Last of the Enforcers

 

 

 

Dearest Blog: Thanks to an extra-long holiday weekend, yesterday I was able to enjoy a Fantastic Friday Double-Feature.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on my agenda, a visit to Marquee Cinemas to see early awards hopeful Wind River.

 

When a young woman's body is discovered on a Native American Reservation, an FBI agent recruits the local game tracker to assist in the investigation.

 

Wind River is a somber, inspired-by-true-events tale that sheds some light on a violent reality faced by Native American women, a sad reality-check sold as a movie thriller. The picture is suspenseful and intense, with quiet power underscored by majestic winter scenery. A perfect cast is headed by Jeremy Renner and Elizabeth Olsen, supported by Graham Greene, Julia Jones, The Magnificent 7's Martin Sensmeier, and Gil Birmingham in what may be my favorite performance of the year so far. 

 

There is a profound moment between two grieving fathers that, with zero showboating, is the best thing I've seen at the movies in 2017. (And I spend a lot of moments at the movies, so that's saying something.) Wind River's only fault is that that most of Jeremy Renner is mostly covered by a snowsuit for most of the time. It's worse than when whoever dresses the Avengers decided it was a good idea to put sleeves on Hawkeye. Hrmph.

 

Wind River runs 107 minutes and is rated R for "strong violence, rape, disturbing images, and language."

 

Wind River is a smart, moving film that will be on your mind long after you leave the cinema. Of a possible nine Weasleys, Wind River gets eight and a half.

 

Next on the docket, a home screening of Goon: Last of the Enforcers.

 

Doug "The Thug" Glatt mounts a comeback amidst mounting challenges on and off the ice.

 

Like the first Pirates of the Caribbean and Guardians of the Galaxy movies, the original Goon surprised movie-goers by being much more than they expected, a legitimately solid picture that wasn't just good for a comedy or good for a sports movie or good for what you'd expect from the creative team in question. Incapable of duplicating that element of surprise, even a good sequel naturally feels diminished, but I am pleased to report that Goon: Last of the Enforcers still has a great deal going for it.

 

Getting my petty quibbles out of the way first: Last of the Enforcers is amusing throughout and has moments of hilarity, but the humor is nowhere near as consistent as the original. The movie also goes overboard in its depiction of hockey violence. The best comedy is rooted in reality, and too many liberties are taken here, particularly during the climactic bloodbath. That out of the way, Goon 2 is a funny film that retains all the heart of its predecessor. It's bittersweet catching up with the old crew, several of whom have taken on new roles in the time meant to have passed between pictures. It goes without saying that more Liev Schreiber is always better than less Liev Schreiber, but being a supporting player does nothing to dim his brilliance; his aging tough guy Ross "The Boss" Rhea is again the very best thing about the movie. New characters serve their purpose well enough, but never manage to drum up a fraction of the affection I have for even the most minor players from the first film. Jay Baruchel doubles as director on this outing, so his screen time as Glatt's profanity-spewing best friend is limited, and the brilliant Kim Coates also feels underused. Returning Highlanders, though they probably have no less screen time than the first time 'round, sometimes feel pushed aside for the new guys, but the movie does give each his moment. Perhaps more importantly, it also does a great job of showing how they've grown together as a team. That, coupled with Doug's new life as husband and father-to-be, is really what makes Last of the Enforcers a great sequel that's well worth your movie dollar.

 

Goon: Last of the Enforcers clocks in at 101 minutes and is rated R for "pervasive language, crude sexual content, and bloody sports violence."

 

The original Goon was great enough to rob even the best sequel of the element of surprise, but Goon: Last of the Enforcers is a solid comedy with well-played, heartfelt moments that ultimately win the day. 

 

Of a possible nine Weasleys, Goon: Last of the Enforcers gets eight.

 

Until next time...

Cindy Prascik's Review of Godzilla

Dearest Blog, yesterday I headed to the cinema to see Godzilla with the rest of the known universe.
Spoiler level here will be mild, pretty much nothing you wouldn't know or have guessed from the trailers.

The fate of the world hangs in the balance when giant monsters do battle.

Well, dear Blog, I gotta say this is the first time I ever wished I had a video blog so I could make the video and audio out of sync for this review. My version of an homage. Sorry, best I got.

Godzilla's latest screen outing has a bit of a split personality. The titular monster does not make his first real appearance until almost exactly halfway through (I checked the clock) and the first and second acts are like night and day.

Act one is our setup, and it's a little slow and "peopley" for my taste. The cast boasts some noteworthy names: Bryan Cranston, Juliette Binoche, Aaron Taylor-Johnson, Ken Watanabe, Sally Hawkins, and David Strathairn. Whatta we got, an Oscar and a handful of nominations there? For all that acting juice, nobody is really worth a mention either way, other than to say, if you were thinking of seeing this movie just because you love Juliette Binoche...um...maybe don't, m-kay?

Act two: MONSTERS. Woot! I can't speak for anybody else, but I sure as hell didn't see Godzilla because I thought Bryan Cranston might be looking for an Oscar to go with his Emmy. I saw it because I like monsters...big, scary ones that look like they're coming off the screen at me. And let me tell ya somethin', people: if I'd seen this in 3D, I might have wet myself. The monsters are phenomenal, absolutely everything for which I'd hoped, imposing with just the right touch of silliness here and there. The disaster effects are great too, authentic looking and presented in such a way that the mass destruction never wears thin. (Are you paying attention, Man of Steel?) Though the first hour does feel a bit long, once the action gets rolling, you won't care...or even remember.

Godzilla clocks in at 123 minutes and is rated PG13 for "intense sequences of destruction, mayhem, and creature violence."

If Godzilla's first act feels a little sluggish, I'm pretty sure I was grinning from ear to ear for the entire second hour. Of a possible nine Weasleys, Godzilla gets seven.

Until next time...

A number four...and super-size it!

MOVIE REVIEW: GODZILLA

The king of all monsters gets a reboot with this Warner Bros./Legendary Pictures production helmed by Gareth Edwards, who gained critical attention with his intimate twist on the giant-creature genre with his feature-film debut, Monsters. Frank Darabont (The Mist) and Max Borenstein provide the script. ~ Jeremy Wheeler, Rovi 

Director: Gareth Edwards 

Cast: Aaron Johnson, Elizabeth Olsen, Bryan Cranston, David Strathairn, Ken Watanabe

Rated PG-13 for intense sequences of destruction, mayhem and creature violence

Genres: Creature Film, Sci-Fi Action, Science Fiction 

Review:

Gareth Edwards’ Godzilla is filled with top level acting talent.  So much so that Juliette Binoche stops by for a cup of coffee and is gone before you notice it.  Bryan Cranston is there, makes an impression, and is gone.  Then there’s Ken Watannabe and David Strathairn looking stern and concerned for the majority of their screen time.  Throw in Aaron, is his voice really still cracking, Johnson and Elizabeth Olsen for good measure and you have a lot of recognizable faces who really don’t matter in the grand scheme of this film.  This film is name Godzilla for a reason after all.  Edwards, shooting a visually beautiful film, shows a level of restraint that’s rare for big budget blockbuster.  His slow reveal of the titular monster is like watching a monster mash version of a burlesque show, lots of tease before the payoff.  The human stories are clichéd but interesting enough to keep you entertained in between some massive set pieces that feel fresh but familiar.  The monster on monster action, which includes destroying some fun vacation spots, is top notch with excellent CGI throughout especially Godzilla himself.  Some of the battles do lose a tad bit of their luster since Pacific Rim ran through some similar sequences but there are plenty of moments which are filled singular Godzilla greatness that’ll bring a gleeful smile to anyone raised on the original films.  Be sure to watch it on a massive theater screen.

B+

[Trailer] Godzilla 2014

The first teaser trailer for Gareth Edwards redux of Godzilla is out and it does its job perfectly, setting up tone and atmosphere.

We don’t get a clear view of Godzilla but it sure looks like it’ll actually be Godzilla and not some unrecognizable beast like the 1998 film, which also had an excellent teaser trailer I might add. For now, I’ll give Gareth Edward the benefit of the doubt…..

MOVIE REVIEW: SILENT HOUSE

IN THEATERS

SILENT HOUSE



Chris Kentis and Laura Lau (Open Water) return to terra firma for this remake of the "real time" Uruguayan thriller La Casa Muda. Their summer cottage vandalized by squatters during the off-season, Sarah (Elizabeth Olsen), her father, and her uncle begin the laborious process of cleaning the place up when noises from within hint they are not alone. Now the deeper Sarah ventures into the derelict building, the further the secrets of her dark past are dragged out into the light. As with La Casa Muda, Silent House was shot in one continuous take, a production style that allows the viewer to experience the swelling tension of Sarah's horror firsthand as she unlocks a diabolical mystery. ~ Jason Buchanan, Rovi

Director: Laura Lau, Chris Kentis

Cast: Elizabeth Olsen, Adam Trese, Eric Sheffer Stevens

Release Date: Mar 09, 2012

Rated R for disturbing Violent Content and Terror

Runtime: 1 hr. 28 min.

Genres: Art House/Foreign, Horror, Suspense/Thriller

Review:

Silent House is a gimmick film, 2 in fact and they both do a solid job of making a mostly taut thriller that engages only to unravel in its final reel. Visually it’s edited to appear as if it’s one continuous shot following the story in real time. In reality these gimmicks make it feel a lot like a “found footage” film without the need to explain the ever present camera man. Regardless, it feels very similar and serves its purpose for the better part of the film. Directors Laura Lau and Chris Kentis, who directed the wonderfully effective low budget shocker Open Water, keep the tension high and wind the audience up like a top in the first 2 acts. Elizabeth Olsen is pretty much alone here and she delivers a frantic fragile and frazzled performance which is effective and believable. She’s strong enough to elevate some of the weaker portions of the film. Sadly, the script provides such obvious road markers about the coming turn that you are left hoping for an unambiguous ending. Instead, it heads into very some well worn territory which would have served the film and story better had they been left open to interpretation. It falls into the same pitfalls that The Last Exorcism and Insidious feel into, taking a strange and unnecessary turn in it’s finale, nearly destroying what it’d done so well beforehand.

C