Cindy Prascik's Reviews of Fighting with My Family / How to Train Your Dragon: The Hidden World

This weekend there were two new movies on offer at the local cinema: Fighting with My Family and How to Train Your Dragon: The Hidden World.

I had high hopes for both, and I was not disappointed.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda: Fighting with My Family.

A family in a small English town dreams of wrestling glory.

Fighting with My Family is based on the true story of Paige, a young woman from a wrestling family in Norwich, England, who dreams of making it to wrestling's biggest stage, the WWE. Fighting with My Family turns a rather charmless subject into a sweet film about family and dedication. Stephen Merchant directs his first feature with the hand of an old pro, and the movie never drags despite being somewhat predictable. Young star Florence Pugh is terrific in the lead, but it's Nick Frost and Lena Headey who really steal the show, playing parents that are as desperate and sometimes clueless as they are supportive. Authentic-looking training and match sequences provide a good foundation, and Merchant's hilarious and endearing script offers plenty of laughs and sweet moments too. Despite the presence of mega-superstar Dwayne Johnson, the movie manages to feel intimate and very much attached to its English roots, a genuinely joyful cinema experience.

Fighting with My Family runs 108 minutes and is rated PG13 for "crude and sexual material, language throughout, some violence and drug content.

Fighting with My Family is a charmer that may end up one of the year's best films. Of a possible nine Weasleys, Fighting with My Family gets eight.

Fangirl points: Iron Maiden sure sounds fine in surround sound!

Next on the docket: How to Train Your Dragon: The Hidden World.

The final adventure of Toothless and Hiccup.

Yeah, I cried just writing it.

The first installment in the How to Train Your Dragon series is one of four movies that I consider my favorite of all time. It is perfection, and part of me always felt it should have been left at that, rather than risk being tarnished by further features. The middle film in the franchise didn't set well with me at all--one of my biggest cinema disappointments--so it's fair to say I was pretty nervous about The Hidden World. I am pleased to report my concerns were unfounded.

How to Train Your Dragon: The Hidden World brings this epic story to a fitting end, giving each character enough screen time that fans won't feel shorted on any front. Hell, even David Tennant's Spitelout has a couple lines this time! (I think he had one word in the first one and nothing in the second.) While I still contend the tale told in the first film was perfection that didn't require addenda, The Hidden World manages to flesh out the story and bring it to a natural close. Voice talent is on point, and the addition of F. Murray Abraham as the Big Bad could only ever be a plus. There's action to spare, but also plenty of quiet moments. Visuals are absolutely stunning, and John Powell again provides a magnificent, soaring score. You'll want to see this one again and again...I know I do!
How to Train Your Dragon: The Hidden World clocks in at 104 minutes and is rated PG for "adventure action and some mild rude humor."

How to Train Your Dragon: The Hidden World is a perfect ending to a near-perfect franchise.

Of a possible nine Weasleys, How to Train Your Dragon: The Hidden World gets nine.

Until next time...

Cindy Prascik's Reviews of Wind River & Goon: Last of the Enforcers

 

 

 

Dearest Blog: Thanks to an extra-long holiday weekend, yesterday I was able to enjoy a Fantastic Friday Double-Feature.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

First on my agenda, a visit to Marquee Cinemas to see early awards hopeful Wind River.

 

When a young woman's body is discovered on a Native American Reservation, an FBI agent recruits the local game tracker to assist in the investigation.

 

Wind River is a somber, inspired-by-true-events tale that sheds some light on a violent reality faced by Native American women, a sad reality-check sold as a movie thriller. The picture is suspenseful and intense, with quiet power underscored by majestic winter scenery. A perfect cast is headed by Jeremy Renner and Elizabeth Olsen, supported by Graham Greene, Julia Jones, The Magnificent 7's Martin Sensmeier, and Gil Birmingham in what may be my favorite performance of the year so far. 

 

There is a profound moment between two grieving fathers that, with zero showboating, is the best thing I've seen at the movies in 2017. (And I spend a lot of moments at the movies, so that's saying something.) Wind River's only fault is that that most of Jeremy Renner is mostly covered by a snowsuit for most of the time. It's worse than when whoever dresses the Avengers decided it was a good idea to put sleeves on Hawkeye. Hrmph.

 

Wind River runs 107 minutes and is rated R for "strong violence, rape, disturbing images, and language."

 

Wind River is a smart, moving film that will be on your mind long after you leave the cinema. Of a possible nine Weasleys, Wind River gets eight and a half.

 

Next on the docket, a home screening of Goon: Last of the Enforcers.

 

Doug "The Thug" Glatt mounts a comeback amidst mounting challenges on and off the ice.

 

Like the first Pirates of the Caribbean and Guardians of the Galaxy movies, the original Goon surprised movie-goers by being much more than they expected, a legitimately solid picture that wasn't just good for a comedy or good for a sports movie or good for what you'd expect from the creative team in question. Incapable of duplicating that element of surprise, even a good sequel naturally feels diminished, but I am pleased to report that Goon: Last of the Enforcers still has a great deal going for it.

 

Getting my petty quibbles out of the way first: Last of the Enforcers is amusing throughout and has moments of hilarity, but the humor is nowhere near as consistent as the original. The movie also goes overboard in its depiction of hockey violence. The best comedy is rooted in reality, and too many liberties are taken here, particularly during the climactic bloodbath. That out of the way, Goon 2 is a funny film that retains all the heart of its predecessor. It's bittersweet catching up with the old crew, several of whom have taken on new roles in the time meant to have passed between pictures. It goes without saying that more Liev Schreiber is always better than less Liev Schreiber, but being a supporting player does nothing to dim his brilliance; his aging tough guy Ross "The Boss" Rhea is again the very best thing about the movie. New characters serve their purpose well enough, but never manage to drum up a fraction of the affection I have for even the most minor players from the first film. Jay Baruchel doubles as director on this outing, so his screen time as Glatt's profanity-spewing best friend is limited, and the brilliant Kim Coates also feels underused. Returning Highlanders, though they probably have no less screen time than the first time 'round, sometimes feel pushed aside for the new guys, but the movie does give each his moment. Perhaps more importantly, it also does a great job of showing how they've grown together as a team. That, coupled with Doug's new life as husband and father-to-be, is really what makes Last of the Enforcers a great sequel that's well worth your movie dollar.

 

Goon: Last of the Enforcers clocks in at 101 minutes and is rated R for "pervasive language, crude sexual content, and bloody sports violence."

 

The original Goon was great enough to rob even the best sequel of the element of surprise, but Goon: Last of the Enforcers is a solid comedy with well-played, heartfelt moments that ultimately win the day. 

 

Of a possible nine Weasleys, Goon: Last of the Enforcers gets eight.

 

Until next time...

Cindy Prascik's Review of How to Train Your Dragon 2

Dearest Blog, yesterday I braved the opening-day kidlet rush to see How to Train Your Dragon 2.

Spoiler level here will be as mild as possible for a movie that spoils its own biggest reveal right in the trailer.

Having shown Berk the error of its ways as per human/dragon relations, a more mature Hiccup faces a new challenge with his trusty dragon Toothless.

Well, dear Blog, in all the history of film, there are four movies that I name my "favorite," since it's impossible for me to choose among them. The original How to Train Your Dragon is one of the four, so I could be excused for being a bit skeptical when people (many not involved with the production) started saying the sequel was even better than the original. For as long as I've known that was going to be my opening to this review, I always hoped the next sentence would involve me admitting the error of my ways, but....oh well, let's just get on with it.

The opening scene of How to Train Your Dragon 2, an overlong sequence of dragon games, is the most annoying thing I've ever seen that didn't involve Adam Sandler. Its primary purpose appears twofold: an immediate showcase for the film's stunning digital technology, and an excuse for each character to call his or her dragon by name, so pointedly that I could only assume we'd really need to know the names later. (That never happened.) The scene goes on forever, and by the end I was ready to stand up, shout, "On Cupid! On Comet! On Donner and Blitzen!" and walk out.

Getting the rest of the bad news out of the way: The new characters left me totally flat, and, my dear Cate Blanchett, where on Earth are you going with that accent?? While the first HTTYD boasted clever humor and a sincere charm, the sequel's laughs are few and far between, the good ones mostly poached from the original. Any charm is buried deep by a busy storyline that never quite finds its way. Even John Powell's score seems blah this time around.

Now, the good news: I was afraid that the kids no longer being kids would make the characters somehow less fun, but the returning Vikings are as lovable as ever, just a little more grown-up looking. The dragons also retain their charm, with even more types this time around, and if you're a pet owner you're sure to see your favorite dog or cat in at least one of them. How to Train Your Dragon 2 is also the most beautiful thing I've ever seen onscreen, hands down.

Even when I was getting a little bit bored or annoyed with whatever it was I was getting a little bit bored or annoyed with at the time, the movie quickly brought me back around to its side just by being so damn gorgeous. (I imagine this is what it must be like when Matt Bomer's being a jerk...if Matt Bomer is ever a jerk, which I highly doubt.) I'm not schooled in the art of making movies, so I have no idea what technology filmmakers used to make HTTYD2 so good looking, but full marks are due the art department, VFX, and animators. And the colors...oh, the colors!! Even Rio--my benchmark for visual excellence--might as well be sepia-toned compared to HTTYD2. Time constraints forced me into a 2D show this time, but you may rest assured, dear readers, I'll be seeing this in 3D as soon as possible!

Normally I go to the cinema on Saturday afternoons, when the most pressing thing on my agenda is where I'm having dinner afterward. I saw HTTYD2 after a miserable day at work, with a couple even-more-miserable weeks looming ahead, so I have to admit that may have left me unable to put the world aside to enjoy it as I should. I make that disclaimer only to clarify: the movie's probably better than I'm ready to give it credit for at this writing. Still, to suggest it's even as good as--let alone better than--the original is absurd.

How to Train Your Dragon 2 clocks in at 102 minutes and is rated PG for "adventure action and some mild rude humor."

How to Train Your Dragon 2 is such a glorious feast for the eyes you'll have no problem forgiving its other shortcomings.

Of a possible nine Weasleys, How to Train Your Dragon 2 gets seven and a half.

Until next time...

 "Hail Hydra."

[Trailer] RoboCop

The first trailer for Jose Padilha's upcoming RoboCop remake is out and it gives us plenty to chew on in terms of visuals and tone.

Personally, I think this one feels just like the insipid and soulless Total Recall remake from last year...

Cindy Prascik’s review of Man of Steel / This Is the End

Dearest Blog, today I followed the herd to the cinema for Man of Steel. Though I'd happily have seen Star Trek again, I did the responsible thing and paired MOS with This Is the End, so, dear reader(s), I could share my "wisdom" on the week's big new releases. You're welcome. ;-)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A reboot of the Superman franchise, Man of Steel is the obligatory origins tale.

The usual disclaimers, personal biases that will, no doubt, color this review: I love superhero movies. I do not love Superman, but I adore this team of filmmakers, and most of this cast. I very much wanted to love this movie. I did not.

Starting with the obvious: Henry Cavill.

I'm an Anglophile, so this is not the first time Mr. Cavill and I have crossed paths. While he is an extraordinarily good-looking young man, he is, unfortunately, only an average actor, with no special charisma. Never is that more obvious than when he shares a screen with one of Hollywood's most magnetic leading men, Russell Crowe, who is terrific as always, even with limited screen time. This film really needed a Robert Downey, Jr.-esque leading man to overcome its flaws, and Cavill is not that guy. (I'm a fan, but it is what it is.) The cast is fleshed out with big names and very familiar faces: Amy Adams, Kevin Costner, Diane Lane, Michael Shannon, Christopher Meloni, Laurence Fishburne, and, as mentioned, Russell Crowe. Other than Crowe, they are as unremarkable as the material. The usually superb Shannon is a particular disappointment, flat and uninspired as the film's main villain.

While the acting in Man of Steel is nothing to write home about, the cast can't really be blamed for the film's chief handicap: it's just plain boring. I somehow managed not to check the time more than once, which, in and of itself, constitutes a super-human feat.

Man of Steel does have some positives, including big, solid special effects, and a grand score by Hans Zimmer. My fellow Crowe fans will be pleased to note that Russell is looking fit these days, and there's no denying Henry Cavill is easy on the eyes, and has the perfect look for this iconic role.

Man of Steel attempts to drag Superman into the darker territory where Batman and Watchmen now comfortably reside, but Superman is ill
suited for that world. Take away the camp, and you're left with something that's no less silly, just less entertaining. This is an okay movie, but, sadly, far from the perfect superhero movie many of us were counting on.

Man of Steel clocks in at an excessive 143 minutes, and is rated PG13 for "intense sequences of sci-fi violence, action and destruction, and for some language." This will make a bundle at the box office this weekend, and, despite my disappointment, I'm very happy about that for all involved, and I look forward to a sequel that I'm already confident will be brilliant. Of a possible nine Weasleys, Man of Steel gets six.

Next on my agenda was the raunch-comedy, This Is the End, starring James Franco, Seth Rogen, Jay Baruchel, Craig Robinson, Jonah Hill and a slew of their Hollywood compatriots as what I'm told are very exaggerated versions of themselves...facing the Apocalypse.

This Is the End is one of those films I don't quite know what to do with. When it was funny, it was really, really funny, but, unfortunately, there was a good bit I just didn't find funny. Being that the film is essentially one long "in" joke, I'm willing to concede that maybe I just didn't get some of it, but there were also times when it was simply too much: too gross, too much foul language, too, too much. (Bear in mind I think Tropic Thunder is the funniest movie of all time, so I'm not particularly squeamish about any of that.)

The entire cast shows off brilliant comedy chops, especially Jay Baruchel (a personal favorite) and James Franco. Not sure how much credit is due there if they were basically playing themselves, but, to a man, they are hilarious. It goes without saying that I loved Harry Potter's Emma Watson in a small role that allowed her to play against type. The movie is a tad too long, and the plot (such as it is) bogs down in places, but generally speaking it's good fun from start to finish. While I won't spoil the ending for anyone who hasn't see it, I have to at least say there's a squee-worthy moment that: a.) caused me to embarrass myself in front of a packed theatre, and b.) immediately allowed me to forgive this film for any shortcomings.

This Is the End runs 107 minutes and is rated R for "crude and sexual content throughout, brief graphic nudity, pervasive language, drug use, and some violence."

It's a raucous comedy that's a great time, if you've got the stomach for it. I enjoyed it, but I also spent most of the two hours thinking how much funnier The World's End is certain to be. Of a possible nine Weasleys, This Is the End gets six.

The moral of today's cinema trip: If you're thinking of seeing either of these films, but haven't yet seen Star Trek Into Darkness or Now You See Me, do yourself a favor and see one of those instead.

Until next time...





Wait...what was I saying?

MOVIE REVIEW: THIS IS THE END

Seth Rogen and Jay Baruchel star as themselves along with Danny McBride, Jonah Hill, and Craig Robinson in this end-of-days comedy that finds the actors hiding out with James Franco in his apartment as the apocalypse decimates L.A. outside. Featuring cameos by Jason Segel and Emma Watson, the Sony Pictures film features the directing debuts of Rogen and frequent collaborator Evan Goldberg. ~ Jeremy Wheeler, Rovi

Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson

Release Date: Jun 12, 2013

Rated R for Crude and Sexual Content, Brief Graphic Nudity, Drug Use, Pervasive Language and Some Violence

Runtime: 1 hr. 47 min.

Genres: Comedy

Review:

This Is The End is one of the raunchiest, most inspired comedies I’ve seen since The Hangover or Anchorman. The premise is simple the rapture happens and all hell, literally, breaks loose. At its heart it’s a simple conceit to get these faux versions of the actors shut into a house together under dire situations. In its simplicity the script allows plenty of riffs, verbal jabs and all out attacks on preconceived notions about each actor, it’s done with such aplomb that some of it has to be improvised. Some play themselves closer to what we’d expect while others go off the rails like Michael Cera playing a coked out proxy himself to hilarious effect. It all works so well mainly because these actors appear to be friends in the real world. As a result, their interactions ring true throughout. Verbal interchanges can reach a dizzying height of hilarity, so much so that this movie will probably require multiple viewing to catch all the jokes being flung across each actor’s mast. The cast all around is strong with Jay Baruchel doing yeoman’s work as the film’s center but special praise has to be given to Danny McBride. McBride is incredibly impressive here doling out some of the funniest lines of the film. There are a few minor issues keeping this from being perfect. The last 15 minutes or so really start to teeter out as things get more and more absurd. Part of the issue is that the script has trouble finding an ending and they didn’t want to go for the most logical conclusion. Additionally, the cast gets broken up in the last act robbing the film of some of its bite. As a result, it feels like the film could have been trimmed by 15 minutes. Minor issues aside, This Is The End is simply a comic gem.

A-

Check out the original 2007 comedy short that inspired this movie;

Jay and Seth vs. The Apocalypse

[Guest Review] David Castillo’s Review of THIS IS THE END

Seth Rogen and Jay Baruchel star as themselves along with Danny McBride, Jonah Hill, and Craig Robinson in this end-of-days comedy that finds the actors hiding out with James Franco in his apartment as the apocalypse decimates L.A. outside. Featuring cameos by Jason Segel and Emma Watson, the Sony Pictures film features the directing debuts of Rogen and frequent collaborator Evan Goldberg. ~ Jeremy Wheeler, Rovi

Release Date: Jun 12, 2013

Rated R for crude and Sexual Content, Brief Graphic Nudity, Drug Use, Pervasive Language and Some Violence

Runtime: 1 hr. 47 min.

Genres: Comedy

Director: Seth Rogen, Evan Goldberg

Cast: James Franco, Jonah Hill, Seth Rogen, Jay Baruchel, Danny McBride, Craig Robinson

Review:

Haven't we seen this already a year ago, ironically also with Jonah Hill, written by the same duo (Rogan/Goldberg) who gave us "The Watch"? That’s what I thought when the first trailer hit the internet the day before the supposed Mayan apocalypse last December. While "The Watch" was somewhat a disappointment, this is by no means comparable.

The first 20 minutes of the movie IS the 2 red band trailers, which works perfectly since its gets those scenes out of the way and we can get to the central plot of the movie. The audience’s main point of view is Jay Baruchel and Seth Rogan with the rest of the assembled stars supporting. While we will probably never know how these stars are genuinely, they play their parts superbly well; giving us the feeling we know them personally.

The tough part of doing a review for this movie like this is not giving away too much while critiquing it, so I’ll break down the performances. Sometimes having a huge all star cast can make it difficult to balance, here I have no complaints. Jay Baruchel, to me, is the anti-Michael Cera, yeah, he plays the same roles but is always likeable. His leading role in “She’s Out of My League” was overlooked by most audiences and hasn’t really been in any major movies since. Some have even forgotten his brilliant performance in the equally star studded “Tropic Thunder”. Seth Rogan, is being Seth, but his input in the script allows him to take some genius jabs at himself (“where was that in The Green Hornet”). Franco is better known for his dramatic roles in Spiderman, Milk, and 127 Hours but he’s shown he can be funny in comedies like Pineapple Express and Your Highness. Here he does a great job as the party’s host, believably playing his as incredibly hard headed. Danny McBride does what he does so well, being a jackass. McBride pulls it off hilariously well, so much so that you’ll want to kick his ass. McBride and Franco share one of the best scenes in the movie. It’s so good that some of it had to be improvised, it was that good. Jonah Hill and Craig Robinson do take a backseat in supporting roles but they still do solid work.

This is The End currently has Rotten Tomato rating of 93%, that’s before the mass media reviews are be published before next week’s release. When it’s all said and done, I’d predict it’ll end up in the high 70s/low 80s%.

Did it live up to my expectations? To be honest, they were sky high after the red band trailers and while it didn’t reach those heights it’s still a VERY good movie.

A minor complaint I had with the film was some slow pacing primarily, some sections in the middle but that’s it.

Of course, this movie isn’t going to be for everybody but if you liked some of Judd Apatow’s hits like Knocked Up, Superbad or Pineapple Express, then you’ll have a blast with this.

2013 hasn’t been a great year for comedies with Movie 43, The Haunted House, Scary Movie 5, 21 & Over, and The Hangover 3, This is the End is easily the best comedy of 2013 and worth the watch if you’re a fan of the cast’s previous work.

It’s worth mentioning that this has THE most epic cameo in the past 5 years, period! Hopefully nobody spoils it for you!

4 out of 5 stars

Easter Egg (Extra Tidbit)

Since this was released by Colombia Pictures, they were limited on what previous work can be mentioned from each star. There’s no references to the highly successful Universal Studio films Knocked Up, Superbad, Jason Segal’s work on How I Met Your Mother or Craig Robinson’s work on The Office.

If you want to see more of Jay Baruchel’s recent work, check out his independently written film “Goon” starring Sean William Scott., it’s on Netflix Instant Stream.

MOVIE REVIEW: GOON

ON DVD & NETFLIX STREAMING

GOON



The sports comedy Goon stars Seann William Scott as Doug Glatt, a slacker from a rich family who discovers he has a knack for hockey brawls. Dragged to a game by his best friend, Doug punches out the visiting team's toughest player when the angered thug rushes into the stands. The home team quickly recruits Doug (even though he can't skate) and encourages him to beat up their opponents. ~ Perry Seibert, Rovi

Director: Michael Dowse

Cast: Seann William Scott, Jay Baruchel, Alison Pill, Marc-André Grondin, Kim Coates, Liev Schreiber

Release Date: Mar 30, 2012

Rated R for brutal violence, non-stop language, some strong sexual content and drug
use

Runtime: 1 hr. 31 min.

Genres: Comedy

Review:

Sports films in general have always been a tough sell for me, mainly because they all have to follow very similar trajectories ending in the big game. As a result, I’ve ignored more sports movies than I should have over the past few years. Luckily, I gave Goon a chance and was pleasantly surprised with it. The usual sports plot points are there (underdog team, change in fortunes and the big game) but Goon makes it all so much fun and even infuses some heart in the process. Feeling like a cross between Major League and Forrest Gump, Goon really hooks you in with its comedic side. As a comedy it works just as well as a hockey film. Seann William Scott makes it nearly impossible not to like the Doug’s dim but sincere self. Scott really shows us restraint in how he plays Doug; it would have been very easy to play him as a buffoon, so there’s some texture there. The only real downside is more script related as Doug seems to waver between not very bright to mentally challenged. The supporting cast is made up of fine actors, all doing well in small quirky roles which really give the film life. Marc-André Grondin in particular is interesting as the wonder kid burnout. Liev Schreiber however is incredibly impressive in a small but pivotal role. Schreiber really give his character an authentic look and feel. As a causal hockey fan, his character just felt real in so many ways. As a whole the film’s sports side feels real, credit for that really goes to the director Michael Dowse. One of my other pet peeves about sports movies is that the sports never feel real; in Goon the majority of the hockey is wonderfully staged and done. A fan of the sport will never be taken out of the experience which is so important in my opinion. Goon is very loosely adapted, (he ended up consulting for the NHL’s Bruins for 8 years after his playing days) from Doug Smith Book Goon: The True Story of an Unlikely Journey Into Minor League Hockey.

B+

MOVIE REVIEW: SHE’S OUT OF MY LEAGUE

Sunday, March 14, 2010

IN THEATERS




SHE’S OUT OF MY LEAGUE


An airport security guard gets involved with a girl who's very obviously of a higher caliber than himself, and schemes to make the relationship last as his friends and family watch along in disbelief. Kirk (Jay Baruchel) was languishing in a dead-end job as an airport security agent when he somehow managed to earn the affections of the successful and drop-dead gorgeous Molly (Alice Eve). Even Kirk isn't exactly sure what Molly sees in him, though he's willing to do whatever it takes to make the relationship work. With his friends, family, and ex-girlfriend all watching stunned from the sidelines, Kirk discovers that he'll have to work overtime in order to convince Molly that he's worth hanging on to. ~ Jason Buchanan, All Movie Guide

Director: Jim Field Smith


Cast: Jay Baruchel, Alice Eve, T.J. Miller, Mike Vogel, Nate Torrence.


Release Date: ..Mar 12, 2010..


Rated R for language and sexual content


Runtime: 1 hr. 44 min.


Genres: Comedy, Romance


Review:


She’s Out of My League is generically written beauty and the geek rom-com that’s held together by its cast. The script hits all the major bullet points for these type of movies and we’ve seen the plot and characters before. The story follows a fairly pedestrian path and director J.F. Smith adds little to no visual flair to any of the proceedings. The relationships, the main one in particular, are sketchily supported and leave you wondering why these characters actually hang out together or date. The film’s strength is its up and coming cast led by Jay Baruchel. Baruchel has his measured type of comedy down, something he’s refined in supporting roles. There’s something both believable and charming about his quirkiness. Alice Eve, who looks like a miniature Christie Brinkley, is pretty flat and fails to make much of an impression. T.J. Miller does solid work as the prototypical loud mouth friend. Krysten Ritter does equally impressive as the female version of T.J. Miller character and both could have used a tad more screen time. A handful of inspired interactions make the film fun but nothing extraordinary. A fun little twist on the airport rom-com finale staple puts a nice little bow on this generic comedy.


C+