Cindy Prascik's Review of Angel Has Fallen

Yesterday it was off to the pictures for Angel Has Fallen, the latest installment in Gerard Butler's Secret Service series.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Framed for an assassination attempt on the President, Secret Service agent Mike Banning is on the run for his life.

Angel Has Fallen jumps out of the gate with an intense action sequence and never much lets up. There are a few quiet moments that lay out the private life Agent Bannon has made for himself since last we saw him, but mostly this movie knows where its bread is buttered and keeps the car chases and explosions rolling. Gerard Butler is again serviceable in the lead, a meathead trying hard to look like something more but never quite getting there. The supporting cast is as good as it needs to be, but cringe-worthy dialogue and juvenile humor don't give it much to work with. Despite offering few surprises, Angel Has Fallen maintains tension and is, in places, very nicely filmed. It's a big, loud, end-of-summer romp that is likely to fade from memory before you're out the theater door. Angel Has Fallen clocks in at 121 minutes and is rated R for, "violence and language throughout."

Angel Has Fallen is a by-the-numbers actioner that doesn't exceed expectations, but maybe it doesn't need to.

Of a possible nine Weasleys, Angel Has Fallen gets six. Until next time...

Cindy Prascik's Review of Hunter Killer

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for the only (*sob*) Gary Oldman movie I'll see in 2018: Hunter Killer.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

When a coup attempt within the Russian government threatens to start World War III, it's up to Gerard Butler to save the world...as it so often is.

 

Well, dear reader(s), I flippin' LOVED this movie. I'm going to make fun of it a little, or maybe a lot, because it deserves it and because that's what I do with things I love (just ask the Wheeling Nailers), but let nothing give you any impression other than that it has instantly earned a spot in my year-end top ten from which it cannot be unseated.

 

Hunter Killer has so much testosterone it'll put hair on your chest. An almost exclusively male cast spends a great deal of time posturing and exchanging steely glances to mark territory and convey Man Understanding. Coupled with a whole lotta submarines, torpedoes, and missiles...well...Hunter Killer is basically a Sharpie penis that somebody drew on the forehead of passed-out-drunk Hollywood. By no means should any of that be construed as an insult--on the contrary, it is the very reason I still drag out to the cinema instead of waiting for Netflix--but...well...forewarned is forearmed.

 

If you require further justification for shelling out your big-screen bucks for Hunter Killer, the film features exquisite photography...air, sea, and land. The movie looks just glorious, and the locations and scenery are spectacular. Battles and effects and everything else about the picture are huge, so definitely see it on the biggest screen you can find. Though it's silly and often predictable, Hunter Killer maintains a genuine tension throughout which helps hold interest even through way too many kumbaya moments. As an added bonus, Gerard Butler utters classic lines such as, "When somebody's shooting at you, you know their intentions!" and Gary Oldman chews the scenery with relish. A couple weird little notes: Though everything on the American side is state of the art, the Russian technology appears to have been dragged kicking and screaming from decades long past, and Russian sailors look like they've only just escaped from a 60s Broadway musical. In only their own company, Russians generally speak Russian (no subtitles) but every now and again they're conversing in English with no reason for it other than clearly the filmmakers decided that these were the bits that we, the viewers, really needed to understand. Would have worked better to go all or nothing with accented English or subtitles. Oh, and can we get a dialect coach to teach Linda Cardellini how to pronounce "nuclear" correctly, please?

 

Hunter Killer clocks in at a quick 122 minutes and is rated R for "violence and some language."

 

Hunter Killer won't tax your brain overmuch, but you'll be hard pressed to have more fun at the cinema. 

 

Of a possible nine Weasleys, Hunter Killer gets eight.

 

Until next time...

Cindy Prascik's Reviews of Paddington 2 & Den of Thieves

Dearest Blog: Yesterday it was off to Marquee Cinemas for a pair of heist movies: Paddington 2 and Den of Thieves. (Find another review that makes *that* connection if you can!)

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda: Paddington 2.

When dear Paddington is wrongly jailed for robbery, it's up to the Browns to find the real thief.

Paddington was a lovely surprise, a "children's" movie that turned out to be so much more. If there's any surprise to the greatness of Paddington 2, it's only that it's even better than the first.

Like its predecessor, much of Paddington 2's charm can be credited to its phenomenal cast. Hugh Bonneville, Sally Hawkins, Jim Broadbent, Julie Walters, and Brendan Gleeson are in top form, and Hugh Grant is an absolute delight as the film's narcissistic villain. The plot of Paddington 2 doesn't hold many twists, but it doesn't need them; its execution is so sweet and funny that predictability is easily forgiven. The movie is beautifully filmed, with a special nod to the animated pop-up book sequences, a true delight from start to finish. Stay tuned for a great musical number at the end!

Paddington 2 runs 104 minutes and is rated PG for "some action and mild rude humor."

In an increasingly ugly world, I'm grateful for the joyful beauty of Paddington.

Of a possible nine Weasleys, Paddington 2 gets all nine. (Yes, I'm throwing down a nine in January. 2018, you've got your work cut out for you.)

Fangirl points: Joanna Lumley! Ben Whishaw! Peter Capaldi! Ben Miller! Richard Ayoade!

Next on the docket: Den of Thieves.

LA's top cops face off with a legendary heist crew. Many shootings and f-words ensue.

Dear reader(s), my anticipation for Den of Thieves could not have been higher, and I want you to know from the bottom of my heart: I LOVE THIS MOVIE. It may not be the cleverest or the best from any technical standpoint, but, damn, it's everything I'd hoped it would be.

Den of Thieves wastes no time getting started with a fast and loud robbery and chase. From there, it quiets down surprisingly often, lending some time to backstory and...wait for it...planning. Like actual thinking. Yes, Den of Thieves is smarter than I expected. Understand the Smart Bar had been set very, VERY low, but still...I liked that it threw me a little curve, and in more ways than just Gerard Butler pondering his life choices. Den of Thieves weaves a tense tale, as the crafty robbers and no-rules cops attempt to out-fox each other. The bad-good guys are headed up by Butler, and his usual meathead act is quite perfect here. The bad-bad guys have Pablo Schreiber and O'Shea Jackson, Jr. turning in very nice performances with--dare I suggest it?--a fair bit of depth. Den of Thieves runs a hair too long and might have been better served by trimming some unnecessary subplot, but the movie takes a few turns I didn't expect and saves its best surprises for the finale.

Den of Thieves clocks in at 140 minutes and is rated R for "violence, language, and some sexuality/nudity."

Plopped squarely in the middle of all the pretentiousness of Awards Season, Den of Thieves is a sweary, testosterone-soaked action picture that is exactly what it means to be.

Of a possible nine Weasleys, Den of Thieves gets eight.

Until next time...

Cindy Prascik's Reviews of Geostorm & Thor: Ragnarok

Dearest Blog: Yesterday I ended my week's vacation at Marquee Cinemas with a double-bill of Geostorm (finally) and Thor: Ragnarok. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers or a quick check of the IMDB cast listings.

 

First on the docket: a delayed screening of Geostorm.

 

When a satellite controlling extreme weather events is sabotaged, it's up to its prickly creator to make nice and go fix it.

 

Dear reader(s): Having missed two weekends at the cinema (!!!), I'm a little late to the Geostorm party, so I won't be the first to inform you the movie features a stupidly implausible plot, inane dialogue, and second-rate performances. What I may be the first to tell you is that I haven't had as much fun at the cinema in months. Indeed, Geostorm is the only picture in recent memory to render me totally oblivious to the outside world for a couple hours.

 

There's no denying Geostorm is a pretty bad movie by almost any quality barometer; it's Sharknado-level idiocy on a big-screen budget. Meathead extraordinaire Gerard Butler is the ideal hero for such a film, delivering a performance on par with "shepherd number two" in the third-grade Christmas pageant. Jim Sturgess and Abbie Cornish are even more laughable, and you really have to wonder how Ed Harris and Andy Garcia got talked into this. (My guess is blackmail. It's the only thing that makes sense.) The story plays out in predictably silly fashion, with painfully obvious "twists" and every cartoonish character behaving exactly as you'd expect. The good news is all that isn't really bad news because Geostorm knows exactly what it is, and thus couldn't be any more enjoyable. Throw in some solid disaster effects and a timely (if cheesy) message, and you've got a hilariously terrible outing that may well be the best time I've had at the movies in 2017.

 

Geostorm clocks in at 109 minutes and is rated PG13 for "destruction, action, and violence."

Geostorm is the best bad movie I've seen in a good long while. Of a possible nine Weasleys, I am exercising great restraint in awarding Geostorm only seven.

 

Fangirl points: Ohmygosh you guys, Robert Sheehan is in this movie!!

 

Next on my agenda: Thor: Ragnarok.

 

And you thought Loki was the bad sibling.

 

My usual Marvel disclaimer: For the most part I don't think Marvel movies are anything special; rather, they're enjoyed and quickly forgotten. The notable exception is Captain America: The Winter Soldier, which stands alone in its greatness, but, as series go, the Thor movies are always my Marvel faves. Ragnarok gives me no reason to change either of those opinions: Marvel movies are still nothing special, but the Thor series remains my favorite.

 

Getting the bad news out of the way first: Thor: Ragnarok feels about twelve hours long. I wouldn't say I was bored, but...well...for some of it I wouldn't exactly say I wasn't, either. The battle scenes didn't seem as repetitive or overlong as most Marvel movies (lookin' squarely at YOU, Avengers!), but, my god, it felt like I was sitting there forever. Luckily, that's about the only really bad thing I have to say about the film. Ragnarok isn't a funny superhero movie; it's a straight-up comedy about a superhero, fully self-aware. No shoe-horning in a Tony Stark wisecrack every 20 minutes, Ragnarok is organically hilarious. Trippy 70s effects, a bit reminiscent of Doctor Strange, are particularly well-suited to this outing, giving it the feel of an old-school arcade game. Chris Hemsworth (sadly shirtless only once) isn't just a perfectly-sculpted hero, he's legitimately funny, with great comic timing and terrific expressions. The supporting cast is filled with names that, on their own, are enough to draw me to any picture: Idris Elba, Tom Hiddleston, Benedict Cumberbatch, Karl Urban, Cate Blanchett...and--OH!--this is Cate as you haven't seen her before! Hiddleston's Loki remains the best thing about any Thor movie, but it's Cate's Hela who steals the show here, and whose pics you'll be Googling for your new phone wallpaper as soon as the credits roll (or was that just me?). Triple bonus points for carrying Led Zeppelin's Immigrant Song from the trailer into the film itself--not just once, but twice!--a musical move so inspired as to be almost Edgar-Wrightish in its perfection.

Thor: Ragnarok runs 130 minutes and is rated PG13 for "intense sequences of sci-fi violence and action and brief suggestive material."

 

Thor: Ragnarok is another fun outing in Marvel's best series. Of a possible nine Weasleys, Thor: Ragnarok gets eight.

 

Fangirl points: Hey, Bruce Banner, you're lookin' mighty fine in that Duran Duran shirt!

 

Until next time...

April Sokol's Reviews of Only the Brave & Geostorm

***Note from Daniel – “Here’s a quick introduction to our newest reviewer joining Cindy Prascik and yours truly”***

Hello fellow movie lovers. My name is April. I am a wife and mother of 3 boys. I have loved everything about the movie going experience ever since my parents took me to see ET. I find that I'm pretty easily entertained so my reviews will always reflect that.

My favorite movie ever made is 1995's Heat. I am highly opinionated on all things, but especially when it comes to movies. I'm thankful for a place to share my thoughts with others. I hope you enjoy the ramblings of my over caffeinated, sleep deprived mind.

Only the Brave is the true story of the Granite Mountain Hot Shots. The first municipal hot shot team ever assembled.

Directed by Joseph Kosinski

Starring Josh Brolin, Miles Davis, Jennifer Connelly and Jeff Bridges

My review:

Only the Brave is a straightforward, unflinching look at some of the bravest among us: firefighters. But these aren't your average community volunteer firemen. This is the Navy Seals of fire fighting. These men are dropped into the biggest, nastiest fires with only an axe and shovel.

There is quite a lot to love about this movie. I feel compelled to mention that I am not a fan of Brolin or Connelly and have at the very most a love/hate relationship with the work of Teller. So I was incredibly surprised by how deeply I fell in love with this story.

The first act sets the stage. Teller's Brendan McDonough is a young out of control guy freshly out of jail. He's got a million reasons to finally get his act together if only someone will give him a chance. McDonough is given that chance by the grizzled, wise Eric Marsh (Brolin). There is plenty of heart and humor to be found in his new community. Now we're off to the races. The entire second act of the movie is one beautiful shot after another. The cast does an amazing job of portraying men and women who come together as family in the harshest of situations. Nothing is prettied up. The strain put on the spouses, the distance with their children. It's all there to draw you into this world that so very few people actually live and experience.

You can feel that this will end with a big fire. So when it finally comes it's not a surprise. But still hugely effective. For those of us who were not familiar with this true story, it was a nail biting bit of cinema.

Overall I am more than willing and able to overlook the small issues I had with the tropes that were included in the script. Only the Brave has a run time of 143 minutes and it rated PG 13 for thematic content and brief sexual references. I enjoyed almost every minute. 

A very solid 4 out of 5 stars is my rating. Only the Brave is the best thing currently playing at my local cinemaplex by leaps and bounds.

Geostorm is this year's natural disaster spectacle of a movie. The system put into place to protect Earth from natural disasters has malfunctioned and it's a race to fix the problem before all of Earth is destroyed.

Directed by Dean Devlin

Starring Gerard Butler, Jim Sturgess and Abbie Cornish

Before I begin I feel like I should make a confession. Armageddon is one of my all time favorite movies. Yes. I said it. I love the cheesy dialogue and completely unrealistic plot because it's FUN. Geostorm brought Armageddon to mind more than once during my viewing.

The plot is straightforward. Gerard Butler plays Jake Lawson, the hot head developer of the Dutch Boy Program. A system of satellites that are designed to neutralize any and all natural disasters before they happen. It's not a stretch to see Lawson struggling to maintain his vision's integrity when faced with politicians who want to control Dutch Boy. None of this is groundbreaking cinema. The hero has a bad attitude. The government is shady and shifty. There are plenty of estranged relationships. Lots of familiar movie cliches are thrown at the viewer in quick succession.

But if you can suspend reality for the 1hr49min run time there is some good stuff in here. The special effects, both on Earth and on board the Dutch Boy itself are fun. There are huge typhoons, massive sandstorms, eruptions, tornadoes...all of the good stuff! The big reveal of the bad guy is not exactly shocking. The dialogue is silly. The science is nonsensical. But despite all of that, I found myself smiling through the whole thing. Special points given for Cornish's portrayal of a Secret Service agent who is pretty badass.

Geostorm is rated PG 13 for destruction, action and violence. My viewing had plenty of smaller children who all seemed to be having just as much fun as I was. There is absolutely nothing award worthy to be found here. But if you're looking for a few hours of popcorn eating entertainment, this is what you're looking for. I give Geostorm a rating of 2 ½ out of 5 stars.

Cindy Prascik's Reviews of Gods of Egypt & London Has Fallen

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for the laughable double-bill of Gods of Egypt and London Has Fallen, or, as I like to call it, The Unintentional Gerard Butler Film Festival. 

 

Spoiler level here will be mild, nothing you wouldn't know or have guessed from the trailers. First on my agenda, Gods of Egypt. Exiled god Horus reluctantly teams with a mortal to reclaim his crown and save Egypt. 

 

Dear Reader(s), I'ma be straight with ya: if I could just post that little emoji that's laughing so hard it’s crying, that'd the most accurate review of Gods of Egypt you'd find anywhere. Since I call myself a movie blogger, though, I'd better try a bit harder. Much has been made of Egypt's casting white faces in roles clearly meant for people of color. But wait...the ridiculousness hardly ends there! This picture boasts some of the most laughably bad dialogue I've ever heard. 

 

EVER. The costumes range from elementary-school pageant to pole dancer. (One thing gods and mortals apparently have in common: a great rack!) While the movie has some nifty effects, it's also got some of the worst green-screen work you'll ever see outside an episode of Once Upon a Time. There's a veritable grab-bag of accents, and that's not even accounting for anyone besides Gerard Butler! In fact, the acting is across-the-board so hilariously terrible that even the mighty trio of Rufus Sewell, Geoffrey Rush, and Chadwick Boseman can't combine for one decent performance. Now, having said all that...I found Gods of Egypt to be a great laugh. It's so bad that I can't believe it's anything other than willfully so, a B-movie that somehow scored itself an A-list budget. 

 

Oh, and, for the record, the movie was written by Matt Sazama and Burk Sharpless, whose previous credits include Dracula Untold and The Last Witch Hunter, so...yeah...if you're wanting your picture to be taken seriously, maybe don't hire those two, m-kay? Gods of Egypt clocks in at an excessive 127 minutes and is rated PG13 for "fantasy violence and action, and some sexuality." 

 

If you're looking for a good laugh at Hollywood's expense, it doesn't get funnier than this. 

 

Of a possible nine Weasleys, 

 

Gods of Egypt gets four. 

 

Next on the docket, the sequel London Has Fallen. When the American President (Aaron Eckhart) again finds himself in peril, it's Secret Service agent Mike Bannon (Gerard Butler) to the rescue. London Has Fallen is essentially just an excuse to combine massive chaos and destruction with a healthy dose of "'Murica!" 

 

The plot is paper thin, as world leaders pay the price for civilian casualties of an earlier strike against terrorism. You don't need to guess which world leader gets out alive, thanks to his ballsy protective detail, who also happens to be devastatingly handsome and quite the comic to boot...oh, Hollywood! Though a sequel to 2013's Olympus Has Fallen probably wasn't strictly necessary, this second installment doesn't overstay its welcome, and it's a decently good time if you enjoy a couple hours of watching stuff blow up around a pair of pretty good-looking guys. 

 

Some great talent--Morgan Freeman, Jackie Earle Haley, Melissa Leo--is wasted here, turning up for basically a cup of coffee and a paycheck, but the movie's certainly no worse for having names like that among its cast. 

 

As cinema escapism goes, you could do a lot worse (although the guy behind me who snored loudly for the duration might say different). London Has Fallen runs a quick 99 minutes and is rated R for "strong violence and language throughout." 

 

While you won't need to remember its name long-term for this year's awards season, in the short term, London Has Fallen provides a healthy dose of brain candy. 

 

Of a possible nine Weasleys, London Has Fallen gets five. 

 

Until next time... 

 

Cindy Prascik's Review of How to Train Your Dragon 2

Dearest Blog, yesterday I braved the opening-day kidlet rush to see How to Train Your Dragon 2.

Spoiler level here will be as mild as possible for a movie that spoils its own biggest reveal right in the trailer.

Having shown Berk the error of its ways as per human/dragon relations, a more mature Hiccup faces a new challenge with his trusty dragon Toothless.

Well, dear Blog, in all the history of film, there are four movies that I name my "favorite," since it's impossible for me to choose among them. The original How to Train Your Dragon is one of the four, so I could be excused for being a bit skeptical when people (many not involved with the production) started saying the sequel was even better than the original. For as long as I've known that was going to be my opening to this review, I always hoped the next sentence would involve me admitting the error of my ways, but....oh well, let's just get on with it.

The opening scene of How to Train Your Dragon 2, an overlong sequence of dragon games, is the most annoying thing I've ever seen that didn't involve Adam Sandler. Its primary purpose appears twofold: an immediate showcase for the film's stunning digital technology, and an excuse for each character to call his or her dragon by name, so pointedly that I could only assume we'd really need to know the names later. (That never happened.) The scene goes on forever, and by the end I was ready to stand up, shout, "On Cupid! On Comet! On Donner and Blitzen!" and walk out.

Getting the rest of the bad news out of the way: The new characters left me totally flat, and, my dear Cate Blanchett, where on Earth are you going with that accent?? While the first HTTYD boasted clever humor and a sincere charm, the sequel's laughs are few and far between, the good ones mostly poached from the original. Any charm is buried deep by a busy storyline that never quite finds its way. Even John Powell's score seems blah this time around.

Now, the good news: I was afraid that the kids no longer being kids would make the characters somehow less fun, but the returning Vikings are as lovable as ever, just a little more grown-up looking. The dragons also retain their charm, with even more types this time around, and if you're a pet owner you're sure to see your favorite dog or cat in at least one of them. How to Train Your Dragon 2 is also the most beautiful thing I've ever seen onscreen, hands down.

Even when I was getting a little bit bored or annoyed with whatever it was I was getting a little bit bored or annoyed with at the time, the movie quickly brought me back around to its side just by being so damn gorgeous. (I imagine this is what it must be like when Matt Bomer's being a jerk...if Matt Bomer is ever a jerk, which I highly doubt.) I'm not schooled in the art of making movies, so I have no idea what technology filmmakers used to make HTTYD2 so good looking, but full marks are due the art department, VFX, and animators. And the colors...oh, the colors!! Even Rio--my benchmark for visual excellence--might as well be sepia-toned compared to HTTYD2. Time constraints forced me into a 2D show this time, but you may rest assured, dear readers, I'll be seeing this in 3D as soon as possible!

Normally I go to the cinema on Saturday afternoons, when the most pressing thing on my agenda is where I'm having dinner afterward. I saw HTTYD2 after a miserable day at work, with a couple even-more-miserable weeks looming ahead, so I have to admit that may have left me unable to put the world aside to enjoy it as I should. I make that disclaimer only to clarify: the movie's probably better than I'm ready to give it credit for at this writing. Still, to suggest it's even as good as--let alone better than--the original is absurd.

How to Train Your Dragon 2 clocks in at 102 minutes and is rated PG for "adventure action and some mild rude humor."

How to Train Your Dragon 2 is such a glorious feast for the eyes you'll have no problem forgiving its other shortcomings.

Of a possible nine Weasleys, How to Train Your Dragon 2 gets seven and a half.

Until next time...

 "Hail Hydra."

Cindy Prascik’s Movie Review : The Croods / Olympus Has Fallen

Dearest Blog, yesterday I set out for the cinema, hoping two highly-anticipated offerings would meet expectations.
Spoiler level here is mild, limited to things you'd know from the trailers.

First on my agenda: DreamWorks Animation's The Croods.


A prehistoric family are forced to flee their cave after it's destroyed by a disaster that threatens to change their lives forever in this animated adventure featuring the voices of Nicolas Cage and Emma Stone. As a protective caveman father leads his family out of harm's way, the clan crosses paths with a resourceful teen named Guy (voice of Ryan Reynolds), who offers to help them reach a distant land where they'll be safe from an impending catastrophe that will soon alter the entire world. Catherine Keener, Clark Duke, and Cloris Leachman round out the cast of vocal performers. ~ Jason Buchanan, Rovi
Director: Kirk De Micco

Cast: Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman.

Release Date: Mar 22, 2013

Rated PG for some scary action

Runtime: 1 hr. 31 min.

Genres: Action/Adventure, Animated, Family


Much to the dismay of a rebellious daughter (Emma Stone), the patriarch (Nicolas Cage) of a pre-historic family believes the only way to keep them safe is to stay within the dark and gloomy confines of their cave home. His theory, as well as his ability to protect his family, are put to the test when the cave is destroyed.

Not gonna lie, dear Blog, I have a ridiculous amount of faith in DreamWorks Animation. Think it's got something to do with How to Train Your Dragon being...oh...only the best animated feature ever. I'm pleased to report that, despite a sluggish start, The Croods does not find my faith misplaced.

The Croods looks magnificent. No words could possibly describe just how gorgeous this film is; you have to see it. I was moved to tears a time or two by its physical beauty alone. Take Oz: The Great and Powerful, and multiply that by about a hundred. Full marks to the artistic and technical staff.

If The Croods' father/daughter tale is a little familiar, and if you see some things coming a mile or so out, that's easy enough to forgive in such a sweet and genuine picture. The voice cast is spot-on, with Cage and Stone joined by Ryan Reynolds, Cloris Leachman, and Catherine Keener.

The Croods does start out somewhat slow, and for 20 minutes or so, I feared I had another Oz on my hands; that is, I'd be left loving the look and nothing else. Once it gets moving, though, the movie's filled with action, laugh-out-loud moments, and a sincere and touching family tale.

The Croods runs 98 minutes, and is rated PG for "some scary action." It's no How to Train Your Dragon, but, of a possible nine Weasleys, it easily earns seven.

Next up was the action/thriller Olympus Has Fallen.



An ex-Special Forces operative and former presidential bodyguard must fight to take back the White House from terrorists who have kidnapped the Commander in Chief in this high-stakes action thriller directed by Antoine Fuqua (Training Day, Shooter) and starring Gerard Butler. Melissa Leo, Angela Bassett, Robert Forster, and Radha Mitchell co-star. ~ Jason Buchanan, Rovi
Director: Antoine Fuqua

Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Melissa Leo.

Release Date: Mar 22, 2013 Rated R for Strong Violence and Language Throughout

Runtime: 2 hr. 0 min.

Genres: Action/Adventure, Suspense/Thriller


When terrorists overrun the White House, taking President Harvey Dent, erm, I mean Benjamin Asher (Aaron Eckhart) and his top staff hostage, it's left to Mike Banning (Gerard Butler), an ex-Secret Service agent, to save the President...and the nation.
Olympus Has Fallen is extremely well cast; every actor is a perfect fit for his role.

Aaron Eckhart is very leaderly as a young-ish Commander in Chief. Gerard Butler has never been a favorite of mine. I've softened considerably towards him since he became Stoic the Vast, but think I'm still holding a grudge over Phantom of the Opera!

Yet I found him surprisingly watchable in Olympus, and I think he plays the tormented hero well. Angela Bassett is a bit too hard-ass for my taste as Director of the Secret Service; for some reason, she seemed like a comical police chief on a 70s TV cop drama. My favorite actress and best girl crush Melissa Leo is as lovely and tough as ever as the Secretary of Defense.

Morgan Freeman makes a predictably solid turn as Speaker of the House, forced to take charge as both the President and Vice-President are in the terrorists' grasp. If I had to trust the world's safety to any one individual, I admit I'd be entirely comfortable if that individual were Morgan Freeman. The rest of the cast is up to snuff, the one exception being Radha Mitchell, whose teary-eyed close-ups got old pretty quickly.

Olympus Has Fallen features maximum carnage.

The body count is so extreme that even I grew tired of it, and it's not that sort-of cartoonish massacre you get with a GI Joe or super-hero movie.

As a result, any chest-thumping 'Murica! sentiment the filmmakers hoped to achieve is somewhat deflated. The effects are good, and the trashing of the White House and other DC landmarks is chillingly realistic.

Olympus Has Fallen clocks in at 120 minutes, and is rated R for "strong violence and language throughout." If I liked it less than I'd hoped, I attribute that partially to my feeling that nobody makes a Big Baddie quite like Russia did back in the day, and partially to the movie's having precious little of that feel-good cowboy vibe (think Die Hard) I kind of expected from the trailers.

Of a possible nine Weasleys, Olympus Has Fallen gets six.

Our next question, dear Blog, is how many cinema trips can one individual fit into a long weekend that also includes three home hockey games, a midday hair cut n' color, and one full day of enforced family time (ugh). Time will tell!

Until next time...




Is it twisted that I'd totally do this cartoon person??

MOVIE REVIEW: CORIOLANUS

ON DVD

CORIOLANUS



Ralph Fiennes' directorial debut, Coriolanus, scripted by John Logan, updates one of Shakespeare's more difficult plays without sacrificing the Bard's original dialogue. Set in modern times, the movie stars Fiennes as the title character, a fierce General able to fight Rome's most dreaded enemies as well as quell civil unrest from a lack of food. When politicians convince Coriolanus to become a political leader, his natural fierceness and lack of political instincts lead to him being disgraced by other politicians and eventually forced to leave Rome after being branded a traitor. He then joins with his former enemies to invade Rome, and the only person who may be able to talk him out of this revenge plan is his mother (Vanessa Redgrave). ~ Perry Seibert, Rovi

Director: Ralph Fiennes

Cast: Ralph Fiennes, Gerard Butler, Brian Cox, Vanessa Redgrave, Jessica Chastain

Release Date: Jan 20, 2012

Rated R for some bloody violence

Runtime: 2 hr. 2 min.

Genres: Drama

Review:

Ralph Fiennes’ directorial debut is a study in intensity. As a director he displays a deft hand converting Shakespeare’s Roman set tragedy into the modern world. It works incredibly well feeling timely and fresh. Moving the setting to an Eastern European city in turmoil is a good fit and easy transition. Fiennes, in the titular role, is boiling to the brim with a sense of ferocity that transcends the screen. He’s captivating throughout, making it impossible to tear your eyes away from him as he spouts out the Bard’s dialogue. Vanessa Redgrave is just as impressive as his manipulative mother. Together they are a truly inspired; their last substantial scene could be used as a acting teaching tool. Gerard Butler, Brian Cox and Jessica Chastain are strong in smaller supporting roles. Brian Cox leaves the biggest impression. Coriolanus is the type of film that showcases so many talent and is like mother’s milk for film and Shakespeare fans.

A