MOVIE REVIEW: MATERIALISTS

 

A young New York City matchmaker's lucrative business gets complicated as she finds herself torn between the perfect match and her imperfect ex.

Director: Celine Song

Cast: Dakota Johnson, Chris Evans, Pedro Pascal

Release Date: June 13, 2025

Genre: Comedy, Romance

Rated R for language and brief sexual material.

Runtime: 1h 49m

Review:

Celine Song's sophomore film, Materialist, isn't quite as focused as Past Lives but it’s a fascinatingly uneven rumination on dating powered by strong performances from its central trio.  Song's film initially feels like a standard rom-com set up but it clear from the outset that she's got more on her mind than that as she uses tropes to lure us into something more interesting.  The debonair rich suitor vs downtrodden, love sick loser is a classic set up but here its deconstructed to something more honest.  Each suitor plays to one half of Dakota Johnson's Lucy with one serving as the answer to her analytical and more materialistic side while the other remains more abstract in spite of history and common sense.  Johnson and Pedro Pascal scenes together are played up with an air of elegance and refinement while maintaining as sense of artificial detachment.  Pascal has his charm level set to max with his character's ultimate failing not being the standard issue anger, womanizing or drug problem that these characters are typically saddled with but something inaner and shallow.  Pascal still manages to bring an air of humanity to the role, something that's typically missing from this kind of character.  He and Johnson make for a solid screen couple but some of their discussions feel a bit too artificial and scripted, far removed from natural conversation.  Johnson’s scenes with her ex-beau, played with just the right level of hapless innocence by Chris Evans, come across a bit more naturally and nuanced.  They deliver solid, subtle work as we get a sense of their shared history with every look and pause conveying volumes of information.  Evans is given plenty of sweet, swoon worthy moments that are sure to melt many hearts serving as effective foil to Pascal's more measured and calculated aura.  A handful of tonal shifts shake up the film's flow, making it a choppier experience as the focus shifts far too often at inopportune times.  A more focused approach on the central trio would have made the whole thing more effective but those looking for a more thoughtful rom-com will find plenty to enjoy with Materialists.    

 

B

Cindy Prascik's Ho Ho Holiday Cheer!

My dear readers, predictably, the second theme of my holiday watchlist was…well…holidays. If you’re looking to extend your celebrations through the weekend like we are, these movies may reinforce your cheer.

No fan of romance I, but sometimes a person’s hand is forced during the festive season, so first on my agenda was a double-bill of Haul Out the Holly (2022) and Haul Out the Holly: Lit Up! (2023).

In Haul Out the Holly, a big-city girl comes home to her parents’ for Christmas. Wanting only a relaxing holiday, she is conscripted into the Christmas-crazy neighborhood’s festivities and finds romance in the process. In Haul Out the Holly: Lit Up! a family of Christmas “influencers,” moves in and causes strife among the residents of Evergreen Lane.

At risk of damning with faint praise, both of these Hallmark offerings are…cute. If you’re looking to fully immerse in Christmas cheer without using too much brain power, you could do worse. Both are well paced, with likeable casts/characters. Even the conflict isn’t so conflicted as to harsh the holiday buzz too much.

Haul Out the Holly and Haul Out the Holly: Lit Up! run 84 minutes each, and both are rated TVG.

The Haul Out the Holly series is a bit of light, quick-moving holiday fun that doesn’t wear out its welcome. Of a possible nine Weasleys, Haul Out the Holly gets six, and Haul Out the Holly: Lit Up! gets five.

Both Haul Out the Holly movies are now streaming on Hallmark+.

Next up was Hot Frosty.

As you’ve likely guessed from the not-so-subtle title, a snowman comes to life and he’s not hard on the eyes.

Hot Frosty was a bit of a surprise. It doesn’t reinvent the wheel, but it’s genuinely funny with a couple clever Easter eggs. The cast even boasts some faces that are different from the ones you see in all the Christmas romances. (I’m happy whenever and wherever Craig Robinson turns up!) Like the Haul Out the Holly movies, Hot Frosty goes full Christmas with its costumes and sets. The cast is engaging and doesn’t play it too serious or too cringey, and the movie leans into its familiar theme just enough.

Hot Frosty runs 92 minutes and is rated TVPG for “mild sex and nudity.” (When he comes to life, the snowman has no clothing save a strategically placed red scarf.

Hot Frosty is cheerful, fun, and good natured, a step up from the average holiday romance. Of a possible nine Weasleys, Hot Frosty gets seven.

Hot Frosty is now streaming on Netflix.

Taking a welcome break from romance, next on my docket was the big-screen Christmas extravaganza Red One.

When Santa is kidnapped, the head of North Pole security teams up with an infamous hacker to try to save Christmas.

I’ve heard a fair bit of grousing about Red One, but it isn’t romance, horror, or strictly for kids, and that’s hard enough to come by in a Christmas movie that I’m willing to cut it some slack. The cast features familiar and well-loved faces like Dwayne Johnson, Chris Evans, Lucy Liu, and JK Simmons, and if the material doesn’t stretch their talents too much, it’s still good fun. The general effects are pretty decent, though some of the non-human creatures look like someone dropped a bargain bin Star Wars cantina onto the set. The action is solid and there’s nothing so dragged out as to get boring. The movie knows exactly what it is and doesn't pretend to be more, so any small quibbles are easily forgiven.

Red One clocks in at 123 minutes and is rated PG13 for “action, some violence, and language.”

Red One is good holiday fun for the whole family. Of a possible nine Weasleys, Red One gets seven and a half.

Red One is now streaming on Prime Video.

I hope everyone has enjoyed this festive season, and that 2025 brings you all much happiness!

Until next time...

Cindy Prascik's Review of The Contractor & The Gray Man

 Say, there, dear reader(s), did'ja miss me? Probably not, but I'm back with a couple reviews for your eager-ish eyes.

Spoiler level here will be mild, nothing you wouldn't know from the trailers or the IMDB synopses.

First movie on today's agenda: The Contender.

A Special Forces sergeant, involuntarily discharged from the service, finds work (and trouble) with a private contractor.

The Contractor has been bouncing around the buy/rent streaming circuit for several months. I wasn't interested enough to pony up any cash, but, when it turned up for free, the time was right.

The Contractor lays its groundwork slowly. The first half-hour really feels like it's going nowhere, and there's nothing so complicated that the movie couldn't have cut to the chase in half the time. Chris Pine (my favorite of the Hollywood Chrises!) portrays James, a brooding hero trying to stay afloat in a post-military life that owes him better than he gets. Ben Foster steals the show (as Ben Foster always does) as a fellow ex-soldier who gets James into the contract business. Kiefer Sutherland, Gillian Jacobs, JD Pardo, and Eddie Marsan flesh out cookie-cutter supporting roles that could have been handed to lesser names and been none the worse for it. The story twists and turns rather nicely, if somewhat predictably, but seems to rush to its end. Cutting 15 minutes from the setup and devoting it to the payout would have served the picture well, but ultimately it maintains tension and ties up its story nicely enough that we'll call it a win.

The Contractor clocks in at 103 minutes and is rated R for "violence and language."

The Contractor is a generic but serviceable way to pass a late summer afternoon. Of a possible nine Weasleys, the Contractor gets four and a half.

The Contractor is now playing/streaming on the Showtime family of networks, and is available to rent or buy from all the usual outlets.

Next on my Saturday schedule was the Gray Man.

After discovering some of the agency hierarchy's dirty secrets, a CIA dark operative finds himself on the run from a psychotic former colleague.

The Gray Man is another by-the-numbers thriller salvaged by a reasonably talented, good-looking, and likeable cast. Ryan Gosling and Chris Evans face off in the leads, with Evans' performance reminding me of nothing more than Jason Patrick's turn in my personal favorite Chris Evans movie, the Losers. The entertaining pair, along with some unique action sequences, combine for a good enough time, but the movie's attempts at humor are painful, and it overstays its welcome by a solid 30 minutes.

The Gray Man runs 122 minutes and is rated PG13 for "intense sequences of strong violence, and strong language."

The Gray Man is a passable thriller elevated by a solid cast. Of a possible nine Weasleys, the Gray Man gets five.

Fangirl points: Shea Whigham!

The Gray Man is now streaming on Netflix.

Until next time...

MOVIE REVIEW: LIGHTYEAR

 

Buzz Lightyear embarks on an intergalactic adventure with a group of ambitious recruits and his robot companion.

Director: Angus MacLane

Cast: Chris Evans, Keke Palmer, Peter Sohn, Taika Waititi, Dale Soules, Uzo Aduba, Mary McDonald-Lewis, Efren Ramirez, Isiah Whitlock Jr.

Release Date: June 17, 2022

Genre: Animation, Action, Adventure, Drama, Family, Sci-Fi

Rated PG for action/peril

Runtime: 1h 40m

Review:

If we are being honest there is no good reason for a Lightyear film to exist outside of cashing in on a well known property.  We're told with a quick line of text to open the film that this is the movie that makes Andy want the Buzz action figure in the original Toy Story.  Outside of that bit of crossbreeding, director Angus MacLane goes about delivering a visually impressive sci-fi origin story that pays homage to classic films like Star War, Trek with bits of Aliens and 2001 sprinkled in for good measure.  MacLane keeps the action moving at a steady pace while managing to deliver an emotional montage that echoes the opening sequence from Pixar's Up.  On its surface the script plays like a light fairly straightforward sci-fi adventure at first but it reveals a deeper emotional core as the story moves on even if not as revelatory as some of Pixar's other films.  Chris Evans voice work leads the film even if it takes a minute to get used to him voicing the role.  Evans finds a tenor in his voice that echoes Tim Allen voicework but with enough of that Captain America sound to make it his own. It’s a fun performance played a bit more seriously which fits in with the movie.  The supporting cast of Keke Palmer, Peter Sohn, Taika Waititi, Dale Soules and Uzo Aduba all deliver solid performances even if the characters are slightly underwritten to the point where they don't make the impression they should.  The real standout is Peter Sohn who voices Sox, Buzz's robotic cat assistant, who manages to bring an engaging but fun voice to his character.  Sohn's character gets some of the best comedic moments in the film and will probably be the most memorable of supporting cast.  Lightyear is a crowd-pleasing film that delivers enough fun Toy Story Easter Eggs to keep longtime fans happy and enough action to keep younger kids entertained even if it's not in the top tier of Pixar's catalogue.

B+

Cindy Prascik's Review of Knives Out

This weekend the cinema offered one of my most hotly-anticipated titles of the year: Rian Johnson's Knives Out.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

When a well-to-do author dies a suspicious death, a private investigator attempts to unravel the case while the millionaire's family fights over his estate.

Knives Out is a proper, original murder mystery, with a layered story and plenty of clever twists to keep the audience engaged. Set almost entirely in a Clue-like old mansion, the atmosphere is almost equal parts lush and creepy, with a healthy side of humor. The all-star cast includes such luminaries as Jamie Lee Curtis, Christopher Plummer, Michael Shannon, Chris Evans, Daniel Craig, LaKeith Stanfield, Toni Collette, and Don Johnson. Most are very good, with Evans turning in a particularly fun performance. Collette, unfortunately, is woefully miscast to the point of being distracting. Neither mattered as much to me as having Don Johnson on my screen. Knives Out is deliberately paced enough to border on too slow, making the two-plus hour runtime seem somewhat longer, and there's an uncomfortable political interlude that serves a purpose, but (for my money) not enough of a purpose to justify what it costs the picture. Overall, I didn't love Knives Out as much as I'd hoped, but--without spoiling any particulars--I think that's more down to it not playing out as I'd have liked than to any shortcomings as a film.

Knives out clocks in at 130 minutes and is rated PG13 for "thematic elements including brief violence, some strong language, sexual references, and drug material."

Knives Out is a sharp, darkly funny mystery that can rightly be counted among the year's best movies. Of a possible nine Weasleys, Knives Out gets eight.

Fangirl points: In addition to Gordon Lightfoot's "Sundown" featuring on the soundtrack, Knives Out name-checks the musical Hamilton and the movie Baby Driver. Win/win/win. Also, in case you missed it before: DON JOHNSON.

Until next time...

MOVIE REVIEW: KNIVES OUT

A detective and a trooper travel to a lush estate to interview the quirky relatives of a patriarch who died during his 85th birthday celebration.

Director: Rian Johnson

Cast: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer

Release Date: November 27, 2019

Rated PG-13 for thematic elements including brief violence, some strong language, sexual references, and drug material

Runtime: 2 hr. 10 min.

Genres: Comedy, Crime, Drama

Review:

Rian Johnson’s Knives Out is a refreshing throwback to those old school ensemble films based on Agatha Christie books.  Johnson’s plot bears a lot of resemblances to those types of films and he stacks his film with a wonderful motley crew of possible culprits.  His direction moves the film at a brisk pace with only a few dead spots in the final reel.  The crisp direction keeps your eyes peeled to every detail as you start trying to piece together the truth.  Some of these types of film tend to cheat the story by using unbelievable twist; thankfully this story is a bit more honest.  If there’s one drawback to that approach it’s that the central mystery isn’t all that complex and pretty easy to figure out before it’s all laid out on screen.  It’s not a major drawback but those looking for a strong mystery will be left wanting.  The film’s biggest asset is its stellar cast who each seem to be having a ball in each of their roles.  Daniel Craig’s turn as a Foghorn Leghorn sounding detective is just incredibly fun and you sort of wonder why the story didn’t use him as the central point of the film.  Instead he’s on the boundaries of the story playing a larger part in its finale.  Instead it’s Ana de Armas character who is the focal point of the story and she delivers a solid performance in the midst of bigger names.  Sadly, the supporting players like Toni Collette, Jamie Lee Curtis and Michael Shannon are left with precious slivers of screen time to shine.  Still they all make the most of it and deliver a fun film across the board that feels like a lesser version of the movie Clue.

B

MOVIE REVIEW: AVENGERS: ENDGAME

Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers -- Thor, Black Widow, Captain America and Bruce Banner -- must figure out a way to bring back their vanquished allies for an epic showdown with Thanos -- the evil demigod who decimated the planet and the universe.

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper, Josh Brolin

Release Date: April 24, 2019

Genres: Action, Adventure, Fantasy

Rated PG-13 for sequences of sci-fi violence and action, and some language

Runtime: 3 h 2min

Review:

Avengers Endgame is the final chapters of the first season of Marvel long running superhero show.  It’s been a bit of an issue that I’ve had with Marvel mainly because very few of the movies have ever just wowed me, that’s not to say I haven’t enjoyed them but they’ve never been the type of films that have blown my mind.  The episodic nature of them always reminded me more of a TV show than movies.  The Russo Brothers do have a nailed down their ability to manage all the various character and plotlines and this culmination does feel like a bit of a victory lap through the last 10 years of films. There are plenty of moments where fan service seems more important than actual plot but it works because the film is ultimately entertaining.  The first hour plays out like a Marvel version of the under watched HBO series The Leftovers with the 2^nd hour pushing into something very reminiscent of the classic series finale of Star Trek The Next Generation.  Much like that series finale the story focuses on the characters we’ve come to know over years as opposed massive action.  Sure it all leads to a climatic showdown but it’s smart to keep the focus on the main 6 characters since they’ve always been the focus of the entire endeavor.  Once the big show down comes it’s a massive spectacle that delivers some incredibly satisfying moments.  The only small drawback is that some of it feels fairly familiar with one moment seemingly channeling an iconic shot from Game of Thrones legendary Battle of the Bastards episode.  I’ll throw in the fact that if anyone whose familiar with another long seeded collection of superhero stories from DC animated universe will get a sense of déjà vu since that series ended with a very similar final battle.  Once the battle is over there are a few more lingering issues because there are plot holes aplenty if you think about many of the choices made, a few are particularly glaring,  It’s really a testament to the work of the cast and directors that film works because in lesser hands it could have been a real mess.  The film is a fitting end to this chapter even if the finality of it doesn’t quiet resonate much like that cliffhanger at the end of Infinity War. 

B-

Cindy Prascik's Review of Avengers Endgame

Yesterday I, along with three-quarters of the world's population, hit the cinema for Avengers: Endgame.

An important note on spoilers: The vast majority of movie-goers, and plenty of people who don't usually bother with the cinema, too, will see this movie. A smaller number wouldn't see it if it were the best film ever made; it's just not their thing. A movie like this is probably the only time that literally NOBODY needs someone else's input to decide whether or not to watch. Couple that with the fact that people are so twitchy about spoilers that I barely understand what constitutes one in some people's eyes, well, best not to risk it, I suppose. So...rather than a review, we'll call this a conversation. I'm starting with my thoughts, and--after you've seen the movie--I hope you'll revisit this and join me in the comments. In other words: HERE THERE BE SPOILERS. Also, this is gonna get long, as is only fitting for a three-plus-hour movie. Forewarned is forearmed on both counts.

Endgame marks the culmination of the Avengers Infinity Saga, and is the next-to-last film in Phase Three of the Marvel Cinematic Universe. It's all about the endings as the remaining Avengers attempt to undo the damage done by a snap of Thanos' fingers in Infinity War.

As I've noted time and again, I am not really a Marvel Person. I enjoy most of Marvel's films, but I don't find them to be anything special and I always have plenty of complaints, both legit and nitpicky. I'd read some spoilers for Endgame that left me thinking I wouldn't like it even as much as I do the average Marvel flick, but I am happy to say I was pleasantly surprised. Not only did I well and truly enjoy the picture, but many of the recurring beefs I have with Marvel product proved to be non-factors.

Endgame kicks off with Traffic's Dear Mr. Fantasy in glorious surround-sound. That right there is good for a whole lot of Weasleys, before I put even half an eyeball on the other two hours and 59 minutes. Epic.

The first hour of Endgame is not just good, it's excellent. The people who embody these heroes are decorated actors and adept at emotional as well as physical heavy lifting. Watching the survivors cope with the aftermath of Infinity War, interacting among themselves and with others, is a real treat. Robert Downey, Jr. is especially effective and, for the first time since maybe Tropic Thunder, it doesn't seem like he's playing an exaggerated version of himself. Sure, Tony Stark is still Tony Stark, but this performance is--dare I say it?--even a little understated, setting a perfect tone. Helping matters is the fact that the usual shoehorned one-liners are in short supply here. There is some unfortunate comedy (more on that later), but this go-round it's not Iron Man's fault.

Come the middle hour, Endgame starts to bog down a bit. I wasn't clock-watching (except for purposes of wanting to know when this or that happens), but it definitely didn't hold my attention like hour one. The third act has the big action, and--while it isn't as pointlessly bloated as Captain America: Civil War or Avengers: Infinity War--it probably could have used a trim. Having said all that, at no point in this three hours did it feel like I'd been sitting for 12 (a welcome change for me with Marvel) and, truly, through the end, the only times I looked at the clock were those times I wanted to mark at what point a certain scene happened or a character turned up. Performances: RDJ isn't the only one doing great work in Avengers: Endgame. Bradley Cooper continues to mesmerize as Rocket; he is extraordinary. Scarlett Johansson and Jeremy Renner are magical when they share the screen, reminding me very much of Eva Green and Rory Kinnear's all-too-infrequent scenes together in Penny Dreadful. Paul Rudd...seriously, who doesn't love Paul Rudd? While most of the film is comparatively somber, Scott Lang gives us those lighter moments that--when done well and timely placed--provide important relief in such a grim tale. Tom Holland shows, again, that he's become the heart of the MCU, and Sebastian Stan--reminiscent of "...but I knew him..." in Captain America: the Winter Soldier--proves he needs only his two eyes and 15 seconds on camera to outshine a veritable gaggle of award-winning actors. The movie does a fair job of shaking out screen time among the principals, but the previously-dusted characters turn up late and don't get much to do. The bulk of the attention is (rightly) on the original Avengers, whose time with Marvel allegedly ends with this film. *cough cough* It remains Marvel's greatest strength that they've been able to find just the right people to inhabit their much-loved characters, which, for me, is what makes even their worst movies pretty enjoyable.

A couple quibbles, and let none of these be mistaken for reasons not to see this on a big screen: Wow is the God of Thunder ill-used here. Sure, the Thor movies are probably the lightest of Marvel's offerings (and also my favorites, for the record), but here he's straight-up comic relief, and it seems very unfair, especially as the character is visibly dealing with PTSD. Iron Man gets a scene straight out of a Best Picture nominee, but Thor's just a boozed-up fat joke? I call shenanigans! Thor's handling in Endgame is almost totally missed opportunities and dubious humor, very unfortunate for such a great character and an actor who deserves better. I also feel like Endgame craps on Steve Rogers a bit. Steve's friendship with Bucky is the cornerstone of his story, so it seems implausible that he would abandon Bucky to his (horrible) fate to stay in the past with Peggy. Steve being Steve, it's also unlikely he'd have upended Peggy's life in such a way, when she'd gotten married, had a family, and (as far as we know) been happy. Considering Peggy passed--what, three movies ago?--of natural causes, it felt very forced that half of Steve's close-ups in Endgame were of him mooning over that photo of her in the locket. I knew all that was coming and I honestly thought it would make me hate the movie, but...well...on down the line here I'll explain why it didn't.

As I said 18 years ago at the beginning of this dissertation, Avengers: Endgame is a climax, a torch-passing, an ending. As such, there are significant deaths and impending disappearances of long-loved characters. Tony Stark's passing hit me harder than expected, given how uninvested I've been in the character, but losing Nat? Well...that one about murdered me. Romanoff is a great character and ScarJo an even better actor; the movie feels her absence immediately and consistently once she's gone, despite the fact there are some super-badass female warriors carrying the girl-power mantle going forward. (Can Shuri have her own movie now, please and thank you?) Given the weight and volume the deaths, you'd think I might have shed a tear or two, but...nope. I, who ran right over two cinema employees on my way out of Saving Mr. Banks because I didn't see them through the veil of my tears...I, who had to be consoled by a stranger over the end credits of American Sniper...I couldn't muster so much as a sniffle here, and therein lies a big problem not only for Marvel, but for fantasy entertainment in general: "Death" has no real consequence, especially once the universe starts fiddling with time travel. If RDJ's next couple movies are flops? No worries, we'll just go back in time and un-kill him for Iron Man 12. Yes, I know they've stressed "dead means dead." I know this installment very specifically brings back only the characters who were dusted by Thanos, and not those who were killed otherwise. And I know everybody and their brother's Marvel contract is up. BUT...yeah, I'm still not buying it. If the demand is there and the principals are willing, any or all of them could pop back up at any time, and some of them seem quite likely to. (Lookin' at you, Loki!) The silver lining--and what allows me to not hate what they did with Steve Rogers--is I don't believe that was really Steve Rogers, or at least not the only Steve Rogers. Somewhere, there's a Steve Rogers who meant "'til the end of the line" when he said it. The way the scene played out, Bucky standing back, seemingly knowing what was happening and allowing Steve to choose his own happiness for once, also made it less horrible than it could have been, though, far as I'm concerned, still not the sendoff Steve Rogers deserved. (And may I mention again the quiet, heartbreaking genius of Sebastian Stan, which makes the scene?)

Moments: I'm nobody's feminist--or at least I stand so accused because I don't like Captain Marvel--but there's a bit where all the female heroes charge together against Thanos and...oh my...the chills! I loved the Cap vs. Cap fight, and the "America's ass" joke was genuinely funny and not over-used. It was great that Hot Tub Time Machine (probably not Sebastian Stan's proudest cinematic moment?) was name-checked, and the call-back to the elevator fight in CATWS--for my money, Marvel's greatest film--was terrific. Timeline tomfoolery often becomes muddled and, as mentioned, can result in a lack of investment in the proceedings (who cares what happens if they can just make it un-happen?), but I can't pretend I wasn't happy to see some familiar faces who have passed on or simply disappeared from the MCU. (Huzzah, Brock Rumlow!) Finally, though there are no mid- or post-credits scenes at the end of Endgame, the first credits sequence--which ends with a sort-of curtain call for Cap, Iron Man, Black Widow, Hulk, Thor, and Hawkeye--is quite epic in and of itself and entirely worth sticking around for. After that, it's okay to take off like a person who's consumed a bathtub-sized Diet Coke and has been waiting three and a half hours to pee. I see you. You're good.

Avengers: Endgame runs 182 minutes (yikes!) and is rated PG13 for "sequences of sci-fi violence and action, and some language."

Avengers: Endgame is one of Marvel's best offerings, and definitely finishes the Infinity Saga on an uptick. Of a possible nine Weasleys, Avengers: Endgame gets eight.

Fangirl points: I mean, you noticed I really, really like Sebastian Stan, right?

Until next time...

MOVIE REVIEW: AVENGERS INFINITY WAR

Iron Man, Thor, the Hulk and the rest of the Avengers unite to battle their most powerful enemy yet -- the evil Thanos. On a mission to collect all six Infinity Stones, Thanos plans to use the artifacts to inflict his twisted will on reality. The fate of the planet and existence itself has never been more uncertain as everything the Avengers have fought for has led up to this moment.

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Chris Pratt

Release Date: April 27, 2018

Genres: Action, Adventure, Fantasy

Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references.

Runtime: 2h 29min
 

Avengers Infinity War is the culmination of a massive and unprecedented shared universe.  The biggest question is does this huge ensemble of A list actors work, the answer is mostly.  Infinity War is an intensely busy film that carries multiple story lines throughout the film.  Most directors would easily get lost but Anthony and Joe Russo have steadily been prepping for this moment.  They expertly juggle everything while avoiding most of the pitfalls that could easily pop up and don’t make it a chore to watch.  The film has a strong verve to it mainly due to the collection of characters which have such wonderful charisma.  The interplay between all these characters makes the whole thing chug along.  Familiarity helps since we’ve been exposed to these characters in the past, so even if a particular role is small in this film, we’re invested.  The actors and actresses are all on their game, so it’s fun to watch all these top level talents appear onscreen like some sort of cinematic red carpet.  The biggest surprise though is Thanos, the CGI super villain voiced by Josh Brolin, who has far more depth than expected.  It’s a strong cog to the entire film which delivers epic action and iconic moments.  There is only a tad bit of fatigue that starts to set in before the final act starts.  It’s not surprising with so much happening and the finale is a somber closer but it’s hard not to see the set up for the next installment.  So while the film delivers real deaths, some of them do seem like they’ll be reversed as soon as the next film starts.  

B+

Cindy Prascik's Review of Avengers: Infinity War

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Blog: Yesterday it was off to Marquee Cinemas for Avengers: Infinity War.

 

Regarding spoilers: Because it's essential to my overall impression of the movie, I have to drop a pretty consequential "what" without giving away the "who," "how," "where," or "when." If you are overly concerned, by all means, put this aside until after you've seen the movie.

 

Onward to the review that's nearly as long as the film...........

 

The Avengers & Company face their (and the universe's) greatest threat yet in the mighty Thanos.

 

As regular reader(s) may remember, I'm often a little vexed by Marvel. On the one hand, there's Captain America: The Winter Soldier, second only to The Dark Knight as a benchmark of excellence for the superhero genre...or any genre, really. On the other hand, there's Age of Ultron and Civil War, a.k.a. "the eight-dollar naps." Spoiler junkie that I am, I knew a lot about Infinity War going in, and I was prepared to be both bored and annoyed by it. Thanks to a great cast and some spot-on humor, I was neither.

 

Infinity War is a jumble of plotlines that share a common endgame, but that never really feel like the same story. Marvel has thrown just about everyone in its existing cinematic universe at the screen for this one, the exclamation point at the end of the MCU's first decade. While it's iconic seeing them all (sort of) together, in many ways it makes a mess the film can't quite clean up, even with its ... erm ... "considerable" runtime. There are some eye-popping special effects, yet there's some wonky CGI as well, which I never understand in movies that cost this much to make. Alan Silvestri's score, much like the picture itself, reaches for epic without ever quite getting there. I think most everyone expected consequential deaths in Infinity War, but the movie goes for quantity rather than quality with the cull. So safe is it to assume most of what's done will be undone in part two that it's impossible to invest in any of it. It's easy to become frustrated with a film that's not much more than a setup for the next one and that doesn't achieve much of consequence (at least not much you can expect to stick) in its own right.

 

The good news is Infinity War is a supremely enjoyable two and a half hours. Credit first goes to its extraordinary cast, which is a delight almost to a person, both individually and in tandem. Whoever your favorites are, it's a fair bet they won't have enough screen time for your liking, but, really, everyone works together so well it's hard to complain. Being aware of real-world considerations like how many films certain actors have left in their Marvel contracts or the Marvel rollout schedule through 2022 may keep fans from taking the film's mammoth losses too seriously, but such complacency is entirely absent onscreen, and the cast proves itself more than capable of the emotional heavy lifting. Special shout-outs to Benedict Cumberbatch, a boundless genius; Tom Holland, the picture's heart and soul; Robert Downey, Jr., who is as good here as he's ever been; and Sebastian Stan, who expresses more with a single word or look than most actors do with a franchise. It's also worth saying again (and again and again) that Bradley Cooper doesn't get half enough credit for what he achieves with a CGI raccoon. It's easy to write off that character as comic relief, but Cooper's evocative work always gives Rocket real depth. Amidst the high stakes and great losses, Infinity War also has some legitimately funny stuff. The humor is organic and well placed, and not once did I feel my usual annoyance with Marvel shoe-horning in jokes and wisecracks that are ill-timed or ill-advised or sometimes both. As the end credits rolled, I was delighted and not just a little surprised to realize I'd hardly felt the passage of two and a half hours. The last time I could say that about a Marvel movie was never.

 

Avengers: Infinity War clocks in at two hours and twenty-nine minutes, and is rated PG13 for "intense sequences of sci-fi violence and action throughout, language, and some crude references."

 

Avengers: Infinity War is a big, fat mess and a tremendously good time, proof that a movie doesn't have to be technically great to be wholly worth seeing. 

 

Of a possible nine Weasleys, Avengers: Infinity War gets eight.

 

Until next time...

MOVIE REVIEW: CAPTAIN AMERICA: CIVIL WAR

Political pressure mounts to install a system of accountability when the actions of the Avengers lead to collateral damage. The new status quo deeply divides members of the team. Captain America (Chris Evans) believes superheroes should remain free to defend humanity without government interference. Iron Man (Robert Downey Jr.) sharply disagrees and supports oversight. As the debate escalates into an all-out feud, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) must pick a side.

Release Date: May 06, 2016 RealD 3D 

Runtime: 2 hr. 26 min.

Genres: Action/Adventure, Sci-Fi/Fantasy

Director:Joe Russo, Anthony Russo

Cast: Chris Evans, Robert Downey, Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie

Review:

Captain America: Civil War is a busy film that has a lot of ground to cover.  It’s the type of film that has a clear agenda and while the story is fairly predicable it never bores you much, the first act is a tad slow moving, as it moves its chess pieces into place.  The Russo brothers deserve a massive amount of praise for keeping all the proverbial balls in the air while giving each character their time to shine.  It’s an impressive trick considering the size of the cast and none of the characters feel short changed.  The new additions add a welcome breathe of fresh air with Tom Holland’s Spiderman leaving the biggest impression.  As always, the action set pieces are massive and impressive with the airport battle shown in all the promos being the centerpiece.  The best action sequence though might be a fight in an apartment building which is a masterwork of choreography.  Captain America: Civil War is a fun film with a healthy bit of pathos at play but when everything is said and done the story isn’t quite as ground shaking as some have made it out to be. 

B+

Cindy Prascik's Review of Captian America: Civil War

Dearest Blog: Yesterday it was off to Marquee Cinemas for the highly-anticipated blockbuster Captain America: Civil War. Spoiler level here will be mild, nothing you wouldn't know from trailers and the odd Internet clip. 

 

Well, dear Reader(s), I've got good news and bad news. The good news is Civil War is a pretty great movie. 

 

The bad news is it doesn't even come close to the masterpiece that preceded it, Captain America: The Winter Soldier. To justify my disappointment, I'll be making some comparisons...not, as regular reader(s) might expect of me, to that *other* costumed hero grudge match movie that came out a few weeks back, but rather to some of Cap's Marvel stablemates. 

 

There are a good many positives here, though, so let's get started with some of those. This cast is a gift. Most everyone is a fantastic talent in his or her own right, and the chemistry among them is extraordinary. Stoic and steely-eyed Chris Evans remains the perfect embodiment of our all-American hero, and is 100% effective in selling Steve Rogers' Boy Scoutish worldview. Sebastian Stan is incredible, but, while he has more screen time this outing, he unfortunately seems to have fewer opportunities to really showcase his skills. 

 

Disappointing. A longtime Stan-Fan must be forgiven for being a little over-enthusiastic about the Captain America movies, as they're pretty much the only decent movies this gifted actor ever makes. 

 

The other returning Avengers are solid as always, and newcomers Tom Holland, Daniel Bruhl, and especially Chadwick Boseman all turn in terrific performances. Those are some BIG impact moments when Black Panther and Spider-Man turn up; electricity rolls through the room like a lightning strike. Civil War includes so many Marvel favorites it's jokingly been called "Avengers 2.5," yet it never shortchanges its titular hero, a remarkable feat in its own right. 

 

Much like The Winter Soldier before it, Civil War opens the action with a massive, complicated sequence that's as much espoinage as ass-kicking, and the overall scope of things leaves some dodgy CGI quickly forgotten. There are plenty of one-liners to go around, and the story itself is engaging, if not as smart or interesting as its predecessor. On the downside, permit me to copy and paste from a hundred previous reviews: This movie is TOO. DAMN. LONG. No excuse for this thing exceeding two hours, certainly it should never run longer than 2:15. 

 

Civil War needs some serious editing, and I don't mean by taking a hacksaw to entire scenes, I mean, as always, by using an Xacto knife to trim it to a sharper, more manageable whole. Civil War gives the original Avengers a run for its money in the battle fatigue department, and much of the fight choreography isn't even all that interesting, particularly by comparison to the stellar Lumerian Star sequence in CATWS. The movie's humor also misses the mark a bit too often. 

 

Unlike Guardians of the Galaxy, which expertly rides a fine line between brilliant and so-goofy-it's-actually-brilliant, Civil War often shoehorns silliness into scenes where it fits poorly with both mood and content. 

 

The deadpan wit of Tony Stark and Sam Wilson always sets well, but Peter Parker, and, to a much lesser degree, Scott Lang, are jarringly stupid at all the wrong times. By comparison to the Winter Soldier, even Henry Jackman's score feels like it's missing something. 

 

Captain America: Civil War runs 146 minutes, and is rated PG13 for "extended sequences of violence, action, and mayhem." It's not a perfect movie, but if you bring those expectations down just a smidge, Civil War is a fun, action-packed bit of brain candy. 

 

Of a possible nine Weasleys, Captain America: Civil War gets eight.

 

Until next time... 

 

 

MOVIE REVIEW: AVENGERS: AGE OF ULTRON

Joss Whedon returns to write and direct the follow-up to the ultra successful Joss Whedon film. The picture completes Marvel Studios' Phase 2 films, which includes Joss Whedon, Joss Whedon, Joss Whedon, and Joss Whedon. ~ Jeremy Wheeler, Rovi

Director: Joss Whedon  

Cast: Robert Downey, Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson

Release Date: May 01, 2015

Rated PG-13 for intense Sequences of Sci-Fi Sction, Violence and Destruction, and Some Suggestive 

Comments 

Runtime: 2 hr. 21 min. 

Genres: Action/Adventure, Sci-Fi/Fantasy 

Review:

Avengers: Age of Ultron is successful enough to keep the status quo established by the first team up film.  It doesn’t do anything spectacularly more impressive that its predecessor and some of the beats and moments feel similar for good reason.  The old saying “if it ain’t broke don’t fix it” is incredibly fitting.  The new characters add a smattering of freshness to it but all of them feel as underdeveloped as Elizabeth Olsen’s variable accent.  Ultron is an interesting villain but I couldn’t help feeling his characterization was rather rushed throughout.  James Spader does a fine job of keeping the character interesting even if he’s not as devilishly charismatic as Loki.  The main cast of characters all slip into their roles easily and honestly by this point it’s old hat.  Scarlett Johansson and Mark Ruffalo share some of the film’s quieter moments which also deliver the biggest emotional impact.  Jeremy Renner gets a deeper back story and some of the film’s best lines; one can’t help but wonder if Joss Whedon was making up for his limited role in the first film.  As for Whedon, you can’t help but admire the guy’s dexterity at keeping most of the ball in the air all throughout.  It’s not perfect and you can’t help but feel like some subplots got left on the cutting room floor, even then the film’s a tad overlong.  Still, it’s an enjoyable Marvel superhero film which does everything you want from a solid blockbuster.

B

Cindy Prascik's Review of Avengers: Age of Ultron

Dearest Blog, yesterday it was off to the cinema for THE FIRST TIME IN A MONTH. I know, right? Nearly forgot what the place looked like. At any rate, a new superhero blockbuster was just the ticket for drawing me out of retirement, so I ditched the office a bit early to see Avengers: Age of Ultron.

Spoiler level here will be mild, unless you consider starry-eyed, non-plot-related commentary on Jeremy Renner's arms, wardrobe, and screen time spoilerey. If that's the case, then read no more 'til you've seen the movie!

Earth's mightiest protectors face their most frightful foe yet. (I should just save that synopsis for every super-hero review ever.)

I presently harbor a simmering resentment towards Marvel for extorting fans into watching their crap product (*cough* Agents of S.H.I.E.L.D. *cough*) just to be sure we can keep up with their good product (pretty much everything else...so far).

Having said that, nobody enjoys a dude in a cape quite like I do, so I don't think that had undue influence on my opinion of Ultron.

What does negatively impact the movie right out of the box is some ridiculously terrible CGI in the opening sequence.

For such a big-budget picture, it would have been inexcusable wherever it fell, but when it's the first thing you see it doesn't set a very good tone.

The movie also overstays its welcome by a good 20-30 minutes, and feels every minute of WAY TOO LONG. Having said that, it rebounds rather nicely from a sketchy start, spelling great action with some quieter personal moments among the heroes. If the wisecracking wears a bit thin, it also made me laugh out loud at times.

New good guys and new bad guys and new somewhere-in-betweens are smartly cast and fit well enough that you almost forget they ever WEREN'T there. As is always the case with a cast this size, some are a bit underused, but since it's not Jeremy Renner (Hawkeye) this time, I'll not be complaining!

And how about Hawkeye? The only Avenger who didn't get a Doritos flavor OR a Dr. Pepper can in the promo buildup is actually sort-of featured this go-round, and even gets a back-story. A BACK STORY! Concerns about the new costume proved unfounded, as his lovely arms are frequently on display. The Renner prominence more than made up for any small disappointments I had with the picture.

The rest of the cast is expectedly terrific and, by this point, feels like a bunch of old friends. Various folks from the stand-alone movies turn up in what amount to little more than cameos, but it's still great to see them. Even with a bunch of Oscar nominees among the primary cast, though, there's no one else who is even in James Spader's orbit.

One of only two actors who has ever made me stand up and applaud in my own living room (the other is Peter MacNicol if anyone's asking...and I'm pretty sure they're not), the guy is simply incomparable. Ultron is a good enough movie, but overall nothing special; Spader makes it great.

Avengers: Age of Ultron clocks in at a bloated 141 minutes and is rated PG13 for "intense sequences of sci-fi action, violence, and destruction, and for some suggestive comments.

A big, loud, fun bit of brain candy, it's the perfect kickoff to summer blockbuster season.

Of a possible nine Weasleys, Avengers: Age of Ultron gets seven and a half.

Until the Hawkeye standalone movie...erm...I mean, until next time...

[Official Trailer] The Avengers: Age of Ultron

Check out the first look at the Avengers sequel, hurry up since this will probably be taken down soon....


Will update with the official trailer once it's released....

UPDATED OFFICIAL TRAILER 8:50PM CST 10/22/14

The Losers – A retrospective from 4 perspectives

The Losers is one of those odd films that came and went from the big screen quickly and quietly.  

When you look back it, it boast one hellva impressive cast the majority of which have gone on to much bigger success.

It’s an oddity that has brought together 4 movie bloggers who’ve known each other for years across oceans, continents and the interwebs …..

Lets start off with my rerun review of The Losers....

"My original review of The Losers gave it a B- which should probably have been closer to a C or C+.  I honestly can’t contest any of the myriad of issues the film, Jason Patric, has or it’s unfortunate release date that placed it near a better film with roughly the same concept.  Still, there’s something about this silly movie that makes it utterly watchable.  Easiest answer is the cast.  Jeffery Dean Morgan and Zoe Saldana have some great chemistry together each bringing the right amount of cool to the characters.  I’m still a tad bit perplexed that Jeffery Dean Morgan isn’t more of a star, he’s got a gruff kind of charm to him that translates well on screen.  Saldana meanwhile seems to have just resigned herself to working behind makeup or via motion capture.  Personally I think with the right material she could be an incredible action star which is kind of impressive since she probably weighs about 90 pounds soaking wet.  Chris Evans may not be believable as a computer hacker but the guy has always had some great comedic timing.  I always kind of thought Evans was destined for superstardom ever since Not Another Teen Movie so it’s fun to look back before he hit it big with the Captain America role.  Round out the cast with Idris Elba, who probably should have been the actual villain instead of Patrick, and you have a film filled with lots of solid actors making a subpar film watchable in spite of itself.

C+"

Next up is Maynard from Horror Movie Diary

http://www.horrormoviediary.net/

"At minute 36, this is what two of the main characters say to each other:

"This is a classic." - "Yeah, this is a classic piece of shit."

Okay, they're actually talking about a car, and no, I don't think that "The Losers" is a classic piece of shit, but... *sigh* IMHO it's definitely a classic piece of lame, lousy, loserish cookie-cutter action rubbish.

Based on the DC comic book series of the same name (that I obviously have never heard of before), "The Losers" follows a group of black-ops mercenaries who plan their revenge on their former employers who betrayed them and set them up for death. Sounds like a lot like "The A-Team", huh? Well, actually it's more like "Ronin" meets "The Expendables", and of course, the original 1970s "Losers" comics were created long before the "A-Team" TV series.

Nevertheless, the box office failure of "The Losers" (Ha Ha!) can definitely be blamed on a) Joe Carnahan's 2010 feature adaptation of "The A-Team" which was released shortly after, as well as to b) the still-massive popularity of the "A-Team" brand. Even though it performed below expectations, "The A-Team" (which was released in June 2010) earned about 180 millions world wide (Domestic: 77 millions), while "The Losers" earned only about 29 millions worldwide (Domestic: 23 millions).

I unexpectedly enjoyed the hell out of "The A-Team" and I consider it one of the better action-related films of the last few years - but "The Losers" annoyed the crap outta me. My goodness, now this was really poor. I already gave up after the opening: oh-so-tough-and-cool guys playing silly card games and dropping mom jokes, Ram Jam's "Black Betty" (what an original song choice... yawn), a helicopter full of kids explodes (I don't like kids), a burning Teddy bear (boo hoo), cock-fighting etc. Director Sylvain White ("I'll Always Know What You Did Last Summer") just can't decide between fun popcorn movie, grim revenge thriller, over-the-top comic-book insanity or action-drama . Tone and script are all over the place. The characters aren't likable at all...

...and that's just the first 15 minutes.

I have no idea how I made it through the goddamn rest. No idea how I survived Jason Patric ("The Lost Boys") as one of the worst and most unbearable movie villains in history, or Chris Evans ("Captain America") as unbelievably unfunny prankster, saying lines like "These Hot Dogs are delicious!" in a way as if he has never eaten a Hot Dog before. There's tiring amounts of oh-so-cool slow-motion sequences, oh-so-comic-book-like overlaid text and other annoying, unnecessary gimmicks that seem to be in the film only to distract the viewer, so that he doesn't realize how stupid the whole thing it is. There's also hardly any tension, hardly any atmosphere, way too many super-dull dialogue scenes, some really bad choices of music (I fucking hate Journey), the action scenes are rather uninspired and the screenplay is a fucking mess. There is no flow, no coherence. Just a succession of scenes strung together in a... let's say, quite haphazard manner.

Hottie Zoë Saldana and the cool-as-always Idris Elba deliver solid performances, same for Jeffrey Dean Morgan, though I think he's miscast and not exactly the best choice for this role. A few of the more action-packed scenes were quite enjoyable (like the one with the helicopter or the rather diverting finale) and although I hated Jason Patric's character, I chuckled at him saying "It's like giving a handgun to a six-year-old - you don't know how it's gonna end, but you're pretty sure it's gonna make the papers."

Yet, overall, this was sooo not my cup of tea. "The Losers" lost me early on and I spent the majority of its run time in a state of annoyment."

Up next is Karina Bamber

http://karina-mundanerambling.blogspot.com/

"The Losers appeared on our screens in the summer of 2010 and although it did not set the Box Office on fire it has been regular in my 90min DVD rotation.  This is probably a backhanded comment when you learn what else is in the rotation.

I have been called out as a lazy blogger in the past and it is a fair statement.  The depth of my laziness runs much deeper than that as I am also a ridiculously lazy film viewer too. This is why a film like The Losers gets so much attention from me.

PLOT:  After a helicopter full of children are killed during a covert mission in Bolivia “The Losers” led by Jeffrey Dean Morgan’s Clay try to find the Max, (Jason Patric) the man who is responsible for their deaths.  Their mission is funded by the mysterious Aisha (Zoe Saldana) who also wants to kill Max.  The group tracks Max down in LA as he is about to buy four snukes from a group of terrorists.  END PLOT

The Losers is based on a set of graphic novels written by Andy Diggle which I read prior to seeing the film.  The novels are thoroughly entertaining and should have easily made the jump from book to screen especially when Peter Berg, a favourite of mine, is involved.  Alas, something didn’t quite work out.

The original novels were for adults.  There was bad language, blood, humour, death and sex.  The films were watered down to a 12A and lost most of the key ingredients which would have set it apart from The A Team which was also released that summer.  The 12A rating does the film no favours and the attempts to make the characters rating friendly make them almost unrecognisable – there is a throwaway line about Aisha’s childhood ear collection but this ear collection is actually a big part of Aisha’s dangerous and let’s face it, slightly deranged, character.

All of the characters are underdeveloped but do tick off the list of stereotypes required to make an ensemble action flick – we have the leader (Jeffrey Dean Morgan), the love interest (Zoe Saldana), the computer geek (Chris Evans), the driver/MacGyver (Columbus Short), the silent sniper (Oscar Jaenada) and the betrayer (Idris Elba).  The characters may be weak but the cast do have chemistry which helps to cover over the flaws.

Any film with Chris Evans will draw me in but in 2010 there was interest in Jeffrey Dean Morgan who was still on a high after his brilliant performance as The Comedian in Watchmen and we must not forget his tenure as “parent of the year” John Winchester.  It has not gone unnoticed that Morgan’s career has stalled and some of the supporting cast have gone on to become major A-List success.

Unfortunately one thing the chemistry of the cast could not hide was the awful Max (Jason Patric).  Max’s danger came from his calculating intelligence but Jason Patric overacted like crazy and turned Max into a cartoon character.  Patric appeared to be aiming for confident business villain but it was all a bit handbags at dawn.

Max’s evil deeds include shooting an umbrella lady in the head and laughing at a really short man but his main plot thread involves buying four snukes from terrorists for a shitload of money and a Ducati.  I could be staring down the barrel of a snuke or “giant vibrating Easter Egg from hell” and I still couldn’t take my impending death seriously.  On paper snukes may seem more original than nuclear or chemical weapons but on the big screen it simply doesn’t work.  It doesn’t help that “Four Snukes and a Ducati” sounds more threatening as the latest hipster band than the terms of an illegal arms deal.

The action is standard fare but appropriate for the rating.  Instead of seeing the burning bodies of twenty kidnapped children we see a singed bear.  This pretty much sums up the film.  It was a wasted opportunity.

I know The Losers is an average film, and worse than that, it is a poor adaptation of a legitimately good set of graphic novels.  There will be those who see the film as a mess that more often than not misses the mark and I won’t be able to launch into a staunch defence of The Losers as I agree with them.  

On its own merits The Losers gets 5/10.

BUT

As mentioned above I can be a very lazy film viewer especially when it comes to choosing a DVD.  I don’t apologise for picking generic 90min films when I have had a hard day.  We all do it.  The Losers fits that bill perfectly which is why I thank it for being familiar, comforting and for not requiring too much attention or effort.  On the basis of me having a bad Tuesday The Losers gets 8/10."

Last but definitely not least Cindy Prascik:

http://hufflepuff11.tumblr.com

"Dearest Blog, with this entry I shall claim membership in one of the world's most exclusive clubs: People Who Love the Losers.

Spoiler level here will be off the charts, because you've had four years to catch up with this. If you haven’t seen it yet, read no more until you have! (But, seriously, what are you waiting for??)

After being framed for mass murder in Bolivia, an elite Special Forces team hooks up with a seductive con artist to clear their names and get back home to the U.S.

Dear reader(s), you know me well, do you not? I like testosterone-fueled action flicks. Bonus points if they're based on comic books. Double bonus points if they make me laugh, too. The Losers ticks all the boxes for me.

Let's start with this gifted and gorgeous cast, shall we? The leader of our merry band of misfits is Clay (Jeffrey Dean Morgan). Haunted by betrayal and the resulting loss of young life, he is single-mindedly bent on revenge against Max, the mysterious man who set up his team. Roque (the dashing Idris Elba) is a headstrong demolitions expert who often questions Clay's leadership. Communications specialist Jensen (Chris Evans) and transportation coordinator Pooch (Columbus Short) trade insults and provide the movie's best comic relief. Finally, there's Cougar (Ơscar Jaenada), a sniper whose silent charm nearly steals the whole show. Aisha (the glorious and perfect Zoe Saldana) is a local woman who offers her assistance to the team...but with her own agenda, of course. The cast is rounded out by an amusingly deadpan Jason Patrick as Max, and Holt McCallany as Max' clueless right-hand man, Wade.

The Losers features non-stop action from the outset. There's a fair bit of carnage, but the tone is mostly light...quite an achievement considering the movie opens with 25 kids getting blown up. An early hotel-room fight between Morgan and Saldana is hotter than most sex scenes. There's a nice comic feel to the film, with beginning and ending credits done in comic book-style art, and changes of venue announced in big, sweeping lettering. The movie keeps viewers on the edge of their seats with plenty of twists, turns, and double-crosses, and, at a quick 97 minutes, it's smart enough not to wear out its welcome. Three specifics I feel are noteworthy in the annals of movie history: Wade's spectacular death by airplane engine, Zoe Saldana wielding a bazooka (*swoon*), and Chris Evans showboating his way through an a capella version of Journey's Don't Stop Believin'. Finally, The Losers reiterates the age-old movie message that nothing--and I mean NOTHING--good ever happens around those dockside container yards.

The Losers clocks in at 97 minutes, and is rated PG13 for "sequences of intense action and violence, a scene of sensuality, and language."

I took a peek at my original Losers review after writing this one. While I hadn't yet adopted the Weasley rating system at that time, I hit pretty much all the same notes as this one, minus the spoilers. In 2014, of a possible nine Weasleys, I'm pleased to give The Losers eight. It's a wild ride with an eminently likable cast and plenty of laughs along the way, and I remain so, so sorry there isn't a Losers 2 on the horizon.

Until next time...GO PETUNIAS!

Ready for Black Friday at Wal-Mart!!

Well there you have it, a look back at a so so movie with some great stars!

Until the next cosmic occurrence brings us together…..