MOVIE REVIEW: DRIVE-AWAY DOLLS

 

In search of a fresh start, two women embark on an impromptu road trip to Tallahassee, Fla. However, things quickly go awry when they cross paths with a group of inept criminals along the way.

Director:  Ethan Coen

Cast: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, Matt Damon.

Release Date: February 23, 2024 

Genre: Action, Comedy, Thriller

Rated R for crude sexual content, full nudity, language and some violent content.

Runtime: 1h 24m

Review:

Ethan Coen's solo directorial debut, Drive-Away Dolls, is a silly crime caper of a road movie that can't quite maintain its manic energy in spite of energetic performances from its two leads.  It’s hard to avoid comparisons to Coen's work with his brother since this film carries plenty of hallmarks of some of their sillier crime comedies like Raising Arizona and Burn After Reading.  This film never reaches those levels of joyful insanity although it comes close on multiple occasions.  The film's pacing runs at a frenetic pace which makes it a breezy watch, but it also keeps some of the stronger sequences from landing the way they should since they aren't given time to breathe.  It’s a shame since the film central duo of Margaret Qualley and Geraldine Viswanathan turn in inspired performances.  Their oil and water chemistry make the film run with Qualley outsized performance working in perfect contrast to Viswanathan straight laced understated turn.  Qualley gives the character a lively, energetic spirit that feels authentic even with the cartoonish southern accent she sports.  Viswanathan works more subtly, using her deadpan delivery and expressive eyes to great effect.  They're chaotic fun together especially as the situations get more over the top and outrageous.  Their supporting cast is peppered with well known faces who are clearly having a ball even in their limited screen time.  Drive-Away Dolls makes you wish you got to spend more time with all these characters but it's in a strange rush to get in and out as quickly as possible.  

B-

MOVIE REVIEW: THE UNBEARABLE WEIGHT OF MASSIVE TALENT

 

Unfulfilled and facing financial ruin, actor Nick Cage accepts a $1 million offer to attend a wealthy fan's birthday party. Things take a wildly unexpected turn when a CIA operative recruits Cage for an unusual mission. Taking on the role of a lifetime, he soon finds himself channeling his most iconic and beloved characters to save himself and his loved ones.

Director: Tom Gormican

Cast: Nicolas Cage, Pedro Pascal, Ike Barinholtz, Alessandra Mastronardi, Jacob Scipio, Neil Patrick Harris, Tiffany Haddish

Release Date: April 15, 2022 

Genre: Action, Comedy, Crime, Thriller

Rated R for language throughout, some sexual references, drug use and violence.

Runtime: 1h 45m

Review:

The Unbearable Weight of Massive Talent is a treasure trove of Nicolas Cage career Easter Eggs and meta humor, packaged in fun self aware film.  Tom Gormican's film has a light tongue in cheek vibe to it from the start.  He takes a hands off approach by simply moving along the plot with very few visual flourish to distract from the performances on display.  He knows that Nicolas Cage is the central attraction who is more than game poking fun at his persona and career.  There are plenty of references to a bevy of his film's with some references being more overt while more subtle are peppered throughout the film.  Cage playing an outsized version of himself might sound like a lot but he plays it with a measured hand, a de-aged imaginary version of a Wild At Heart era Cage lets him really let loose, for the better part of the film.  The real treat here though is his chemistry with Pedro Pascal who steals multiple scenes throughout the film. Pascal is incredibly versatile actor and with this role he shows off another side of himself by playing a nebbish Cage fanboy who might also be a huge arms dealer. The bromance that grows between Cage and Pascal's characters make up the backbone of the film with both clearly having a ball playing off each other.  The script occasionally veers into super meta territory, you might be left wondering if any of the events in the film actually happened by the end, while never fully embracing it with more inspired flourishes like Cage's imaginary Cage.  As is, The Unbearable Weight of Massive Talent is the kind of film that's easy to enjoy due to its stars and meta concept.

B+

MOVIE REVIEW: WONDER WOMAN 1984

 

Diana Prince lives quietly among mortals in the vibrant, sleek 1980s -- an era of excess driven by the pursuit of having it all. Though she's come into her full powers, she maintains a low profile by curating ancient artifacts, and only performing heroic acts incognito. But soon, Diana will have to muster all of her strength, wisdom and courage as she finds herself squaring off against Maxwell Lord and the Cheetah, a villainess who possesses superhuman strength and agility.

Director: Patty Jenkins

Cast: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal, Robin Wright, Connie Nielsen

Release Date: December 25, 2020

Genre: Action, Adventure, Fantasy

Rated PG-13 for sequences of creature action and violence throughout

Runtime: 2 h 31 min

Review:

 Patty Jenkins follow up to the her wildly successful original is a film that has soaring ambitions but the execution doesn't land perfectly. That being said she accomplishes so much during her trek through the 80s.  She manages to hit on every 80s trope you can imagine while never losing focus on her characters.  It's a fun trek that's surprisingly light on actual superhero action outside of rousing action set pieces.  Jenkins focuses far more on the the characters as the work through living their wish fulfillment.  The trope that the script uses to bring back Pine is an interesting choice but it does sort of fit in with the goofy 80s vibe and it allows the film to explore more of the characters desires and wants.  In a weird way sort of plays out like a superhero version of the Last Temptation of Christ.  Kristen Wiig seemed like  a strange choice to play Barbara Minerva originally but it works as she plays the nerdy dork who turns into a fox of cheetah in this case.  Wiig and Gadot have great chemistry together which makes their friendship more believable and grounded.  Gadot at this point is just the walking embodiment of Diana Prince, she has the ability to pull off the mixture of grace, empathy and strength so effortlessly that you just have to sit back and appreciate it.   Pedro Pascal plays the primary villain and he does so with a crazy amount of gusto.  His turn as Lord has some overt Trumpian tones taken to the extreme which makes him more of a caricature than a fully realized character.  Its a shame since it would have have given the film's conflict a bit more heft than it has but you have to wonder if it's intentional since the overall theme is much more internal and personal.  The film was written and filmed more than a year ago but there is something in it's incredibly hopeful message about selflessness that seems incredibly precedent in 2020.  Once the required battle between Diana and Barbara's newly born Cheetah, the script sadly doesn't really explain this transformation so it feels like it's just checking a box, the story turns into one of the more interesting superhero finales.  Instead of a massive showdown it's more of a reflective message that grounds the story with its hopeful sense.  It's a lofty ambition which doesn't quite work as well as it should onscreen because the story has a hard time connecting it all together. Its easy to appreciate the intention but it doesn't quite stick the landing.  Still, Wonder Woman 1984 is very much on brand with ideal that they established in the original about what the character stands for.  Longtime fans will find plenty to love here like Diana sporting the Golden Eagle armor and other treats, be sure to stay through the credits for a fun surprise.   

B

MOVIE REVIEW: TRIPLE FRONTIER

Former Special Forces operatives reunite to plan a heist in a sparsely populated multi-border zone of South America. For the first time in their prestigious careers, these unsung heroes undertake this dangerous mission for themselves instead of the country. But when events take an unexpected turn and threaten to spiral out of control, their skills, their loyalties, and their morals are pushed to a breaking point in an epic battle for survival.

Director: J.C. Chandor

Cast: Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund,  Pedro Pascal

Release Date: March 6, 2019

Genres: Action, Adventure, Crime

Rated R for violence and language throughout

Runtime: 2h 2 min

Review:

Triple Frontier is an engaging and well acted film that’s far better than it should be.  The plot is simple enough and you can see where things are going from the get go. A few surprises here and there keep things interesting but J.C. Chandor and the cast make it all watch able throughout.  J.C. Chandor directs the action confidently and delivers some impressively tense sequences that really make an impact.  Ben Affleck leads the cast and brings some real depth to his character.  Sadly, the script doesn’t delve enough into his character or any of the others.  It’s a shame because each of the cast members is fully committed to their roles and deserved far meatier roles than they were given.  As such, it’s an enjoyable and watch able but frustrating at the same time because you can’t shake the feeling there’s a far better film in there somewhere.  As is, it’s still a solid throwback to some of the manly 80s and 90s action flicks even if it’s not quite the top tier.

B-

Cindy Prascik's Review of Triple Frontier

Thanks to the Death Plague currently decimating my office, this week I was able to catch the Netflix original film Triple Frontier.

Spoiler level here will be mild, nothing you wouldn't know from the trailer.

Having various degrees of success readjusting to civilian life, a suspiciously-handsome group of ex-Special Forces soldiers plans to steal a drug lord's ill-gotten gains.

Triple Frontier is just the sort of picture that still gets me out to the cinema: a big, shoot-em-up actioner with testosterone to spare, kinda like the Expendables, only with smaller people who take themselves a little more seriously.

Given my dwindling tolerance for the movie-going public, it's my good fortune that Netflix gave me the opportunity to catch this in the comfort (and quiet) of my own home.

While they aren't all exactly A-List, the aforementioned smaller people--Ben Affleck, Oscar Isaac, Charlie Hunnam, Pedro Pascal, and Garrett Hedlund--have a fair bit of big-screen cred among them. Each has his moment(s) to shine, and none is better or worse than exactly what the material requires. Triple Frontier is certainly action packed, yet at times I was surprised how slow it seemed. It's good that there's more going on than just gunfights and explosions (she says, grudgingly), but somehow the bits that *aren't* gunfights and explosions don't quite earn their keep. Part of the problem is that the trailer sells a heist film, but the actual heist is a relatively small part of the story; the majority of the film's runtime is burned on what follows. Effects and action/fight choreography are solid, but even the movie's most meaningful dialogue is awkward and stilted. Despite any other failings, the film boasts a groovy soundtrack and does a good job of sustaining tension right up to a predictable finish.

Triple Frontier clocks in at 125 minutes and is rated R for "violence and language throughout." It may not be the best movie of the year, but Triple Frontier holds its own.

Of a possible nine Weasleys, Triple Frontier gets seven.

Fangirl points: You guys...CHARLIE HUNNAM! Until next time...