MOVIE REVIEW: THE WILD ROBOT

 

Shipwrecked on a deserted island, a robot named Roz must learn to adapt to its new surroundings. Building relationships with the native animals, Roz soon develops a parental bond with an orphaned gosling.

Director: Chris Sanders

Cast: Lupita Nyong'o, Pedro Pascal, Kit Connor, Bill Nighy, Stephanie Hsu, Mark Hamill, Catherine O'Hara, Matt Berry, Ving Rhames

Release Date: September 27, 2024

Genre: Animation, Adventure, Sci-Fi

Rated PG for action/peril and thematic elements.

Runtime: 1h 42m

Review:

The Wild Robot is simplistic in its storytelling, but its eye-catching visuals and emotional punch makes it one of the most impressive, animated film from Dreamworks in a longtime.  Chris Sanders' film has a dreamlike look to it thanks to an impressionist animation style for the backgrounds and non robot characters.  Its visually impactful throughout as there's nary an inch wasted onscreen as the island vibrantly brought to life.  There's an impressive efficiency to it all as he gives you a sense of the geography as we're introduced to the colorful cast of anthropomorphized animals.  The character designs are naturalistic which serve in contrast to the shipwrecked robot at the center of the story Roz.  Her slinky arm and legs give the character a fun sense of motion, particularly as she emulates the varied wildlife she encounters.  Her large camera lens eyes paired with wonderful voice work from Lupita Nyong'o really make the character live and breathe.  Nyong'o has an ability to bring a sense of humanity and authenticity to all her performances and it serves this film as the beating heart of story.  It makes the character's emotional arch as a surrogate mother even more impactful which makes certain moments, especially in the final act, primed to elicit waterworks from even the most cynical viewer.  The supporting cast is solid, particularly Pedro Pascal, but its Nyong'o that holds it all together from start to finish.  It helps that the story is unafraid to show all aspects of the circle of life in an honest way that doesn't pander the way some animated films.  There are hints of Wall-E, especially as we are exposed the futuristic human world that exist outside of the island.  Much like that film, there's an elegance to The Wild Robot's story and overall production that set it a cut above most animated family films.  

A

MOVIE REVIEW: BEETLEJUICE BEETLEJUICE

 

Three generations of the Deetz family return home to Winter River after an unexpected family tragedy. Still haunted by Beetlejuice, Lydia's life soon gets turned upside down when her rebellious teenage daughter discovers a mysterious portal to the afterlife. When someone says Beetlejuice's name three times, the mischievous demon gleefully returns to unleash his very own brand of mayhem.

Director: Tim Burton

Cast: Michael Keaton, Winona Ryder,  Catherine O'Hara, Justin Theroux, Monica Bellucci, Jenna Ortega, Willem Dafoe

Release Date: September 6, 2024

Genre: Comedy, Fantasy, Horror

Rated PG-13 for violent content, macabre and bloody images, strong language, some suggestive material and brief drug use.

Runtime: 1h 44m

Review:

Beetlejuice Beetlejuice sporadically recaptures the manic energy from Burton's original but it’s not consistent enough, thanks to an overstuffed story, to really deliver the way it should.  Tim Burton does manage to rediscover his gleefully macabre, cartoonish visuals that made him a name in the 80's and 90's.  The film works best when it’s playing in the afterlife with its exaggerated color schemes and wonderfully twisted character designs.  He's clearly having a ball revisiting this particular playground, but he adds some new wrinkles to mix such like a sequence using claymation and a subtitled, Ed Wood inspired flashback.   Those moments when Burton really leans into the weirdness work so well that you wish that he'd done it more throughout the film.  That's not to say that the rest of the film won't have fans grinning even if some of the jokes don't quite land the way they should.  Michael Keaton, Winona Ryder and Catherine O'Hara easily jumping back into their characters make it easier to navigate some of the film's dead spots.  They are able to recapture the essence of the original characters without missing a beat, which is great fun to see onscreen.  Ryder serves the film's north star doing some strong subtle work as the middle aged Lydia.  Catherine O'Hara is the film's bright spot in the opening act as the film pops to life as soon as she appears onscreen.   Keaton's voice is noticeably deeper and he's not bouncing around with the same chaotic energy he brought to the role in the original but he's still able to channel that mischievousness that made the character so memorable.  Newcomers, Justin Theroux, Monica Bellucci, Jenna Ortega and Willem Dafoe are solid with some leaving a bigger impression than others.  The ageless Monica Bellucci looks wonderful as an undead, soul sucking frankenstein but the film gives her woefully little to do.  Willem Dafoe is given a bit more rope and he has a ball chewing up scenery as deceased actor turn detective.  The film would have been better off giving those two more screentime as opposed to Ortega and Theroux's characters who are uninteresting and flat for the majority of the time.  The overload of subplots saps so much energy and momentum from the film that you're left wishing they had focused on the story more and kept it more straightforward.  The film works better in its second half once it becomes more focused with some threads being closed off rather quickly which gives Lydia and Beetlejuice more of a spotlight.  A quick throwaway line handles the absence of the Maitland's while Jeffery Jones' character death sets off the entire plot which allows for some clever methods to have him be a presence without the actual actor.  If there was a film that's perfectly suited to deal with the exclusion of an actor who'd run afoul of the law, its definitely this one as they easily weave it into the story's vibe.  It’s a testament to the cast and crew that they are able to recapture the original's vibe so succinctly in Beetlejuice Beetlejuice even if the story doesn't land the way the original did.

B-

MOVIE REVIEW: ARGYLLE

 

Reclusive author Elly Conway writes best-selling espionage novels about a secret agent named Argylle who's on a mission to unravel a global spy syndicate. However, when the plots of her books start to mirror the covert actions of a real-life spy organization, the line between fiction and reality begin to blur.

Director: Matthew Vaughn

Cast: Henry Cavill, Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O'Hara, Dua Lipa, Ariana DeBose, John Cena, Samuel L. Jackson

Release Date: February 2, 2024 

Genre: Action, Thriller

Rated PG-13 for strong violence and action and some strong language.

Runtime: 2h 19m

Review:

Argylle, the latest spy riff from Matthew Vaughn, is overstuffed to the point of exhaustion as it hurls a seemingly endless barrage of twists at the screen which would make even M. Night Shyamalan blush.  Initially, Vaughn's film has a breezy feel as it plays with a fun premises.  The early action sequences that pepper in bits of Henry Cavill doing his best Bond impression is energetic and engaging.  Bryce Dallas Howard and Sam Rockwell have some fun chemistry with both making the best of their likeable onscreen charm.  Howard is appropriately nebbish early on as insanity plays out around her.  Rockwell seems to be having a blast playing the superspy guiding her and it all works fairly well in the film's opening act.  Bryan Cranston hams it up as the film's central villain but much like the movie's plot, his performance gets progressively more exaggerated and outsized especially as the first reveal which alone would have been a fun thread to chase.  Instead, that initial reveal is barely given anytime to breathe before another U Turn takes in another silly direction follow by another and another.  There are a few fun action sequences interspersed between it all, but those slower moments are noticeably slow especially as the film gets more aggressively silly, highlighted by a colorful bullet filled dance and skating sequence which makes it clear that it’s all intentionally stupid.  In a weird way, Vaughn and his cast end up delivering a modern day Naked Gun film which would have been fun if it weren't so incredibly overstuffed.  

C-

MOVIE REVIEW: ELEMENTAL

In a city where fire, water, land, and air residents live together, a fiery young woman and a go-with-the-flow guy discover something elemental: how much they actually have in common.

Director: Peter Sohn

Cast: Leah Lewis, Mamoudou Athie, Ronnie del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O'Hara, Mason Wertheimer, Joe Pera, Matt Yang King

Release Date: June 16, 2023

Genre: Animation, Adventure, Comedy, Drama, Family, Fantasy, Sci-Fi

Rated PG for some peril, thematic elements and brief language

Runtime: 1h 42m

Elemental is a charming romantic comedy disguised as a children's movie which shows that Pixar can still deliver the kind of emotional resonance that makes their films special.  Peter Sohn delivers a beautifully animated journey into a fully realized world of anthropized elemental that's simply dazzling to look at.  The animation packs a mindboggling amount of detail into each frame that's its almost impossible to catch every bit of it in one showing.  The character designs themselves are wonderfully crafted with each elemental given a distinctive look and feel.  Story wise it does feel like it might lean a bit older since the central plot is a rather sweet romance pair with a not so subtle immigrant subplot which will likely go over younger kids heads.  Its a straightforward story done with believable and personal stakes that makes you invested in the story.  A major reason the story resonates is the voice work turned in by film's leads Leah Lewis and Mamoudou Athie.  Lewis and Athie make a believable and likable onscreen pair with both turning in strong vocal performances that really shine throughout.  Lewis, in particular, provides a nuanced level of emotional range that makes Ember all the more memorable.  Together they share a special kind of chemistry which works in the film's favor.  The subplot involving Ember's immigrant father and his wish to have her run his story is the film's secret weapon and sure to elicit a tear or two by the time the film ends thanks in large part to a heartfelt turn from Ronnie del Carmen.  Elemental may surprise people who haven't been impressed with some of Pixar's more recent offering because it delivers the kind of emotional heft that makes you forget your watching a kids movie.

A-

Movie Reviews: WHERE THE WILD THINGS ARE

Sunday, October 18, 2009
Movie Reviews: WHERE THE WILD THINGS ARE
IN THEATERS

 

WHERE THE WILD THINGS ARE

Misunderstood at home and at school, mischievous Max (Max Records) escapes to a land populated by majestic, and sometimes fierce, creatures known as the Wild Things. The Wild Things allow Max to become their leader, and he promises to create a kingdom where everyone will be happy. However, Max soon finds that being the king is not easy, and that his relationships with the Wild Things are much more complicated than he originally thought.

Opened ..October 16, 2009..

Runtime: 1 hr. 34 min.

Cast: Max Records, James Gandolfini, Lauren Ambrose, Paul Dano, Tom Noonan, Catherine O'Hara, ..Forest.. Whitaker, Catherine Keener, Michael Berry Jr.

Director: Spike Jonze

Genres: Children's Fantasy, Fantasy Adventure, Adventure, Fantasy

Rated PG for mild thematic elements, some adventure action and brief language.

Review:

Spike Jonze’s Where the Wild Things Are is fascinating adaptation of the legendary children’s book. Visually stunning, the film has a palatable sense of youthful energy capturing the dizzying highs along with the painful lows. Jonze’s is able to capture this with extremely effective use of handheld cameras during certain portions of the film. The island is beautifully surreal giving it a dream like feel which fits perferctly into the story. The wild things themselves are technical marvels, created using a mix of puppetry and CGI. The voice actors complete these creations and bring them to life; Gandolfini in particular is surprisingly effective throughout. Lauren Ambrose also impresses as KW providing tenderness to her role mixed with a quiet strength. The rest of the voice cast are equally effective even if they aren’t given as much time as Ambrose or Gandolfini. New comer Max Record is a real find; he’s wonderfully naturalistic perfectly suited for the role. He has the gift to phase through the different emotions in a believable manner, something rare in child actors. Spike Jonze and Dave Eggers had the task of adapting a book with only a handful of sentences. They used the book as a starting point and expanded outward and created something magical, poignant and occasionally a little terrifying. It works a multitude of levels and can be enjoyed either as a straight forward tome or on more allegorical terms. Jonze’s had plenty of issues making this film and it could have fallen into a blackhole because of studio meddling. Luckily the film finally made it to the screen and we can see the fruits of Jonze’s labor. He has creating something that’s respectful of the book but able to stand on its own.

A