MOVIE REVIEW: THE UNBEARABLE WEIGHT OF MASSIVE TALENT

 

Unfulfilled and facing financial ruin, actor Nick Cage accepts a $1 million offer to attend a wealthy fan's birthday party. Things take a wildly unexpected turn when a CIA operative recruits Cage for an unusual mission. Taking on the role of a lifetime, he soon finds himself channeling his most iconic and beloved characters to save himself and his loved ones.

Director: Tom Gormican

Cast: Nicolas Cage, Pedro Pascal, Ike Barinholtz, Alessandra Mastronardi, Jacob Scipio, Neil Patrick Harris, Tiffany Haddish

Release Date: April 15, 2022 

Genre: Action, Comedy, Crime, Thriller

Rated R for language throughout, some sexual references, drug use and violence.

Runtime: 1h 45m

Review:

The Unbearable Weight of Massive Talent is a treasure trove of Nicolas Cage career Easter Eggs and meta humor, packaged in fun self aware film.  Tom Gormican's film has a light tongue in cheek vibe to it from the start.  He takes a hands off approach by simply moving along the plot with very few visual flourish to distract from the performances on display.  He knows that Nicolas Cage is the central attraction who is more than game poking fun at his persona and career.  There are plenty of references to a bevy of his film's with some references being more overt while more subtle are peppered throughout the film.  Cage playing an outsized version of himself might sound like a lot but he plays it with a measured hand, a de-aged imaginary version of a Wild At Heart era Cage lets him really let loose, for the better part of the film.  The real treat here though is his chemistry with Pedro Pascal who steals multiple scenes throughout the film. Pascal is incredibly versatile actor and with this role he shows off another side of himself by playing a nebbish Cage fanboy who might also be a huge arms dealer. The bromance that grows between Cage and Pascal's characters make up the backbone of the film with both clearly having a ball playing off each other.  The script occasionally veers into super meta territory, you might be left wondering if any of the events in the film actually happened by the end, while never fully embracing it with more inspired flourishes like Cage's imaginary Cage.  As is, The Unbearable Weight of Massive Talent is the kind of film that's easy to enjoy due to its stars and meta concept.

B+

MOVIE REVIEW: THE HUNT

Twelve strangers wake up in a clearing. They don't know where they are -- or how they got there. In the shadow of a dark internet conspiracy theory, ruthless elitists gather at a remote location to hunt humans for sport. But their master plan is about to be derailed when one of the hunted, Crystal, turns the tables on her pursuers.

Director: Craig Zobel

Cast: Betty Gilpin, Ike Barinholtz, Emma Roberts, Hilary Swank, Ethan Suplee, Sturgill Simpson

Release Date: March 13, 2020

Action, Horror, Thriller

Rated R for strong bloody violence, and language throughout.

Runtime: 1 h 29 min

Review:

The Hunt is every bit as stupid as it looks and that’s not necessarily a bad thing.  It’s over the top Twitter political comment fight come to gruesome life is goofy and ham handed.  A bit of subtleness would have made this film just a tad bit more meaningful but as it’s an Itchy and Scratchy cartoon come to life.  In the first few minutes you sense every strand of it’s Grindhouse origin, it owes a lot to the 80s splatterfest Turkey Shoot.  Taken in that context, it’s a fun lark with a goofy but fun script.  Craig Zobel and his cast all have their tongue firmly in cheek so it’s never overly serious which lets all the blood and gore play as funny.  The cast, especially at the beginning, is made of a round table of familiar faces from TV but don’t get to attached to anyone because only a few are long for this brisk film’s runtime.  At it’s center is Betty Gilpin who carries the whole film with her wonderful turn which will remind people of Samara Weaving in last years Ready or Not and Sharni Vinson in Your Next.  It’s a fun performance that makes you look past the fact that her character is a murder machine in a Victoria Secret body.  It’s nothing new for Gilpin whose mastered that type of dichotomy in Netflix’s GLOW but here she can just go all out and have fun.  There’s no subtlety to this film and you’ll probably enjoy it more than you’d willingly admit.


C+

MOVIE REVIEW: BLOCKERS

Julie, Kayla and Sam are three high school seniors who make a pact to lose their virginity on prom night. Lisa, Mitchell and Hunter are three overprotective parents who flip out when they find out about their daughters' plans. They soon join forces for a wild and chaotic quest to stop the girls from sealing the deal -- no matter what the cost.

Director: Kay Cannon

Cast: Leslie Mann, Ike Barinholtz, John Cena, Geraldine Viswanathan, Kathryn Newton, Gideon Adlon

Release Date: April 6, 2018

Genres: Comedy

Rated R for crude and sexual content, and language throughout, drug content, teen partying, and some graphic nudity

Runtime: 1h 42min

Review:



Blockers is a new entry in the raunchy coming of age teen comedies in the vein of Porky’s, Superbad and American Pie.  Flipping the script by focusing on 3 girls instead of horny teen boys makes for an interesting take.  It helps that director Kay Cannon has a cast that shares excellent chemistry and sport some strong comedic chops.  The trio of teen actresses are particularly impressive which is a big win for the movie overall.  If they weren’t as strong the movie would be a lot less effective and funny.  Leslie Mann, Ike Barinholtz and John Cena are just as funny across the board which isn’t a big surprise.  They make for an unlikely trio but it works with each playing well off each other.  John Cena, in particular, shines by displaying some great comedic timing even though he looks like a Cro-Magnon caveman.  The film is filled with all the filthy jokes you’d expect from the genre and most are sharply written.  Ultimately, the film’s message is decidedly sweet and thoughtful even though it’s wrapped in a naughty shell.

B+

MOVIE REVIEW: SISTERS

Tina Fey and Amy Poehler reunite for "Sisters," a new film from "Pitch Perfect" director Jason Moore about two disconnected sisters summoned home to clean out their childhood bedroom before their parents sell the family house. Looking to recapture their glory days, they throw one final high-school-style party for their classmates, which turns into the cathartic rager that a bunch of ground-down adults really need. Fey produces the comedy alongside Jay Roach ("Meet the Parents" series), and Poehler executive produces from a script by Paula Pell (TV’s "Saturday Night Live," "30 Rock").

Director: Jason Moore

Cast: Tina Fey, Amy Poehler, Maya Rudolph, Ike Barinholtz, John Leguizamo

Release Date: Dec 18, 2015

Rated R for crude Sexual Content and Language Throughout, and For Drug Use.

Runtime: 1 hr. 58 min.

Genres: Comedy

Review:

Sisters lives and dies by the chemistry of its two leads.  Tina Fey and Amy Poehler take a recycled plot and keep it engaging enough to make it watchable and fairly enjoyable.  The comedy is fairly broad and leans more on the vulgar side especially coming from these two.  The film moves along at a steady pace with a sharp script keeping the whole thing from falling into too many dead zones, even though there are a few here and there.  When the film works it really work, resulting in some seriously laugh out loud moments.  Even when it’s not landing the way it should its likable enough because of the leads.  Tina Fey plays against type and does surprisingly well.  Poehler is a bit more predictable with her character coming off as a variation of Leslie Knope.  The supporting cast is a whose who of SNL cast mates with Maya Rudolph, Rachel Dratch, and Bobby Moynihan leaving the best impressions.  Sisters isn’t a classic but it’s strong enough to have you leaving the theater grinning especially if your fans of the films two stars.

B