MOVIE REVIEW: LUCA

Set in a beautiful seaside town on the Italian Riviera, the original animated feature is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: he is a sea monster from another world just below the water's surface.

Director: Enrico Casarosa

Cast: Jacob Tremblay, Jack Dylan Grazer, Emma Berman, Marco Barricelli, Saverio Raimondo, Maya Rudolph, Jim Gaffigan

Release Date: June 18, 2021

Genre: Action, Comedy, Crime

 Animation, Adventure, Comedy 

Runtime: 1h 36min

Review:

Luca isn't the groundbreaking by Pixar standards which are admittedly sky high.  It checks all the boxes of a solid Pixar film by being beautifully animated, emotionally moving while touching on childhood moments that will resonate with nearly everybody.  It's story is fairly straightforward, there are light shades of The Little Mermaid, with it's overall theme being fairly simple, so its a film that will be easy for anyone to follow.  Antonio, voiced by Jack Dylan Grazer, is very much a Huckleberry Finn type character who's brash and overconfident to a fault.  Jacob Tremblay plays Luca with an appropriate level of naivete which evolves over the course of the film as he expands his knowledge and his relationship grows with Giuliana, voiced by the film's secret weapon Emma Berman, and Antonio.  Saverio Raimondo is good fun as the local bully who is the sort of the villian of the piece.  Its charming throughout with it's colorful vistas that make the film play like an Italian tourist package, there are even nods to Fellini and Miyazaki mixed in for good measure.  Director Enrico Casarosa clearly loves his home country and it bleeds through in each of the meticulously crafted shots.  After a string of high concept home runs, Luca might feel a little slight by comparison but that doesn't make it any less enjoyable.

B+

MOVIE REVIEW: THE MITCHELLS VS THE MACHINES

 

Young Katie Mitchell embarks on a road trip with her proud parents, younger brother and beloved dog to start her first year at film school. But their plans to bond as a family soon get interrupted when the world's electronic devices come to life to stage an uprising. With help from two friendly robots, the Mitchells must now come together to save one another -- and the planet -- from the new technological revolution.

Director: Michael Rianda

Cast: Danny McBride, Abbi Jacobson, Maya Rudolph, Rianda, Eric Andre, Olivia Colman, Fred Armisen, Beck Bennett, John Legend, Chrissy Teigen, Blake Griffin, Conan O'Brien

Release Date: April 30, 2021

Genre: Animation, Adventure, Comedy

Rated PG for action and some language

Runtime: 1 h 53 min

Review:

The Mitchells vs. The Machines is a light breezy animated family film that has heart to spare.  Michael Rianda’s film has a bright and appealing visual style that’s distinctive enough to separate it from other animated films.  The story is a nice hybrid of a standard family film and a fun sci-fi story.  Neither is particularly groundbreaking but it hits the sweet spot where it finds a meaningful story to tell with engaging characters.  The primary family play off standard tropes but the script is smart enough to give them enough depth to make them engaging and interesting.  The entire thing wouldn’t work if the voice cast didn’t deliver strong performances, thankfully they do in spades.  Danny McBride delivers one of the more restrained performances of his career and it works well for this role.  McBride’s performance is sincere and heartfelt throughout which is a great change of pace for him.  McBride and Abbi Jacobson have believable chemistry as the father daughter duo who are at the heart of the story, as such they are the driving force of the film.  The supporting cast is rounded out with Maya Rudolph, Michael Rianda, Eric Andre and Olivia Colman with each getting their time to shine.  Colman in particular seems to be having a ball as diabolical AI who can’t deal with rejection.  The Mitchells vs. The Machines also delivers a hefty amount of laugh out loud moments that are sure to keep young and old entertained for the better part of its runtime.  There are portions of the film that feel like they could have been trimmed because there really no reason for the film to be nearly 2 hours long, regardless it’s strong family film that works on multiple levels.

B+

MOVIE REVIEW: THE HAPPYTIME MURDERS

In the seedy underbelly of Los Angeles, two clashing detectives -- one human and the other a puppet -- must work together to solve the brutal murders of former cast members of a beloved puppet TV show.

Director: Brian Henson

Cast: Melissa McCarthy, Bill Barretta, Maya Rudolph, Joel McHale,  Elizabeth Banks

Release Date: August 24, 2018

Genres: Action, Comedy, Crime 

Rated R for strong crude and sexual content and language throughout, and some drug material

Runtime: 1h 31min

Review:

Your enjoyment of The Happytime Murders will depend on how “cutting edge” you consider the conceit.  If you think it’s the first time felt puppets have gone R rated raunchy then it’ll be a more enjoyable experience than those are familiar with an old Peter Jackson film.  The Happytime Murders isn’t Meet The Feebles.  It’s raunchy and vulgar but it’s never as offensive as it thinks it is.  To its credit, the film does hold some solid laughs for people who came to see R rated hijinks on the puppet side of life.  Melissa McCarthy seems to be enjoying herself while partnering with her puppet partner.  McCarthy and Bill Barretta share some solid chemistry even if his character is just a 40’s noir detective.  The biggest drawback of Brian Henson’s film is that once you get past the puppet sex, drugs and vulgarity your left with a pretty standard film noir complete with a femme fatale.  It plays along those beats predictably throughout making it’s 90-minute runtime feel longer than it actually is.  It’s a shame that they didn’t take some more risk with their story and go for something truly outrageous.  Instead it plays it safe and starts to overstay it’s welcome as it heads toward the finale.  The Happytime Murders is one of those high concept films that has a great idea but doesn’t take advantage of its full potential.

C+

MOVIE REVIEW: SISTERS

Tina Fey and Amy Poehler reunite for "Sisters," a new film from "Pitch Perfect" director Jason Moore about two disconnected sisters summoned home to clean out their childhood bedroom before their parents sell the family house. Looking to recapture their glory days, they throw one final high-school-style party for their classmates, which turns into the cathartic rager that a bunch of ground-down adults really need. Fey produces the comedy alongside Jay Roach ("Meet the Parents" series), and Poehler executive produces from a script by Paula Pell (TV’s "Saturday Night Live," "30 Rock").

Director: Jason Moore

Cast: Tina Fey, Amy Poehler, Maya Rudolph, Ike Barinholtz, John Leguizamo

Release Date: Dec 18, 2015

Rated R for crude Sexual Content and Language Throughout, and For Drug Use.

Runtime: 1 hr. 58 min.

Genres: Comedy

Review:

Sisters lives and dies by the chemistry of its two leads.  Tina Fey and Amy Poehler take a recycled plot and keep it engaging enough to make it watchable and fairly enjoyable.  The comedy is fairly broad and leans more on the vulgar side especially coming from these two.  The film moves along at a steady pace with a sharp script keeping the whole thing from falling into too many dead zones, even though there are a few here and there.  When the film works it really work, resulting in some seriously laugh out loud moments.  Even when it’s not landing the way it should its likable enough because of the leads.  Tina Fey plays against type and does surprisingly well.  Poehler is a bit more predictable with her character coming off as a variation of Leslie Knope.  The supporting cast is a whose who of SNL cast mates with Maya Rudolph, Rachel Dratch, and Bobby Moynihan leaving the best impressions.  Sisters isn’t a classic but it’s strong enough to have you leaving the theater grinning especially if your fans of the films two stars.

B

MOVIE REVIEW: BRIDESMAIDS

IN THEATERS

BRIDESMAIDS



Director Paul Feig and producer Judd Apatow team with co-writers Kristen Wiig and Annie Mumolo for this comedy about a devoted maid of honor whose life falls into ruin as she plans her best friend's dream wedding. Upon hearing the news that Lillian (Maya Rudolph) has gotten engaged, ecstatic Annie (Wiig) leaps at the chance to plan the perfect wedding. With the big day rapidly approaching, Annie struggles to put her romantic and financial woes aside in order to give her dearest friend a day of memories that will last a lifetime. ~ Jason Buchanan, Rovi
Director: Paul Feig

Cast: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey

Release Date: May 13, 2011

Rated R for some strong sexuality, and language throughout

Genres: Comedy

Review:

Bridesmaid is a funny movie but it delivers a lot more than you might expect and while it might be shackled with being a “chickflick” it most avoids a lot of the worst clichés of the genre. Starting with a raucous sex scene, Bridesmaids seems like it’d settle into being a Hangover type film with women. In reality it’s something much meatier and even thoughtful. Kristen Wiig, who cowrote this film, is center stage and she truly impresses. Playing a frazzled neurotic woman who’s moments away from a nervous breakdown, she delivers the comedic portions with ease but where she’s truly shines is her ability to deal with the dramatic part. Her performance is the best thing in the film and she’s on key throughout. TV director/actor Paul Feig lets his cast do the work and kind of stays out of the way for the most part. It’s a smart move since the cast is populated with funny women who all shine with limited screen time. Melissa McCarthy is given some of the best lines in the film and leaves a strong impression. Jon Hamm and Chris O'Dowd, as the requisite romantic interest, both have limited roles but are funny with the latter being extremely charming. While the film is strong for the most part, it’s overlong and lags from time to time with the romantic subplot that feels a tad out of place. Even with those issues it’s still an impressive film that really shows off the talents of the cast, Wiig in particular.

B-