MOVIE REVIEW: MEAN GIRLS

 

New student Cady Heron gets welcomed into the top of the social food chain by an elite group of popular girls called the Plastics, ruled by the conniving queen bee Regina George. However, when Cady makes the major misstep of falling for Regina's ex-boyfriend, she soon finds herself caught in their crosshairs.

Director: Samantha Jayne, Arturo Perez Jr.

Cast: Angourie Rice, Reneé Rapp, Auliʻi Cravalho, Jaquel Spivey, Avantika, Bebe Wood, Christopher Briney, Jenna Fischer, Busy Philipps, Tina Fey, Tim Meadows

Release Date: January 12, 2024

Genre: Comedy, Musical

Rated PG-13 for sexual material, strong language, and teen drinking.

Runtime: 1h 52m

Mean Girls, The film adaptation of the Broadway musical of the original film, is a strange concoction of musical numbers paired with a slavish devotion to the original material that never lets it find its own footing. Samantha Jayne and Arturo Perez Jr. directorial debut is solid but noticeably listless for large portions of time, particularly when they are recreating scenes verbatim from the original film.  The  musical numbers fare far better, injecting a solid sense of energy into the film with well choregraphed sequences that are fun even if they aren't terribly memorable except for "World Burn" and "I'd Rather Be Me" being the best of the bunch.  The main cast lead by Angourie Rice are all solid with a few stand outs leaving a lasting impression.  Rice is adequately mousy to start before she starts her rise through the Plastics. Reneé Rapp, who played the role on Broadway, brings a different sort of energy to Regina than Rachel McAdams did in the original role which makes it one of the more interesting performances since it brings something new to the production.  Avantika and  Bebe Wood take over the Karen Shetty, who's even dumber than Karen Smith in the original which is a strange choice, and Gretchen Wieners roles and fare worse than Rapp.  Their performances are little more than hollow impressions of the originals with Wood's even emulating Lacey Chabert's vocal inflections multiple times.  Auliʻi Cravalho and Jaquel Spivey take over the Janis and Damian with both doing strong work even if Cravalho doesn't quiet have the edge that Lizzy Caplan brought to the role while Spivey steals every scene he's in.  Tina Fey and Tim Meadows return from the original film but both are surprisingly flat through with both just going through the motions which only reminds you of the fact that there's already a pretty solid version of the film elsewhere.  Most properties that go from screen to stage and back do their best to find their own voice while capturing the spirit, Hairspray comes to mind, but Mean Girls does the exact opposite which doesn't do this version any favors.

 

C

MOVIE REVIEW: A HAUNTING IN VENICE

 

Belgian sleuth Hercule Poirot investigates a murder while attending a Halloween seance at a haunted palazzo in Venice, Italy.

Director: Kenneth Branagh

Cast: Kenneth Branagh, Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, Michelle Yeoh

Release Date: September 13, 2023

Genre: Crime, Drama, Horror, Mystery, Thriller

Rated PG-13 for some strong violence, disturbing images and thematic elements

Runtime: 1h 40m

Kenneth Branagh's third Agatha Christie adaptation is just as lavishly directed and performed as his first two films, but the added dash of horror spices up the formula to the murder mystery template.  Branagh gives this entry a decidedly different feel from the start as he makes great use of Venice on Halloween to set up an unsettling, spooky feel to the film.  Once the film settles into its primary setting of the haunted palazzo Branagh throws in plenty of visual flourishes which makes wonderful use of off kilter angles and framing which make the film far more effective and engaging than if he'd played it more straightforward.  The cast is again made up of a wonderful assortment of impressive international actors.  Branagh leads the way with a slightly more weathered and cynical take on Hercule Poirot in this entry which gives this iteration of the character some much needed texture and depth outside of his sleuthing skills.  Tina Fey joins the fray as Ariadne Oliver, an Agatha Christie proxy in the novels, with mixed results which leaves you feeling she's miscast in the role. Fey does her best but you get the sense somebody like Rachel Brosnahan would have been a better fit for this role.  On the other end of the spectrum, Michelle Yeoh leaves a strong impression on the film even with her limited screen time.  Kelly Reilly and Jamie Dornan do just enough to make their characters interesting but sadly both roles are fairly one dimensional.  Jude Hill follows up his impressive performance in Branagh's award winning Belfast with another strong turn here.  Hill possess such a natural ease on screen as he delivers lines with seasoned actors that you can't help but be impressed with the level of talent this 11 year old brings to the production.  His interaction with Branagh early on is a surprising high point in the film which sets up a nice payoff in the end once the film concludes its twisty murder mystery.  A Haunting in Venice shows there's still life in this film series, something Branagh's character reiterates onscreen as his legendary detective finds renewed purpose.

B+

MOVIE REVIEW: SOUL

 

Joe is a middle-school band teacher whose life hasn't quite gone the way he expected. His true passion is jazz -- and he's good. But when he travels to another realm to help someone find their passion, he soon discovers what it means to have soul.

Director: Pete Docter

Cast: Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alice Braga, Richard Ayoade, Phylicia Rashad, Donnell Rawlings, Questlove, Angela Bassett

Release Date: December 25, 2020

Genre: Animation, Adventure, Comedy 

Rated PG for thematic elements and some language

Runtime: 1 h 40 min

Review:

Pixar's latest Soul pushes the boundaries of abstraction and metaphysical meditation especially for what's considered a kids movie.  Pete Docter, who directed the equally abstract Inside Out, delivers a beautiful film, each frame is visually dense and detailed whether it occurs in the real world or on the astral plane.  The story's meditation on what makes life worth living is an interesting subject to tackle for a children's film and the story never dumbs it down.  As such, a bevy of references will fly right over smaller children's heads but the candy colored afterlife which is populated by abstract Picasso like overseers and adorable newborn souls puffs will offer plenty to keeps kids interested.  Throw in a fun bit of body swapping comedy in the middle act which should give them lots to enjoy even if the larger themes seemed aimed at their middle aged parents.  Those themes are handled with great care and consideration which the film brings to a thoughtful conclusion.  The voice cast is excellent across the board with Jamie Foxx & Tina Fey doing the largest part of the heavy lifting. They share a good rapport together which shines throughout the film.  The supporting cast of is made up of excellent actors and actress such Richard Ayoade, Phylicia Rashad and Angela Bassett which each leaving their mark with their distinctive tenors.  Soul is a heady film that will probably linger with the adults longer than the children they see it with, it's a testament to the kind of storytelling that Pixar can pull off as they continue to push the envelope as to what these type "kids" movies can be.   

A-

MOVIE REVIEW: SISTERS

Tina Fey and Amy Poehler reunite for "Sisters," a new film from "Pitch Perfect" director Jason Moore about two disconnected sisters summoned home to clean out their childhood bedroom before their parents sell the family house. Looking to recapture their glory days, they throw one final high-school-style party for their classmates, which turns into the cathartic rager that a bunch of ground-down adults really need. Fey produces the comedy alongside Jay Roach ("Meet the Parents" series), and Poehler executive produces from a script by Paula Pell (TV’s "Saturday Night Live," "30 Rock").

Director: Jason Moore

Cast: Tina Fey, Amy Poehler, Maya Rudolph, Ike Barinholtz, John Leguizamo

Release Date: Dec 18, 2015

Rated R for crude Sexual Content and Language Throughout, and For Drug Use.

Runtime: 1 hr. 58 min.

Genres: Comedy

Review:

Sisters lives and dies by the chemistry of its two leads.  Tina Fey and Amy Poehler take a recycled plot and keep it engaging enough to make it watchable and fairly enjoyable.  The comedy is fairly broad and leans more on the vulgar side especially coming from these two.  The film moves along at a steady pace with a sharp script keeping the whole thing from falling into too many dead zones, even though there are a few here and there.  When the film works it really work, resulting in some seriously laugh out loud moments.  Even when it’s not landing the way it should its likable enough because of the leads.  Tina Fey plays against type and does surprisingly well.  Poehler is a bit more predictable with her character coming off as a variation of Leslie Knope.  The supporting cast is a whose who of SNL cast mates with Maya Rudolph, Rachel Dratch, and Bobby Moynihan leaving the best impressions.  Sisters isn’t a classic but it’s strong enough to have you leaving the theater grinning especially if your fans of the films two stars.

B

Cindy Prascik's Reviews of Muppets Most Wanted & Divergent

Dearest Blog, having force-fed myself a Serious Grownup Movie last weekend, this week it was back to my usual fare with Muppets Most Wanted and Divergent.

Spoiler level here will be mild, nothing you wouldn't know or have guessed from the trailers.
Since my tolerance for little kids is marginally lower than my tolerance for teenagers, I got Muppets Most Wanted out of the way first.

Fresh off their reunion show and against Kermit's better judgment, a new manager (Ricky Gervais) convinces the Muppets to go on a world tour, but a sold-out European run and a unusually agreeable Kermit may not be the good news they seem.

Dear reader(s), though I try not to read anyone else's reviews before I've written mine, living online as I do, I can't help but see the occasional headline or comment. The general consensus on Muppets Most Wanted seems to be that it's good, but not as good as 2011's The Muppets. Guess I'm once again in the minority, for as much as I loved The Muppets, I think Muppets Most Wanted is even better.
Muppets Most Wanted picks up, literally, where The Muppets left off, lingering just long enough to earn a few laughs with some obvious-but-still-funny sequel jokes. Once it gets rolling, the caper is amusing and never drags, with musical numbers staged at the Siberian gulag providing the best comic moments.

As we've come to expect, Muppets Most Wanted is littered with cameos from celebs and pseudo-celebs, and I shan't name them lest I spoil it for those who want to be surprised. Since I imagine everyone knows who stars in the movie, I can say that Gervais, Tina Fey, and Ty Burrell are in top form, though I find it a little offensive that they enjoy billing over the folks who provide Muppet voices--the movie's real stars. If I have one complaint that isn't really a complaint, it's that a little too much of Muppets Most Wanted may be aimed over the heads of the young target audience; it's undoubtedly a "kids' movie," but I think the adults might actually enjoy it more.

Muppets Most Wanted runs 112 minutes and is rated PG for "some mild action."
Like its predecessors, Muppets Most Wanted is a terrific family film full of music, laughs, and thoroughly entertaining cameos.

Of a possible nine Weasleys, Muppets Most Wanted gets seven and a half.

Closing yesterday's docket was the young adult thriller Divergent.

Survivors of an apocalyptic event are divided into factions, based on their personality types. When a young girl discovers she's a Divergent--one of those who fit with no one type and who are considered a threat to the new world order--she struggles for survival within the faction she's chosen.

Dear Blog, I'm nothing if not painfully honest, so if I'm going to criticize something, I'm also going to admit when that criticism might just be due to the fact that said "something" isn't made with me in mind. Not saying it's impossible for someone outside the target audience to enjoy a movie (see: Muppets Most Wanted, above), but being almost 48 years old, I enjoyed Grudge Match a helluva lot more than I enjoyed Divergent, which may not be entirely Divergent's fault. Then again...

We'll get the obvious out of the way first: clearing the two-hour threshold by a good 20 minutes, Divergent is too damn long and easily could have been trimmed by 30 minutes without losing anything of consequence. Making the obligatory comparisons: the story is neither as good as The Hunger Games nor as painfully bad as Twilight. Shailene Woodley is no Jennifer Lawrence, either.

The supporting cast boasts some notable names--Ashley Judd, Kate Winslet, Mekhi Phifer, Maggie Q, and the always magnificent Ray Stevenson--but they seem to have neither the opportunity nor the inclination to distinguish the movie from the current glut of ho-hum young adult fiction. Divergent features broadly-drawn characters and insipid dialogue by the bucketful, and mistakes peripheral character deaths for heartbreaking plot twists.

By now, dear reader(s), you may be asking, "So why did you bother seeing this, anyway?" That question I can answer in two words: Theo James. Yep, I've been nursing a scorching crush ever since he had fatal sex with Lady Mary Crawley in the first season of Downton Abbey and I had to overturn heaven and earth to find out who he was. I hoped he'd be a big deal someday, and, if I wished it'd be in something better than this, well, he's young yet, eh? Divergent doesn't place any particular strain on his acting skills, but I can confidently say I would have been kinda bored with someone I liked less in the male lead. As it stands, James has enough screentime to make Divergent more than worth the price of admission.

Divergent clocks in at a bloated 139 minutes and is rated PG13 for "intense violence and action, thematic elements, and some sensuality."

A so-so movie that would have benefitted greatly from a shorter runtime, Divergent may have teens hanging on its every minute, but the rest of us are bound to find it considerably less thrilling.

Of a possible nine Weasleys, Divergent gets four and a half.

Until next time...

Oh, don't pretend like YOU wouldn't sit through a so-so movie for this!

MOVIE REVIEWS: DATE NIGHT, THE FOUTH KIND AND FANTASTIC MR. FOX

Saturday, April 10, 2010

IN THEATERS

DATE NIGHT



This action comedy tells the tale of mild-mannered married couple Phil (Steve Carell) and Claire (Tina Fey) who fear their relationship may be falling into a stale rut. During their weekly date night, they impetuously steal a dinner reservation, which leads to a case of mistaken identity. Turns out the reservation was for a pair of thieves, and now a number of unsavory characters want Phil and Claire killed. If they can survive a wacky life-threatening night, they may just rediscover the passion missing from their marriage. Directed by Shawn Levy. Mark Wahlberg, James Franco, and Kristen Wiig co-star. ~ Perry Seibert, All Movie Guide
Directed by Shawn Levy

Cast: Steve Carell, Tina Fey, Mark Wahlberg, Taraji P. Henson, Jimmi Simpson.

Release Date: Apr 09, 2010

Rated PG-13 for sexual and crude content throughout, language, some violence and a drug reference

Runtime: 1 hr. 28 min.

Genres: Comedy

Review:

Date Night is unapologetically broad in its laughs and if it weren’t for the excellent comedic talents of Tina Fey and Steve Carell it’d probably be kind of unbearable. Shawn Levy has made a career of making broad easy to consume comedies and he doesn’t change his stripes here. The jokes and situations are mostly paint by the numbers. Its fun light entertainment that keeps you mostly entertained with only occasional moments of tedium. Carell and Fey keep you interested with their strong dynamic and experienced talents. Carell brings a tenderness and earnestness to his character along with the expected goofiness. Fey is sharp and quick witted always keeping the interplay lively and energetic even in clichéd segments. Mark Wahlburg, James Franco, Mila Kunis, William Fichtner and Ray Liotta all have fun little cameos with characters that are goofy send ups of their usual roles. Date Night is the kind of movie that easily forgettable but never terrible. Considering Carell and Fey strong chemistry it would be nice to see them work with a more talent director and concept. For the time being this little nugget will work well as an appetizer.

C+

ON DVD

THE FOURTH KIND




Set in the fall of 2000 and purportedly based on actual events, The Fourth Kind stars Milla Jovovich as Dr. Abigail Tyler, a Nome, Alaska-based psychotherapist whose videotaped sessions with her patients offer the most compelling evidence of alien abduction ever documented. Elias Koteas and Will Patton co-star. ~ Jason Buchanan, All Movie Guide
Directed by Olatunde Osunsanmi

Cast: Milla Jovovich, Elias Koteas, Will Patton, Hakeem Kae-Kazim.

Release Date: Nov 06, 2009

Rated PG-13 for violent/disturbing images, some terror, thematic elements and brief sexuality

Runtime: 1 hr. 38 min.

Genres: Thriller

Review:

The Fourth Kind is the type of film that has an interesting approach to what is a fairly well worn genre. Sadly, director Olatunde Osunsanmi shows his inexperience throughout and presently he doesn’t have the talent to make the concept a cohesive believable whole. It’s a shame because he has an interesting style that’s aggressively interesting and he does have a few inspired moments which impress. Unfortunately, those moments are few and far between and he fails to achieve the most important thing necessary here, credibility. The film, it starts with Milla Jovovich telling you this is based on true events, demands that you have some level of belief in the proceedings for it to effectively creep you out. Instead everything comes off as fake and manufactured especially the purported “real” footage. The cast across the board is stiff and unconvincing the reenactments never feel any better than old Unsolved Mysteries shorts. It’s all kind of a uneven hodgepodge of ideas that never reach the mark. Films like Communion and Fire in the Sky do a better job with this genre. Not a great sign when the latter is a fairly laughable Walken vehicle.

D

FANTASTIC MR. FOX



A wily fox uses his formidable cunning to outsmart three feeble-minded farmers, who resort to extreme tactics to protect their chickens in director Wes Anderson's animated adaptation of the popular Roald Dahl children's book. For 12 years, Mr. and Mrs. Fox (voices of George Clooney and Meryl Streep) have lived a peaceful life in the wilderness with their son, Ash (voice of Jason Schwartzman). Shortly after their young nephew Kristofferson (voice of Eric Anderson) arrives for a visit, Mr. Fox's long-suppressed animal instincts begin to take over and the faithful family man resorts back to his old ways as a cunning chicken thief, endangering not only his family but the entire animal community as well. When evil farmers Boggis, Bunce, and Bean force the animals underground in a desperate attempt to capture the audacious Mr. Fox, dwindling food supplies force the frightened animals to band together in one last attempt to fight for the land that is rightfully theirs. Bill Murray, Michael Gambon, Willem Dafoe, and Owen Wilson provide additional

Director: Wes Anderson

Cast: George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Wallace Wolodarsky.

Release Date: Nov 13, 2009..

Rated: for action, smoking and slang humor

Runtime: 1 hr. 27 min.

Genres: Comedy

Review:

It’s rare that you find such a charming piece of filmmaking that keeps you smiling throughout via its wittiness and emotional highpoints. There is something incredibly quirky and heartfelt in all of Wes Anderson’s films and this stop motion isn’t any different. Proving that he can work his magic on stop motion dolls as effectively as his live actors, Anderson breathes life into these characters and plot almost from the instant they hit the screen. It’s no small task and he makes it seem utterly effortless throughout. The A list voice cast is up to task as well. Clooney provides just as much as charisma and sentiment as he did in Up in the Air. Meryl Streep’s work is graceful as ever providing Clooney’s titular character his moral center. Jason Schwartzman is wonderfully understated and heartfelt. The story, adapted from Roald Dahl’s children’s book, is just as smart as it should be, something the will give both adults and children something to enjoy. Fantastic Mr. Fox is a stellar achievement in film making and something that should be enjoyed by all.

A