Armed with nothing but a hatful of dreams, young chocolatier Willy Wonka manages to change the world, one delectable bite at a time.
Director: Paul King
Armed with nothing but a hatful of dreams, young chocolatier Willy Wonka manages to change the world, one delectable bite at a time.
Director: Paul King
Puss in Boots discovers that his passion for adventure has taken its toll: he has burnt through eight of his nine lives. Puss sets out on an epic journey to find the mythical Last Wish and restore his nine lives.
Director: Joel Crawford
Cast: Antonio Banderas, Salma Hayek, Harvey Guillén, Florence Pugh, Olivia Colman, Ray Winstone, Samson Kayo, John Mulaney, Wagner Moura, Da'Vine Joy Randolph, and Anthony Mendez
Release Date: December 21, 2022
Genre: Animation, Adventure, Comedy, Family, Fantasy, Mystery, Romance
Rated PG for action/violence, rude humor/language, and some scary moments.
Runtime: 1h 40m
It’s rare that a sequel, much less to a spinoff of another franchise, would still pulse with the energy of Puss in Boots: The Last Wish. This newest entry into the Shrek spinoff is surprisingly vibrant onscreen which paired with a sharp script makes for a pleasant surprise of a family film. Kids and adults will find plenty to enjoy here as the story tackles such heady issues like enjoying every moment of your life in the face of your own mortality. If it sounds like a rather heavy topic for a kid’s movie it is but the script has the right balance of emotional resonance and fun to keep things enjoyable for the younger members of the audience. Cleary, the film's biggest assets is its collection of stars voicing the collection of fantasy characters onscreen. Antonio Banderas and Salma Hayek's interplay drives the film with the kind of chemistry few couples have shared even behind animated characters. They both bring so much fun and authenticity to their characters that the adults may forget they are watching fairy tale cats on an adventure. Harvey Guillén joins the couple as an orphaned but kindhearted dog who looking for friendship. Florence Pugh, Olivia Colman, Ray Winstone and Samson Kayo have just as much fun bring Goldilocks and Three Bears to life by giving their classic fairytale newfound resonance and meaning by the time the film ends. John Mulaney is solid as the primary villain, but Wagner Moura's Big Bad Wolfe is impressively creepy, probably too much for very young children, as the embodiment of death. Puss in Boots: The Las Wish could use a few trims here and there but overall, it’s the kind of family film that doesn't feel the need to pander to its audience while delivering and meaningful experience for children and adults alike.
A-
Young Katie Mitchell embarks on a road trip
with her proud parents, younger brother and beloved dog to start her first year
at film school. But their plans to bond as a family soon get interrupted when
the world's electronic devices come to life to stage an uprising. With help
from two friendly robots, the Mitchells must now come together to save one
another -- and the planet -- from the new technological revolution.
Director: Michael Rianda
Cast: Danny McBride, Abbi Jacobson, Maya
Rudolph, Rianda, Eric Andre, Olivia Colman, Fred Armisen, Beck Bennett, John
Legend, Chrissy Teigen, Blake Griffin, Conan O'Brien
Release Date:
Genre: Animation, Adventure, Comedy
Rated PG for action and some language
Runtime: 1 h 53 min
Review:
The Mitchells vs. The Machines is a light
breezy animated family film that has heart to spare. Michael Rianda’s film has a bright and
appealing visual style that’s distinctive enough to separate it from other
animated films. The story is a nice
hybrid of a standard family film and a fun sci-fi story. Neither is particularly groundbreaking but it
hits the sweet spot where it finds a meaningful story to tell with engaging
characters. The primary family play off
standard tropes but the script is smart enough to give them enough depth to
make them engaging and interesting. The
entire thing wouldn’t work if the voice cast didn’t deliver strong
performances, thankfully they do in spades.
Danny McBride delivers one of the more restrained performances of his
career and it works well for this role.
McBride’s performance is sincere and heartfelt throughout which is a
great change of pace for him. McBride
and Abbi Jacobson have believable chemistry as the father daughter duo who are
at the heart of the story, as such they are the driving force of the film. The supporting cast is rounded out with Maya
Rudolph, Michael Rianda, Eric Andre and Olivia Colman with each getting their
time to shine. Colman in particular
seems to be having a ball as diabolical AI who can’t deal with rejection. The Mitchells vs. The Machines also delivers
a hefty amount of laugh out loud moments that are sure to keep young and old
entertained for the better part of its runtime.
There are portions of the film that feel like they could have been
trimmed because there really no reason for the film to be nearly 2 hours long,
regardless it’s strong family film that works on multiple levels.
B+
A man refuses all assistance from his
daughter as he ages. As he tries to make sense of his changing circumstances,
he begins to doubt his loved ones, his own mind and even the fabric of his
reality.
Director: Florian Zeller
Cast: Anthony Hopkins, Olivia Colman, Mark
Gatiss, Imogen Poots, Rufus Sewell, Olivia Williams
Release Date:
Genre: Drama
Rated PG-13 for some strong language, and
thematic material
Runtime: 1 h 37 min
Review:
The Father is a twisty poetic character
study of a man experiencing dementia from his point of view. Florian Zeller, adapting his own stage play,
builds his film with a disorienting structure which works wonderfully by
putting the audience in the main character’s mind. Events are replayed or rerun with slight
variations that leave you questioning which version of reality is actually
real. This is the type of film that
benefits from its structure but is carried by its performers. Zeller provides Anthony Hopkins a stage and
he runs with it by delivering one of the best performances of his storied
career.
A