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Showing posts with label Margaret Qualley. Show all posts
Showing posts with label Margaret Qualley. Show all posts

Friday, February 23, 2024

MOVIE REVIEW: DRIVE-AWAY DOLLS

 






















In search of a fresh start, two women embark on an impromptu road trip to Tallahassee, Fla. However, things quickly go awry when they cross paths with a group of inept criminals along the way.

Director:  Ethan Coen

Cast: Margaret Qualley, Geraldine Viswanathan, Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, Matt Damon.

Release Date: February 23, 2024 

Genre: Action, Comedy, Thriller

Rated R for crude sexual content, full nudity, language and some violent content.

Runtime: 1h 24m

Review:

Ethan Coen's solo directorial debut, Drive-Away Dolls, is a silly crime caper of a road movie that can't quite maintain its manic energy in spite of energetic performances from its two leads.  It’s hard to avoid comparisons to Coen's work with his brother since this film carries plenty of hallmarks of some of their sillier crime comedies like Raising Arizona and Burn After Reading.  This film never reaches those levels of joyful insanity although it comes close on multiple occasions.  The film's pacing runs at a frenetic pace which makes it a breezy watch, but it also keeps some of the stronger sequences from landing the way they should since they aren't given time to breathe.  It’s a shame since the film central duo of Margaret Qualley and Geraldine Viswanathan turn in inspired performances.  Their oil and water chemistry make the film run with Qualley outsized performance working in perfect contrast to Viswanathan straight laced understated turn.  Qualley gives the character a lively, energetic spirit that feels authentic even with the cartoonish southern accent she sports.  Viswanathan works more subtly, using her deadpan delivery and expressive eyes to great effect.  They're chaotic fun together especially as the situations get more over the top and outrageous.  Their supporting cast is peppered with well known faces who are clearly having a ball even in their limited screen time.  Drive-Away Dolls makes you wish you got to spend more time with all these characters but it's in a strange rush to get in and out as quickly as possible.  

B-

Sunday, July 28, 2019

MOVIE REVIEW: ONCE UPON A TIME IN HOLLYWOOD








































Quentin Tarantino’s Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

Director: Quentin Tarantino

Cast: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern,  Al Pacino

Release Date: July 26, 2019

Genre: Comedy, Drama

Rated R for language throughout, some strong graphic violence, drug use, and sexual references

Runtime: 2 h 45 min

Review:

Once Upon a Time In Hollywood, Quentin Tarantino’s 9th film, is a gloriously unfocused tome that takes the audience back in time to another era.  Tarantino’s film feels like a unrelated assembly of story vignettes which ultimately do converge in an interesting and unexpected fashion.  While the finale will get a lot of buzz but the journey is just as enjoyable.  The film is anchored by Leonardo DiCaprio and Brad Pitt who are both clearly having a blast in their roles.  They both share some amazing chemistry that keeps the film watchable and enjoyable for the duration.  Their takes of their character layered, subtle and ultimately lots of fun.  There’s a huge whose who of faces that pop up through out the film that boost the film at just the right times.  You can almost feel Tarantino’s gleeful energy come through the screen as some of the screen legends pop up on the screen.  There might be a bit of a complaint about how unfocused the whole thing is and in comparison to his other films, the story here isn’t the strongest.  Still it’s hard not to enjoy this dazzling stroll through a bygone era brought back to life by one of films most talented directors.


A-
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