MOVIE REVIEW: MOTHER MARY

 

Long-buried wounds rise to the surface when iconic pop star Mother Mary reunites with her estranged best friend and former costume designer on the eve of her comeback performance.

Director: David Lowery

Cast: Anne Hathaway, Michaela Coel, Hunter Schafer, Atheena Frizzell, Kaia Gerber, Jessica Brown Findlay, Isaura Barbé-Brown, Alba Baptista, Sian Clifford,  FKA Twigs

Release Date: April 17, 2026

Genre: Drama, Music, Thriller

Rated R for some violent content and language.

Runtime: 1h 50m

Review:

David Lowery’s Mother Mary is a densely packed, mesmerizing film that is unconventional at nearly every turn which is sure to turn off plenty of viewers but those who engage with it will find a haunting tale powered by excellent turns from Anne Hathaway and Michaela Coel.  Lowery’s film feels like stage play for large portions of its runtime, keeping the focus on the central pair and their damaged relationship with the script offering up a series of impressive monologues for each.  The dialogue drives the film, giving Michaela Coel plenty of time to shine as she delivers a nuanced fiery turn.  She captures the screen with impressive confidence as you get a sense of her character’s pain and resolute determination to move forward in spite of the past.  Her delivery captures the lion’s share of the theme’s Lowery packed into its script with such ease that she almost drowns out Hathaway at various points throughout the film.  That’s not to say Anne Hathaway doesn’t deliver a strong turn because she’s rather fascinating as the broken pop star searching for absolution.  It’s all very dialogue heavy before things shift into something more metaphysical and abstract which is all open to interpretation.  This isn’t the type of film that’s provides a straight-line narrative which can make it a challenging especially since Lowery packs the script with so many metaphors and analogies that it overwhelms the narrative at various points during the film.  His visuals also vacillate between genres going from a single location melodrama to horror with moments of a concert film interspersed in between.  Some of it works incredibly well, such as a rather virtuoso moment that has Hathaway’s Mother Mary come off and going on stage in rapid succession, while others don’t land as intended which leaves you with a sense that the film would have benefited from a more focused approach.  Mother Mary is bound to elicit a wide range of reactions since it’s open to multiple interpretations by design which is sure to please some but utterly frustrate others. 

B+

MOVIE REVIEW: CUCKOO

 

Seventeen-year-old Gretchen reluctantly leaves America to live with her father at a resort in the German Alps. Plagued by strange noises and bloody visions, she soon discovers a shocking secret that concerns her own family.

Director: Tilman Singer

Cast: Hunter Schafer, Jan Bluthardt, Marton Csokas, Jessica Henwick, Dan Stevens

Release Date: August 9, 2024

Genre: Horror, Mystery, Thriller

Rated R for violence, bloody images, language and brief teen drug use.

Runtime: 1h 43m

Review:

Tilman Singer's Cuckoo is unabashedly bonkers, almost to a nonsensical degree, but strong turns from Hunter Schafer and Dan Stevens keeps the crazy train on track for large stretches of time.  Writer/Director Tilman Singer has an ability to craft a series of unsettling and disorientating sequences something he does with impressive aplomb throughout.  There's also a darkly, wry sense of humor at play throughout the film's narrative which keeps the whole thing from getting overly oppressively overbearing.  There's a tangible sense that Singer is having a good time twisting the screws on the audience even as the story details continue to make less and less sense.  It’s a fun, intriguing approach which might ultimately prove to be a frustrating experience since the story leaves a boatload of unanswered questions by the time the film ends.  Thankfully, the film is blessed with two strong turns from Hunter Schafer and Dan Stevens who do their best to carry the film over its narrative shortcomings.  Schafer is perfectly suited to play the disaffected teen who immediately senses something is off about the whole situation.  It’s a role that mostly asks her to react to the increasingly dangerous predicament especially as she's beaten and bloodied as the film goes on. There are a few moments, particularly in the final act, that give Schafer an opportunity to give the character more emotional depth and a sense of the underlying trauma that she's been carrying.  Dan Stevens continues his recent string of strong character work with his sly turn as the mysterious doctor running the establishment.  It’s the kind of role that fits his talents perfectly as he gives his character a mischievous charm that's engaging but unnerving at the same time.  Schafer and Stevens are equally entertaining onscreen even after the story runs off the rails.   It only exemplifies the fact that Cuckoo could have been something truly special had it spent more time on a more coherent story with stronger internal logic to deliver a more satisfying experience overall.

B-

MOVIE REVIEW: KINDS OF KINDNESS

Three stories revolve around a man who tries to take control of his own life, a policeman whose wife seems like a different person, and a woman who searches for someone with a special ability.

Director: Yorgos Lanthimos

Cast: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, Hunter Schafer

Release Date: June 21, 2024

Genre: Comedy, Drama 

Rated R for strong/disturbing violent content, strong sexual content, full nudity and language.

Runtime: 2h 45m

Review:

Yorgos Lanthimos' Kinds of Kindness isn't going to be for everybody with the anthology's trio of twisted tales dissecting a series of overarching themes such as obsession, self actualization, amongst others, with pitch black humor and a bleak worldview.  There's a fairly transparent sense that the cast and crew are well aware they aren't making something for general consumption as the stories veer into decidedly weird areas occasionally done for simple shock value with others presenting something more substantial to the proceedings.  Each segment sets ups a very specific story but the script only provides some scant, basic details to get the audience acclimated to the plots and characters but very little outside detail beyond that.  The abrupt endings give the film a whole disorienting feel throughout as you're given little to no time to digest what you've seen before moving to the next one.  The stories leave plenty of unexplained plot points which are sure to frustrate plenty of people.   At the very least, the film manages to burrow itself into the audience's mind as the cast and crew gives them plenty of leeway to make their own determination about what each section represents.  The core ensemble made up of Jesse Plemons, Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau and Mamoudou Athie are clearly committed to Lanthimos's vision throughout.  Plemons gets the lion’s share of the screen time across all three segments delivering strong work in each as he showcases his versatility.  Emma Stone gets bigger spotlights in the second and third segments with Willem Dafoe, Margaret Qualley & Hong Chau mostly serving as supporting players across all three.  The group works well together but really is most effective in the middle segment where the performances and oddity of it all coalesces into the film's most effective moments.  Ultimately, Kinds of Kindness is a niche film that could be dissected as easily as its exalted depending on personal taste. 

B+

MOVIE REVIEW: THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES

 

Years before he becomes the tyrannical president of Panem, 18-year-old Coriolanus Snow remains the last hope for his fading lineage. With the 10th annual Hunger Games fast approaching, the young Snow becomes alarmed when he's assigned to mentor Lucy Gray Baird from District 12. Uniting their instincts for showmanship and political savvy, they race against time to ultimately reveal who's a songbird and who's a snake.

Director: Francis Lawrence

Cast: Rachel Zegler, Tom Blyth, Peter Dinklage, Hunter Schafer, Josh Andrés Rivera, Viola Davis

Release Date: November 17, 2023

Genre: Action,Adventure, Drama, Sci-Fi,Thriller, War

Rated PG-13 for strong violent content and disturbing material.

Runtime: 2h 37m

The Hunger Games: The Ballad of Songbirds & Snakes is a pleasant surprise on multiple levels from the quality of the direction and impressive performances from its cast.  This prequel avoids multiple pitfall that franchise expansion packs usually fall into by taking time and care with the story and characters presented.  Francis Lawrence delivers a wonderfully shot film which is aided by familiarity with the franchise and setting as he leans more into the art deco design.  He delivers some big sweeping moments even if some shoddy CGI kills the effect of a few action set pieces but the film works best when it focuses on its character.  Luckily, the film is blessed with an inspired cast that makes the film far more engaging than it should be.  English actor Tom Blyth takes on the role of a nascent Coriolanus Snow years before he becomes a dictator.  Blyth turns in a nuanced performance which is engaging enough to draw you in before he reveals bits of simmer rage and anger as the film moves on.  His committed performance makes it easier to overlook some of the more bombastic and melodramatic bits of dialogue that the script throws at him.  The chemistry he shares with Rachel Zegler is the engine that keeps the whole thing moving even during some of the lulls in the pacing during the film's runtime.  Zegler is just as committed throughout as the film takes full advantage of the multi talented artist which includes her singing talents, who knew there were so many hootenannies going in Panem, on top of her acting skills.  They are blessed with wonderful supporting cast made up of established stars whose characters give the film a sense of respectability.  Peter Dinklage is appropriately mournful as the accidental co creator of the Hunger Games while Jason Schwartzman is a perfectly preening predecessor to Stanley Tucci's character but Viola Davis leaves the biggest impression with a deliciously twisted turn which has her manically chewing up scenery to great effect.  The film though isn't without some issues with pacing being the most glaring.  There are noticeable lulls that pop up throughout the film's runtime making it feel far longer than it's 2 hour and 37 minutes length.  While there are plenty of moments in the first two acts that could use some trimming, the final act is strangely overstuffed and rushed so much so that you get the sense this story could have been broken up into two films.  Those issues aside, The Hunger Games: The Ballad of Songbirds & Snakes, manages to be one of the more carefully crafted and enjoyable prequels in recent memory.  

B