MOVIE REVIEW: BABYLON

 

Decadence, depravity, and outrageous excess lead to the rise and fall of several ambitious dreamers in 1920s Hollywood.

Director: Damien Chazelle

Cast:  Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Tobey Maguire

Release Date: December 23, 2022

Genre: Comedy, Drama, History

Rated R for strong and crude sexual content, graphic nudity, bloody violence, drug use, and pervasive language.

Runtime: 3h 9m

Damien Chazelle's Babylon is a frenetic, overstuffed film that's engaging but terribly unfocused.  Chazelle opening sequence plays like Eyes Wide Shut through Baz Luhrmann's lens but with a lot more bodily fluids.  It’s a kinetic introduction to primary characters and setting overall.  The excess on display is indulgently, outrageous on multiple levels but there's a tangible sense of energy and melancholy pulsating through the screen.  The impressive thing is that Chazelle keep that energy going for the better part of the film even though you get the sense that it would have benefited from some selective editing.  A tighter film would have focused its characters, themes and story particularly in its uneven and off kilter final act.  Even though the film loses itself on multiple occasions the cast makes it an easier pill to swallow by delivering impressive turns across the board.  Brad Pitt is excellent as the fading silent film star who used to be the biggest name in Hollywood. Pitt easily carries the earlier portion of the film with his charisma which works perfectly for his character however his more nuanced and subtle work in the back half of the film is much more impressive. Margot Robbie is equally impressive as the overnight starlet who’s destined to flame out in short order.  Robbie's manic energy is perfectly suited for her character who can best be described as a squirrel on cocaine.  It’s hard to take your eyes off her when she's onscreen but we never get under her skin as she remains an enigma who's just out of reach.  Diego Calva's wide-eyed Manny exemplifies that as he serves as the film's beating heart.  Calva has a likable onscreen presence that plays well even when he's onscreen with his bigger name stars.  Jovan Adepo and Li Jun Li both deliver fascinating supporting turns, but their characters are underserved to the detriment of the overall film.  It’s a glaring misfire since the film has more than enough time to focus on their characters than it ultimately does even though their story threads are just as important as the others.  Ultimately, Babylon the kind of film that's trying to say too many things at once.  There are a few moments in its final act where the characters vocalize the themes Chazelle is trying to address but his lack of focus keeps them from landing the way they should.

B+

MOVIE REVIEW: BULLET TRAIN

 

Ladybug is an unlucky assassin who's determined to do his job peacefully after one too many gigs has gone off the rails.

Director: David Leitch

Cast: Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Benito A Martínez Ocasio, Sandra Bullock

Release Date: August 5, 2022

Genre: Action, Thriller

Rated R for strong and bloody violence, pervasive language, and brief sexuality.

Runtime: 2h 6m

Review:

Bullet Train doesn't deliver much in terms of story or characterization, instead it relies on spurts of hyper stylized violence and its cast endless charisma.   David Leitch's film is choppier than his last two film, Deadpool 2 and Atomic Blonde, making the lulls in between the action set pieces much more noticeable and jarring.  When those action set pieces kick in though they do offer some colorful and gleefully violent choreography that gives the film a boost of adrenaline.  The biggest issue being that the remainder of the film's story and character backgrounds are told via flashy slow motion flashbacks with nearly every single character in the large ensemble getting a vignette.  The majority of the character's themselves are incredibly thin with a handful popping up and off the screen with little more than a few lines of dialogue.  The saving grace of it all is the cast who are clearly having a ball hamming it throughout the film's runtime.  Brad Pitt leads the group giving a light, but fun turn as an operative who's looking for deeper meaning in his overly lethal life.  Aaron Taylor-Johnson and Brian Tyree Henry prove to be standouts together with each of them bouncing dialogue off each other with incredible ease.  They provide the most consistent and energetic characters making their time on screen some of the film's highpoints.  Joey King looks the part but doesn't really add much to her character outside of what's written onscreen even though we're lead to believe she's smarter than nearly everyone.  Hiroyuki Sanada and Michael Shannon have small supporting roles with both punching well under their class but providing the film some credibility even though Shannon is sporting a ridiculously impressive wig and accent.  Bullet Train is the type of film that would have been more effective in a smaller package since it never earns it's two hour runtime and starts to sag noticeably in its final act.  It's still a fairly fun throwback of sorts to those late 90's early 2000 Pulp Fiction knock offs like 2 Days In The Valley, Go or Smoking Aces with a dash of John Woo for good measure.     

C+

MOVIE REVIEW: THE LOST CITY

 

Reclusive author Loretta Sage writes about exotic places in her popular adventure novels that feature a handsome cover model named Alan. While on tour promoting her new book with Alan, Loretta gets kidnapped by an eccentric billionaire who hopes she can lead him to an ancient city's lost treasure from her latest story. Determined to prove he can be a hero in real life and not just on the pages of her books, Alan sets off to rescue her.

Director: Aaron Nee, Adam Nee

Cast: Sandra Bullock, Channing Tatum, Daniel Radcliffe, Da'Vine Joy Randolph, Brad Pitt

Release Date: March 18, 2022 

Genre: Action, Adventure, Comedy, Romance

Rated PG-13 for violence and some bloody images, suggestive material, partial nudity and language.

Runtime: 1h 52m

Review:

The Lost City is cinematic fast food, instantly recognizable, mildly comforting and full of empty calories.  Director's Aaron Nee and Adam Nee know what kind of film they are making so they keep everything light and breezy.  The film takes off with a hearty amount of laughs aided by an extended cameo from Brad Pitt who makes the most of his screen time.  Once the film settles in on the central romance between Sandra Bullock and Channing Tatum the comedy slows a bit as they try to make their mismatched pair seem romantically plausible and only partially succeeding.  For their part Bullock and Tatum are clearly having fun with their roles with both showing off their strong comedic chops even if their romantic chemistry doesn't quite work.   Daniel Radcliffe makes for a surprisingly effective villain here putting in more effort than the role really needs.  Da'Vine Joy Randolph makes her subplot funnier than it really is by bringing some chaotic energy to her role.  The Lost City is the type of film that's easy to enjoy and just as easy to forget about once you step out of the theater.

B-

MOVIE REVIEW: AD ASTRA

Thirty years ago, Clifford McBride led a voyage into deep space, but the ship and crew were never heard from again. Now his son -- a fearless astronaut -- must embark on a daring mission to Neptune to uncover the truth about his missing father and a mysterious power surge that threatens the stability of the universe.

Director: James Gray

Cast: Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, Donald Sutherland,

Release Date: September 20, 2019

Genre: Adventure, Drama, Mystery

Rated PG-13 for some violence and bloody images, and for brief strong language

Runtime: 2 h 3 min

Review:

Ad Astra answers a question nobody ever asked, what if Apocalypse Now and Solaris had a baby.  The answer is laid bare in beautifully filmed, poetic film that thinks subject matter is meatier than it actually is.  James Gray delivers an impressively filmed movie that’s filled with striking visuals that echo 2001 and Solaris on multiple levels.  It’s hard to not appreciate the level of craftsmanship even if the film moves at a snails pace with random bit of surprising violence.  To say that Brad Pitt carries the film would be an understatement.  Pitt delivers one of the best performances of his career with measured, thoughtful delivery.  While the film’s story has a big celestial basis, it’s a very much a personal story.  Unfortunately, the main crux of the film deals with daddy issues which seems like a theme that’s been beat into the ground.  It’s hardly a fatal flaw but do sort of wish that the story had something new or more meaningful behind it.  It still doesn’t take away from those few passing moment of Pitt and Tommy Lee Jones performing together in some incredibly moving and heartbreaking sequences.  Ad Astra is the type of film that will be remembered fondly by cinefiles but rarely revisited.


A-

MOVIE REVIEW: ONCE UPON A TIME IN HOLLYWOOD

Quentin Tarantino’s Once Upon a Time... in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood’s golden age.

Director: Quentin Tarantino

Cast: Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Austin Butler, Dakota Fanning, Bruce Dern,  Al Pacino

Release Date: July 26, 2019

Genre: Comedy, Drama

Rated R for language throughout, some strong graphic violence, drug use, and sexual references

Runtime: 2 h 45 min

Review:

Once Upon a Time In Hollywood, Quentin Tarantino’s 9^th film, is a gloriously unfocused tome that takes the audience back in time to another era.  Tarantino’s film feels like a unrelated assembly of story vignettes which ultimately do converge in an interesting and unexpected fashion.  While the finale will get a lot of buzz but the journey is just as enjoyable.  The film is anchored by Leonardo DiCaprio and Brad Pitt who are both clearly having a blast in their roles.  They both share some amazing chemistry that keeps the film watchable and enjoyable for the duration.  Their takes of their character layered, subtle and ultimately lots of fun.  There’s a huge whose who of faces that pop up through out the film that boost the film at just the right times.  You can almost feel Tarantino’s gleeful energy come through the screen as some of the screen legends pop up on the screen.  There might be a bit of a complaint about how unfocused the whole thing is and in comparison to his other films, the story here isn’t the strongest.  Still it’s hard not to enjoy this dazzling stroll through a bygone era brought back to life by one of films most talented directors.


A-

Cindy Prascik's Reviews of Moana & Allied

Dearest Blog: Yesterday it was off to Marquee Cinemas for the promising double-bill of Disney's Moana and Allied. 

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers. First on my agenda: Moana. A young future chief must travel far from the safety of her island to restore it to health and prosperity.

 

 Dear reader(s): I've got one word to describe Moana, and it is "WOW!" I mean, you know I've got a bunch more words than that, but...WOW. Moana is a beautiful telling of a beautiful story. The art and animation are incredible: majestic scenery, spectacular colors, realistic movement and mannerisms. 

 

A spirited score by Mark Mancina is complimented by lively original tunes from Lin-Manuel Miranda and Opetaia Foa'i. Thanks to filmmakers' detailed attention to the culture and lore of the Pacific islands, the movie boasts a unique and authentic feel, and Moana is a true heroine for our times: smart, strong, and resourceful. 

 

She does not sit around waiting for a handsome prince to turn up with her shoe, but she does learn to accept advice and assistance when she should. Newcomer Auli'i Cravalho turns in an earnest, endearing performance as Moana, and, as the demi-god Maui, an animated Dwayne "The Rock" Johnson is equally as charming as the real thing. 

Moana is, quite simply, a delight from start to finish. Disney's Moana runs 103 minutes, which includes a depressing little short entitled "Inner Workings." (If you aren't picky about your seat, show up late and avoid that one.) Moana is rated PG for "Peril, some scary images, and brief thematic elements." Moana is perfect. 

 

Of a possible nine Weasleys, Moana gets nine. 

 

Next up: Allied. Espionage and romance with a pair of WWII spies who fall in love and marry in war-torn 1940s Europe. Allied is a suspenseful slow-burner with plenty of twists to keep you guessing. 

 

Marion Cotillard is perfect as a member of the French resistance accused of being a double agent. Her understated performance is sincere and never gives away the is-she-or-isn't-she mystery. Brad Pitt is wooden, as Brad Pitt tends to be, but the movie smartly elects to focus a LOT on his perfect face, as well as him looking dashing in nifty suits, his military uniform, and an Archer-esque black turtleneck. 

 

Wise move there, movie. The suspenseful story is deliberately paced, but never so slow it risks losing your attention. War movies are always unsettling, but Allied mostly lacks the explicit violence and gore common in such films. 

 

Finally, there may come a day when I won't happily pay $7.50 to hear Benny Goodman's Sing Sing Sing in glorious surround-sound, but it is not this day. 

 

Allied clocks in at 124 minutes and is rated R for "violence, some sexuality/nudity, language, and brief drug use." While it isn't likely to bring home the bacon this awards season, Allied is a tense thriller that's well worth your movie dollar. 

 

Of a possible nine Weasleys, Allied gets seven. 

Fangirl Points (so many Fangirl Points!): Anton Lesser! Matthew Goode! Lizzy Caplan! Simon McBurney! Jared Harris! Until next time...

Cindy Prascik's Reviews of Concussion, Joy & The Big Short

Dearest Blog: A point I've previously belabored: Awards Season necessitates sacrifice, and, thus, yesterday I found myself drowning in a triple-bill of critical darlings at Marquee Cinemas, rather than enjoying the second Star Wars viewing I'd have preferred. Spoiler level here will be mild, nothing you wouldn't know from the trailers or, I guess, from real life, as all three of these films are based (at least loosely) on actual people and events. 

 

First on my agenda: Concussion. After uncovering the disturbing results of repeated head trauma among former players, a medical examiner faces off with the National Football League. Dear reader(s), I gotta be straight with ya: I don't like football. 

 

There, I said it. In a place where the sun rises and sets on the Pittsburgh Steelers, where many fans would sacrifice a virgin, cut off a limb, or bop their neighbors on the head with a hammer for that seventh Super Bowl ring, I couldn't possibly care less. Thus, I figured Concussion for the lemon in yesterday's lineup. I figured wrong. 

 

Will Smith is extraordinary as Dr. Bennet Omalu, the Allegheny County coroner who first discovered the potential link between the game's violence and former players' mental and physical troubles. As enthusiastic for new knowledge as he is horrified by his findings and determined to prevent further damage, Smith is sincere, believable, and fierce. A non-believer myself, I found it oddly comforting that Omalu is portrayed as both a man of science and a man of faith, two things that seem almost mutually exclusive in today's world. 

 

Concussion's supporting cast is solid, and the story is fascinating and well executed, as Omalu and a few allies butt heads (see what I did there?) with a juggernaut reluctant to acknowledge a very serious potential black mark on its image. 

 

Concussion clocks in at 123 minutes and is rated PG13 for "thematic material including some disturbing images, and language." Concussion is a well-written, well-acted film that will have no trouble holding your attention from start to finish, even if you don't know the difference between a quarterback and a cornerback. 

 

Of a possible nine Weasleys, Concussion gets eight. 

 

Next up: Joy. A young divorcee hopes to improve her complicated life with a new invention. Joy is essentially a showcase for Jennifer Lawrence, who is fantastic in the title role, yet the constantly-exaggerated circumstances leave her looking a bit like a female Forrest Gump. The supporting cast includes notables like Robert DeNiro, Virginia Madsen, Diane Ladd, Isabella Rossellini, and Edgar Ramirez, but their characters are little more than paper dolls, every move entirely predictable. 

 

Bradley Cooper turns up for a cup of coffee, only because, of late, it seems director David O. Russell doesn't want to make a movie without him, a sad waste of his talent and charm. The story's a jumble that always seems to be moving, yet never gets anywhere, making the movie feel longer than it is. All in all, Joy is much more interested in showing off its star than it is in being a great movie. 

 

Joy runs 124 minutes and is rated PG13 for "brief strong language." It's nothing special, but Joy is still an enjoyable watch. 

 

Of a possible nine Weasleys, Joy gets six and a half. 

 

And the final item on yesterday's docket: The Big Short. A handful of financial fringe operators predict (and attempt to cash in on) the big bust of 2008. 

 

The Big Short is a hard film to pin down. It's funny, but it shouldn't be. These guys the film would have you rooting for? They're in the market to rip someone off just as much as the ones you're rooting against. 

 

The terrific cast has already nailed down some awards love, but nobody turns in a game-changing performance. Smart, funny dialogue gets lost in a sea of gratuitous swearing. (Deadwood fan here, so I'm not timid about bad words, but they're not always the right fit.) The story is frenetic, yet the movie seems slow and long. 

 

The narrative setup is interesting, I love the way the film marks time, and, though the characters are comical, The Big Short eventually brings home the gravity of a disaster that destroyed millions of lives. The Big Short runs an excessive 130 minutes and is rated R for "pervasive language and some sexuality/nudity." A comic take on a story that's anything but funny, The Big Short is depressing and entertaining at the same time. 

 

Of a possible nine Weasleys, The Big Short gets seven. 

 

Until next time...may the Force be strong enough to scare off unwanted holiday visitors, so I can squeeze in another Star Wars screening before going back to work! 

 

Cindy Prascik's Review of Fury

Dearest Blog, today it was off to the pictures to wage war with Brad Pitt's Fury.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

As World War II draws to a close, an outmatched US tank crew undertakes a dangerous mission.

Well, dear reader(s), I'll be straight with you: my interest in Fury can best be described as "at least it's not that Nicholas Sparks thing." It looks like my kind of movie, and the cast is (mostly) terrific, but for some reason the trailers did nothing to excite me. Figuring I'm gonna need this one come awards time, though, I set out today hoping to be pleasantly surprised.

Fury is being lauded as an honest look at war, and that may well be, but it's otherwise a total dud.

The characters are broadly drawn caricatures, and the dialogue is so badly written it might as well be Twilight. Every incident, every encounter, every happening is more predictable than the last, straight out of the tear-your-heart-out War Movie Playbook.

The cast actually IS mostly solid and can't be faulted for the film's failings, with the notable exception of Shia LeBeouf.

A great actor inhabits a character so you forget whatever you might know of him, personally, but LeBeouf is so profoundly unlikable that whatever acting skill he possesses is nowhere near up to that task. Even Brad Pitt seems somehow diminished, following so quickly on the heels of Robert Downey, Jr.'s and Denzel Washington's most recent starring turns.

If Fury gets credit for putting the horrors of war on up-close-and-personal display, it also has to take the blame for dawdling overlong on just about everything, resulting in an excessive runtime that could and should have been trimmed by at least 20 minutes. If this mess makes a ripple come awards season, I shall fail to feel even the tiniest bit of shame for keeping I, Frankenstein on my year-end top ten list!

Fury clocks in at 134 minutes and is rated R for "strong sequences of war violence, some grisly images, and language throughout."

I never go into a movie set on hating it, and honestly expected to come out of Fury impressed despite myself, Instead, the only fury to be had was my own, for seven bucks and two hours I can't get back.

Of a possible nine Weasleys, Fury gets four.

Until next time..

You each owe me $1.40.

Cindy Prascik's Review of The Counselor

Dearest Blog, despite early whispers of its absurdity, it was with great excitement that I headed to the cinema today to see The Counselor.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

A lawyer (Michael Fassbender) lands in deep trouble when he attempts to cure his money woes doing business with drug dealers.

So, dear Blog, when I see a film with Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem, and Brad Pitt, my thought is "How bad can it be?" Well...........

The Counselor kicks off with an awkward sex scene that sets the tone for the whole film: you just want to laugh, however aware you are that you're not supposed to. The stellar cast isn't to blame for the movie's shortcomings, and, while it could be said they don't save it either, I would suggest it's beyond saving.

All the performances are solid, and Pitt is notably better than the material.

However, twists that aim for shocking reveals land, instead, in a muddled mess. Forget subtle foreshadowing, the movie knocks you over the head with everything.

There are gross-outs aplenty, and I don't just mean the bloody ones you expect in any movie about drug dealers. When I wasn't trying to stifle inappropriate laughter, I was struggling mightily to stay awake.

Now, dear Blog, never let it be said I don't look for the positive. The Counselor takes first prize on an important "all-time" movie list: Best snot rocket ever.

Like, seriously, puts Gimli's "I will be dead before I see the ring in the hands of an elf!" to shame. Readers, I know you look to this blog for the serious skinny on flicks, so there it is.

This weekend, The Counselor is probably in a pretty tight race for "Funniest New Release" with Jackass Presents: Bad Grandpa, but, unfortunately, only one was an intentional entry.

Of a possible nine Weasleys, The Counselor gets three...AND CAN I PLEASE JUST HAVE THOR ALREADY??

Until next time...



You! Yes, you! Fire your agent now!!

MOVIE REVIEW: THE COUNSELOR

Cormac McCarthy provides his first original screenplay with this Ridley Scott-directed thriller starring Michael Fassbender as a lawyer who dabbles in trafficking drugs only to realize just how dangerous a situation he's gotten himself into. Brad Pitt, Javier Bardem, and Cameron Diaz head up the rest of the starring cast. ~ Jeremy Wheeler, Rovi

Director: Ridley Scott

Cast: Michael Fassbender, Penelope Cruz, Brad Pitt, Javier Bardem, Cameron Diaz

Release Date: Oct 25, 2013

Rated R for graphic violence, some grisly images, strong sexual content and language.

Runtime: 1 hr. 57 min.

Genres: Drama, Suspense/Thriller

Review:

A top notch cast with an A list director boosted by a Cormac McCarthy script should be a slam dunk. And for about half of the film’s runtime, filled with whisperings about nefarious doings and ramifications, it kind of confuses you into thinking it might be a quality film. Mainly due to the fact that you don’t know what the hell is actually going. Once the film lays its cards out on the table, it’s fairly pedestrian. The story plays out in a straightforward manner while we’re subjected to long winded discussions all while displaying a noticeable and angry misogynism. The cast delivers fairly solid work with the exemption of Diaz who’s so far out of her league that her performance is nearly laughable. Ridley Scott shoots a nice clean film but the film’s main problem is its story and characters. None of the characters are particularly engaging or interesting. They are just bad people in a bad situation headed towards gloom and destruction. One character in particular is a walking talking metaphor. Its greatest drawback though is its smugness and overbearing self importance. It thinks it’s an important film talking about large important themes but it really isn’t. Instead, its lasting image maybe Cameron Diaz humping a car.

C

Cindy Prascik’s Review of World War Z

Dearest Blog, today it was off to the cinema for World War Z.

Folks, the zombie apocalypse is upon us, and it's left to Brad Pitt to turn the tide.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Surprise, dear reader(s), I have actually read the book on which this film is based! The Great Gatsby? No. World War Z? Yes. If anyone's looking for me, I'll be off killing myself for the good of the species.

World War Z is a so-so zombie flick, but a pretty darn good dramatic thriller. Everything is presented in such a grounded way that, had filmmakers elected to use a term other than "zombie," it could have been another Contagion. Tension stays high throughout, and--though I've heard complaints that it's too slow--my attention never strayed. The living dead are appropriately creepy and, as fans will have noted from the trailers, can not only run but climb, a significant change from the usual zombie lore. Sorta made me want to sprint for the car when it was all said and done...just in case!

Brad Pitt is effective in the lead, though the role is hardly taxing. Fans of The Killing will note that Mirielle Enos smiles more in a film about the end of the friggin' world than she does in her weekly TV series...what?? The remaining cast is serviceable, if not remarkable, with the closest thing to a standout being Daniella Kertesz. The kids are a little annoying, but aren't on screen enough that it much matters. Personally, I was delighted to see David Morse and The Hour's Peter Capaldi in small roles.

The strangest thing about World War Z is what it's missing: blood and guts. We've become accustomed to The Walking Dead and its tendency to get up close and personal with zombies gnawing on human flesh, or Daryl Dixon putting an arrow through a walker's eye and splattering brains out the back of its head. You'll find virtually none of that in WWZ, which elects to keep the camera on the person wielding the gun/sword/axe/baseball bat/whatever, as opposed to actually showing a zombie's head getting smashed into a billion pieces. While I'm not saying making the film a gratuitous splatter-fest would have been the better artistic choice, I will say the extremely tame language and lack of any significant gore does leave the movie lacking an edge it probably could have used.

Regular reader(s) will know that vampires are my "thing," not zombies; in fact, if not for the presence of Mr. Pitt, I'd probably have paired my weekly Star Trek screening with Monsters University rather than with World War Z. I also found the book painfully dull, so, while I figured the movie had to be at least somewhat better, my expectations were moderate at best. I'm happy to report I was pleasantly surprised and liked the film much better than I anticipated.

World War Z runs a steadily-paced 116 minutes and is rated PG13 for "intense, frightening zombie sequences, violence, and disturbing images." It bears little resemblance to the book on which it's based, but that's not necessarily a bad thing! Of a possible nine Weasleys, World War Z gets six and a half.

Until next time...




OHMYGOSH, IT'S THE ZOMBIE APOCALYPSE!!

MOVIE REVIEW: WORLD WAR Z

Brad Pitt stars as an ex-United Nations employee racing around the globe in a bid to halt a worldwide zombie pandemic in Marc Forster's sprawling adaptation of Max Brooks' bestselling novel of the same name. James Badge Dale, Matthew Fox, and David Morse co-star in this Paramount Films production. ~ Jason Buchanan, Rovi

Director: Marc Forster

Cast: Brad Pitt, James Badge Dale, Ludi Boeken, Matthew Fox, David Morse

Release Date: Jun 21, 2013

Rated PG-13 for intense frightening zombie sequences, violence and disturbing images.

Runtime: 1 hr. 55 min.

Genres: Action/Adventure, Drama, Horror

Review:

World War Z, the book, is one of the smartest slants on zombies I’ve ever read. The amount of research that Max Brook put into his heady novella is extensive and well thought out. I personally think the best way to adapt the book faithfully is via a mini series. Of course that won’t happen. The film version bares little resemblance to the book and if book readers can detach themselves from that fact they might be able to enjoy it. It’s a generic but occasionally thrilling blockbuster. Brad Pitt is pretty much the only character that matters throughout. There are other ancillary characters but honestly they don’t matter outside of window dressing. Pitt is tasked with saving the world because he works for the UN doing, um, well something. Either way its Pitt’s show and thankfully he’s one of the few actors strong enough to carry a film like this. The plot littered is logical holes but thanks to his commanding, paternal presence you can overlook them, for the most part. Marc Forster does a solid job in the director’s chair. He crafts some impressively tense sequences throughout. This film is a relentless yet sterile PG-13 funhouse ride filled with big action set pieces. Even the airplane sequence, which I still found rather silly, works. It also confirmed my longstanding theory that Brad Pitt could survive an airplane crash solely based on good looks and charm. Unfortunately, like some rides, its ends abruptly with very little pomp and circumstance almost like it was out of breath and motivation. It’s all easily digestible and forgettable.

B-

[Trailer 2] World War Z

I keep trying to convince myself that this movie won’t be a bloody disaster but the trailers keep telling me otherwise. First trailer ended with the superfast anthill zombie gang and this one ends with zombies on a plane……

[Trailer] World War Z

As the poster tells you this is the cinematic version World War Z starring Brad Pitt. First off, this would have been better off have been named something else since the novel it’s borrowing its name from is a collections of individual accounts about the cataclysmic event.

This, along with some shoddy looking CGI, looks like a run of the mill Hollywood production with Pitt out to save the world against super fast extra climby zombie ant people.

MOVIE REVIEW: MONEYBALL

IN THEATERS

MONEYBALL



Brad Pitt stars in the real-life tale of Major League Baseball general manager Billy Beane, who built up a winning team despite a decreased budget thanks to his sly use of statistical data to calculate the best -- and cheapest -- players for his roster. Aaron Sorkin updates Steve Zaillian's adaptation of Michael Lewis' fly-on-the-wall novel for Columbia Pictures, with Robin Wright, Jonah Hill, and Philip Seymour Hoffman co-starring. ~ Jeremy Wheeler, Rovi

Director: Bennett Miller

Cast: Brad Pitt, Jonah Hill, Philip Seymour Hoffman, Robin Wright, Chris Pratt

Release Date: Sep 23, 2011

Rated: Some strong language

Runtime: 2 hr. 6 min.

Genres: Drama

Review:

To call Moneyball a baseball movie is kind of a disservice. Personally, I’ve never been a big fan of sports films mainly because they follow such a predictable pattern and are filled with genre required benchmarks. Moneyball forgoes most of that and explores the business of the sport but doing so in a manner that people who are well versed in sports and those who barely know the difference between and out and a touchdown can enjoy it. It’s engaging from the start and the character piece pops in a way few films can. It’s a slow and organic film that allows scenes to gestate long enough to achieve their desired effect. Bennett Miller provides a strong guiding hand making his film feel like jock version of The Social Network. Miller does such a strong job of giving his film an air of authenticity, the scenes all ring true, even to a sports fanatic like myself, but never spilling over into parody. Brad Pitt is spot on as Beane. Pitt masterfully and subtly displays Beane cocksure bravado and private self doubts that drive the man. It’s the type of performance that brings his character to life especially in character scenes that showcase the man’s mind at work. Jonah Hill playing against type provides an excellent counterpoint to Beane. Hill’s quiet and measured performance is perfect for the character’s persona. Phillip Seymour Hoffman rounds out the cast with an impressive turn as A’s Manager Art Howe, his interaction with Pitt’s Beane is the kind of stuff most sports fans know all too well. The film might overstay it’s welcome near the end but just barely.

A

Terrence Malick's The Tree of Life Trailer

Malick is one of my all time favorite directors, needless to say I'm terribly excited about his next film.....

Movie Reviews: INGLOURIOUS BASTERDS

Saturday, August 22, 2009
Movie Reviews: INGLOURIOUS BASTERDS
IN THEATERS

INGLOURIOUS BASTERDS

“Inglourious Basterds” begins in German-occupied France where Shosanna Dreyfus(Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris, where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as “The Basterds,” Raine’s squad joins German actress and undercover agent Bridget Von Hammersmark (Diane Kruger) on a mission to take down the leaders of The Third Reich.

Cast: Brad Pitt, Eli Roth, Diane Kruger, B.J. Novak, Melanie Laurent, Samm Levine

Director: Quentin Tarantino

Opened August 21, 2009

Rated R for strong graphic violence, brief sexuality and language

Genres: War Adventure, War



Review:




If you go into Quentin Tarantino’s last film expecting a serious WW2 film filled with historical accuracy then you are guaranteed to walk out disappointed. “Once upon a time in Nazi Occupied France” begins Tarantino’s latest revenge fantasy borrowing from Sergio Leone in his opening and other war films throughout, only loosely on the 70’s film of the same name, he once again shows his talent of borrowing elements from cinema history and blending them into something incredibly fascinating and utterly watchable. Paced like a slow moving train going up hill, those expecting a spatterfest in the vein of Kill Bill Vol. 1 with a WW2 will be let down by the lack of action. That’s not to say there isn’t bloody and gore, there is but not in the mass quantities of the aforementioned films. Instead Tarantino relies more on this dialogue and strong episodic pacing to create some wonderfully tension filled sequences. The opening episode and a scene in a bar, with a climax that makes the Reservoir Dogs finale look like a Disney film, are the strongest of the lot. While Tarantino’s talent as a writer is on full display and so is his knack for casting his large ensemble pieces with pitch perfect precision. Sold as a Brad Pitt film by the advertising, he’s hardly the central character. Pitt does seem to be having a ball with Aldo’s Popeye brow and chin and his southern drawl, he’s great fun throughout. Mélanie Laurent gives a well rounded performance as Shosanna as she displays a natural ability to display both toughness and vulnerability in her character. Diane Kruger also delivers a noteworthy performance in limited screen time as Bridget Von Hammersmark. The real standout here though is Christoph Waltz who sizzles with an inquisitively villainous intensity that permeates the screen from the moment he hits the screen. He crafts the performance so well that by the middle of the film any and every mundane movement comes off as sinister. The rest of the ensemble all do well in their roles and fill the caricatures adequately even if they lack any semblance of depth. Some may see this as a major drawback but considering this film is more a tall tale than anything else, it’s easily forgivable. There are a few more glaring issues which depending on which side of the Tarantino divide you’re on maybe nothing or something. His inability to quell his overindulgences do prop up from time to time with some scenes going on for a seemingly endless amount of time. The pacing isn’t going to be for everyone just like his decision to use multiple languages throughout, something I consider a stroke of genius, and relying on subtitles for extended amounts of time. Personally I’ve always enjoyed his excesses and appreciated them that doesn’t change with Inglourious Basterds.



A-