MOVIE REVIEW: BALLERINA

 

An assassin trained in the traditions of the Ruska Roma organization sets out to seek revenge after her father's death.

Director: Len Wiseman

Cast: Ana de Armas, Gabriel Byrne, Catalina Sandino Moreno, Norman Reedus, Anjelica Huston, Lance Reddick, Ian McShane, Keanu Reeves

Release Date: June 6, 2025

Genre: Action, Thriller

Rated R for strong/bloody violence throughout, and language.

Runtime: 2h 5m

Review:

Ballerina is preposterous on multiple levels, but the inventive action and Ana de Armas' laser focused performance makes it far more watchable than it deserves to be.  Len Wiseman is no stranger to directing kick ass heroines, having helmed the Underworld franchise in the early 2000's, so he makes an easy fit for this John Wick spin off.  He's more than capable of emulating the look and feel of the main line films, especially the increasingly outlandish action sequences highlighted by a flamethrower fight in the final act.  There's also a fun injection of tongue in cheek comedy during the barrage of action sequences highlighted by a sequence in a Bavarian Cafe that might have people of a certain age have Three Stooges flashbacks.  It’s a nice way to mix things up for the usual formula along with making a point of Eve having to make up for the strength disparity with the majority of her male adversaries.  That's not to say she doesn't mow through a boat load of people throughout the film's runtime but it’s refreshing to see them get a bit more inventive with the character relying more on knives and bombs in addition to the cornucopia of guns she uses.  Sure, it’s ultimately lip service since her character has a video game style rechargeable life bar which recharges shortly after the assorted injuries she endures throughout.  Ana De Armas is impressively focused throughout, making it all the mayhem and carnage immensely watchable even as it starts to overstay its welcome.  There's also a sense that she's searching for something meatier, character wise, to bite into which is sadly lacking for her and the cast across the board.  The script offers the bares of a story thread, leaning heavily on the established lore while throwing out some interesting ideas like an assassin cult but never really doing anything with it.  If there had been a bit more time and attention given to the story and characters, it would have made Ballerina more than a fun but forgettable detour from the main series.     

C+

MOVIE REVIEW: BLONDE

 

A look at the rise to fame and the epic demise of actress Marilyn Monroe, one of the biggest stars in the world.

Director: Andrew Dominik

Cast: Ana de Armas, Adrien Brody, Bobby Cannavale, Xavier Samuel, Julianne Nicholson

Release Date: September 16, 2022

Genre: Biography, Drama, Romance

Rated NC-17 for some sexual content

Runtime: 2h 46m

Review:

Marilyn Monroe is one of those cultural icons whose story has been told ad nauseam by this point.  Tackling this subject matter requires that a director makes the well worn material feel fresh and interesting.  Andrew Dominik's film Blonde does this by delivering a glossy, visually impressive horror show that feels more like Passion of the Christ than Baz Luhrmann's Elvis.  Dominick's film relishes in delivering scene after scene of pain and torture to it's central subject.  There's nary a sequence that doesn't involve some sort of degradation, trauma or abuse piled on.  Its a disquieting and unsettling exploration of the starlets life which leaves the character with very little agency or depth outside of her PSTD as she's beat around like a platinum pinball.  Ana de Armas, for her part, is fully committed to the role and delivers an impressive performance even with the razor thin characterization she's given.  Armas captures the breathy woman child persona with relative ease even though her Cuban accent does manage to  peak thru a handful of times.  The script gives her painfully few moments for Armas to delve deeper into the character's inner turmoil much less any semblance of happiness.  The character is written and played as a gorgeous punching bag beaten to a bloody pulp on multiple levels by the time the film ends.  Blonde isn't the biopic for fans of the iconic actress, instead it's more like an arthouse horror show.  

D

MOVIE REVIEW: NO TIME TO DIE

 

James Bond is enjoying a tranquil life in Jamaica after leaving active service. However, his peace is short-lived as his old CIA friend, Felix Leiter, shows up and asks for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond on the trail of a mysterious villain who's armed with a dangerous new technology.

Director: Cary Joji Fukunaga

Cast: Daniel Craig, Léa Seydoux, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Rory Kinnear, Ralph Fiennes, Rami Malek, Lashana Lynch, Billy Magnussen, Ana de Armas

Release Date: October 8, 2021

Genre: Action, Adventure, Thriller

Rated PG-13 for intense sequences of violence and action, some strong language, disturbing material and suggestive references

Runtime: 2h 43m

Review:

Daniel Craig's much delayed swan song as James Bond, No Time to Die, is an expansive wide-reaching finale that provides a true series capper to his run in the tuxedo.  Cary Joji Fukunaga directs the film with a steady hand, delivering the expected exotic locals and massive set pieces.  Those action set pieces are incredibly fun but mostly relegated to the film's first act before it moves into a heaty bit of exposition in its second act.  Fukunaga's film is visually appealing throughout even in its quieter moments as there's a palpable sense of finality and mortality.  Craig is more comfortable than ever with his world-weary take on the character feeling more at home here even as he drops sly quips with relative ease.  The script works in lighthearted moments even in the mist of more dramatic sequences to keep the entire thing from becoming overbearing.  Craig is able to work both ends of the spectrum easily and having a game supporting cast makes his job all that much easier.  Léa Seydoux returns as his primary love interest though her character doesn't carry as much emotional heft as she should.  Faring much better are Lashana Lynch, Naomie Harris and Ana de Armas who each leaving a strong impression with the film giving them ample time to shine.  Rami Malek though is saddled with undercooked villain who reeks of the worst clichés of Bond villains complete with a secret island base.  The script works in large portions of the film as it caps off story threads from Craig's run but it's also unfocused, causing the film to drag in its nearly 3 hour runtime which borders on attrition.  Those issues aside, No Time to Die brings a solid sense of closure and completion rarely seen in the Bond franchise

B

MOVIE REVIEW: KNIVES OUT

A detective and a trooper travel to a lush estate to interview the quirky relatives of a patriarch who died during his 85th birthday celebration.

Director: Rian Johnson

Cast: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer

Release Date: November 27, 2019

Rated PG-13 for thematic elements including brief violence, some strong language, sexual references, and drug material

Runtime: 2 hr. 10 min.

Genres: Comedy, Crime, Drama

Review:

Rian Johnson’s Knives Out is a refreshing throwback to those old school ensemble films based on Agatha Christie books.  Johnson’s plot bears a lot of resemblances to those types of films and he stacks his film with a wonderful motley crew of possible culprits.  His direction moves the film at a brisk pace with only a few dead spots in the final reel.  The crisp direction keeps your eyes peeled to every detail as you start trying to piece together the truth.  Some of these types of film tend to cheat the story by using unbelievable twist; thankfully this story is a bit more honest.  If there’s one drawback to that approach it’s that the central mystery isn’t all that complex and pretty easy to figure out before it’s all laid out on screen.  It’s not a major drawback but those looking for a strong mystery will be left wanting.  The film’s biggest asset is its stellar cast who each seem to be having a ball in each of their roles.  Daniel Craig’s turn as a Foghorn Leghorn sounding detective is just incredibly fun and you sort of wonder why the story didn’t use him as the central point of the film.  Instead he’s on the boundaries of the story playing a larger part in its finale.  Instead it’s Ana de Armas character who is the focal point of the story and she delivers a solid performance in the midst of bigger names.  Sadly, the supporting players like Toni Collette, Jamie Lee Curtis and Michael Shannon are left with precious slivers of screen time to shine.  Still they all make the most of it and deliver a fun film across the board that feels like a lesser version of the movie Clue.

B

MOVIE REVIEW: BLADE RUNNER 2049

Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who's been missing for 30 years.

Director: Denis Villeneuve

Release Date: Oct 06, 2017

Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Robin Wright, Lennie James.

Rated PG-13 for language, Brief Suggestive Content, Sequences of Sci-Fi Action and Violence

Runtime: 2 hr. 43 min.

Genres: Suspense/Thriller, Sci-Fi/Fantasy

Review:

Making a sequel to a seminal sci-fi film is a huge task, especially 35 years after the fact.  Denis Villeneuve and his cinematographer Roger Denkins deliver a visually mesmerizing film that’s gorgeous from start to finish.  It’s an impressive accomplishment that honors the original but also expounds on it.  Ryan Gosling ably leads the film with an understated performance that’s surprisingly nuanced and layered.  Those expecting a heavy dose of Harrison Ford’s Deckard will be left disappointed since he’s only in the film for a small amount of the film’s runtime.  While it’s hard to ignore the high level of craftsmanship and artistry, you do have to wonder if Villeneuve fell a little in love with his creation.  The film’s nearly 3 hour runtime isn’t necessary since some scenes seem inconsequential to the overall plot.  That’s not to say the film isn’t enjoyable or engaging but I can’t help but feel like there’s a tighter more efficient film in there somewhere.     

B+

Cindy Prascik's Reviews of Blade Runner 2049 & The Mountain Between Us

Dearest Blog, yesterday it was off to Marquee Cinemas to see the highly-touted Blade Runner 2049 and not-at-all-touted The Mountain Between Us.

 

Spoiler level here will be mild for 2049, somewhat elevated (see what I did there?) for Mountain, but nothing really plot-related.

 

First on my agenda: Blade Runner 2049.

 

A young Blade Runner unearths a secret that sends him on a dangerous quest.

 

Ohhhhh...Ryan Gosling...you owe me. La La Land. Lars and the Real Girl. The Place Beyond the Pines. Only God Forgives. (Worst. Movie. Ever.) At this point, *I* could be forgiven for thinking this guy willfully takes only projects he hopes will bore me to death. Slowly.

 

In the interest of full and fair disclosure, here I'll confess that I haven't seen the original Blade Runner in about a hundred years and thus I remember very little (read: nothing) about it. I had good intentions of revisiting it before the new one hit cinemas, but never got around to it, so I know there were certain "recognition" moments that were lost on me. I should also note that I was in no way predisposed to dislike this, so the degree to which I did came as something of a surprise.

 

Blade Runner 2049 actually does have a fair few things going for it. The principal roles are carried by well-known and well-decorated actors who do as much as they can with wooden characters. Gosling is never less than watchable, and Robin Wright is the same. Harrison Ford takes his sweet time showing up, but when he does it's welcome, even if it seems a rehash of pretty much everything Harrison Ford does these days. The picture boasts astonishing, Oscar-worthy visuals and an ominous score that I can't wait to torture my coworkers with. For at least the first half of the movie, all of that was enough that I didn't hate it, but the longer it dragged on, the less interested I became in finding that silver lining, and there you'll find the movie's chief handicap: it is just too long to be as slow as it is (or too slow to be as long as it is). Yes, it's pretentious at times (lots of times). Yes, Jared Leto is ridiculous. Yes, it's often too dark to see anything at all, and yes, the 3D is utterly pointless.

 

BUT...2049 likely could have gotten away with most of that if only it weren't So. Damn. Long. I saw a few social media posts yesterday saying that the film leaves many questions to be answered by a potential "next installment," but the only question Blade Runner 2049 left me was: "Can Robin Wright take a drink without slamming it like a belligerent pirate?" The world may never know.

Blade Runner 2049 clocks in at a painful 163 minutes and is rated R for "violence, some sexuality, nudity, and language."

 

Blade Runner 2049 is a flaming bag of poo left on my cinematic doorstep, but it sure looks and sounds pretty! Of a possible nine Weasleys, Blade Runner 2049 gets four.

 

Next up: The Mountain Between Us.

 

Two professionals who HAVE TO BE SOMEWHERE charter a small plane and end up not getting anywhere.

 

The Mountain Between Us is nothing more than badly-done fanfiction, Twilight for grownups, minus the sparkling. How on Earth anyone got one--nevermind TWO--actors the caliber of Kate Winslet and Idris Elba to sign on for this drivel is beyond me. The most entertaining thing about the whole mess was the two older folks in my screening who loudly admonished the screen: "You should have waited for the other plane!" "You should have brought warmer clothes!" (It's a testament to just how bored I was that I found that amusing instead of infuriating.) The picture plods on for nearly two snowy hours, hitting every tired AO3 tag you can think of, and often turning very specifically reminiscent of 1993's Alive. (Spoiler alert: Except they never ended up having to eat each other. At least not literally.) By the time the movie reminds you for the last time that this horrible experience has made someone FEEL ALIVE, you'll be wishing you weren't.

 

The Mountain Between Us runs 103 minutes and is rated PG13 for "a scene of sexuality, peril, injury images, and brief strong language."

 

If ever I am stranded somewhere with Idris Elba and you send someone to "rescue" me, I will end you. 

 

Of a possible nine Weasleys, The Mountain Between Us gets three.

 

Until next time...