Cindy Prascik's Reviews of John Wick Chapter 4 & Captain America Brave New World

 My dear readers: This past week I caught up with a pair of action flicks from franchises in which I was once invested.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda, John Wick: Chapter 4.

Hoping to finally earn his freedom, our hero John Wick is on the run again.

The John Wick franchise seems to blow up its universe pretty much every movie, only to find a way of repeating the same formula with the next outing. JW4 is no real exception, and if the schtick is wearing a bit thin, there's still a lot to like here. Keanu Reeves was born for this role, and there will always be some joy in seeing him play it. Ian McShane elevates any project lucky enough to have him. The cinematography, set design, and fight choreography remain head-and-shoulders above average for the genre, but...maybe there's something to be said for franchises that quit while they're ahead. Chapter 4 is overlong, and the fight scenes, well-done as they are, drag on and on. The movie doesn't manage to hold any real suspense, so ultimately its aesthetic virtues can't save it from being uninspiring.

John Wick: Chapter 4 runs 169 minutes (I'm not kidding) and is rated R for, "pervasive strong violence and some language."

John Wick: Chapter 4 retains some of the assets that make the franchise great, but it might be time to put this one to bed. Of a possible nine Weasleys, John Wick: Chapter 4 gets six.

John Wick: Chapter 4 is now streaming on Peacock.

Next on the docket was Marvel's Captain America: Brave New World.

Sam Wilson officially takes the shield and must foil a nefarious international plot.

In my house, we stan Anthony Mackie, so I was very much looking forward to him taking the top(ish) spot in the Marvel hierarchy. Brave New World gives him a serviceable film with a strong supporting cast and a decent storyline. The movie is almost entirely without the forced humor and convoluted timeline/universe jumping that plague most Marvel output. If the movie is a bit longer than it needs to be, it's not nearly as bloated as most Marvel pictures, and it's well paced enough to (mostly) get away with it.

Captain America: Brave New World clocks in at a pretty reasonable 118 minutes and is rated PG13 for, "intense sequences of violence and action and some strong language."

Captain America: Brave New World is a solid beginning for an iconic hero's new chapter. 

Of a possible nine Weasleys, Captain America: Brave New World gets seven and a half.

Captain America: Brave New World is now streaming on Disney+.

Until next time...

MOVIE REVIEW: BALLERINA

 

An assassin trained in the traditions of the Ruska Roma organization sets out to seek revenge after her father's death.

Director: Len Wiseman

Cast: Ana de Armas, Gabriel Byrne, Catalina Sandino Moreno, Norman Reedus, Anjelica Huston, Lance Reddick, Ian McShane, Keanu Reeves

Release Date: June 6, 2025

Genre: Action, Thriller

Rated R for strong/bloody violence throughout, and language.

Runtime: 2h 5m

Review:

Ballerina is preposterous on multiple levels, but the inventive action and Ana de Armas' laser focused performance makes it far more watchable than it deserves to be.  Len Wiseman is no stranger to directing kick ass heroines, having helmed the Underworld franchise in the early 2000's, so he makes an easy fit for this John Wick spin off.  He's more than capable of emulating the look and feel of the main line films, especially the increasingly outlandish action sequences highlighted by a flamethrower fight in the final act.  There's also a fun injection of tongue in cheek comedy during the barrage of action sequences highlighted by a sequence in a Bavarian Cafe that might have people of a certain age have Three Stooges flashbacks.  It’s a nice way to mix things up for the usual formula along with making a point of Eve having to make up for the strength disparity with the majority of her male adversaries.  That's not to say she doesn't mow through a boat load of people throughout the film's runtime but it’s refreshing to see them get a bit more inventive with the character relying more on knives and bombs in addition to the cornucopia of guns she uses.  Sure, it’s ultimately lip service since her character has a video game style rechargeable life bar which recharges shortly after the assorted injuries she endures throughout.  Ana De Armas is impressively focused throughout, making it all the mayhem and carnage immensely watchable even as it starts to overstay its welcome.  There's also a sense that she's searching for something meatier, character wise, to bite into which is sadly lacking for her and the cast across the board.  The script offers the bares of a story thread, leaning heavily on the established lore while throwing out some interesting ideas like an assassin cult but never really doing anything with it.  If there had been a bit more time and attention given to the story and characters, it would have made Ballerina more than a fun but forgettable detour from the main series.     

C+

MOVIE REVIEW: JOHN WICK: CHAPTER 4

 

With the price on his head ever increasing, legendary hit man John Wick takes his fight against the High Table global as he seeks out the most powerful players in the underworld, from New York to Paris to Japan to Berlin.

Director: Chad Stahelski

Cast: Keanu Reeves, Donnie Yen, Bill Skarsgård, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, Ian McShane

Release Date: March 24, 2023

Genre: Action, Crime, Thriller

Rated R for pervasive strong violence and some language

Runtime: 2h 49m

Review:

John Wick: Chapter 4, possibly the final entry in the main series, throws everything it has in this ludicrous but insanely entertaining entry.  It’s a rare thing to watch a director grow in real time but Chad Stahelski has shown an impressive evolution over the span of his signature series.  What started as a pulpy bit of well choregraphed gunsplotion slowly morphed into something more stylized complete with an ever expanding mythos.  Stahelski once again ups the ante by delivering three distinctive and massive action set pieces with each bringing a very specific type of kinetic energy.  The first act plays like a live action anime with the second bringing a more standard euro vibe and the third coming through as an homage to 1979's The Warriors with a Parisian demolition derby thrown in for good measure.  The sheer creativity of the bloody ballet that's played out onscreen is impressive on multiple fronts.  Even as some of the sequences start to boarder on self indulgent, there such a large variety of action that it rarely grows stale.  At the center of it is all is Keanu Reeves and his particular brand of acting which fits this series perfectly, so much so that the supporting cast match is tone and tenor.  Donnie Yen brings a fresh sense of energy as a blind frienemy assassin that echoes his Star Wars Rogue One character.  Its a fun performance that becomes more enjoyable as the film goes on.  Bill Skarsgård is the central villain for this entry, chewing up every bit of scenery with impressive aplomb even with a shaky French accent.  Shamier Anderson character is literally called Nobody and the script doesn't do him any favors by giving him very little depth outside of having a faithful German Shepard.  Rina Sawayama and Hiroyuki Sanada have some solid chemistry as father and daughter early on with hints that one might show up again in the future. Returning players like Ian McShane, Laurence Fishburne and Lance Reddick give the film a bit of franchise flavor even if they aren't given anything substantial to do.  John Wick is the strange kind of series that manages to overcome its light characterization and basic storytelling with truly impressive action spectacle.  

A-

MOVIE REVIEW: DC LEAGUE OF SUPER-PETS

Krypto the Super-Dog and Superman are inseparable best friends, sharing the same superpowers and fighting crime side by side in Metropolis. However, when the Man of Steel and the rest of the Justice League are kidnapped, Krypto must convince a ragtag group of animals to master their own newfound powers for a rescue mission.

Director: Jared Stern

Cast: Dwayne Johnson, Kevin Hart, Kate McKinnon, John Krasinski, Vanessa Bayer, Natasha Lyonne, Diego Luna, Thomas Middleditch, Ben Schwartz, Keanu Reeves

Release Date: July 29, 2022

Genre: Animation, Action, Adventure, Comedy, Family, Fantasy, Sci-Fi

Rated PG for action, mild violence, language and rude humor

Runtime: 1h 45m

Review:

DC League of Super-Pets is the type of family film whose sole purpose to exist could be simply to sell cute plush toys.  While its sure to accomplish that the film itself is a pleasant surprise.  Writer/director Jared Stern's film is breezy, fun and wittier than you'd expected.  The setting borrows from Bruce Timm's classic DC animated shows with its art deco style while the character designs are reminiscent of Pixar's The Incredibles.  Its a visually appealing film that's filled with Easter eggs and visual cues that long time fans of the DC universe will surely enjoy.  The voice cast does excellent work throughout lead by a steady and sincere performance from Dwayne Johnson.  Johnson brings a palpable sense of  earnestness and authenticity that makes the character much more endearing than you'd expect.  Kevin Hart is more of surprise with a measured, funny but thoughtful turn as Ace.  The supporting cast of Vanessa Bayer, Natasha Lyonne, Diego Luna and Keanu Reeves are all clearly having a ball voicing these characters with Lyonne and Reeve's Batman getting some of the film's best lines.  The story itself plays out like most superhero films only with a furrier facade.  There's plenty to keep kids and adults entertained for the better part of the runtime even though you get the sense it could have been trimmed by 15 or 20 minutes.  Its humor occasionally veers outside of it's kids corner into more adult fare that will likely go over most of the younger kids heads.  As a whole, DC League of Super-Pets is a surprisingly fun animated offshoot that works far better than it should

B

Cindy Prascik's Holiday Wrap-up Part I: The Matrix Resurrections & The Power of the Dog

 

My dear reader(s), following another lengthy absence, I've managed to squeeze a few movie screenings into my holiday break. Here in part one, I shall tackle a couple non-seasonal films: The Matrix Resurrections and The Power of the Dog. In part two, we'll have a peek at some Christmas offerings.

Spoiler level will be mild, nothing you won't have learned from trailers and advertisements.

First on my agenda: The Matrix Resurrections. 

New and familiar faces fight for reality...but what is the real reality?

It's fair to say science fiction and I are taking a break. We definitely don't love each other like we used to, and I'm not sure we ever will again. I elected to give the Matrix Resurrections a try anyway, based on: a.) my love of Keanu Reeves, and b.) being able to watch without leaving the house. If it's not as bad as I thought it was, I'm pretty sure it's not good, either.

Keanu has made a career of locking into roles ideally suited to his acting style. That's a backhanded compliment, but know I offer it with great affection. Carrie-Anne Moss is an inspiration, an action hero a mere year younger than I am. (Note: That's "old" in most people's books!) Despite my aversion to anything with the stink of Glee on it, Jonathan Groff is a pleasant surprise. Always. In everything. Effects are about 50/50, decent and comically bad. Callbacks to previous installments might be entertaining if this one didn't insist on pointing out each one so explicitly. Action is repetitive and gets old quickly, and — at nearly two and a half hours — the picture is extremely bloated. Anymore I'm never sure if social and political undertones are really present, or if I just see them everywhere because I so desperately want to avoid them for a hot minute, but I found them here...and I was well and truly bored before the halfway point.

The Matrix Resurrections clocks in at a whopping 148 minutes, and is rated R for "violence and some language."

If you're deeply invested in the Matrix series, you'll probably love the Matrix Resurrections; otherwise, you can give it a pass and rest assured you won't miss it. Of a possible nine Weasleys, the Matrix Resurrections gets three.

The Matrix Resurrections is currently playing in cinemas worldwide, and streaming on HBO Max through January 21.

Fangirl points: Freema Agyeman!

Next on the docket: The Power of the Dog.

Exploring the contentious relationships among a contrary cowboy, his more agreeable brother, and the brother's wife and son.

The Power of the Dog is a deliberately-paced western that's in no real hurry to get anywhere. Benedict Cumberbatch carries the film with a mighty turn that may well win him his first Academy Award. Kirsten Dunst, Jesse Plemons, and Kodi Smit-McPhee are all terrific in support. Dusty western settings and a gloomy score reinforce the movie's uneasy atmosphere. The film tells an interesting enough tale, but I can't say it's one I'm glad I watched. Oh, and if you're an animal lover, maybe take a pass. Too many ugly moments to get past in that regard.

The Power of the Dog runs 126 minutes and is rated R for "brief sexual content and full nudity."

The Power of the Dog is a miserable little film, but worth checking out for some exceptional performances. Of a possible nine Weasleys, the Power of the Dog gets five.

The Power of the Dog is now streaming on Netflix.

Fangirl points: Keith Carradine!

Stay tuned for some cinematic Christmas cheer!!

MOVIE REVIEW: THE MATRIX RESURRECTIONS

 

To find out if his reality is a physical or mental construct, Mr. Anderson, aka Neo, will have to choose to follow the white rabbit once more. If he's learned anything, it's that choice, while an illusion, is still the only way out of -- or into -- the Matrix. Neo already knows what he has to do, but what he doesn't yet know is that the Matrix is stronger, more secure and far more dangerous than ever before.

Director: Lana Wachowski

Cast: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Jada Pinkett Smith, Priyanka Chopra Jonas, Christina Ricci

Release Date: December 22, 2021

Genre: Action, Sci-Fi

Rated R for violence and some language

Runtime: 2h 28m

Review:

The first two sequels to the Matrix were a prime example of the law of diminishing returns.  Each entry became more entrenched in philosophical musings and mythology that ultimately weighed them down.  Eighteen years later Lana Wachowski revives the franchise with a more meta approach, echoing what Wes Craven did with Freddy Kruger in 1994's A New Nightmare, in the first half of her film.  It's a fun and fascinating take that sure to set a lot of fans off kilter initially.  This approach gives the story and franchise a spark of life it desperately needed in order to warrant another sequel.  There are plenty of story threads that could have been explored from that vantage point but Wachowski just can't pull the trigger before falling into what the previous sequels did before them.  The film hits some very familiar beats from the original film before moving into more standard sci-fi fare which isn't nearly as engaging.  The action is plentiful if rather uninspired mainly due to the fact that the film turns into a slog due to it's unnecessarily long runtime.  The back half of the film is a pseudo love story between the franchises main two characters.  It's undeniably fun to see Keanu Reeves and Carrie-Anne Moss slip back into their iconic roles especially when they do it with such ease.  Reeves, deservedly, gets the lion share of the screen time but Moss and her inherent strength and ferocity shine through in her limited screen time.  The newcomers to the franchise are a mixed bag with Jessica Henwick making the best impression.  Yahya Abdul-Mateen II is solid as Morpheus 2.0 but he can't quite capture Fishburn's sage cyber sensei the same way. Jonathan Groff does the best he can as the new Agent Smith but like Abdul-Mateen II he doesn't bring the same energy of his predecessor.  Neil Patrick Harris and Jada Pinkett Smith, in some embarrassingly terrible old people make up, are shockingly bad with their turns leaving you wonder if they were in a different movie all together.  The Matrix Resurrections had the chance to trying something riskier and more engaging but it ultimately falls back on it's safety net which isn't terribly innovative and groundbreaking.

C+

MOVIE REVIEW: BILL & TED FACE THE MUSIC

A visitor from the future tells best friends Bill and Ted that one of their songs can save life as we know it and bring harmony to the universe.

Director: Dean Parisot

Cast: Alex Winter, Keanu Reeves, Kristen Schaal, Samara Weaving, Brigette Lundy-Paine, William Sadler, Anthony Carrigan, Erinn Hayes, Jayma Mays, Holland Taylor, Kid Cudi, Jillian Bell

Release Date: August 26, 2019

Genre: Adventure, Comedy, Music

Rated PG-13 for some language

Runtime: 1 h 31 min

Review:

Bill & Ted Face The Music is a nostalgic throw back that uses the same template from the first two films with varying results.  Dean Parisot doesn’t offer up many curveballs in this belated finale.  He uses a lot of story beats fans of the original will instantly recognize but honestly it’s almost perfunctory.  The main thing all the children of the 80s wanted to see was Alex Winter and Keanu Reeves reprise their iconic roles.  Both slip back into their characters with relative ease and it hard not smile once we see and hear these two back on the screen.  Its fun to see them back in their roles but it’s also hard to ignore the fact that they are 50 year old men still talking like stoner teenagers.  Still they do a great job of capturing the optimistic spirit of the originals. Samara Weaving and Brigette Lundy-Paine are both good fun with the latter delivering an impressive impersonation of her on screen father.  The story itself is a bit of a mixed bag since it’s more of a collection of fan service moments held together by the main conceit.  It’s an issue that’s kind of hardwired into their DNA of the franchise so it’s hard to blame this final entry too much. This film is only an hour and a half but it does drag in spots because of the thin story holding it all together.  Bill & Ted Face The Music is a fun albeit unnecessary series capper. 

C+

Cindy Prascik's Review of Bill & Ted Face the Music

Dearest reader(s), yesterday marked the day I knew would arrive: I had the choice of seeing a brand new release at the cinema, or paying more to watch it at home. I thought it would be a hard call, but ultimately it was pretty easy to choose staying home. I'll be interested to see if it remains so once the health threat is removed. If you were presented with the same choice, I'd be curious to hear what you decided and why.

At any rate, on the docket this weekend was the long-awaited three-quel Bill & Ted Face the Music.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

Bill S. Preston and Ted "Theodore" Logan still struggle to fulfill the prophecy that said their music one day would save the world.

Face the Music finds our middle-aged heroes with wives, children, and suspiciously nice homes for guys who don't appear to do anything besides jam in their garages. Alas, they are yet to fulfill or move on from the long-ago prophecy that a song they've written will somehow unite and save the world. When a messenger from the future informs them that they have less than a day before time and space are destroyed, the most excellent friends embark on more time travels in the hope that their future selves have the song.

At a certain age, most things come with a whiff of nostalgia. Face the Music works not necessarily because it's the epitome of stellar filmmaking, but because it gives us characters we love in a story we need right now. The movie is sweet enough that its predictably dopey plot is easy to forgive, and — while there are some faces fans will be happy to see among supporting players — it is markedly less entertaining when Bill (Alex Winter) and Ted (Keanu Reeves) are absent from the screen. The big finish offers few surprises, but the movie's optimism is such a delightful light in this dark year that it hardly matters.

Bill & Ted Face the Music clocks in at a quick 88 minutes and is rated PG13 for some language.

Bill & Ted Face the Music isn't a movie that'll change the world, but I can't help thinking we'd be better off if it could. Of a possible nine Weasleys, Bill & Ted Face the Music gets seven and a half.

Until next time, friends, be excellent to each other.

MOVIE REVIEW: TOY STORY 4

Woody, Buzz Lightyear and the rest of the gang embark on a road trip with Bonnie and a new toy named Forky. The adventurous journey turns into an unexpected reunion as Woody's slight detour leads him to his long-lost friend Bo Peep. As Woody and Bo discuss the old days, they soon start to realize that they're worlds apart when it comes to what they want from life as a toy.Director: Dexter Fletcher

Cast: Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele, Madeleine McGraw, Christina Hendricks, Keanu Reeves

Release Date: June 20, 2019

Biography, Animation, Adventure, Comedy

Rated G

Runtime: 1 h 40 min

Review:

Toy Story 3 really felt like a proper and fitting send off for the venerable franchise while leaving fans an emotional wreck.  This fourth entry had some work to do to explain its reason for existing besides an obvious money grab.  Thankful this fourth entry is a fitting epilogue to the franchise that ties up storylines while maintaining the high level of layered storytelling that’s always been a calling card of the franchise.  The story isn’t going to level your emotions the way part 3 did but it’s still got a solid bit of bite in spots particularly in the final frames.  Thematically it’s got some heady issues at play, particularly finding your personal worth and self actualization which is hefty stuff for a kid’s movie.  That’s not to say kids won’t enjoy it because they will, it’s probably one of the most vibrantly animated entries in the series.  The setting like the antique shop and carnival are visual cornucopias of colors and details that you’re liable to need a few views to see everything they put in.  The cast delivers across the board like they always do even though some of the characters are regulated to the 2^nd or 3^rd tier.  The new additions of Christina Hendricks, Keanu Reeves, Tony Hale, Keegan-Michael Key and Jordan Peele make that easier to deal with but I would have liked a bit more of a spotlight on some of the established characters. Tom Hanks’ Woody is the primary focus here with most of the story serving his character arch.  Adding Annie Pott’s Bo Peep back into the mix as a strong self realized female character makes for an interesting dynamic that really adds to the overall impact of the story.  If this truly is the end of the series, it’s a fitting bittersweet send off. 


A-

MOVIE REVIEW: BOOKSMART

Academic overachievers Amy and Molly thought keeping their noses to the grindstone gave them a leg up on their high school peers. But on the eve of graduation, the best friends suddenly realize that they may have missed out on the special moments of their teenage years. Determined to make up for lost time, the girls decide to cram four years of not-to-be missed fun into one night -- a chaotic adventure that no amount of book smarts could prepare them for.

Director: Olivia Wilde

Cast: Kaitlyn Dever, Beanie Feldstein, Jessica Williams, Will Forte, Lisa Kudrow, Jason Sudeikis

Release Date: May 24, 2019

Genres: Comedy

Rated R for strong sexual content and language throughout, drug use and drinking - all involving teens

Runtime: 1h 42min

Review:

Booksmart can easily be written off as a female version of Superbad but it’s actually much more than just that.  Oliva Wilde directorial debut is a smart and funny even if feels familiar.  The coming of age story is well worn and it can be difficult to bring something new to the table.  Wilde brings a nice bit of visual flair along with likable characters.  The central duo of Kaitlyn Dever & Beanie Feldstein share great chemistry and strong comedic timing.  The supporting cast is made up of a steady stream of familiar faces who all make the film better though I do wish we’d gotten a bit more of Jason Sudeikis.  Billie Lourde does stand out as a recurring character that’s constantly everywhere.  Overall, the story has a strong sense of inclusiveness and heart at its center adding depth to the raunchy romp.  It’s likely to join the list of the great coming of age movies much like Superbad.

A-

MOVIE REVIEW: JOHN WICK: CHAPTER 3 - PARABELLUM

After gunning down a member of the High Table -- the shadowy international assassin's guild -- legendary hit man John Wick finds himself stripped of the organization's protective services. Now stuck with a $14 million bounty on his head, Wick must fight his way through the streets of New York as he becomes the target of the world's most ruthless killers.

Director: Chad Stahelski

Cast: Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Anjelica Huston, Ian McShane

Release Date: May 17, 2019

Genres: Action, Crime, Thriller

Rated R for pervasive strong violence, and some language

Runtime: 2 h 10min

Review:

John Wick: Chapter 3 – Parabellum somehow finds a way to up the ante on the action franchise.  It’s dance like choreography of the action sequences are truly something to behold.  Here director Chad Stahelski delivers a bevy of action set pieces that are just as jaw dropping and as they are audacious.  It’s a cornucopia of variety as well which keeps the sequences from becoming stale or repetitive.  Keanu Reeves is at the center of the whole thing of course and in his usual Reeves way he moves the film along even with the barebones plot.  The plot itself is strangely complicated and simplistic at the same time.  The story does open up the world and mythology but rarely gets bogged down too much keeping the focus on the action that everyone has come to expect from the franchise.  If there is a slight issue, it’s that this entry seems slightly more tongue in cheek than the previous entries.  The villain is an interesting take which may or may not work depending on how serious you prefer your big bad.  Ultimately, it’s not a major miscalculation because the film as a whole is just a load of mindless fun.  The visuals and choreography are the stuff of popcorn fueled dreams.  The door is left open for another sequel which would have a high mile marker to surpass.    

A-

Cindy Prascik's Reviews of We Have Always Lived in the Castle & John Wick, Chapter 3: Parabellum

This weekend offered a home/cinema split double-bill of We Have Always Lived in the Castle and John Wick Chapter 3: Parabellum.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda, a Friday-night home screening of We Have Always Lived in the Castle.

The reclusive life of two sisters and their uncle is disrupted when a mysterious cousin turns up on their doorstep.

We Have Always Lived in the Castle is an atmospheric thriller that should be properly creepy but, sadly, it's just rather dull. The story crawls along at a snail's pace, sabotaging any hope of achieving a menacing tone, and dropping its big reveal like an Acme anvil on Wile E. Coyote's head. There are some nice performances from Taissa Farmiga, Alexandra Daddario, Crispin Glover, and especially Sebastian Stan, and the film looks absolutely stunning, but that can't save it from being a bore.

We Have Always Lived in the Castle runs 90 minutes and is unrated. (The movie features adult themes and some violence.)

We Have Always Lived in the Castle is a thriller that's just not very thrilling. Of a possible nine Weasleys, We Have Always Lived in the Castle gets three.

Fangirl points: Sebastian, darling, please stop making crap movies.

Next up, John Wick Chapter 3: Parabellum. Having been "excommunicated" for violating the sanctity of the Continental, John Wick finds himself on the run for his life, minus his support network.

When it comes to entertainment, a project being self-aware and being more than it has to be can be mutually-exclusive. Under normal circumstances, the best you can hope for is one or the other, but the John Wick franchise somehow manages to be both.

On the surface, John Wick is your garden-variety action series with a one-note lead, and you know what? It absolutely knows it's that. It is not pretentious in any way. It lets Keanu Reeves be Keanu Reeves. More than that, it absolutely *needs* Keanu Reeves to be Keanu Reeves. BUT...these films also boast some of the most exquisite production values you'll see on a big screen, masterful fight choreography, and crafty turns that almost never fail to surprise.

After taking out an enemy on the sacred ground of the Continental in Chapter 2, Chapter 3 finds John Wick in mortal peril and minus the network that, in the past, has provided his weapons, gadgets, intel, and safe haven. Amidst almost non-stop action, he finds exotic locales and new allies and adversaries in familiar faces such as Halle Berry and Jerome Flynn. Reeves is genuinely fantastic in the lead, perhaps not the best actor in the world, but the ONLY actor for this role. The movie finds its dry wit mostly in his deadpan reactions to extraordinary circumstances, and it always fits like a key in a lock, never forced or out of place. Parabellum maintains a terrific air of tension from beginning to end, though, if I have one small quibble this time around it's that some of the fight scenes do drag on a bit. They are beautifully and uniquely choreographed, but, with the movie running well clear of two hours, a trim here and there might have done it a favor. However, it's a very small complaint with a picture that otherwise is clever, engaging, and utterly glorious to behold.

John Wick, Chapter 3: Parabellum clocks in at 130 minutes and is rated R for "pervasive strong violence and some language."

Parabellum is another strong installment in a series that I truly hope goes on forever.

Of a possible nine Weasleys, John Wick, Chapter 3: Parabellum gets all nine.

Fangirl points: Ian McShane! Until next time...

MOVIE REVIEW: JOHN WICK: CHAPTER 2

Legendary hitman John Wick (Keanu Reeves) is once again called out of retirement, this time by a former colleague (Riccardo Scamarcio) who wants him to repay a debt by killing an Italian crime lord (Claudia Gerini). But when the attempted assassination goes awry, Wick finds himself hunted by an international cabal of killers, and his only hope for survival might be a shadowy figure known as the Bowery King (Laurence Fishburne). Director Chad Stahelski and screenwriter Derek Kolstad return for this sequel to their 2014 cult action hit. Ian McShane, Ruby Rose, John Leguizamo, Common, Lance Reddick, and Bridget Moynahan co-star. ~ Daniel Gelb, Rovi

Director: Chad Stahelski

Cast: Keanu Reeves, Common, John Leguizamo, Bridget Moynahan, Laurence Fishburne

Release Date: Feb 10, 2017

Rated R for Strong Violence Throughout, Some Language and Brief Nudity

Runtime: 2 hr. 2 min.

Genres: Action/Adventure, Suspense/Thriller

John Wick: Chapter 2 does everything a sequel should do by upping the action and expanding the world from the first film.  Chad Stahelski seems to have a firm understanding of what worked from the first film.  As such, we are treated to a virtual ballet of bullets during some impressively choreographed sequences.  The story opens up the network of hitmen and support system which is fun even though it’s ludicrous anyway you cut it.  Still, it’s a fun bit of world building that gives the story a neat frame work which introduces us to a wide variety of characters.  Keanu Reeves does his best work during the action sequences which is hardly a surprise.  Reeves has never been an acting powerhouse so it’s the film benefit that he’s got limited requirements as Wick.  The supporting players like Ian McShane, Common and Laurence Fishburne give the film a bit more body than it probably deserves.  The biggest stretch for the film is Ruby Rose who never really fits in.  It might have something to do with the fact that she looks more like a female Justin Bieber than any sort of menacing badass.  It’s not a major drawback because there are so many people trying to kill John Wick, it’s easy to get lost in the shuffle especially since nearly 90% of the population of New York is trained hitmen.  At certain points, the film does begin to suffer from attrition simply because there’s so much going on in the final act.  John Wick: Chapter 2 sets up the 3^rd entry nicely which should make for a fun capper to the series.  

B

Cindy Prascik's Reviews of John Wick: Chapter 2 & The Lego Batman Movie

Dearest Blog: Yesterday it was off to Marquee Cinemas for a highly-anticipated pair of pictures: John Wick: Chapter 2 and the Lego Batman Movie.

 

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

 

Ladies and gentlemen, dear reader(s), what follows is the historic, first-ever, perfect-nine-Weasley double-bill! Steel yourselves!

 

First on yesterday's agenda: John Wick: Chapter 2.

 

John Wick is dragged out of retirement when an old marker is called in.

 

The first John Wick was a pleasant surprise. With very little buzz and a not-quite-A-list lead, it turned out far better than the generic actioner promised by the trailers. Following up such unexpected success almost unfailingly leads to disaster, but I am pleased to report John Wick: Chapter 2 actually breaks the mold and improves upon the original.

 

Beginning with the obvious: Keanu Reeves has found the role for which he was born. Sure, the guy has all the acting chops of "Shepherd #3" in your local elementary-school Christmas pageant, but he's given us a few iconic leads over his long career, and John Wick seems destined to become one of his best remembered. Reeves works even the film's corniest lines to perfection and still manages to be the perfect stoic killing machine. A solid supporting cast includes Ian McShane, Common, Laurence Fishburne, and the suddenly-ubiquitous Ruby Rose. John Wick: Chapter 2 boasts epic fight choreography, a dark humor that always hits its mark, and stellar production design. A shootout in a hall of mirrors is a real standout, along the lines of the original's red room scene. The extraordinary body count undoubtedly renders a picture like this not everyone's cup of tea, but if you're able to set aside genre bias, you'll have to admit John Wick: Chapter 2 is one hell of a great movie.

 

John Wick: Chapter 2 clocks in at 122 minutes and is rated R for "strong violence throughout, some language, and brief nudity."

 

John Wick: Chapter 2 is a strikingly filmed, beautifully executed movie that's well served by its self-awareness. I pondered long and hard, looking for a reason to dock it even a half-Weasley, and I couldn't find one. Of a possible nine Weasleys, John Wick: Chapter 2 gets nine.

 

Fangirl points: My beloved Ian McShane! Peter Serafinowicz!

 

Next on the docket, The Lego Batman Movie.

 

The Bat goes brick.

 

The Lego Batman Movie has all the sharp colors, cool artwork, and constant motion that are hallmarks of most good animation these days, but considering it a kids' movie does it a great disservice; it is straight-up comedy gold, and I mean hilarious. I can't remember the last time I heard a cinema crowd laugh as hard or as much. The movie lovingly makes fun of the Bat-verse, from Will Arnett's sulking, self-centered Bruce Wayne to hilarious callbacks to various film faceoffs with his arch-nemesis the Joker. If Gotham's Clown Prince isn't your favorite baddie, never fear, the Lego Batman Movie not only features many of Batman's classic enemies, but cameos by villains from the furthest reaches of fiction. A rockin' score by Lorne Balfe occasionally echoes past Batman themes, underlining the movie's nods to Bat-history, while standing firmly on its own Lego feet.

 

The Lego Batman Movie runs 104 minutes and is rated PG for "rude humor and some action."

 

The Lego Batman Movie is everything a moviegoer could want, be he die-hard Batfan or casual walkup. 

 

Of a possible nine Weasleys, The Lego Batman Movie gets nine.

 

Fangirl points: "Iron Man sucks!"

 

Until next time...

Cindy Prascik's Reviews of The Book of Life & John Wick

Dearest Blog, yesterday I talked myself into a double bill for which I had zero enthusiasm: The Book of Life and John Wick. Hoping for at least one pleasant surprise, off to the cinema I went.

Spoiler level here will be mild, nothing you wouldn't know from the trailers.

First on my agenda was the animated feature The Book of Life.

Torn between his own dreams and his family's expectations, a young man fights for the woman he loves...in the worlds of the living and of the dead.

Dear reader(s), I was pretty excited at the prospect of an animated movie based on the Day of the Dead, anticipating a fascinating tale told with beautiful art. Then I saw a trailer and...um...okay, sometimes a ho-hum trailer isn't really a fair indicator of a movie's quality, right? Unfortunately...
The Book of Life represents one of the worst afternoons I've ever spent at the movies. I can't remember the last time I was this bored with a picture, and if I hoped the art and animation might compensate for some of the story's flaws, well, I hoped in vain. I'm not saying the movie doesn't have some beautiful illustrations and eye-popping colors, but, for the most part, it's sub-par and even ugly at times (specifically, characters with long, warty noses...what's up with that??).

The notable exceptions are the characters who rule over the Lands of the Remembered and the Forgotten, La Muerte and Xibalba, both of which are stunning. The leading voice talent--Diego Luna, Channing Tatum, and Zoe Saldana--all mail it in, none seemingly having even the slightest interest in the proceedings. The alleged humor is puerile and flat, I don't think I laughed even once.

In the interest of full and fair disclosure, I'll admit my experience was not at all enhanced by the mother sitting next to me who texted for the literally the entire movie, and another behind me who allowed her small child to cry and talk loudly throughout, apparently never considering that taking him outside would be more appropriate than letting him ruin the movie for everyone else.

Still, I was bored enough to know I wouldn't have liked this much better even if I'd had the place to myself.

The Book of Life runs the longest 95 minutes ever, and is rated PG for "mild action, rude humor, some thematic elements, and brief scary images." (For my money, the imagery alone is entirely too scary for smaller children.)

Of a possible nine Weasleys, The Book of Life gets one.

If you're looking for some quality seasonal animation to share with your children, please go out and grab a copy of It's the Great Pumpkin, Charlie Brown! or The Nightmare Before Christmas instead.

Next on the docket was John Wick.

Keanu Reeves stars as a former hitman who comes out of retirement to take revenge on those who took what was most precious to him.

Since the John Wick trailer divulges that the baddies kill Wick's dog, a final gift from his deceased wife, that is not a spoiler for purposes of this review.

It does, however, break my cardinal rule of movies and TV, which is: kill all the humans you want, but leave the dog alone. The movie doesn't linger on the event itself, and it is the catalyst for basically everything else that happens, so I'll have to give the filmmakers a reluctant pass on this one.

John Wick is the pleasant surprise for which I'd hoped yesterday, a fun actioner that is smart enough to know what it is and to not wear out its welcome.

Keanu Reeves is, as always, an engaging lead. Nevermind he's kind of a terrible actor, I love him in everything and someone else must too, given the fact that he continues to find regular work. Williem Dafoe has a terrific supporting turn as one of Wick's old business acquaintances, and the movie is so much the better for a brief appearance by the magnificent Ian McShane.

The rest of the supporting cast is a veritable who's who of "that guy who was in that thing"--oh, hey, Mayhem and Sammy Winchester's girlfriend and Theon Greyjoy!!

The action is strong and bloody and thoroughly entertaining. Fast cars and big shoot-em-ups keep the film moving at a slick pace, never leaving the viewer too much time to consider how baddies always wait their turn when they outnumber the hero in hand-to-hand combat. John Wick has all the striking visuals I was looking for in The Book of Life--MAJOR kudos for cinematography, production design, and art direction--and a super score that sets a perfect tone every step of the way.

John Wick is rated R for "strong and bloody violence throughout, language and brief drug use."
It may not have been one of the more anticipated titles of 2014, but John Wick is definitely one of the most pleasant surprises. Of a possible nine Weasleys, John Wick gets six and a half.

Until next time...

100% certified badass!

MOVIE REVIEW: JOHN WICK

An ex-hitman comes out of retirement to track down the gangsters that took everything from him.
Director: David Leitch, Chad Stahelski.

Cast: Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Release Date: Oct 24, 2014

Rated R for strong and bloody violence throughout, language and brief drug use 

Runtime: 1 hr. 36 min. 

Genres: Action, Thriller 

Review:

John Wick is a movie we’ve all seen countless times before.  The plot is paper thin, the characters are one dimensional and the story never surprises you.  So why is this movie so much fun?  Keanu Reeves is a stoic man of action who carries the film through some of the dead spots and excels in the awesome action sequences.  Those action sequences are wonderfully choreographed ballets of mayhem, reminiscent of classic Hong Kong shoot em ups.   Additionally, the film has a wonderful sense of humor.  Regardless of the body count, it never takes it’s self overly serious.  It’s the perfect kind of B movie that easily digestible and never loses track of what it’s there to do.    

B